Senior marketing executive at Vintage UK Carmella Lowkis‘s SPITTING GOLD, a queer historical debut, set in 19th-century Paris, following two sisters—on the outside, gifted mediums, but in reality, astute con-artists—and when they reunite for one last con at an aristocratic family’s old estate, they begin to question whether they really are at the mercy of a vengeful spirit, and wonder just what other deep, dark secrets the family are hiding, to Loan Le at Atria, in a good deal, in a pre-empt, in a two-book deal, by Ginger Clark at Ginger Clark Literary, on behalf of Rachel Neely at Mushens Entertainment (NA).
Author of THE CHARM OFFENSIVE Alison Cochrun‘s HERE WE GO AGAIN, a queer road trip rom-com in which two childhood best friends-turned-rivals team up to help fulfill their former teacher’s dying wish by driving him across the country—only to end up wildly off course, to Kaitlin Olson at Atria, in a two-book deal, for publication in spring 2024, by Bibi Lewis at Ethan Ellenberg Agency (world).
Charlie Castelletti writing as C. A. Castle‘s THE MANOR HOUSE GOVERNESS, pitched as a love letter to the British Classics—and particularly JANE EYRE—in which a young, queer, nonbinary teacher takes a job as a governess for an eccentric family and becomes swept up in the family’s tangled past while also navigating an inconvenient attraction to his employer’s adult son, to Jess Verdi at Alcove Press, for publication in fall 2023, by Caroline Eisenmann at Frances Goldin Literary Agency (world, excl. UK).
Essayist and author of Lambda Literary Award Finalist SOME HELL Patrick Nathan‘s THE FUTURE WAS COLOR, about a gay Hungarian immigrant working as a studio hack writing monster movies in 1950s Los Angeles, facing the McCarthy-era studio system filled with possible Communists, spies, and the life of closeted men along Sunset Boulevard, whose friendship with a famous actress unlocks memories of his postwar life in Manhattan, pitched as a narrative mix of GODS AND MONSTERS and Eve Babitz, spanning from sun-drenched Los Angeles, to corners of working-class New York, to a virtuosic climax in the Las Vegas desert, to Dan Smetanka at Counterpoint, in a nice deal, for publication in 2024, by Erik Hane at Headwater Literary Management (world English).
Authors of THE VERY NICE BOX Laura Blackett and Eve Gleichman‘s TRUST & SAFETY, about a newlywed straight couple who leave NYC in an attempt to buy their way into a “wild and precious” existence in the Hudson Valley, where they encounter—and quickly become entangled with—a queer couple living the dream analog life; examining questions of authenticity, betrayal, paternity, and entitlement, while poking fun at contemporary fear of the “gay agenda,” moving with Pilar Garcia-Brown at Dutton, by Faye Bender at The Book Group (NA).
Colombian poet Fatima Velez‘s GALAPAGOS, following a group of bohemian artists who are dying of AIDS as they embark on a final voyage through the Galapagos islands, their decaying bodies cloaked in the skins of their dead; a lyrical novel in which the alliance between female and queer male bodies is deeply fraught, and the intersection of AIDS and motherhood are interrogated in love, friendship, and abjection, to Deborah Ghim at Astra House, in a pre-empt, for publication in fall 2024, by Maria Lynch at Casanovas & Lynch Agency (world English).
Elaine Tipping‘s PATHWAYS: CHRONICLES OF TUVANA, a queer fantasy epic graphic novel that takes place in a world under siege by an ancient empire bent on restoring its perceived rightful control, following a small band of characters and the journey they take to become heroes, pitched as perfect for fans of Lord of the Rings, The Adventure Zone, and Monstress, to Brett Israel at Dark Horse, in a three-book deal, for publication in fall 2024, by Claire Draper at The Bent Agency (world English).
Sex and culture critic Ella Dawson‘s THE REUNION, about a burned-out bisexual young woman who attends her five-year college reunion only to encounter her estranged chosen family, old demons, and the ex she maybe shouldn’t have walked away from, to Maya Ziv at Dutton, in a pre-empt, by Jamie Carr at The Book Group (NA).
Author of NEVER BEEN KISSED and YOU’RE A MEAN ONE MATHEW PRINCE Timothy Janovsky‘s THE GAMES WE PLAY, a queer romance where a man auditions for a Supermarket Sweep-style reality show with a fake boyfriend following a breakup and falls head-over-heels in the process, to John Jacobson at Harlequin Desire, in a three-book deal, by Samantha Fabien at Root Literary.
Author of the Lambda Award-winning THE SAVAGE KIND and the Macavity Award-winning DODGING AND BURNING John Copenhaver‘s HALL OF MIRRORS, the second book in the Nightingale Trilogy, pitched as a twist on the traditional noir exploring LGBTQ issues, race, and corruption during Eisenhower Era DC, in which the suspicious death of a famous mystery author forces the tenacious heroines of THE SAVAGE KIND to face difficult truths about themselves amid the darkest days of McCarthyism and the Lavender Scare, to Claiborne Hancock at Pegasus Crime, by Annie Bomke at Annie Bomke Literary Agency.
Author of PAPER IS WHITE Hilary Zaid’s FORGET I TOLD YOU THIS, about a queer artist who, while toiling away in obscurity, stumbles into a scheme to upend a social media giant gone berserk, to Courtney Ochsner at University of Nebraska Press, in a nice deal, for publication in September 2023 (world).
Karelia Stetz-Waters and wife Fay Stetz-Waters’s SECOND NIGHT STAND, about a high-strung former ballerina and a burlesque dancer who have a memorable one night stand on a lesbian cruise and then meet again when their dance companies make the cut on a reality TV show, to Madeleine Colavita at Forever Yours, by Jane Dystel at Dystel, Goderich & Bourret (NA).
Jane Kindred’s MASTER OF THE GAME, the third book in the queer Demons of Elysium series, set in a Russian-inspired heaven, to Rachel Haimowitz at Riptide Publishing, in an exclusive submission, for publication in 2023, by Sara Megibow at kt literary.
Rae Valtera’s HER DARK GRACE, in which a woman, in a queer-normative world of magic, battles gods who despise having a shadow-marked rule their realm, and in order to survive the gods’ wrath, she must find allies among those who sanctioned the killing of her kind, to Brittany Weisrock at Lake Country Press, for publication in fall 2025 (US).
Children’s Fiction
National Jewish Book Award winner Nancy Churnin‘s picture book THE RAINBOW BRIGADE, pitched as inspired by true events, the story of kids who stood against hate and rallied their neighborhood together to support a lesbian couple whose pride flag and home were vandalized, illustrated by Izzy Evans, to Naomi Krueger at Beaming Books, for publication in spring 2024, by Karen Grencik at Red Fox Literary for the author, and by Lucie Luddington at The Bright Group for the illustrator (world).
Young Adult Fiction
Debut author Anthony Nerada‘s SKATER BOY, a queer spin on an Avril Lavigne classic that follows resident a bad boy and his star-crossed romance with a ballet dancer, to Alexa Wejko at Soho Teen, for publication in spring 2024, by Rena Rossner at Deborah Harris Agency (NA).
Author of SPIN ME RIGHT ROUND David Valdes‘s FINDING MY ELF, a queer rom-com about a boy who’s trying to find the “the one” and also trying to find himself while spending winter break working at a hectic Santa’s Village, to Stephanie Guerdan at Harper Teen, for publication in fall 2023, by Annie Bomke at Annie Bomke Literary Agency (world).
Lambda finalist author of CAMP Lev Rosen’s EMMETT, pitched as a queer contemporary take on Jane Austen’s Emma, to Alvina Ling at Little, Brown Children’s, for publication in fall 2023, by Joy Tutela at David Black Literary Agency (world).
Author of MANU Kelly Fernandez‘s PRINCE FELIX AND LA PLUMA MAGIA, a queer YA romantic adventure featuring a prince who receives a magical feather from the bird of many colors and is led to a hunter instead of a princess, to Cassandra Pelham Fulton at Graphix, in a good deal, in an exclusive submission, in a two-book deal, for publication in fall 2024, by Tanya McKinnon at McKinnon Literary (world).
Leslie Vedder‘s THE CURSED ROSE, the third and final book in her debut LGBTQ+ fantasy trilogy that began with THE BONE SPINDLE, pitched as a gender-flipped retelling of Sleeping Beauty meets Indiana Jones, in which a cursed treasure hunter and an axe-wielding huntswoman must team up in the treasure hunt of a lifetime to save a lost prince—and now the kingdom, to Ruta Rimas at Razorbill, for publication in early 2024, by Carrie Hannigan and Ellen Goff at HG Literary (NA).
Erin Baldwin‘s debut WISH YOU WERE(N’T) HERE, pitched as THE HATING GAME for teens, a f/f rom-com following childhood rivals who are forced to be summer camp cabin mates and must decide what they want more: to kill each other, or to kiss, to Aneeka Kalia at Viking Children’s, in a good deal, in a pre-empt, in a two-book deal, for publication in summer 2024, by Lauren Spieller at TriadaUS Literary Agency (world English).
Emily Riesbeck and Bayleigh Underwood‘s LUCKY 555, a queer sci-fi YA graphic novel pitched as The Expanse meets Paper Girls, where the citizens of the sky resign themselves to a slow, miserable decline, and a self-centered orphan teen meets a stowaway android who is hiding a secret that could turn the sky upside down, but her wealthy and domineering father won’t let her—or his secret—go that easily, to Charlotte Greenbaum at Amulet, in a two-book deal, for publication in spring 2024, by Claire Draper at The Bent Agency (world).
Nita Tyndall‘s HAVE YOU SEEN THIS GIRL, a thriller about a North Carolina teen whose father is a notorious imprisoned serial killer, and when another girl is murdered, and signs point to the girl they love being next, they’ll have to confront their father as well as the ghosts that haunt them, to Stephanie Stein at Harper Teen, for publication in winter 2024, by Eric Smith at P.S. Literary Agency (world English).
Author of BEAUTY AND THE BESHARAM Lillie Vale‘s HIT ME WITH YOUR BEST CHARM, a sapphic paranormal adventure pitched as YA THE EX HEX by way of Casey McQuiston, where a skeptic accidentally hexes her romantic rival (and secret crush) with dangerous bad luck and must team up with her rival’s exes on a quest to undo the damage she’s done, to Dana Leydig at Viking Children’s, for publication in fall 2024, by Jessica Watterson at Sandra Dijkstra Literary Agency (world English).
Non-Fiction
Dr. Angelo Robinson PhD’s NOT THE BOY FOR YOU, using both literary and epistolary forms to chart the author’s journey to unapologetic wholeness as young, Black, and gay in the 1960s South and finding internal acceptance after being rejected from all sides via country, culture, family, and religion, while examining the complex reality of how the Black male body has been perceived, exploited, and explored through the lens of James Baldwin’s political and narrative thought, to Alicia Sparrow at Chicago Review Press, for publication in fall 2023 (world).
Poet, director, and songwriter W.J. Lofton‘s SUE CITY, a memoir of the author’s childhood experience of family separation via Chicago’s foster care system, the bond that persevered between him and his sister Willette as they relocated to the South, his discovery of his queer identity, and his development as a young Black queer artist, to Catherine Tung at Beacon Press, by Kent Wolf at Neon Literary (world).
Mark Jason Williams and Amy Scher‘s untitled LGBTQIA-focused travel guide, highlighting inclusive destinations around the world, with itineraries that highlight what to do, where to go, what to see, where to stay, what to eat, and more, to Allyson Johnson at National Geographic, in a pre-empt, by Steve Harris at CSG Literary Partners (world).
Please note that this post only includes titles etc. not included in earlier Bi Visibility Day posts. (Exception made for books posted without a cover last year or whose pub dates significantly changed since last posting.) For even more bi goodness, make sure to check earlier Bi Visibility Day posts!
Eighth-graders Evelyn and Allie are in trouble. Evelyn’s constant need for perfection has blown some fuses among her robotics teammates, and she’s worried nobody’s taking the upcoming competition seriously. Allie is new to school, and she’s had a history of short-circuiting on teachers and other kids.
So when Allie is assigned to the robotics team as a last resort, all Evelyn can see is just another wrench in the works! But as Allie confronts a past stricken with grief and learns to open up, the gears click into place as she discovers that Evelyn’s teammates have a lot to offer—if only Evelyn allowed them to participate in a role that plays to their strengths.
Can Evelyn learn to let go and listen to what Allie has to say? Or will their spot in the competition go up in smoke along with their school’s robotics program and Allie’s only chance at redemption?
Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.
Except it’s all fake.
Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the façade.
But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.
When Harleen Quinzel scores an internship in a psych lab at Gotham University, she’s more than ecstatic; she’s desperate to make a Big Scientific Discovery that will land her a full-ride college scholarship and get her away from her abusive father. But when Harleen witnesses the way women are treated across STEM departments–and experiences harassment herself–she decides that revenge and justice are more important than her own dreams.
