All posts by Dahlia Adler

March 2021 Deal Announcements

Adult Fiction

Lambda finalist author of Camp Lev AC Rosen’s LAVENDER HOUSE, pitched as Knives Out meets Carol, following a police inspector in 1950s San Francisco, who after being caught in a raid on a gay bar and fired, is hired by a mysterious widow to investigate a death at a wealthy household with more than a few secrets to hide, to Kristin Sevick at Forge, at auction, in a two-book deal, by Joy Tutela at David Black Literary Agency.

Charlotte Anne Hamilton’s LITTLE LOSS OF INNOCENCE, in which a Scottish woman travels to America on the Titanic and unexpectedly falls for the exhilarating woman she has to share a cabin with, to Jen Bouvier at Entangled Embrace, for publication in summer 2021 (world).

Author of the Out in Portland series Karelia Stetz-Water‘s ADULTS ONLY, about a director of feminist adult films and her newly hired personal assistant who is looking for a change; as the two women sort out their past relationships and professional challenges, they find themselves falling for each other, to Madeleine Colavita at Forever Yours, by Jane Dystel at Dystel, Goderich & Bourret (NA).

University of Wisconsin-Madison MFA graduate Kathryn Harlan‘s FRUITING BODIES, comprising mostly queer, often genre-bending stories ranging from the fantastical to the Gothic to the eerily realistic, seeking to answer the call for a new age of storytelling in the face of insufficient myths and fairy tales, to Jill Bialosky at Norton, in a pre-empt, in a two-book deal, by Meredith Kaffel Simonoff at DeFiore and Company (NA).

K.D. Casey’s UNWRITTEN RULES, a contemporary male/male romance in which a struggling Jewish catcher and his superstar ex-boyfriend work to reconcile after they unexpectedly reunite at the MLB all-star game, to Stephanie Doig at Carina Press, in a nice deal, by Deidre Knight at The Knight Agency (world English).

Verity Lowell’s MEET ME IN MADRID, an #OwnVoices BIPOC f/f romantic comedy, in which a museum courier is unexpectedly reunited with her grad school crush, an art historian who provides shelter in a Spanish blizzard, and then ends up chasing her back to the States to try to solve the two-body problem of long distance life, love, and work, to Kerri Buckley at Carina Press Adores, for publication in November 2021, by Jessica Alvarez at BookEnds.

Electric Literature associate editor Alyssa Songsiridej’s LITTLE RABBIT, about a queer writer’s unexpectedly intense involvement with an older choreographer; a book about power, desire, and patronage, to Callie Garnett at Bloomsbury, in a good deal, at auction, by Kate Johnson at MacKenzie Wolf (NA).

Sid Karger’s BEST MEN, pitched as a gay spin on Bridesmaids or My Best Friend’s Wedding, about a man who thinks he has everything figured out, until his best friend announces her engagement, forcing him to navigate his shared wedding party duties with the groom’s charming, infuriating, and (really, really) hot gay brother, and not make his best friend’s wedding all about himself, to Cindy Hwang at Berkley, at auction, in a two-book deal, by Daniel Lazar at Writers House (NA).

Author of LET’S TALK ABOUT LOVE Claire Kann’s THE ROMANTIC AGENDA, her debut adult rom-com, about a young, Black, ace woman who decides to finally let her best friend know she is in love with him during a romantic weekend trip that goes awry, to Kristine Swartz at Berkley, in a good deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Carrie Pestritto at Laura Dail Literary Agency (world).

R.A. Frumkin’s CONFIDENCE, a humorous takedown of the American Dream, featuring two con men, lifelong friends and sometimes lovers, who attempt to pull off a major global scheme on the scale of Theranos or Herbalife, pitched in the vein of Succession meets Patricia Highsmith’s Ripley series; and BUGSY, a collection of transgressive, radical, and darkly humorous stories that are considerations of mental illness, sexuality, and Kimye, to Zachary Knoll at Simon & Schuster, in a pre-empt, in a two-book deal, by Ross Harris at Stuart Krichevsky Agency (world).