Harleen finds her place in an intoxicating vigilante girl gang called the Reckoning, who creates chaos to inspire change. And when Harleen falls for another girl in the gang, it finally seems like she’s found her true passions. But what starts off as pranks and mischief quickly turns deadly as one of the gang members is found murdered–and a terrifying conspiracy is uncovered that puts the life Harleen has worked so hard for at stake. Will she choose her future–or will she choose revenge?
Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with.
Luckily, Quique’s prospects are each intriguing in their own ways. There’s stoner-jock Tyler Montana, who might be just as interested in Fabiola as he is in Quique; straitlaced senior class president, Ziggy Jackson; and Manny Zuniga, who keeps looking at Quique like he’s carne asada fresh off the grill. With all these choices, Quique is sure to forget about Saleem in no time.
But as the summer heats up and his deep-seated fears and anxieties boil over, Quique soon realizes that getting over one guy by getting under a bunch of others may not have been the best laid plan and living his truth can come at a high cost.
Fallon and Chloe used to be best friends. But last summer, the girls hooked up right before Chloe left for college, and after a series of misunderstandings, they aren’t even speaking to one another. Now, a year later, Chloe’s back home from school, and Fallon is doing everything in her power to avoid her. Which is especially difficult because their moms own a business together—a gourmet ice cream truck where both girls work.
But when their moms have the opportunity to make a presentation to some venture capitalists in Texas—something that could seriously expand their business and solve all their money problems to boot—it’s up to Fallon to work a series of food truck festivals across the country. But she can’t do it alone, and Chloe is the only one available to help. As tensions heat up again between the two girls, will Fallon be able to keep her cool?
Growing up in Texas’s Rio Grande Valley, Maggie Gonzalez has always been a little messy, but she’s okay with that. After all, she has a great family, a goofy group of friends, a rocky romantic history, and dreams of being a music photographer. Tasked with picking an escort for her little sister’s quinceañera, Maggie has to face the truth: that her feelings about her friends—and her future—aren’t as simple as she’d once believed.
As Maggie’s search for the perfect escort continues, she’s forced to confront new (and old) feelings for three of her friends: Amanda, her best friend and first-ever crush; Matthew, her ex-boyfriend twice-over who refuses to stop flirting with her, and Dani, the new girl who has romantic baggage of her own. On top of this romantic disaster, she can’t stop thinking about the uncertainty of her own plans for the future and what that means for the people she loves.
As the weeks wind down and the boundaries between friendship and love become hazy, Maggie finds herself more and more confused with each photo. When her tried-and-true medium causes more chaos than calm, Maggie needs to figure out how to avoid certain disaster—or be brave enough to dive right into it.
As an avid watcher of K-dramas, Hana knows all the tropes to avoid when she finally lands a starring role in a buzzy new drama. And she can totally handle her fake co-star boyfriend who might be falling in love with her. After all, she promised the producers a contract romance, and that’s all they’re going to get from her.
But when showrunners bring on a new girl to challenge Hana’s role as main love interest—and worse, it’s someone Hana knows all too well—can Hana fight for her position on the show while falling for her on-screen rival in real life?
I Know What You Did Last Summer meets The Haunting of Hill House in this atmospheric, eerie teen thriller following an estranged group of friends being haunted by their friend who died last summer.
Emily Joiner was once part of an inseparable group—she was a sister, a best friend, a lover, and a rival. Summers without Emily were unthinkable. Until the fire burned the lake house to ashes with her inside.
A year later, it’s in Emily’s honor that Chelsea and her four friends decide to return. The house awaits them, meticulously rebuilt. Only, Chelsea is haunted by ghostly visions. Loner Ryan stirs up old hurts and forces golden boy Chase to play peacemaker. Which has perfect hostess Kennedy on edge as eerie events culminate in a stunning accusation: Emily’s death wasn’t an accident. And all the clues needed to find the person responsible are right here.
As old betrayals rise to the surface, Chelsea and her friends have one night to unravel a mystery spanning three summers before a killer among them exacts their revenge.
Flight 133 disappeared over the ocean. No wreckage. No distress signal. Just gone.
Suddenly, everyone on the news and social media is talking about whether the pilot intentionally crashed it—everyone but me. Because I know her. The pilot was my mom, and there’s no way she would hurt anyone. No one else knows that before she left, she wrote me a note. Trust me, it said.
Now it feels like someone split my world—and me—in two, and the only person who believes me is Landon. I want to trust him, to let him see who I really am, but I can’t. I have my secrets, the same way Mom has hers. All I know is falling for him will only make things more complicated.
Just as I start to open up, the answer to what really happened to Flight 133 could rip my world apart all over again—for good this time.
TRAGIC by Dana Mele (Text) and Valentina Pinti (Illustrations)
In a contemporary re-telling of Shakespeare’s Hamlet, TRAGIC follows the 17 year-old Harper Hayes as she unravels the mystery and grief surrounding her father’s death.
After her father Hamilton Hayes dies a mysterious and tragic death, Harper Hayes is convinced that he was murdered and her first suspect is her uncle Clayton, who has been sleeping with her mother, Greta. With the help of her ex-girlfriend Talia and her best friend (sometimes with benefits) Holden, Harper is determined to find her father’s killer. But when Caius, Talia’s father and Hamilton’s business partner, is found dead, Harper realizes the answer to Hamilton’s murder is more complicated than she had initially realized. And when Harper starts seeing his ghost in the form of a teenage Hamlet everywhere and slipping into hallucinations of his murder that end with blood on her hands, one thing becomes clear—in order to uncover the truth about what happened to her father, Harper has to confront her own demons and ones that haunt the Hayes family.
Holly Liddell has been stuck with crimped hair since 1987 when she agreed to let her boyfriend, Elton, turn her into a vampire. But when he ditches her at a gas station a few decades into their eternity together, she realizes that being young forever actually means working graveyard shifts at Taco Bell, sleeping in seedy motels, and being supernaturally compelled to follow your ex from town to town—at least until Holly meets Elton’s other exes.
It seems that Holly isn’t the only girl Elton seduced into this wretched existence. He turned Ida in 1921, then Rose in 1954, and he abandoned them both before Holly was even born. Now Rose and Ida want to kill him before he can trick another girl into eternal adolescence, and they’ll need Holly’s help to do it. And once Holly starts falling for Elton’s vulnerable new conquest, Parker, she’ll do anything to save her.
To kill Elton for good, Holly and her friends will have to dig up their pasts, rob a bank, and reconcile with the people they’ve hurt in their search for eternal love. And to win the girl, Holly will have to convince Parker that she’s more than just Elton’s crazy ex—even though she is trying to kill him.
Seventeen-year-old Carter Harper may have created an award-winning iPhone app and have a 3.93 GPA, but her successes are overshadowed by brutal bullying, debilitating depression, and biting loneliness. Tired of being treated as the popular girls’ plaything, Carter hatches a plan to gain their respect, and maybe even gain a bit of popularity of her own. When that doesn’t work, she thinks her only choice is to die by suicide.
Abby Wallace is a member of “the POPS” (the Petty, Oppressive, and Popular Shitbags, according to Carter)—subordinate only to Kelsey, her best friend with benefits. The ambitious poet destroys reputations without care—especially Carter’s—to prove how cool, cruel, and strong she is, all while pushing down her past trauma and secret guilt. But she faces an unexpected adversary when Kelsey tries to make Carter her new pet project. Angry and betrayed, Abby pushes Carter to the edge—facing consequences she never could have imagined.
Carter and Abby’s tumultuous relationship comes to a boiling point when Abby stops Carter from attempting suicide. But what happens when their shared enemy tries to come for them both again, and they end up in the unfortunate position of trying to protect one another? If Carter and Abby can stand each other for more than three minutes, they can stop Kelsey’s court of misrule from harming more girls.
(This is the UK edition. It will be published in the US on May 23, 2023 and can be preordered via Bookshop.)
Elsie has a crush on Ada, the only person in the world who truly understands her. Unfortunately, they’ve never met in real life and Ada lives an ocean away. But Elsie has decided it’s now or never to tell Ada how she feels. That is, until her long-lost best friend Joan walks back into her life.
In a summer of repairing broken connections and building surprising new ones, Elsie realises that she isn’t nearly as alone as she thought. But now she has a choice to make…
When her siblings start to go missing, a girl must confront the dark thing that lives in the forest – and the growing darkness in herself – in this debut YA contemporary fantasy for fans of Wilder Girls.
Derry and her eight siblings live in an isolated house by the lake, separated from the rest of the world by an eerie and menacing forest. Frank, the man who raised them after their families abandoned them, says it’s for their own good. After all, the world isn’t safe for people with magic. And Derry feels safe – most of the time.
Until the night her eldest sister disappears. Jane and Derry swore to each other that they’d never go into the forest, not after their last trip ended in blood, but Derry is sure she saw Jane walk into the trees. When another sibling goes missing and Frank’s true colors start to show, feeling safe is no longer an option. Derry will risk anything to protect the family she has left. Even if that means returning to the forest that has started calling to Derry in her missing siblings’ voices.
As Derry spends more time amidst the trees, her magic grows more powerful…and so does the darkness inside her, the viciousness she wants to pretend doesn’t exist. But saving her siblings from the forest and from Frank might mean embracing the darkness. And that just might be the most dangerous thing of all.
It’s 2011: America is in a deep recession and Occupy Wall Street is escalating. But at the elite Wrynn College of Art, students paint and sculpt in a rarified bubble. Louisa Arceneaux is a thoughtful, observant nineteen-year-old when she transfers to Wrynn as a scholarship student, but she soon finds herself adrift in an environment that prizes novelty over beauty. Complicating matters is Louisa’s unexpected attraction to her charismatic roommate, Karina Piontek, the preternaturally gifted but mercurial daughter of wealthy art collectors. Gradually, Louisa and Karina are drawn into an intense sensual and artistic relationship, one that forces them to confront their deepest desires and fears. But Karina also can’t shake her fascination with Preston Utley, a senior and anti-capitalist Internet provocateur, who is publicly feuding with visiting professor and political painter Robert Berger—a once-controversial figurehead seeking to regain relevance.
When Preston concocts an explosive hoax, the fates of all four artists are upended as each is unexpectedly thrust into the cutthroat New York art world. Now, all must struggle to find new identities in art, in society, and amongst each other. In the process, they must either find their most authentic terms of life—of success, failure, and joy—or risk losing themselves altogether.
With her career as a Los Angeles event planner imploding after a tabloid blowup, Morgan Ross isn’t headed home for the holidays so much as in strategic retreat. Breathtaking mountain vistas, quirky townsfolk, and charming small businesses aside, her hometown of Fern Falls is built of one heartbreak on top of another . . .
Take her one-time best friend turned crush, Rachel Reed. The memory of their perfect, doomed first kiss is still fresh as new-fallen snow. Way fresher than the freezing mud Morgan ends up sprawled in on her very first day back, only to be hauled out via Rachel’s sexy new lumberjane muscles acquired from running her family tree farm.
When Morgan discovers that the Reeds’ struggling tree farm is the only thing standing between Fern Falls and corporate greed destroying the whole town’s livelihood, she decides she can put heartbreak aside to save the farm by planning her best fundraiser yet. She has all the inspiration for a spectacular event: delicious vanilla lattes, acoustic guitars under majestic pines, a cozy barn surrounded by brilliant stars. But she and Rachel will ABSOLUTELY NOT have a heartwarming holiday happy ending. That would be as unprofessional as it is unlikely. Right?
No dating. That’s longtime divorcée Gina Kersey’s rule, and she’s sticking to it. Comfortably settled in her hometown of Clover Hill, she’d rather play board games than risk getting played herself. For company, she has her beloved if slightly meddlesome Great Aunt… who’s somehow made Gina promise to break her rule. She has to ask someone out. On a date. Maybe she could skip town instead?
Outgoing video game translator Marek Haas flew across the country to pick up the sports car of his teenage dreams—to celebrate getting over a breakup from the absolute worst boyfriend, not because he’s having a midlife crisis at thirty-five. In his automotive fantasies, though, the car didn’t break down in the middle of small-town nowhere.
Marek’s not a damsel in distress, but when Gina comes to his rescue on the side of the road, she can’t believe her luck. He’s handsome, charming, and most importantly, just passing through. Promise, meet loophole! When he turns out to be adorably nerdy as well, they skip drinks at the pub for a fun-filled night in Gina’s bed.
The problem? Marek’s vintage car needs parts the garage doesn’t have, so he’s stuck until they’re found. Meaning every time Gina turns around, her hot one night stand is still in her town, being all cute and friendly and sometimes taking his shirt off. Even worse, he seems to be falling for Clover Hill… and Gina might be falling for him.