British Eritrean Ethiopian author of SILENCE IS MY MOTHER TONGUE and THE CONSEQUENCES OF LOVE Sulaiman Addonia’s THE SEERS, exploring an Eritrean unaccompanied minor refugee’s first weeks in London, giving a glimpse into the U.K. asylum system and what it does to the mental health of young refugees, and how the intergenerational history of colonization affects intimate relationships; also detailing the sexual conquests of young queer African immigrants in London, who are fluid, trans and androgynous, to Fiona McCrae and Steve Woodward at Graywolf, in a nice deal, in an exclusive submission, for publication in spring 2023, by Jessica Craig at Craig Literary (NA).

TJ Alexander’s CHEF’S KISS, an #OwnVoices LGBTQ+ rom-com starring a type-A pastry chef whose professional goals are interrupted by not only a career transition, but the introduction of her wildly attractive nonbinary kitchen manager, who happens to be undergoing a transition of their own, to Lara Jones at Emily Bestler Books, in a good deal, in a pre-empt, in a two-book deal, for publication in summer 2022, by Larissa Melo Pienkowski at Jill Grinberg Literary Management (world).

Poet and co-editor of COLONIZE THIS: YOUNG WOMEN OF COLOR ON TODAY’S FEMINISM Bushra Rehman‘s ROSES IN THE MOUTH OF A LION, about female friendships and queer love within a Pakistani community in Corona, Queens, pitched as combining the structure of Sandra Cisneros’s A House on Mango Street with the lyricism of Ocean Vuong’s On Earth We’re Briefly Gorgeous, to Caroline Bleeke at Flatiron Books, in a pre-empt, for publication in summer 2022, by Ayesha Pande at Ayesha Pande Literary (world).

Sondi Warner‘s debut LEAD ME ASTRAY, a LGBTQIA+ paranormal, polyamorous romance following a newly dead medium who can see her ghost and a P.I. werewolf who band together to solve the mysterious circumstances surrounding her death, all while falling for each other, to Deanna McFadden at Wattpad, in a nice deal, for publication in winter 2022 (world).

New Yorker fiction contributor Taymour Soomro’s OTHER NAMES FOR LOVE, on legacy, queerness, and violence in Pakistan, about a young man whose sexual and intellectual awakening in the feudal lands leads to an estrangement from his family and a difficult reunion after several decades, to Mitzi Angel at Farrar, Straus, at auction, by Adam Eaglin at The Cheney Agency, on behalf of Natasha Fairweather at Rogers, Coleridge & White (NA).

Tara Sim’s THE CITY OF DUSK, the first in an adult epic fantasy trilogy, in which the four heirs of four noble houses, each gifted with a divine power, must form a tenuous alliance to keep their kingdom from descending into a realm-shattering war, to Priyanka Krishnan at Orbit, in a three-book deal, for publication in spring of 2022, by Victoria Marini at Irene Goodman Agency (world).

Juno Dawson’s HER MAJESTY’S ROYAL COVEN, about a covert supernatural government department established by Queen Elizabeth I, as their oracle foretells the genocide of all witches, and conflict over how to tackle the prophecy threatens to tear apart a group of lifelong friends; exploring gender, feminism, the patriarchy, and the corrupting nature of power, to Margaux Weisman at Penguin, at auction, in a three-book deal, by Alyssa Reuben and Katelyn Dougherty at Paradigm, on behalf of Sallyanne Sweeney at MMB Creative (NA).

Children’s Fiction

Young Adult Fiction

Author of THE HENNA WARS and HANI AND ISHU’S GUIDE TO FAKE DATING Adiba Jaigirdar’s DONUT FALL FALL IN LOVE, about a Bangladeshi Irish girl still healing from a breakup with her ex-girlfriend, and who can think of nothing batter than to win the Junior Irish Baking Show, a Great British Bake Off-style reality competition; even if it means competing against her ex and another contestant that she may be falling for, to Foyinsi Adegbonmire at Feiwel and Friends, for publication in spring 2023, by Uwe Stender at TriadaUS Literary Agency (NA).