Can Gina overcome her fears and take a chance on a geeky sweetheart who makes her weak at the knees, or will their unforgettable one night stand end up as nothing more than a memory?
Feyi Adekola wants to learn how to be alive again.
It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.
She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?
Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape — and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semi-documentary movie, which follows the girls’ violent fight club, a real-life feminist re-purposing of the classic.
As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes increasingly troubled by how deeply Caroline is manipulating the teens in the name of art. When a girl goes missing, Cass must reckon with her own ambitions and ask herself: in the pursuit of fame, how do you know when you’ve gone too far?
Thanks to her thriving art career, Miriam Blum finally has her decoupaged glitter ducks in a row—until devastating news forces her to a very unwanted family reunion. Her beloved great-aunt Cass has passed and left Miriam part-owner of Carrigan’s, her (ironically) Jewish-run Christmas tree farm.
But Miriam’s plans to sit shiva, avoid her parents, then put Carrigan’s in her rearview mirror are spoiled when she learns the business is at risk of going under. To have any chance at turning things around, she’ll need to work with the farm’s grumpy manager—as long as the attraction sparking between them doesn’t set all their trees on fire first.
Noelle Northwood wants Miriam Blum gone—even if her ingenious ideas and sensitive soul keep showing Noelle there’s more to Cass’s niece than meets the eye. But saving Carrigan’s requires trust, love, and risking it all—for the chance to make their wildest dreams come true.
When Cassie Klein goes to an off-campus bar to escape her school’s Family Weekend, she isn’t looking for a hookup―it just happens. Buying a drink for a stranger turns into what should be an uncomplicated, amazing one-night stand. But then the next morning rolls around and her friend drags her along to meet her mom―the hot, older woman Cassie slept with.
Erin Bennett came to Family Weekend to get closer to her daughter, not have a one-night stand with a college senior. In her defense, she hadn’t known Cassie was a student when they’d met. To make things worse, Erin’s daughter brings Cassie to breakfast the next morning. And despite Erin’s better judgement―how could sleeping with your daughter’s friend be anything but bad?―she and Cassie get along in the day just as well as they did last night.
What should have been a one-time fling quickly proves impossible to ignore, and soon Cassie and Erin are sneaking around. Worst of all, they start to realize they have something real. But is being honest about the love between them worth the cost?
For Astrid Parker, failure is unacceptable. Ever since she broke up with her fiancé a year ago, she’s been focused on her career—her friends might say she’s obsessed, but she’s just driven. When Pru Everwood asks her to be the designer for the Everwood Inn’s renovation that will be broadcasted on a popular home improvement show, Innside America, Astrid knows this is the answer to everything that is wrong with her life. It’ll be the perfect distraction from her failed love life, and her perpetually displeased mother might finally give her nod of approval.
However, Astrid never planned on Jordan Everwood, Pru’s granddaughter and lead carpenter for the inn’s renovation, who despises every modern design decision Astrid makes. Jordan is determined to preserve the history of her family’s inn, particularly as the rest of her life is in shambles. When that determination turns into a little light sabotage, ruffling Astrid’s perfect little feathers, the showrunners ask them to play up the tension. But somewhere along the way, their dislike for each other turns into something quite different, and Astrid must decide what success truly means. Is she going to pursue the life that she’s expected to lead, or the one she wants?
What’s more important? Knowing the truth or keeping the peace?
The summer of her senior year, seventeen-year-old Avery Anderson finds herself uprooted from her life in DC and moved into the hostile home of her terminally ill grandmother, Mama Letty. The tension between her mom and Mama Letty makes for an unwelcoming arrival and unearths some family drama they refuse to talk about. Everytime Avery tries to look deeper, they turn her away, leaving her desperate to learn the secrets that split her family in two.
Where Mama Letty is cantankerous and closed off, Avery finds friendship in some unexpected places: in Simone, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family— whose mother’s murder remains unsolved.
But as the three girls grow closer—Avery and Simone’s friendship blossoming into something more—the sharp-edged opinions of their small southern town start to hint at something more insidious underneath. Turning to Mama Letty for answers only result in more questions, uncovering decades-old secrets that have been brewing for generations, exposing the towns racist history and threatening to topple the new life Avery’s built in Bardell County, Georgia.
It’s been two years since Maya dumped her cheating ex-boyfriend Jordy, and she still can’t escape him: his sister married the crown prince of a minor European country, and in the lead up to the wedding he captured hearts globally as the eligible younger brother. So, when Maya receives an invitation to be a contestant on Second Chance Romance, a new reality show in which the now-famous Jordy will re-date his ex-girlfriends in an effort to find “the one that got away,” she isn’t interested…that is, until she realizes she can use this opportunity to exact her revenge. If she can make it to the finale, she can reject Jordy and publicly break his heart. As far as Maya’s concerned, it’s payback with interest: just what a guy like Jordy deserves.
But when she gets to the set, she’s confronted with the one person she hasn’t accounted for: Skye, the beautiful, charismatic girl Jordy cheated on Maya with. How is she supposed to live with this girl for six weeks? Sharing bunkbeds, for crying out loud?
Except, of course, there’s more to Skye than she lets most people see. Skye has her own reasons for being careful with her heart, and might be more willing to take Maya’s side than it initially seems. If they can sustain their reluctant alliance—and keep their unexpected chemistry from interfering—they might just have a chance to take Jordy down.
Xavier Reynolds is doing less than stellar. He just got dumped, was passed over for a prestigious fellowship, and to top it all off he’s right back home in Harper’s Cove, Maine (population: 9,000). The last thing he wants to do is to work as a prep chef in the kitchen of the hip new restaurant in town, The Wharf. Especially since the hot, single-father chef who owns it can’t delegate to save his life.
Logan O’Hare doesn’t understand Xavier or why every word out of his mouth is dipped in sarcasm. Unfortunately, he has no choice but to hire him—he needs more help in the kitchen and his tween daughter, Anne, can only mince so many onions. It might be a recipe for disaster, but Logan doesn’t have many options besides Xavier.
Stuck between a stove and a hot place, Logan and Xavier discover an unexpected connection. But when the heat between them threatens to top the Scoville scale, they’ll have to decide if they can make their relationship work or if life has seasoned them too differently.
When Nareh Bedrossian’s non-Armenian boyfriend gets down on one knee and proposes to her in front of a room full of drunk San Francisco tech boys, she realizes it’s time to find someone who shares her idea of romance.
Enter her mother: armed with plenty of mom-guilt and a spreadsheet of Facebook-stalked Armenian men, she convinces Nar to attend Explore Armenia, a month-long series of events in the city. But it’s not the mom-approved playboy doctor or the wealthy engineer who catch Nar’s eye—it’s Erebuni, a woman as immersed in the witchy arts as she is in preserving Armenian identity. Suddenly, with Erebuni as her wingwoman, the events feel like far less of a chore, and much more of an adventure. Who knew cooking up kuftes together could be so . . . sexy?
Erebuni helps Nar see the beauty of their shared culture and makes her feel understood in a way she never has before. But there’s one teeny problem: Nar’s not exactly out as bisexual. The clock is ticking on her double life—the Explore Armenia closing banquet is coming up, and her entire extended family will be there, along with Erebuni. Her worlds will inevitably collide, but Nar is determined to be brave and to claim her happiness: proudly Armenian, proudly bisexual, and proudly herself for the first time in her life.
This is the second book in the Pies Before Guys mystery series.
Daisy bakes a little murder into every pie she creates, and she and her dog, Zoe, deliver them to the town’s worst cads. Now, Daisy’s entered a televised, elimination-style competition and has a shot at $100k in prize money—but she still has a murder pie to deliver between filming.
In a completely unexpected turn of events, she discovers that her intended victim is one of the competition judges, and he turns up dead before the pie even arrives. Now, Daisy has to solve the murder—even if it means working a bit of magic—before someone calls foul play and exposes her murderous secret.
How do you face your fears when everything is terrifying?
Fifteen-year-old Brynn can’t stop thinking about death. Her intrusive thoughts and severe anxiety leave her feeling helpless—and hopeless. So after her mom interprets one of Brynn’s blog posts as a suicide note, she takes extreme measures, confiscating Brynn’s phone, blocking her Internet access, and banishing her to stay with her father, who lives “off the grid” on a houseboat in the Florida mangroves. Isolated from her online friends—her only friends—Brynn resigns herself to a summer of mind-numbing boredom and loneliness . . . until Skylar appears.
Skylar is everything Brynn isn’t—sultry, athletic, and confident. Yet Brynn feels at home around this fearless girl who pushes her to try new things and makes her belly flutter with nerves that have nothing to do with anxiety. When Brynn discovers that Skylar is trapped in the bayou and can’t tell her why, she resolves to free her new crush from the dark waters, even if it means confronting all of her worst fears.
A contemporary YA debut from award-winning playwright Gina Femia, Alondra is a coming-of-age story of friendship and romance, about a bisexual teen girl and her friends wrestling their way through the summer–sometimes on the playgrounds of Coney Island, sometimes with their feelings and at home.
Sixteen-year-old Alonda loves professional wrestling. So when she meets a group of teens with aspirations of wrestling fame in her Coney Island neighborhood, she couldn’t be happier. So as the ragtag team works to put on a show to remember, Alonda sheds her old self behind and becomes Alondra―the Fearless One. But with her conflicting feelings for King, the handsome leader of their group, and Lexi, the girl with the beautiful smile, Alonda has to ask herself: can she be as fearless outside of the ring as she is inside it?
For aspiring cinematographer Luna Roth, coming out as bisexual at twenty-four is proving more difficult than she anticipated. Sure, her best friend and fellow queer Romy is thrilled for her—but she has no interest in coming out to her backwards parents, she wouldn’t know how to flirt with a girl if one fell at her feet, and she has no sexual history to build off. Not to mention she really needs to focus her energy on escaping her emotionally-abusive-but-that’s-Hollywood talent manager boss and actually get working under a real director of photography anyway.
When she meets twenty-eight-year-old A-list actress Valeria Sullivan around the office, Luna thinks she’s found her solution. She’ll use Valeria’s interest in her cinematography to get a PA job on the set of Valeria’s directorial debut—and if Valeria is as gay as Luna suspects, and she happens to be Luna’s route to losing her virginity, too . . . well, that’s just an added bonus. Enlisting Romy’s help, Luna starts the juggling act of her life—impress Valeria’s DP to get another job after this one, get as close to Valeria as possible, and help Romy with her own career moves.
But when Valeria begins to reciprocate romantic interest in Luna, the act begins to crumble—straining her relationship with Romy and leaving her job prospects precarious. Now Luna has to figure out if she can she fulfill her dreams as a filmmaker, keep her best friend, and get the girl. . . or if she’s destined to end up on the cutting room floor.
Lydia Jones and her younger sister Penny have had it with boy drama. Last year was marred by relationship disasters for both of them, threatening Lydia’s standing with her school’s theater tech club and Penny’s perfect GPA. Penny has, naturally, diagnosed the problem and prescribed a drastic solution: a summer off from boys.
Lydia and Penny decide to stay with their Aunt Grace and her boyfriend Oscar in Los Angeles while their parents are off on a European cruise. Penny follows her future-business-school dreams with an internship at Oscar’s office, and Lydia gets a part-time job at Grace’s neighborhood coffeeshop, Grounds Control.
Even when they spent hours, days, weeks dissecting their various boy drama, Lydia’s never felt this connected to her sister before, and it makes her wonder what else in her life could be different. She finds herself drawn to a group of friends she meets through her Grounds Control coworker, Margaret, as well as an intriguing customer, Fran, an aspiring filmmaker and—while not the first girl Lydia finds herself attracted to—the first girl who has mutual feelings for her. But she’s not breaking her pledge to Penny, right? That was just about boys. Even though in her heart Lydia knows she’s bending the rules, she hasn’t had a connection with anyone as strong as her connection with Fran, so she thinks it can’t be wrong. And Penny won’t mind as long as she’s happy . . . Right?
That’s how Sadie feels, on a perfect summer day, wrapped in her girlfriend’s arms. School is out, and even though she’s been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness a violent incident of police brutality unfold before them, Sadie’s whole world is upended in an instant.
I’m not safe anywhere.
That’s how Sadie feels every day after—vulnerable, uprooted. She retreats inside as the weeks slip by and relies on her phone to stay connected to the outside world. When Sadie’s therapist gives her a diagnosis for her debilitating panic—agoraphobia—she starts on a path of acceptance and healing. Meanwhile, Sadie’s best friend, Evan, updates her on the protests taking place in their city. Sadie wants to be a part of it, to use her voice and affect change. But how do you show up for your community when you can’t even leave your house?
I can build a safe place inside myself.
That’s what Sadie learns over the course of one life-changing summer, with some help from her family, her best friend, an online platform for activists, and a magnetic crush she develops for the new boy next door.
On the worst day of her life, Madison is dumped by her girlfriend, then fired as said (ex)girlfriend’s campaign manager… plus she accidentally rear-ends the student government advisor—the one person whose good word might help her win a spot at a prestigious youth politics summer camp.
But Madison is nothing if not a girl with a plan, and she isn’t going to let a little thing like heartbreak (or a slightly dented bumper) get in her way. Soon, she has a new junior class president candidate to back—although the two of them might be getting a little too close on the campaign trail. Between navigating her growing crush and corralling a less than enthusiastic election team, Madison has had it with unexpected changes to her carefully laid plans. But when she and a group of queer classmates discover a pattern of harassment within the student government, Madison’s forced to shift gears once again.
After her parents’ divorce, 16 year old Riley Grishin is forced to move from Portland, Oregon all the way to Little Brook, Maine, a small town that serves as the headquarters for Titan Technologies, an international tech laboratory. Having left her friends and father behind, Riley spends most of her days running through the woods with her dog Tigger, and eavesdropping on her classmates—in particular, the gorgeous, but very strange, Aspen Montehugh.
On the night of the homecoming game, Riley wakes up to find her town on fire, terrorized by an unseen monster. With flames spreading rapidly, Riley and Tigger have no choice but to pile into her beat-up pickup truck and flee. Speeding out of town, they come across the only other survivor: Aspen.
When Riley and Aspen finally reach safety, they realize something far more sinister is afoot. According to the news, all other Titan Tech laboratories on the East Coast have been attacked. And even worse, they’re being followed by an SUV with blacked out windows. With all air travel grounded, Riley has no way to fly back to her dad, so she and Aspen embark on a cross country road trip, all the while pursued by men with guns, mad scientists, and the monstrous truth. Slowly, Riley realizes something’s not quite right with Aspen, which puts her feelings for her—and her own humanity—to the ultimate test.
Ten years ago, the Scar Squad promised each other nothing would tear them apart. They stuck together through thick and thin, late-night surf sessions and after school spodies. Even when Casey Jones Caruso lost her twin brother Sammy to an overdose, and their foursome became a threesome, the squad picked each other up. But when Casey’s feeling for the remaining members—Francesca and Benjamin—develop into romantic attraction, she worries the truth will dissolve them and vows to ignore her heart.
Then Ben kisses Casey at a summer party, and Frankie kisses another girl. Now Casey must confront all the complicated feelings she’s buried—for her friends and for her brother who she’s totally pissed at for dying. Since Sammy’s death, Casey has spilled all the things she can no longer say to him in journals, and now more than ever, she wishes he were here to help her decide whether she should guard her heart or bet it on love, before someone else makes the decision for her.
Savannah “Sav” Henry is almost the person she wants to be, or at least she’s getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.
But when she learns that Izzie, her best friend from childhood, has gotten engaged, Sav faces a crisis of confidence. Things with Izzie haven’t been the same since what happened between Sav and Izzie’s older brother when they were sixteen. Now, with the wedding around the corner, Sav is forced to reckon with trauma she thought she could put behind her.
On top of it all, Sav can’t stop thinking about Wes from her Gender Studies class—sweet, funny Wes, with their long eyelashes and green backpack. There’s something different here—with Wes and with her new friends (who delight in teasing her about this face-burning crush); it feels, terrifyingly, like they might truly see her in a way no one has before.
Natalya Fox has twenty-hours to make the biggest choice of her life: stay home in NYC for the summer with her dad (and finally screw up the courage to talk to the girl she’s been crushing on), or spend it with her basically estranged mom in LA (knowing this is the best chance she has to fix their relationship, if she even wants to.) (Does she want to?)
How’s a girl supposed to choose?
She can’t, and so both summers play out in alternating timelines – one in which Natalya explores the city, tries to repair things with her mom, works on figuring out her future, and goes for the girl she’s always wanted. And one in which Natalya explores the city, tries to repair things with her mom, works on figuring out her future, and goes for the guy she never saw coming.
It’s a few months before senior year and Claire Kemp, a closeted bisexual, is finally starting to admit she might be falling in love with her best friend, Sophia, who she’s known since they were four.
Trying to pay off the fine from the crash that totals Lars, her beloved car, Claire takes a job at the local nursing home up the street from her house. There she meets Lena, an eighty-eight-year-old lesbian woman who tells her stories about what it was like growing up gay in the 1950s and ’60s.
As Claire spends more time with Lena and grows more confident of her identity, another girl, Pen, comes into the picture, and Claire is caught between two loves–one familiar and well-worn, the other new and untested.
Happy Hispanic & Latine Heritage Month! As usual, we’re celebrating with some books by Latinx authors and starring queer Latinx main characters! (Please note this post only features titles from 2022 onward, so check out past years’ posts for even more books!)
Middle school is the worst, especially for David Bravo. He doesn’t have a single class with his best (and only) friend, Antoine. He has to give a presentation about his heritage, but he’s not sure how—or even if—he wants to explain to his new classmates that he’s adopted. And after he freezes up at his first cross-country race, causing an accident that leaves Antoine with a busted ankle, he’s 100 percent sure he’s cursed.
David wishes he could do it all over. He doesn’t expect his wish to summon a pushy, annoying talking dog who claims to be his new timeline guide. According to Fea, somewhere in his past, David made a choice that put his life on the wrong track. And she can take him back to fix it.
David knows exactly what he wants to undo: the accident that hurt Antoine. But when his first try (and the second, and the third) is a total disaster, he and Fea are left scrambling through timeline after timeline, trying to figure out what she’s really here to fix—a quest that may lead them to answers in the most unexpected places.
Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with.
Luckily, Quique’s prospects are each intriguing in their own ways. There’s stoner-jock Tyler Montana, who might be just as interested in Fabiola as he is in Quique; straitlaced senior class president, Ziggy Jackson; and Manny Zuniga, who keeps looking at Quique like he’s carne asada fresh off the grill. With all these choices, Quique is sure to forget about Saleem in no time.
But as the summer heats up and his deep-seated fears and anxieties boil over, Quique soon realizes that getting over one guy by getting under a bunch of others may not have been the best laid plan and living his truth can come at a high cost.
As each new decade begins, the Sun’s power must be replenished so that Sol can keep traveling along the sky and keep the evil Obsidian gods at bay. Ten semidioses between the ages of thirteen and eighteen are selected by Sol himself as the most worthy to compete in The Sunbearer Trials. The winner carries light and life to all the temples of Reino del Sol, but the loser has the greatest honor of all—they will be sacrificed to Sol, their body used to fuel the Sun Stones that will protect the people of Reino del Sol for the next ten years.
Teo, a 17-year-old Jade semidiós and the trans son of Quetzal, goddess of birds, has never worried about the Trials…or rather, he’s only worried for others. His best friend Niya—daughter of Tierra, the god of earth—is one of the strongest heroes of their generation and is much too likely to be chosen this year. He also can’t help but worry (reluctantly, and under protest) for Aurelio, a powerful Gold semidiós and Teo’s friend-turned-rival who is a shoo-in for the Trials. Teo wouldn’t mind taking Aurelio down a notch or two, but a one-in-ten chance of death is a bit too close for Teo’s taste.
But then, for the first time in over a century, Sol chooses a semidiós who isn’t a Gold. In fact, he chooses two: Xio, the 13-year-old child of Mala Suerte, god of bad luck, and…Teo. Now they must compete in five mysterious trials, against opponents who are both more powerful and better trained, for fame, glory, and their own survival.
New York City, 1922. Nicolás Caraveo, a 17-year-old transgender boy from Wisconsin, has no interest in the city’s glamor. Going to New York is all about establishing himself as a young professional, which could set up his future—and his life as a man—and benefit his family.
Nick rents a small house in West Egg from his 18-year-old cousin, Daisy Fabrega, who lives in fashionable East Egg near her wealthy fiancé, Tom—and Nick is shocked to find that his cousin now goes by Daisy Fay, has erased all signs of her Latina heritage, and now passes seamlessly as white.
Nick’s neighbor in West Egg is a mysterious young man named Jay Gatsby, whose castle-like mansion is the stage for parties so extravagant that they both dazzle and terrify Nick. At one of these parties, Nick learns that the spectacle is all for the benefit of impressing a girl from Jay’s past—Daisy. And he learns something else: Jay is also transgender.
As Nick is pulled deeper into the glittery culture of decadence, he spends more time with Jay, aiming to help his new friend reconnect with his lost love. But Nick’s feelings grow more complicated when he finds himself falling hard for Jay’s openness, idealism, and unfounded faith in the American Dream.
Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.
Except it’s all fake.
Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the façade.
But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.
Ophelia Rojas knows what she likes: her best friends, Cuban food, rose-gardening, and boys – way too many boys. Her friends and parents make fun of her endless stream of crushes, but Ophelia is a romantic at heart. She couldn’t change, even if she wanted to.
So when she finds herself thinking more about cute, quiet Talia Sanchez than the loss of a perfect prom with her ex-boyfriend, seeds of doubt take root in Ophelia’s firm image of herself. Add to that the impending end of high school and the fracturing of her once-solid friend group, and things are spiraling a little out of control. But the course of love―and sexuality―never did run smooth. As her secrets begin to unravel, Ophelia must make a choice between clinging to the fantasy version of herself she’s always imagined or upending everyone’s expectations to rediscover who she really is, after all.
Everyone who lives near the lake knows the stories about the world underneath it, an ethereal landscape rumored to be half-air, half-water. But Bastián Silvano and Lore Garcia are the only ones who’ve been there. Bastián grew up both above the lake and in the otherworldly space beneath it. Lore’s only seen the world under the lake once, but that one encounter changed their life and their fate.
Then the lines between air and water begin to blur. The world under the lake drifts above the surface. If Bastián and Lore don’t want it bringing their secrets to the surface with it, they have to stop it, and to do that, they have to work together. There’s just one problem: Bastián and Lore haven’t spoken in seven years, and working together means trusting each other with the very things they’re trying to hide.
Growing up in Texas’s Rio Grande Valley, Maggie Gonzalez has always been a little messy, but she’s okay with that. After all, she has a great family, a goofy group of friends, a rocky romantic history, and dreams of being a music photographer. Tasked with picking an escort for her little sister’s quinceañera, Maggie has to face the truth: that her feelings about her friends—and her future—aren’t as simple as she’d once believed.
As Maggie’s search for the perfect escort continues, she’s forced to confront new (and old) feelings for three of her friends: Amanda, her best friend and first-ever crush; Matthew, her ex-boyfriend twice-over who refuses to stop flirting with her, and Dani, the new girl who has romantic baggage of her own. On top of this romantic disaster, she can’t stop thinking about the uncertainty of her own plans for the future and what that means for the people she loves.
As the weeks wind down and the boundaries between friendship and love become hazy, Maggie finds herself more and more confused with each photo. When her tried-and-true medium causes more chaos than calm, Maggie needs to figure out how to avoid certain disaster—or be brave enough to dive right into it.
Seventeen-year-old Yamilet Flores prefers drawing attention for her killer eyeliner, not for being the new kid at a mostly white, very rich, Catholic school. But at least here no one knows she’s gay, and Yami intends to keep it that way. After being outed by her crush and ex-best friend, she could use the fresh start.
At Slayton Catholic, Yami has new priorities: make her mom proud, keep her brother out of trouble, and most importantly, don’t fall in love. Granted, she’s never been great at any of those things, but that’s a problem for Future Yami.
The thing is, it’s hard to fake being straight when Bo, the only openly queer girl at school, is so annoyingly perfect. And talented. And confident. And cute. So cute. Yami isn’t sure if she likes Bo or if she’s just jealous of her unapologetic nature. Either way, she isn’t ready to make the same mistake again. If word got to her mom, she could face a lot worse than rejection.
Rafa, an Afro-Cuban orphan, moves to Havana with nothing to his name and falls into a job at a café. He is soon drawn into a web of bizarre, ever-shifting entanglements with his boss’s son, the charismatic Renato, leader of the counterrevolutionary group “Los Injected Ones,” which is planning a violent overthrow of the Castro government during Pope John Paul II’s upcoming visit.
When Renato goes missing, Rafa’s search for his friend takes him through various haunts in Havana: from an AIDS sanatorium, to the guest rooms of tourist hotels, to the outskirts of the capital, where he enters a phantasmagorical slum cobbled together from the city’s detritus by Los Injected Ones.
A novel of cascading prose that captures a nation in slow collapse, Sacrificio is a visionary work, capturing the fury, passion, fatalism, and grim humor of young lives lived at the margins of a society they desperately wish to change.
It’s 1975 and the comic book industry is struggling, but Carmen Valdez doesn’t care. She’s an assistant at Triumph Comics, which doesn’t have the creative zeal of Marvel nor the buttoned-up efficiency of DC, but it doesn’t matter. Carmen is tantalizingly close to fulfilling her dream of writing a superhero book.