SURRENDER YOUR SONS author Adam Sass‘s THE 99 BOYFRIENDS OF MICAH SUMMERS, in which an artsy teen who posts sketches of his imaginary boyfriends to Instagram finally has a meet cute with the much-anticipated Boy 100, but when it turns into a missed connection, he embarks on a Prince Charming-like quest throughout Chicago to find true love, to Kelsey Murphy at Philomel, in a six-figure deal, at auction, in a two-book deal, for publication in fall 2022 and fall 2023, by Chelsea Eberly at Greenhouse Literary Agency on behalf of Dovetail Fiction/Working Partners and Eric Smith at P.S. Literary Agency (NA).

Sonora Reyes’s debut THE LESBIANA’S GUIDE TO CATHOLIC SCHOOL, following a 16-year-old who has just started at a new Catholic school after being outed by her ex-best friend and crush at her old school; her new goals: make her mom proud, keep her brother out of trouble, and most importantly, don’t fall in love, but that’s not easy when the only openly queer girl at school is so funny, cute, and seems like she might be interested, to Alessandra Balzer at Balzer & Bray, in a good deal, at auction, in a two-book deal, for publication in spring 2022, by Alexandra Levick at Writers House (NA).

Author of THE HENNA WARS and HANI AND ISHU’S GUIDE TO FAKE DATING Adiba Jaigirdar’s A MILLION TO ONE, a high-stakes romantic heist novel set on the Titanic, in which four girls team up to steal a priceless jewel-encrusted book, to Claudia Gabel at Harper Children’s, for publication in spring 2022, by Uwe Stender at TriadaUS Literary Agency (world).

Leslie Vedder’s debut THE BONE SPINDLE, an #OwnVoices LGBTQ fantasy pitched as a gender-flipped retelling of Sleeping Beauty meets Indiana Jones, in which a cursed treasure hunter and an axe-wielding huntswoman must team up in the treasure hunt of a lifetime to save a lost prince, to Arianne Lewin at Putnam Children’s, in a pre-empt, in a two-book deal, for publication in spring 2022, by Carrie Hannigan and Ellen Goff at HG Literary (NA).

Non-Fiction

Advocate for LGBTQ+ issues and gun violence prevention, and survivor of the 2016 Pulse Nightclub shooting Brandon Wolf’s SAFE SPACE, recounting how the support of the greater Orlando community inspired him towards activism in the wake of that tragic night, and exploring the struggles he faced to find a sense of belonging, the resiliency required to maintain it in an increasingly chaotic and fearful world, and the essential role that community has in effecting positive social change during times of crisis, to Selena James at Little A, in a pre-empt, by Jud Laghi at Jud Laghi Agency (world).

Lambda Literary Fellow Lamya H’s MARYAM IS A DYKE, a memoir in essays about her experience as a queer hijabi Muslim immigrant seeking to make sense of herself, her faith, and her place in the world through the lens of radical, lyrical interpretations of the Quran, to Katy Nishimoto at Dial, at auction, by Julia Kardon at HG Literary (NA).

Author of the 2021 PEN Open Book Award finalist and NAACP Image Award-nominated poetry collection UN-AMERICAN, and literary agent at Janklow & Nesbit Hafizah Geter’s THE BLACK PERIOD: ON PERSONHOOD, RACE & ORIGIN, a genre-bending memoir that explores how the origin stories we inherit can be remade by delving into the author’s personal and political experiences with Blackness, queerness, Islamophobia, shame, and grief as they cross continents from Nigeria and Gambia to the U.S., to Jamia Wilson at Random House, at auction, by Ayesha Pande at Ayesha Pande Literary (NA).

 

5 New March eBooks for Under $5!

The Home I Find With You by Skye Kilaen (Polyam Romance, $2.99)

Sweethand by N.G. Peltier (Bi m/f Contemporary Romance, $2.99)

Black Boy Out of Time by Hari Ziyad (Memoir, $3.99)

Learned Reactions by Jayce Ellis (m/m Contemporary Romance, $4.99)

Knit, Purl, a Baby, and a Girl by Hettie Bell (f/f Contemporary Romance, $4.99)

All links are Amazon affiliate. Purchasing through them earns a small percentage of income for the site.