That dream is nearly a reality when one of the Triumph writers enlists her help to create a new character, which they call “The Lethal Lynx,” Triumph’s first female hero. But her colleague is acting strangely and asking to keep her involvement a secret. And then he’s found dead, with all of their scripts turned into the publisher without her name. Carmen is desperate to piece together what happened to him, to hang on to her piece of the Lynx, which turns out to be a runaway hit. But that’s complicated by a surprise visitor from her home in Miami, a tenacious cop who is piecing everything together too quickly for Carmen, and the tangled web of secrets and resentments among the passionate eccentrics who write comics for a living.
In this contemporary debut novel, Andrés, a gay Latinx professor, returns to his suburban hometown in the wake of his husband’s infidelity. There he finds himself with no excuse not to attend his twenty-year high school reunion, and hesitantly begins to reconnect with people he used to call friends.
Over the next few weeks, while caring for his aging parents and navigating the neighborhood where he grew up, Andrés falls into old habits with friends he thought he’d left behind. Before long, he unexpectedly becomes entangled with his first love and is forced to tend to past wounds.
A modern coming-of-age story about the essential nature of community, The Town of Babylon is a novel about young love and a close examination of our social systems and the toll they take when they fail us.
Former LAPD cop-turned private investigator Yolanda Ávila blames herself for her mother’s death. If she’d only followed her cop instincts instead of the juju—her random prophetic dreams—the perpetrator would have been off the streets and her mother would still be alive. The only salve against her guilt is Yolanda’s vow to reject that juju crap, and to solve cases using only good solid detective work.
But when her godson is kidnapped and his parents are suspected of murder, Yolanda finds herself caught between what she feels and what she knows. And with the escalation of the case comes the escalation of her dreams. Until she can no longer ignore their importance.
If she wants to overcome the guilt and deal with her pent-up grief, Yolanda must confront the juju and learn to trust its place in her life. If she doesn’t, she risks losing yet another loved one. And she can’t possibly let that happen.
Bad Girls by Camila Sosa Villada, trans. by Kit Maude
This was originally published in Spanish as Las Malas
Born in the small Argentine town of Mina Clavero, Camila is designated male but begins to identify from an early age as a girl. She is well aware that she’s different from other children and reacts to her oppressive, poverty-stricken home life, with a cowed mother and abusive, alcoholic father, by acting out—with swift consequences. Deeply intelligent, she eventually leaves for the city to attend university, slipping into prostitution to make ends meet. And in Sarmiento Park, in the heart of Córdoba, she discovers the strange, wonderful world of the trans sex workers who dwell there.
Taken under the wing of Auntie Encarna, the 178-year-old eternal whose house shelters this unconventional extended family, Camila becomes a part of their stories—of a Headless Man who fled his country’s wars, a mute young woman who transforms into a bird, an abandoned baby boy who brings a twinkle to your eye.
In this prequel to #1 New York Times bestselling phenomenon They Both Die at the End, two new strangers spend a life-changing day together after Death-Cast first makes their fateful calls.
It’s the night before Death-Cast goes live, and there’s one question on everyone’s mind: Can Death-Cast actually predict when someone will die, or is it just an elaborate hoax?
Orion Pagan has waited years for someone to tell him that he’s going to die. He has a serious heart condition, and he signed up for Death-Cast so he could know what’s coming.
Valentino Prince is restarting his life in New York. He has a long and promising future ahead and he only registered for Death-Cast after his twin sister nearly died in a car accident.
Orion and Valentino cross paths in Times Square and immediately feel a deep connection. But when the first round of End Day calls goes out, their lives are changed forever—one of them receives a call, and the other doesn’t. Though neither boy is certain how the day will end, they know they want to spend it together…even if that means their goodbye will be heartbreaking.
Shy foster kid Jonas and self-assured vlogger Shani met online, and so far, that’s where their relationship has stayed, sharing memes and baring their souls from behind their screens. Shani is eager to finally meet up, but Jonas isn’t so sure–he’s not confident Shani will like the real him . . . if he’s even sure who that is.
Jonas knows he’s trapped himself in a lie with Shani–and wants to dig himself out. But Shani, who’s been burned before, may not give him a chance: she talks her best friend Ash into playing spy and finding out the truth. When Ash falls for Jonas, too, he keeps that news from Shani, and soon they’re all keeping secrets. Will it matter that their hearts are in the right place? Coming clean will require them to figure out who they really are, which is no easy task when all the pieces of your identity go beyond easy boxes and labels.
El Diablo is in the details in this Latinx pirate fantasy starring a transmasculine nonbinary teen with a mission of revenge, redemption, and revolution.
On Mar León-de la Rosa’s 16th birthday, el Diablo comes calling. Mar is a transmasculine nonbinary teen pirate hiding a magical ability to manipulate fire and ice. But their magic isn’t enough to reverse a wicked bargain made by their father and now el Diablo has come to collect his payment: the soul of Mar’s father and the entire crew of their ship.
When Mar is miraculously rescued by the sole remaining pirate crew in the Caribbean, el Diablo returns to give them a choice: give up your soul to save your father by the Harvest Moon or never see him again. The task is impossible–Mar refuses to make a bargain and there’s no way their magic is any match for el Diablo. Then, Mar finds the most unlikely allies: Bas, an infuriatingly arrogant and handsome pirate — and the captain’s son; and Dami, a genderfluid demonio whose motives are never quite clear. For the first time in their life, Mar may have the courage to use their magic. It could be their only redemption — or it could mean certain death.
Finding home. Falling in love. Fighting to belong.
The Santos Vista neighborhood of San Antonio, Texas, is all Ander Lopez has ever known. The smell of pan dulce. The mixture of Spanish and English filling the streets. And, especially their job at their family’s taquería. It’s the place that has inspired Ander as a muralist, and, as they get ready to leave for art school, it’s all of these things that give them hesitancy. That give them the thought, are they ready to leave it all behind?
To keep Ander from becoming complacent during their gap year, their family “fires” them so they can transition from restaurant life to focusing on their murals and prepare for college. That is, until they meet Santiago Garcia, the hot new waiter. Falling for each other becomes as natural as breathing. Through Santi’s eyes, Ander starts to understand who they are and want to be as an artist, and Ander becomes Santi’s first steps toward making Santos Vista and the United States feel like home.
Until ICE agents come for Santi, and Ander realizes how fragile that sense of home is. How love can only hold on so long when the whole world is against them. And when, eventually, the world starts to win.
Valentina “Vale” Castillo-Green’s life revolves around soccer. Her friends, her future, and her father’s intense expectations are all wrapped up in the beautiful game. But after she incites a fight during playoffs with her long-time rival, Leticia Ortiz, everything she’s been working toward seems to disappear.
Embarrassed and desperate to be anywhere but home, Vale escapes to her beloved childhood soccer camp for a summer of relaxation and redemption…only to find out that she and the endlessly aggravating Leticia will be co-captaining a team that could play in front of college scouts. But the competition might be stiffer than expected, so unless they can get their rookie team’s act together, this second chance―and any hope of playing college soccer―will slip through Vale’s fingers. When the growing pressure, friendship friction, and her overbearing father push Vale to turn to Leticia for help, what starts off as a shaky alliance of necessity begins to blossom into something more through a shared love of soccer…and maybe each other.
Set in a lush world inspired by the history and folklore of South America, discover this sweeping epic fantasy of colonialism and country, ancient magic, and a young woman’s quest for belonging.
When Reina arrives at Aguila Manor, her heart stolen from her chest, she’s on the verge of death—until her estranged grandmother, a dark sorceress in the Don’s employ, intervenes. Indebted to a woman she never knew, and smitten with the upper-caste daughter of the house, Celeste, Reina will do anything to earn–and keep–the family’s favor. Even the bidding of the ancient god who speaks to her from the Manor’s foundations. To save the woman she loves, Reina will have to defy the gods themselves, and become something she never could have imagined.
I’m delighted to welcome Zachary Sergi back to the site today to reveal the cover of another exciting choose-your-own-adventure contemporary YA, So You Wanna Be a Pop Star?, which releases March 7, 2023 from Running Press Kids! Here’s the story:
Five solo pop artists. One chance to make it big.
Everly Brooks knows she has what it takes to be the next big singer-songwriter. At least, that’s if she could get her onstage presence to stop feeling so wooden and blossom like her rich, moving lyrics. The reality signing competition, SO YOU WANNA BE A POP STAR? is her chance at proving to the world—and herself—that her talent and artistry can mean something more than just live streams and online videos.
Vinny Vecchi thought he was heading toward a life full of makeup, wigs, and werking it on the drag stages of NYC. But a powerful diva voice is a precious thing to waste and, in need of money to make his drag dreams come true, SO YOU WANNA BE A POP STAR? is the next best thing. However, surrounded by competitors with clear brands and sharpened musical identities, he wonders if he can break through while still discovering himself.
When a group performance on the show goes viral overnight, Everly and Vinny find their careers unexpectedly tied together. Along with their competitors—influencer Dea Seo, pop-punk CeCe Winnifred, and heartthrob Stern Green—these five artists are forced to become the newest pop super group: Jeweltones. You, the reader, get to make choices that will make or break Everly, Vinny, and the group’s meteoric rise in this interactive novel. Will you mend the cracks to help Jeweltones shine bright, or will they burn out under pressure?
And here’s the glorious cover, sure to render you starstruck, designed by Frances Soo Ping Chow with art by Jeff Östberg!
Zachary Sergi is a queer author of Interactive Fiction, including the print debut Major Detours and the digital Heroes Rise, Versus, and Fortune The Fated series. Zachary was raised in Manhattan, studied Creative Writing at Regis High School and the University of Pennsylvania, and now lives in Los Angeles with his husband, where he also writes for television. Learn more at zacharysergi.com or by following @zacharysergi on Twitter/TikTok or @zacharysergiwriter on Instagram.
Seventeen-year-old Gen may have rescued her beloved father from prison, but she hasn’t saved him yet. If she fails her end of a bargain with the Olympian Empresses, they will send him right back to his cell. To keep the Empresses happy, Gen must bring them the legendary golden apples of Hesperides and the monstrous Cerberus. But both are rumored to be in the neighboring Elysium Empire, which has a long history of war with Olympia. Making matters worse, Gen’s former enemy and newly designated heir to the isle of Arcadia Castor invites herself on the journey, hoping a golden apple could end Arcadia’s reliance on Illumium for storm vials. And Castor’s twin brother, Gen’s StormMaker boyfriend Pollux, has been pulling away from Gen due to troubles stemming from her mind magic.
With Castor’s pirate-thief girlfriend and Pollux’s servant companion in tow, the unlikely team embarks on its voyage. But war is only an insult away in Elysium, and more than the Emperor has their eyes on Gen’s mission. The quest has caught the attention of one of Elysium’s Oracles, and trouble is sure to brew with Prophecy on the rise.
And here’s the electrifying cover, designed by Karli Kruse and illustrated by Sanjay Charlton of Beehive Illustration!
A note from the author: In our initial cover discussion, I asked, “Do you think we can have Gen, Castor, Pollux and the golden apples and the Cerberus on the front?” I was willing to forsake the labors if they wouldn’t fit, but I definitely wanted Pollux to make an appearance. Sanjay Charlton, the cover illustrator, miraculously made it all work. You get the characters, the tension, and the mythology all in one shot. It’s perfect.
Rachel Menard is an author of strange and fantastical stories for teens that feature unapologetic young women. Her work has been featured in Writer’s Digest and on Cast of Wonders, and her short story, “Blame it on the Bees,” was chosen as a “Best of 2019” by Diabolical Plots. Her novels include Game of Strength and Storm, a Junior Library Guild Selection, and Clash of Fate and Fury. Visit her online at http://www.RachelMenard.com.
Beneath the roiling waters of the Arkansas River lie dead men and buried secrets.
When Jane Mooney’s violent stepfather, Warren, disappeared, most folks in Maud Bottoms, Arkansas, assumed he got drunk and drowned. After all, the river had claimed its share over the years.
When Jane confessed to his murder, she should have gone to jail. That’s what she wanted. But without a body, the police didn’t charge her with the crime. So Jane left for Boston—and took her secrets with her.
Twenty-five years later, the river floods and a body surfaces. Talk of Warren’s murder grips the town. Now in her forties, Jane returns to Maud Bottoms to reckon with her past: to do jail time, to face her revenge-bent mother, to make things right.
But though Jane’s homecoming may enlighten some, it could threaten others. Because in this desolate river valley, some secrets are better left undisturbed.
This is the second book of the Private Detective Mason Adler Mysteries
Phoenix, May 6, 1946
At close to midnight in the Union Station baggage room, the air is hot, still, and thick. The eleven forty-five Golden State Limited to Los Angeles is approaching rapidly when the baggage handler, Alfred Brody, notices a stray hound dog sniffing around one of the steamer trunks. The horrific discovery of a body inside the trunk can mean only one thing: there’s a murderer among them.
The young woman was certainly murdered, but who did it, and why? Suspects and motives abound as Private Detective Mason Adler investigates. He soon realizes that nothing, and no one, are what they seem to be as he races to uncover the truth and bring the real murderer to justice without becoming the next victim.
Moon has been plunged into a swill of uncertainty and confusion. They travel to the spirit realms every night, hoping never to return to the world of the living.
But when the realm is threatened, it’s up to Moon to save the spirit world, which sparks their own healing journey through the powerful, baffling, landscape that depression can cause.
From this novel’s very first utterance, author Kacen Callender puts us behind Moon’s eyes so that we, too, are engulfed by Moon’s troubling exploration through mental illness.
Moon’s mom is trying her best, but is clueless about what to do to reach the ugly roiling of her child’s inner struggles. At the same time, though, there are those who see Moon for who they are – Blue, the Keeper, the Magician, Wolf. These creature-guides help Moon find a way out of darkness. The ethereal aspects of the story are brilliantly blended with real-world glimmers of light. Slowly, Moon grows toward hope and wholeness, showing all children that each and every one of us has a tree growing inside. That our souls emerge when we discover, and fully accept, ourselves.
A Costume for Charly by C.K. Malone (text) and Alejandra Barajas (illustration) (6th)
Halloween is always tricky for Charly, and this year they are determined to find a costume that showcases both the feminine and masculine halves of their identity. Digging through their costume box, they explore many fun costumes. Some are masc. Some are femme. Some are neither. But all are lacking. As trick-or-treating looms, they must think outside the box to find the perfect costume–something that will allow them to present as one hundred percent Charly.
Eighth-graders Evelyn and Allie are in trouble. Evelyn’s constant need for perfection has blown some fuses among her robotics teammates, and she’s worried nobody’s taking the upcoming competition seriously. Allie is new to school, and she’s had a history of short-circuiting on teachers and other kids.
So when Allie is assigned to the robotics team as a last resort, all Evelyn can see is just another wrench in the works! But as Allie confronts a past stricken with grief and learns to open up, the gears click into place as she discovers that Evelyn’s teammates have a lot to offer—if only Evelyn allowed them to participate in a role that plays to their strengths.
Can Evelyn learn to let go and listen to what Allie has to say? Or will their spot in the competition go up in smoke along with their school’s robotics program and Allie’s only chance at redemption?
Although he was assigned female at birth, Max is your average trans man trying to get through high school as himself. But on top of classes, crushes, and coming out, Max’s life is turned upside down when his mom reveals an eons old family secret: he’s descended from a long line of Magical Girls tasked with defending humanity from a dark, ancient evil!
For decades, Devoid and his minions have been sealed away, with each generation’s magical girl protecting the seal and our world. But as the millennia have passed, more and more cracks have appeared in the weakening seal. Now, the seal is open, evil is pouring into our world, and only Max can defeat it.
New York City, 1922. Nicolás Caraveo, a 17-year-old transgender boy from Wisconsin, has no interest in the city’s glamor. Going to New York is all about establishing himself as a young professional, which could set up his future—and his life as a man—and benefit his family.
Nick rents a small house in West Egg from his 18-year-old cousin, Daisy Fabrega, who lives in fashionable East Egg near her wealthy fiancé, Tom—and Nick is shocked to find that his cousin now goes by Daisy Fay, has erased all signs of her Latina heritage, and now passes seamlessly as white.
Nick’s neighbor in West Egg is a mysterious young man named Jay Gatsby, whose castle-like mansion is the stage for parties so extravagant that they both dazzle and terrify Nick. At one of these parties, Nick learns that the spectacle is all for the benefit of impressing a girl from Jay’s past—Daisy. And he learns something else: Jay is also transgender.
As Nick is pulled deeper into the glittery culture of decadence, he spends more time with Jay, aiming to help his new friend reconnect with his lost love. But Nick’s feelings grow more complicated when he finds himself falling hard for Jay’s openness, idealism, and unfounded faith in the American Dream.
Covenby Jennifer Dugan (text) and Kit Seaton (illustration) (6th)
In this queer, paranormal YA graphic novel debut from the author of Some Girls Do and the illustrator of Wonder Woman: Warbringer, a young witch races to solve the grisly supernatural murders of her coven members before the killer strikes again.
Emsy has always lived in sunny California, and she’d much rather spend her days surfing with her friends or hanging out with her girlfriend than honing her powers as a fire elemental. But when members of her family’s coven back east are murdered under mysterious circumstances that can only be the result of powerful witchcraft, her family must suddenly return to dreary upstate New York. There, Emsy will have to master her neglected craft in order to find the killer . . . before her family becomes their next target.
As each new decade begins, the Sun’s power must be replenished so that Sol can keep traveling along the sky and keep the evil Obsidian gods at bay. Ten semidioses between the ages of thirteen and eighteen are selected by Sol himself as the most worthy to compete in The Sunbearer Trials. The winner carries light and life to all the temples of Reino del Sol, but the loser has the greatest honor of all—they will be sacrificed to Sol, their body used to fuel the Sun Stones that will protect the people of Reino del Sol for the next ten years.
Teo, a 17-year-old Jade semidiós and the trans son of Quetzal, goddess of birds, has never worried about the Trials…or rather, he’s only worried for others. His best friend Niya—daughter of Tierra, the god of earth—is one of the strongest heroes of their generation and is much too likely to be chosen this year. He also can’t help but worry (reluctantly, and under protest) for Aurelio, a powerful Gold semidiós and Teo’s friend-turned-rival who is a shoo-in for the Trials. Teo wouldn’t mind taking Aurelio down a notch or two, but a one-in-ten chance of death is a bit too close for Teo’s taste.
But then, for the first time in over a century, Sol chooses a semidiós who isn’t a Gold. In fact, he chooses two: Xio, the 13-year-old child of Mala Suerte, god of bad luck, and…Teo. Now they must compete in five mysterious trials, against opponents who are both more powerful and better trained, for fame, glory, and their own survival.
Sixteen-year-old Georgia Richter feels conflicted about the funeral home her parents run―especially because she has the ability to summon ghosts. With one touch of any body that passes through Richter Funeral Home, she can awaken the spirit of the departed. With one more touch, she makes the spirit disappear, to a fate that remains mysterious to Georgia. To cope with her deep anxiety about death, she does her best to fulfill the final wishes of the deceased whose ghosts she briefly revives.
Then her classmate Milo’s body arrives at Richter―and his spirit wants help with unfinished business, forcing Georgia to reckon with her relationship to grief and mortality.
The first thing I noticed about C.J. Gorman was his plexiglass bra.
So begins Destination Unknown — it’s 1987 in New York City, and Micah is at a dance club, trying to pretend he’s more out and outgoing than he really is. C.J. isn’t just out — he’s completely out there, and Micah can’t help but be both attracted to and afraid of someone who travels so loudly and proudly through the night.
A connection occurs. Is it friendship? Romance? Is C.J. the one with all the answers… or does Micah bring more to the relationship than it first seems? As their lives become more and more entangled in the AIDS epidemic that’s laying waste to their community, and the AIDS activism that will ultimately bring a strong voice to their demands, whatever Micah and C.J. have between them will be tested, strained, pushed, and pulled — but it will also be a lifeline in a time of death, a bond that will determine the course of their futures.
In Destination Unknown, Bill Konigsberg returns to a time he knew well as a teenager to tell a story of identity, connection, community, and survival.
The Holiday but make it gay. Greta Russakoff loves her tight-knit family and tiny Maine hometown, even if they don’t always understand what it’s like to be a lesbian living in such a small world. She desperately needs space to figure out who she is.
Truman Belvedere has just had his heart crushed into a million pieces when he learned that his boyfriend of almost a year has a secret life that includes a husband and a daughter. Reeling from this discovery, all he wants is a place to lick his wounds far, far away from New Orleans.
Enter Greta and Truman’s mutual friend, Ramona, who facilitates a month-long house swap. Over Christmas, each of them will have a chance to try on a new life…and maybe fall in love with the perfect partner of their dreams. But all holidays must come to an end, and eventually Greta and Truman will have to decide whether the love they each found so far from home is worth fighting for.
Luci LaBang is a star: For decades this flamboyant drag artist has cast a spell over screen and stage. Now she’s the leading lady in a smash hit musical. But as time takes its toll, Luci fears her star is beginning to dim.
When Luci’s co-star meets with a mysterious accident, a new ingenue shimmers onto the scene: Luda, whose fantastical beauty and sinister charm infatuate Luci immediately . . . and who bears a striking resemblance to Luci herself at a much younger age.
Luda begs Luci to share the secrets of her stardom and to reveal the hidden tricks of her trade. For Luci LaBang is a mistress of the Glamour, a mysterious discipline that draws on sex, drugs, and the occult for its trancelike, transformative effects.
But as Luci tutors her young protégée, their fellow actors and crew members begin meeting with untimely ends. Now Luci wonders if Luda has mastered the Glamour all too well . . . and exploited it to achieve her dark ambitions.
What follows is an intoxicating descent into the demimonde of Gasglow, a fantastical city of dreams, and into the nightmarish heart of Luda herself: a femme fatale, a phenomenon, a monster, and, perhaps, the brightest star of them all.
Rafa, an Afro-Cuban orphan, moves to Havana with nothing to his name and falls into a job at a café. He is soon drawn into a web of bizarre, ever-shifting entanglements with his boss’s son, the charismatic Renato, leader of the counterrevolutionary group “Los Injected Ones,” which is planning a violent overthrow of the Castro government during Pope John Paul II’s upcoming visit.
When Renato goes missing, Rafa’s search for his friend takes him through various haunts in Havana: from an AIDS sanatorium, to the guest rooms of tourist hotels, to the outskirts of the capital, where he enters a phantasmagorical slum cobbled together from the city’s detritus by Los Injected Ones.
A novel of cascading prose that captures a nation in slow collapse, Sacrificio is a visionary work, capturing the fury, passion, fatalism, and grim humor of young lives lived at the margins of a society they desperately wish to change.
No dating. That’s longtime divorcée Gina Kersey’s rule, and she’s sticking to it. Comfortably settled in her hometown of Clover Hill, she’d rather play board games than risk getting played herself. For company, she has her beloved if slightly meddlesome Great Aunt… who’s somehow made Gina promise to break her rule. She has to ask someone out. On a date. Maybe she could skip town instead?
Outgoing video game translator Marek Haas flew across the country to pick up the sports car of his teenage dreams—to celebrate getting over a breakup from the absolute worst boyfriend, not because he’s having a midlife crisis at thirty-five. In his automotive fantasies, though, the car didn’t break down in the middle of small-town nowhere.
Marek’s not a damsel in distress, but when Gina comes to his rescue on the side of the road, she can’t believe her luck. He’s handsome, charming, and most importantly, just passing through. Promise, meet loophole! When he turns out to be adorably nerdy as well, they skip drinks at the pub for a fun-filled night in Gina’s bed.
The problem? Marek’s vintage car needs parts the garage doesn’t have, so he’s stuck until they’re found. Meaning every time Gina turns around, her hot one night stand is still in her town, being all cute and friendly and sometimes taking his shirt off. Even worse, he seems to be falling for Clover Hill… and Gina might be falling for him.
Can Gina overcome her fears and take a chance on a geeky sweetheart who makes her weak at the knees, or will their unforgettable one night stand end up as nothing more than a memory?
When Margot meets Elena, emotions run high, magic is in the air, and doughnuts…float? One is a stressed-out witch trying to get her potions business off the ground, the other is a struggling rock musician whose band is going nowhere. Neither of them are having a good time! No wonder things quickly escalate from words to literal sparks flying when they first meet. Could this be the start of a delicious new relationship…or is a bad-luck curse leading them to certain doom?
When sixteen-year-old Georgia Avis discovers the dead body of thirteen-year-old Ashley James, she teams up with Ashley’s older sister, Nora, to find and bring the killer to justice before he strikes again. But their investigation throws Georgia into a world of unimaginable privilege and wealth, without conscience or consequence, and as Ashley’s killer closes in, Georgia will discover when money, power and beauty rule, it might not be a matter of who is guilty―but who is guiltiest.
A spiritual successor to the 2018 breakout hit, Sadie, I’m the Girl is a masterfully written, bold, and unflinching account of how one young woman feels in her body as she struggles to navigate a deadly and predatory power structure while asking readers one question: if this is the way the world is, do you accept it?