Introducing Amble Press, an LGBTQ Imprint of Bywater Books!

Last week, we revealed the cover of Michael Nava’s newest Henry Rios book, Lies With Man, and today, he’s back to talk about the imprint publishing that book, Amble Press! Amble Press is a new LGBTQ imprint of Bywater Books, noted lesbian publisher of such titles as Jericho by Ann McMan, I Can’t Think Straight by Shamim Sarif, Compass Rose by Anna Burke, and Bury Me When I’m Dead by Cheryl A. Head. Now they’re going beyond the L, and as Managing Editor, Michael Nava’s here to talk about how it began, what’s coming up, and what they’re looking for!

***

Michael Nava

Independent presses have been the life-blood of LGBTQ literary culture for decades. Scrappy small presses in the 70’s and 80’s published the first works of Rita Mae Brown, Dorothy Allison and Alison Bechdel, as well as trailblazing Black and Latinx writers like Larry Duplechan, James Earl Hardy, Jewelle Gomez, Cherrie Moraga and Gloria Anzaldua. Firebrand Books published Stone Butch Blues, a pioneering work of work of trans literature and Alyson Publications dared to publish gay and lesbian childrens’ books – most notably Heather Has Two Mommies by Leslea Newman – at a time when gay people were demonized a pedophiles who recruited children into their ranks.

These presses existed because, by and large, New York publishers were hostile to queer writers even though it was an open secret that there were gay and lesbian editors at those big publishing houses. My own experience is instructive: in 1986, I submitted my first novel, a mystery featuring a gay, Mexican-American criminal defense lawyer named Henry Rios, to 13 New York publishers. It was rejected by every one of them. The editors who responded with more than a form letter rejection said essentially the same thing: this is a well-written book, but there’s no market for it. I found a home at Alyson Publications, which was then the preeminent small gay publisher. (Eventually, I would be published first by HarperCollins and then by Putnam until, in 2000, I began a fifteen-year break from writing and publishing.)

Small queer presses continue to be an essential part of our literary landscape because they remain necessary. Although the Big Publishers roll out the occasional LGBTQ book, queer writers, like writers from other traditionally marginalized still have a harder time getting their books published by an the increasing cautious and profit-driven mainstream publishing industry. A quick Google search reveals there are many small queer presses and to those already existing ones I want to introduce Amble Press, an imprint of Bywater Books, where I serve as managing editor.

Bywater Books is a respected lesbian press founded in 2004 that boasts among its award-winning roster of writers Cheryl Head, Ann McMan, Paula Martinac, Penny Micklebury and many more. In 2018, the Bywater’s leadership, publisher Salem West and director of operations, Marianne K. Martin, decided they wanted to start a new imprint that would expand their reach behind the lesbian community to other queer writers, and especially writers of color. They named the imprint Amble Press and their first acquisition was Alan E. Rose’s novel As If Death Summoned, a moving novel set in the last days of the worst of AIDS epidemic which reviewer Grady Harp calls “a beautiful, involving novel,” and about which Jerry Wheeler says in Out In Print “I couldn’t put it down.”

I was tapped as Amble’s managing editor last spring because of my interest in giving back to the queer literary community the same boost I had received when I was a young, emerging writer. Part of the agreement was that Amble would publish the next Henry Rios novel, Lies With Man, which appears in April. My first acquisitions will be published in the summer of 2021; Matthew Clark Davison’s debut novel Doubting Thomas in June, 2021 and Joe Okonkwo’s collection of short stories, Kiss the Scar on the Back of My Neck in August.

These books illustrate the great range of excellent queer writing out in the world that is not finding homes in the risk-averse culture of Big Publishing. Neither Davison nor Okonkwo are first-time, inexperienced writers. Davison teaches in the creative writing department of San Francisco State University, has published widely in places like Guernica and The Atlantic and anthologies like Empty the Pews and is the recipient of a number of literary awards and grants. But even with this pedigree and a literary agent, he struggled to find a publisher for his first novel about a gay teacher at an elite, private school falsely accused of inappropriately touching one of his students and its aftermath. Okonkwo’s first novel Jazz Moon, won the Publishing Triangle’s Edmund White Award for outstanding first novel and he too was represented by a distinguished literary agent for his superb collection of short stories.