Seventeen-year-old Carter Harper may have created an award-winning iPhone app and have a 3.93 GPA, but her successes are overshadowed by brutal bullying, debilitating depression, and biting loneliness. Tired of being treated as the popular girls’ plaything, Carter hatches a plan to gain their respect, and maybe even gain a bit of popularity of her own. When that doesn’t work, she thinks her only choice is to die by suicide.
Abby Wallace is a member of “the POPS” (the Petty, Oppressive, and Popular Shitbags, according to Carter)—subordinate only to Kelsey, her best friend with benefits. The ambitious poet destroys reputations without care—especially Carter’s—to prove how cool, cruel, and strong she is, all while pushing down her past trauma and secret guilt. But she faces an unexpected adversary when Kelsey tries to make Carter her new pet project. Angry and betrayed, Abby pushes Carter to the edge—facing consequences she never could have imagined.
Carter and Abby’s tumultuous relationship comes to a boiling point when Abby stops Carter from attempting suicide. But what happens when their shared enemy tries to come for them both again, and they end up in the unfortunate position of trying to protect one another? If Carter and Abby can stand each other for more than three minutes, they can stop Kelsey’s court of misrule from harming more girls.
Gaige’s curiosity gets the better of him when he discovers a bookstore on an abandoned street where no bookstore should be. He steps inside and is immediately enthralled by its antiquarian sights and smells. But one book in particular calls to him. It isn’t long before he gets a bad feeling about it, but it’s already too late. The store’s aged bookseller gives him no alternative: once he touches the book, it’s his—whether he wants it or not.
The book leads Gaige on a horrific descent into the unknown. As he falls into the depths of its pages, he loses blocks of time, and his friends become trapped inside ancient cellars with seemingly no means of escape.
Gaige soon learns that the ancient bookseller is a notorious serial killer from previous century, and fears that he has fallen into a predicament from which he may not escape. When all seems lost, he finds the one person he can turn to for help—Mael, a sweet boy also trapped inside the book who didn’t fall for the bookseller’s tricks. Together, they race against time to protect Gaige from joining a long string of boys who vanished without a trace inside the Book of Dreams.
Six of Crows goes to Las Vegas in debut author Amanda DeWitt’s suspenseful casino heist, starring an entire crew of asexual teens.
Some people join chess club, some people play football. Jack Shannon runs a secret blackjack ring in his private school’s basement. What else is the son of a Las Vegas casino mogul supposed to do?
Everything starts falling apart when Jack’s mom is arrested for their family’s ties to organized crime. His sister Beth thinks this is the Shannon family’s chance to finally go straight, but Jack knows that something’s not right. His mom was sold out, and he knows by who. Peter Carlevaro: rival casino owner and jilted lover. Gross.
Jack hatches a plan to find out what Carlevaro’s holding over his mom’s head, but he can’t do it alone. He recruits his closest friends—the asexual support group he met through fandom forums. Now all he has to do is infiltrate a high-stakes gambling club and dodge dark family secrets, while hopelessly navigating what it means to be in love while asexual. Easy, right?
Remy Pendergast is many things: the only son of the Duke of Valenbonne (though his father might wish otherwise), an elite bounty hunter of rogue vampires, and an outcast among his fellow Reapers. His mother was the subject of gossip even before she eloped with a vampire, giving rise to the rumors that Remy is half-vampire himself. Though the kingdom of Aluria barely tolerates him, Remy’s father has been shaping him into a weapon to fight for the kingdom at any cost.
When a terrifying new breed of vampire is sighted outside of the city, Remy prepares to investigate alone. But then he encounters the shockingly warmhearted vampire heiress Xiaodan Song and her infuriatingly arrogant fiancé, vampire lord Zidan Malekh, who may hold the key to defeating the creatures—though he knows associating with them won’t do his reputation any favors. When he’s offered a spot alongside them to find the truth about the mutating virus Rot that’s plaguing the kingdom, Remy faces a choice.
It’s one he’s certain he’ll regret.
But as the three face dangerous hardships during their journey, Remy develops fond and complicated feelings for the couple. He begins to question what he holds true about vampires, as well as the story behind his own family legacy. As the Rot continues to spread across the kingdom, Remy must decide where his loyalties lie: with his father and the kingdom he’s been trained all his life to defend or the vampires who might just be the death of him.
TRAGIC by Dana Mele (Text) and Valentina Pinti (Illustrations) (13th)
In a contemporary re-telling of Shakespeare’s Hamlet, TRAGIC follows the 17 year-old Harper Hayes as she unravels the mystery and grief surrounding her father’s death.
After her father Hamilton Hayes dies a mysterious and tragic death, Harper Hayes is convinced that he was murdered and her first suspect is her uncle Clayton, who has been sleeping with her mother, Greta. With the help of her ex-girlfriend Talia and her best friend (sometimes with benefits) Holden, Harper is determined to find her father’s killer. But when Caius, Talia’s father and Hamilton’s business partner, is found dead, Harper realizes the answer to Hamilton’s murder is more complicated than she had initially realized. And when Harper starts seeing his ghost in the form of a teenage Hamlet everywhere and slipping into hallucinations of his murder that end with blood on her hands, one thing becomes clear—in order to uncover the truth about what happened to her father, Harper has to confront her own demons and ones that haunt the Hayes family.
Pink Triangle Legacies traces the transformation of the pink triangle from a Nazi concentration camp badge and emblem of discrimination into a widespread, recognizable symbol of queer activism, pride, and community. W. Jake Newsome provides an overview of the Nazis’ targeted violence against LGBTQ+ people and details queer survivors’ fraught and ongoing fight for the acknowledgement, compensation, and memorialization of LGBTQ+ victims. Within this context, a new generation of queer activists has used the pink triangle―a reminder of Germany’s fascist past―as the visual marker of gay liberation, seeking to end queer people’s status as second-class citizens by asserting their right to express their identity openly.
The reclamation of the pink triangle occurred first in West Germany, but soon activists in the United States adopted this chapter from German history as their own. As gay activists on opposite sides of the Atlantic grafted pink triangle memories onto new contexts, they connected two national communities and helped form the basis of a shared gay history, indeed a new gay identity, that transcended national borders.
Pink Triangle Legacies illustrates the dangerous consequences of historical silencing and how the incorporation of hidden histories into the mainstream understanding of the past can contribute to a more inclusive experience of belonging in the present. There can be no justice without acknowledging and remembering injustice. As Newsome demonstrates, if a marginalized community seeks a history that liberates them from the confines of silence, they must often write it themselves.
Micah is rich, dreamy, and charming. As the “Prince of Chicago,”—the son of local celebrity sports radio host known as the King of Chicago—he has everything going for him. Unfortunately, he’s also the prince of imaginary meet-cutes, since he’s too nervous to actually ask boys out.
Instead, Micah draws each crush to share on Instagram with a post about their imaginary dates. Ninety-nine “boyfriends” later, his account is hugely popular, and everyone is eagerly awaiting Boy 100. So is Micah. He’s determined that Boy 100 will be different. This time, Micah will sweep the boy off his feet, for real!
So when Micah flirts with a hot boy on the L who’s wearing a vegan leather jacket and lugging a ton of library books, he is sure this is Boy 100. But right before he can make his move and ask for the boy’s number, the guy rushes off the train, leaving behind his pumpkin-embroidered jacket. The jacket holds clues to the boy’s identity, so Micah and his friends set off on a quest to return it. Along the way, Micah will discover that the best relationships aren’t fairy tales. In fact, the perfect fit—and true love—might be closer than he thinks.
Virginia, 1943: World War II is raging in Europe and on the Pacific front when Kit Sutherland is recruited to help the war effort as a codebreaker at Arlington Hall, a former girls’ college now serving as the site of a secret US Signal Intelligence facility. But Kit is soon involved in another kind of fight: government girls are being brutally murdered in Washington DC, and when Kit stumbles onto a bloody homicide scene, she is drawn into the hunt for the killer.
To find the man responsible for the gruesome murders and bring him to justice, Kit joins forces with other female codebreakers at Arlington Hall—gossip queen Dottie Crockford, sharp-tongued intelligence maven Moya Kershaw, and cleverly resourceful Violet DuLac from the segregated codebreaking unit. But as the girls begin to work together and develop friendships—and romance—that they never expected, two things begin to come clear: the murderer they’re hunting is closing in on them…and Kit is hiding a dangerous secret.
For Arthur Less, life is going surprisingly well: he is a moderately accomplished novelist in a steady relationship with his partner, Freddy Pelu. But nothing lasts: the death of an old lover and a sudden financial crisis has Less running away from his problems yet again as he accepts a series of literary gigs that send him on a zigzagging adventure across the US.
Less roves across the “Mild Mild West,” through the South and to his mid-Atlantic birthplace, with an ever-changing posse of writerly characters and his trusty duo – a human-like black pug, Dolly, and a rusty camper van nicknamed Rosina. He grows a handlebar mustache, ditches his signature gray suit, and disguises himself in the bolero-and-cowboy-hat costume of a true “Unitedstatesian”… with varying levels of success, as he continues to be mistaken for either a Dutchman, the wrong writer, or, worst of all, a “bad gay.”
We cannot, however, escape ourselves—even across deserts, bayous, and coastlines. From his estranged father and strained relationship with Freddy, to the reckoning he experiences in confronting his privilege, Arthur Less must eventually face his personal demons. With all of the irrepressible wit and musicality that made Less a bestselling, Pulitzer Prize-winning, must-read breakout book, Less Is Lost is a profound and joyous novel about the enigma of life in America, the riddle of love, and the stories we tell along the way.
A queer, dark academia YA about a mysterious boarding school, a brotherhood that must stay in the shadows, and an ancient evil that could tear it all apart.
In the fall of 1991, Zooey Orson transfers to the Blackfriars School for Boys hoping for a fresh start following a scandal at his last school. However, he quickly learns that he isn’t the only student keeping a secret. Before he knows it, he’s fallen in with a group of boys who all share the same secret, one which they can only express openly within the safety of the clandestine gatherings of the Vicious Circle––the covert club for gay students going back decades. But when the boys unwittingly happen upon the headmaster’s copy of an arcane occult text, they unleash an eldritch secret so terrible, it threatens to consume them all.
A queer paranormal story set during the still-raging AIDS crisis, Fraternity examines a time not so long ago when a secret brotherhood lurked in the shadows. What would Zooey and his friends do to protect their found family?
The gods have fled. Monsters threaten to invade the city of Logos, hunting mankind as they did in the olden days. In the midst of it all, a serial killer has begun ritually sacrificing victims—to lure the gods back and stop the imminent destruction, or for a more sinister purpose?
Lilac Antonis wants to stop the impending destruction of her city by summoning her mother, a blood god—even if she has to slit a few throats to do it. But evading her lover Arcadia and her friends means sneaking, lying, and even spilling the blood of people she loves.
Alex and Cecil of Ace Investigations have been tasked with hunting down the killer, but as they close in—not knowing it is their close friend they’re hunting—the detectives realize the gods may not have left willingly, and must uncover the truth before Lilac summons the wrong god, who may have come back just to destroy them all.
Set in an alternate reality which updates mythology to near-modern day, NO GODS FOR DROWNING is part hunt for a serial killer, part noir detective story, and unlike anything you’ve ever read before.
Once upon a time . . . happily ever after turned out differently than expected. In this new, feminist, queer fairy-tale collection, you’ll find the princesses, mermaids, knights, barmaids, children, and wise old women who have been forced to sit on the sidelines in classic stories taking center stage. A gorgeous all-new collection in graphic novel format from a Stonewall Honor-winning author and artist.
What if the giant who abducted you was actually thoughtful and kind? What if you didn’t want to marry your handsome, popular, but cold-inside suitor? What if your one true love has all the responsibilities that come with running a kingdom?
The Unbalancing is R. B. Lemberg’s new novel in their acclaimed Birdverse. It is the tale of Erígra Lilún, an autistic nonbinary poet, and Ranra Kekeri, a new Starkeeper, as they try to save their island home from sinking. The Unbalancing explores deep names, the magic system of Birdverse, as well as the starlore unique to Lemberg’s world. Readers will learn the origin of the stars and what they are made of through Ranra and Lilún’s efforts to understand the Star of the Tides. Birdverse fans may recognise the story from R. B.’s 2015 poem, “Ranra’s Unbalancing,” which placed 1st in the Strange Horizons Readers Poll that year.
Edd’s self-expression through pretty dresses and sparkly jewellery leads some people to misjudge him, and his soft spot for strays has bitten him on the keister in the past. But when his shy new neighbour Carey, who turns threadbare fabrics into works of art, seems to need help settling into their new town, Edd can’t help but offer a hand.
Rebuilding their life after a crushing divorce, Carey buys a little house in queer-friendly Clover Hill. Their cute neighbour, Edd, keeps bringing them delicious baked goods, and soon even the sound of his knock on their door makes Carey happy. But Carey’s breakup made it obvious how unworthy they are of a relationship, and anyway, Edd’s probably just being kind. Isn’t he?
Yet Carey begins to flourish in their new life as cheerful, patient Edd shows them around town. Edd finds in Carey a gentleness he’s always craved, and a slow, sweet attraction takes root between the two of them.
Then news from Carey’s ex shatters their fragile confidence. How can they be a good partner to Edd when they failed so badly the last time? Edd is torn between giving Carey comfort and keeping the distance Carey says they need, even when it’s making them both miserable.
Can Carey and Edd work together to mend their relationship? Or can some things just not be fixed?
In 1978 Andy Warhol and Truman Capote decided to write a Broadway play. Andy suggested that he record their private conversations over the period of a few months, and that these tapes would be the source material for the play. The tapes were then filed away and forgotten. Their play was never completed.
Now, award-winning director Rob Roth brings their vision to life after a years-long search to unearth the eighty hours of tapes between two of the most daring artists of postwar America. WARHOLCAPOTE, based on words actually spoken by the two men, is set in the ’70s and ’80s, toward the end of their close connection and not too long before their untimely deaths. Their special, complex friendship is captured by Roth with bracing intimacy as they discuss life, love, and art and everything in between. Every word in the play comes directly from these two 20th century geniuses. The structure of the conversations springs from Roth’s imagination.
With lush and deeply intimate language, Jayme Ringleb’s debut collection So Tall It Ends in Heaven explores sexuality, estrangement, and the distances we travel for love. Following the end of a marriage, the book’s queer southern speaker tries to restore a relationship with his father. His father lives across an ocean, but more keeps them apart than just that: the father rejected his son long ago after learning that his son is gay. The poems search for answers across the United States and Europe, in and out of historical imagination, as the speaker struggles to separate his understanding of devotion and belonging from the constant losses in his life. Drawing from—and subverting—the formal traditions of love poems, parables, and elegies, the collection claims a vital space for one’s own solace. “Nobody will love you / like this poem does,” the speaker says; “Tell this poem / what you want. // Anything.”
In turns that are ruminative, funny, and tender, So Tall It Ends in Heaven questions what and whom one lets go of by coming out—can love, in all its complexities, ever be uncoupled from grief
Lambda Literary Award winner Larissa Lai (The Tiger Flu) returns with a sprawling historical novel about war, colonialism and queer experience during Japan’s occupation of Hong Kong during World War II.
On the eve of the return of the British Crown Colony of Hong Kong to China in 1997, young Ophelia asks her peculiar great-aunt Violet about the Japanese occupation of Hong Kong during World War II and the disappearance of her uncle Theo. From Violet, she learns the story of her grandmother, Emily.
Emily’s marriage—three times—to her father’s mortal enemy causes a stir among three very different Hong Kong Chinese families, as well as among the young cricketers at the Hong Kong Cricket Club, who’ve just witnessed King Edward VIII’s abdication to marry Wallis Simpson. But the class and race pettiness of the scandal around Emily’s marriage is violently disrupted by the Japanese Imperial Army’s invasion of Hong Kong on Christmas Day, 1941, which plunges the colony into a landscape of violence none of its inhabitants escape from unscathed, least of all Emily. When her situation becomes dire, Violet, along with a crew of unlikely cosmopolitans determines to rescue Emily from the wrath of the person she thought loved her the most, her husband, Tak-Wing. In the middle of it all, a strange match of timeless Test cricket unfolds, in which the ball has an agency all its own.
With great heart, The Lost Century explores the intersections of Asian relations, queer Asian history, underground resistance, the violence of war, and the rise of modern China― a sprawling novel of betrayal, epic violence and intimate passions.
The guy who broke my heart is back and teaching at my school. I’m really trying not to give an F.
A long time ago, in a suburban high school not so far away, a closeted nerd (me) and a closeted soccer star (Hutch) fell in love and planned to make their public debut at prom. Until Hutch bailed at the last minute, leaving me with a broken heart and unworn tuxedo. Tale as old as time, right?
I spent the past ten years working to forget Hutch, returning to our old high school to teach and make new memories that could erase ones of him. I thought Hutch was ancient history, off living his professional athlete life. But he’s suddenly back in Sourwood, coaching soccer at South Rock High, and sexy as ever. Just when I’d gotten over him, we’re now colleagues.
As Hutch leads the soccer team to victory once again, and we find ourselves trading stolen glances in the halls, it feels like a reboot of our high school bad romance. Especially after a late night encounter where I find myself climbing him like the rope in gym class. Oops.
Hutch wants to give us another try, but what if history is doomed to repeat itself?
Lark Winters wants to be a writer, and for now that means posting on their social media accounts––anything to build their platform. When former best friend Kasim accidentally posts on Lark’s Twitter a thread declaring his love for a secret, unrequited crush, Lark’s tweets are suddenly the talk of the school—and beyond. To protect Kasim, Lark decides to take the fall, pretending they accidentally posted the thread in reference to another classmate. It seems like a great idea: Lark gets closer to their crush, Kasim keeps his privacy, and Lark’s social media stats explode. But living a lie takes a toll—as does the judgment of thousands of Internet strangers. Lark tries their best to be perfect at all costs, but nothing seems good enough for the anonymous hordes––or for Kasim, who is growing closer to Lark, just like it used to be between them . . .
In the end, Lark must embrace their right to their messy emotions and learn how to be in love.
When Brooke, Kelly, Maggie, and Melissa buy a bootleg anime DVD at a gas station, they get much more than they bargained for with Super Love XL, a risqué move featuring—among other things—a giant mecha who shoots lasers out of her chest. The four girls are horrified (and maybe a little fascinated). It’s so unlike anything they’ve seen, would probably shock everyone else in their town, and definitely would take over their extremely conservative Christian school. That’s when they have the idea to sell copies to local boys…for twenty dollars a pop.
At first, everything goes perfectly, with the friends raking in cash—pretty soon they’ll even have enough money to buy the matching jackets they’ve always dreamed of! But as the market for mildly titillating anime DVDs grows, the girls realize they’ll need new material. On top of figuring out how to replicate their first success, there’s growing tension within the group. Brooke and Kelly’s romance is on its last legs, and hurt feelings are guaranteed when Melissa starts falling for one of them.
Will the four girls’ shared history be strong enough to see them through this upheaval? Or will they learn that some things can only end in heartbreak?
Shay Johnson has all the makings of a successful witch. As a junior at T.K. Anderson Magical Magnet School, she’s determined to win the Brockton Scholarship—her ticket into the university of her dreams. Her competition? Ana freaking Álvarez. The key to victory? Impressing Mr. B, drama teacher and head of the scholarship committee.
When Mr. B asks Shay to star in this year’s aggressively inclusive musical, she warily agrees, even though she’ll have to put up with Ana playing the other lead. But in rehearsals, Shay realizes Ana is . . . not the despicable witch she’d thought. Perhaps she could be a friend—or more. And Shay could use someone in her corner once she becomes the target of Mr. B’s unwanted attention. When Shay learns she’s not the first witch to experience his inappropriate behavior, she must decide if she’ll come forward. But how can she speak out when her future’s on the line?
It’s 1931 in Shanghai, and the stage is set for a new decade of intrigue.
Four years ago, Rosalind Lang was brought back from the brink of death, but the strange experiment that saved her also stopped her from sleeping and aging—and allows her to heal from any wound. In short, Rosalind cannot die. Now, desperate for redemption for her traitorous past, she uses her abilities as an assassin for her country.
Code name: Fortune.
But when the Japanese Imperial Army begins its invasion march, Rosalind’s mission pivots. A series of murders is causing unrest in Shanghai, and the Japanese are under suspicion. Rosalind’s new orders are to infiltrate foreign society and identify the culprits behind the terror plot before more of her people are killed.
To reduce suspicion, however, she must pose as the wife of another Nationalist spy, Orion Hong, and though Rosalind finds Orion’s cavalier attitude and playboy demeanor infuriating, she is willing to work with him for the greater good. But Orion has an agenda of his own, and Rosalind has secrets that she wants to keep buried. As they both attempt to unravel the conspiracy, the two spies soon find that there are deeper and more horrifying layers to this mystery than they ever imagined.
As fires devastate most of the United States, Lark and his family secure a place on a refugee boat headed to Ireland, the last country not yet overrun by extremists and rumored to be accepting American refugees. But Lark is the only one to survive the trip, and once ashore, he doesn’t find the safe haven he’d hoped for. As he runs for his life, Lark finds an abandoned dog who becomes his closest companion, and then a woman in search of her lost son. Together they form a makeshift family and attempt to reach Glendalough, a place they believe will offer protection. But can any community provide the safety that they seek?
Despite coming from a long line of powerful Finnish mages, and their name literally meaning magic, Taika can’t perform the simplest of spells.
Forced to attend Myrskyjärvi International School for the Magically Gifted on account of their mom being principal, Taika has a hard time fitting in. Sometimes, they wonder if not having magic has something to do with the fact they’re neither a girl nor a boy and if they’re fated to be Taika the Talentless forever.
Life goes from bad to worse when Taika sees a liekkiö and recognizes the spirit’s voice begging for help as that of their former BFF and major crush, Natalie Khumalo, whose recent absence from class hadn’t gone unnoticed. When more students go missing, Taika must take the lead in a race against time to save friends old and new before a powerful cabal of chaos mages can unleash the legendary Sampo, an artifact capable of either renewing the world’s waning magic or destroying everything Taika holds dear.
To rescue Natalie, Taika will have to journey to the liminal space between worlds where they’ll be forced to battle mythical monsters and their own flagging self-esteem. In doing so, Taika might just discover that magic—and love—comes in many different forms.
Marion Shaw has been raised in the slums, where want and deprivation are all she know. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid.
Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery. At the center of it all is Countess Lisavet.
The countess, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when she discovers that the ancient walls of the House of Hunger hide even older secrets, Marion is thrust into a vicious game of cat and mouse. She’ll need to learn the rules of her new home—and fast—or its halls will soon become her grave.
This is the story of Misery Nomaki (she/they) – a nobody from a nowhere mining planet who possesses the rare stone-working powers of a saint. Unfortunately, these saint-like abilities also manifest in those succumbing to voidmadness, like that which killed Misery’s mother. Knowing they aren’t a saint but praying they aren’t voidmad, Misery keeps quiet about their power for years, while dreaming and scheming up ways off their Forge-forsaken planet.
But when the voice of an angel, or a very convincing delusion, leads Misery to the center of the Empire, they find themself trapped between two powerful and dangerous factions, each hoping to use Misery to win a terrible war.
Still waiting to be convinced of their own divinity and secretly training with a crew of outlaws and outcasts, Misery grows close to a rebel royal, Lady Alodia Lightning, who may know something of saints and prophecy herself. The voice that guides Misery grows bolder by the day, and it seems the madness is catching…
Sydney Mackenzie is taking a well-earned break from her intense job as a PA to the rich and famous. Her tour around England in Gertie, her beloved VW camper, is cut short when her boss calls in a favour.
Beatrice Russell is an esteemed actress, adored by her fans worldwide, disliked by anyone that knows her. Following an accident on set in the US, she’s forced home to her English country estate to convalesce for the summer, where she finds herself in need of yet another new assistant.
Enter Syd, who doesn’t take kindly to the ice queen’s attitude and whims, or her own body’s reaction to the beautiful diva. With Bea’s teenage son, Xander, joining them for the summer, she has a chance to observe their relationship, which she finds is just as broken as Bea’s leg.
As the summer heats up, the ice queen begins to thaw, and Syd sees a glimmer of the troubled woman under the celebrity bravado, drawing her closer to the enigmatic actress — sometimes too close.
Can Syd reach the real Bea and draw her out before the summer ends and she returns to filming in the States, or is Bea broken beyond repair?
The Bride Hunt of Elk Mountain by Lumen Reese (30th)
Every five years the girls of Elk Mountain wake up in the woods, where the simple farm boys they grew up with become predators and hunt them for brides.
Dan Lightman returns to the mountain to help the Marlow sisters. Lizzie is twenty, deaf since childhood and worried that she could end up married to a man who won’t learn to communicate with her, that she won’t have a voice in her own home. Beck is seventeen, exchanging secret letters with a girl from the other side of the mountain, and she’ll kill or die before she’ll marry anyone else. Nellie is only fourteen, and all she wants is a few more years, to grow up on her own terms.
All three girls live in the shadow of their beautiful eldest sister, Julia. Five years ago -at the last Bride Hunt- she refused the man who caught her, and she was killed for it. The barbaric ritual is a sacred rite of passage to a fringe sect of Catholicism in post-apocalyptic, small-town Appalachia. Dan is one of the hunt’s only critics. He was once too afraid to fight for the girl he loved, but now he’s back with a hired cutthroat and a plan to save the remaining Marlow sisters from their gruesome fate…