Thirty years ago, both these writers may well have found homes with one of the big publishers. Of course, big publishing’s loss in Amble’s gain and, ultimately, also benefits queer readers who might otherwise be deprived of the work of these brilliant writers.

Amble Press is currently accepting submissions and is, as I said, particularly interested in queer writers of color. You can see our submissions information at https://www.bywaterbooks.com/amble_press_submissions/

Exclusive Cover Reveal + Galley Giveaway: Interactive Novel (!) Major Detours by Zachary Sergi

I am so excited to have today’s guest on the site, because this is seriously a project unlike any I’ve ever seen. Major Detours by Zachary Sergi is an interactive YA novel releasing from Running Press on September 7th, 2021, and today we’re not only revealing the cover, but we’re giving away three galleys with a different beautiful cover, and, because I had to know WTF it means that it’s an interactive YA novel, I asked Zach to share a little more about the process of making this happen!

But first, the book:

It’s the summer before college and four best friends—Amelia, Chase, Cleo, and Logan—are on the first leg of their road trip inspired by the unique tarot deck that Amelia inherited from her grandmother. However, their trip full of visiting occult shops, bonding, and sightseeing quickly takes a major detour when they discover that their tarot deck is more valuable—and coveted—than they could’ve ever imagined. Suddenly pursued by collectors who are after the legendary “lost” work of an infamous cult-following artist, the four friends will discover the fortunes that await those who unearth the deck’s four missing cards.

As the reader, you’ll get to make actual choices to further the friends’ road trip adventure in this first-of-its-kind interactive novel. Will you help the main characters, Amelia and Chase, learn and grow? How will you navigate Amelia’s steamy budding romances and overcome the challenges facing Chase and Logan’s queer-teen relationship?  Will you uncover the mysteries of the tarot deck? The choices are yours to make!

Major Detours is more than the branching-path books from your childhood. Instead, this fresh format bridges the gap between nostalgic choose-your-own-adventure and the modern style of digital interactive fiction, with choices that always lead you forward in the story and feature four diverse, queer characters navigating relationships and self-discovery. In Major Detours, the reader can interactively engage in two queer romances (from 2 alternating POVs), between the challenges facing a teen cis-male monogomous long-term relationship and a budding discovery of pansexual and nonbinary identities.

And because I cannot keep this epic cover from you any longer:

**Art by Karl Mountford | Design by Marissa Raybuck**

Buy it: Bookshop | Amazon | B&N | IndieBound

And, as promised, here’s Zachary Sergi to talk about the creation and inspiration of this novel!

Publishing Choices

As with any novel, the links in the chain that led to the creation of Major Detours could take us decades back, but I’ll start us more recently: after years of writing digital interactive fiction novels for Choice of Games (Heroes Rise and Versus, which have found the most devoted and lovely readerships) and almost selling two TV pilots (one about a youth cult and another about tarot cards—sound familiar?), I decided to focus my energy on returning to my very first dream: writing and publishing a print novel.

That story spans several years (and includes writing a more straightforward YA supernatural horror novel), but this intention ultimately put me on the path to meeting my agent, Lucy Carson, and eventually my editor at Running Press Kids, Britny Brooks-Perilli. It turns out Britny had read my novels for Choice of Games and wanted to know if I was interested in adapting my unique style of interactive fiction for print.

Of course, the answer was yes. Though really, I had never set out to write interactive fiction. The first Heroes Rise came about similarly: a manager asked if I’d pitch Choice of Games as one of my first opportunities out of college (this was before iPhones had become popularized, so writing a novel that would live as an app for a brand-new publishing company was…a leap of faith, to be sure). As it turns out, like many others, I’m uniquely suited to write interactive fiction, having made up RPG games and stories my whole life (with my ever-growing action figure collection). As RuPaul often says, sometimes you have to let the dream dream you. I always dreamed of being a writer—and as the universe would have it, I’m meant to be an interactive writer.

Needless to say I was very up for the challenge of adapting the complex, coded style of modern IF for print. Britny and I then embarked on a very non-traditional process—perhaps fitting for a very non-traditional print debut. Britny (who has turned out to be my creative soulmate)  pitched me a concept: road trip with a potential genre twist. I then pitched tarot cards, a subject I had spent lots of time researching and knew had hidden depths not reflected in pop culture yet. We talked style, then I drafted a full proposal, complete with a sample chapter and a totally new interactive format—one designed to feel as reader-friendly as possible.

After many months of additional drafts and conversations, Britny’s team approved the novel. After years of work, I had arrived at this dream-come-true destination—by taking lots of unexpected detours. But now I actually had to write this novel we had proposed…

Writing Choices

Interactive fiction was born out of the interactive novels of the 80s and 90s: most think of the Choose Your Own Adventure line, but I actually grew up reading the Goosebumps: Reader Beware…You Choose The Scare line (I even tried building my own interactive slasher novel in the 3rd grade…so again, detour or destiny?) The novels written for Choice of Games, however, are all grown up: with sophisticated plots and characters, including complicated choices that are tracked by built-in coding and statistics (born out of early adventure video games). How were Britny and I going to replicate this digital/app-driven medium for print?

With lots of creativity, it turns out. The format we invented for Major Detours has three cornerstones. First: a more novelistic style. The original interactive print novels are what we call “bushy,” with lots of short story branches that end quickly and jump all over the book, then send you back to the beginning. In Major Detours, the choices always lead you forward and follow the spine of a linear plot—plus there are callbacks to choices you’ve made along the journey.

This leads us to the second cornerstone: a reading guide in the backmatter, where you can write in your choices using keywords. This unique system keeps track of your choices in a simple way, but once finished reading, you can then plug your choice-keywords into several reader personality profiles. Of course, the choices you make further the plot and branch scenes, but primarily these choices focus on shaping the interior lives of the two protagonists: defining their relationships, their struggles, and their beliefs. In doing so, you also build your own personality profile, choice by choice.

Third, the tone here is no longer middle-grade adventure; instead, we’re dealing with contemporary YA characters and their emotional, steamy, drama-filled coming-of-ages. Oh, and our teen crew is on a spooky tarot adventure, on the run from a maybe-cult of thrilling antagonists and answering deep questions about the meaning of life via the tarot. Some choice themes you will encounter: Can you predict the future or is there no such thing as destiny? Are spirits real or do we only ever haunt ourselves? How can long-term relationships survive going to college on opposite coasts? Is it better to fall for the mysterious good one or the seductive bad boy? Perhaps most importantly, these themes offer several queer romances to navigate… but saying any more about these would definitely mean spoilers for the alternate endings.

The Choices Are Yours

Interactivity, road trips, the tarot, cults, spirituality, queer joy—welcome to Major Detours, an interactive novel unlike any you’ve read before. We truly cannot wait to share it with all you readers!

How cool is that??

BUT WAIT. THERE’S MORE.

The galleys for Major Detours actually have a different cover, though it’s every bit as striking, and the Running Press team is giving three of them away here!

To enter, just leave a comment below! Let us know what you think about the cover, tell us about a choice you made (or wish you’d made), tell us your favorite game, or just acknowledge that this is really damn cool. Giveaway is open to U.S. recipients age 18 and over, and winner will be selected on Thursday, April 1st. Void where prohibited, and please allow for shipping delays due  to *gestures around at the world*. 

Excerpt: Singled Out: The True Story of Glenn Burke by Andrew Maraniss

Today on the site, we welcome New York Times-bestselling author Andrew Maraniss, author of the newly released Singled Out: The True Story of Glenn Burke, published by Philomel Books, to share an excerpt! Here’s some more info on the book:

On October 2nd, 1977, Glenn Burke, outfielder for the Los Angeles Dodgers, made history without even swinging a bat. When his teammate Dusty Baker hit a historic home run, Glenn enthusiastically congratulated him with the first ever high five.

But Glenn also made history in another way–he was the first openly gay MLB player. While he did not come out publicly until after his playing days were over, Glenn’s sexuality was known to his teammates, family, and friends. His MLB career would be cut short after only three years, but his legacy and impact on the athletic and LGBTQIA+ community would resonate for years to come.

New York Times bestselling author Andrew Maraniss tells the story of Glenn Burke: from his childhood growing up in Oakland, his journey to the MLB and the World Series, the joy in discovering who he really was, to more difficult times: facing injury, addiction, and the AIDS epidemic.

Packed with black-and-white photographs and thoroughly researched, never-before-seen details about Glenn’s life, Singled Out is the fascinating story of a trailblazer in sports–and the history and culture that shaped the world around him.

Buy it: Amazon | B&N | IndieBound

(Blogger’s Note: if you, like me, first heard of Glenn Burke thanks to Phil Bildner’s excellent MG novel, A High Five for Glenn Burke, stay tuned for that to take on some more relevance on the site in April.)

And now, here’s an excerpt!

***

In 1975, The Advocate magazine ran national advertisements in main­stream publications showing straight readers that gay people were a part of their lives even if they didn’t realize it. Depicting a group of ordinary-looking men and women standing side by side, the ad was simple but provocative for the time: “Meet the chairman of the board, your clergyman, the mechanic, your favorite actress and maybe your son or daughter. They all live in a closet.”

Even The Advocate, a gay magazine founded in 1967, didn’t go so far as to suggest that someone’s favorite Major League ballplayer might be gay.

Which is not to say the thought hadn’t crossed the editors’ minds. A year earlier, the magazine had mailed letters to Major League teams requesting interviews with players “living a gay lifestyle.” The request was meant to jolt the baseball establishment into acknowledging that there were indeed gay men playing the game. Editors were stunned by the hostility of the few replies they received, especially one from long­time Minnesota Twins public relations director Tom Mee.

“The cop-out, immoral lifestyle of the tragic misfits espoused by your publication,” Mee wrote, “has no place in organized athletics at any level. Your colossal gall in attempting to extend your perversion to an area of total manhood is just simply unthinkable.”

Mee’s rant was featured in a landmark 1975 series of articles, “Homosexuals in Sports” by Lynn Rosellini of the Washington Star. “Mee is not the only one who loathes any suggestion of homosexuality in sports,” she wrote. “For hundreds like him in the image-conscious athletic establishment, homosexuality remains a fearsome, hateful aberration.”

This was the context in which Glenn Burke returned to the Dodgers’ Class AA team in Waterbury, Conn. for the 1975 season. All that separated him from the major leagues was the Dodgers’ Triple-A team in Albuquerque. But while his teammates understood that it was their ability to hit the curve­ball or to throw strikes consistently that would determine their fates, Glenn Burke knew that as a closeted gay man, his challenges extended well beyond the basepaths. In the spring and summer of 1975, he’d be a gay man in baseball, living a double life, keeping a secret from the profession that provided a livelihood while at the same time discover­ing a new world where he could be himself, fully and without shame.

As a twenty-two-year-old big fish in a small, decaying town, this would not be easy.

Waterbury had a long baseball history, with more than a dozen Minor League teams—the Spuds, the Authors, the Invincibles—entertaining fans there dating back to the late 1800s. But the stadium where Burke and the Dodgers played was a joke. Some ballpark quirks add character: the towering Green Monster at Fenway, the ivy-covered walls at Wrigley, the fountains in Kansas City. But the unusual feature in Waterbury added nothing but danger. A running track extended through foul ter­ritory along the first base line before cutting across the outfield grass behind second base and shortstop. The fact that a track dissected the field was bad enough; what made it worse were the elevated curbs on either side of the running lanes, posing a threat to ground balls and infielders alike.

Dodger farmhands considered Waterbury cold, wet, and boring; for John Snider and his wife, Jane, fun consisted of driving out into the country to admire old rock walls. In this environment, whatever enjoyment was to be had came when the players hung out together at the apartments they shared, in the clubhouse, or at bars. And while Burke remained the most outgoing player in the clubhouse, keeping everyone loose with his jokes and music, he began to carefully remove himself from social situations with his teammates, and instead sought clandestine relationships with gay men in town. Most important, and most confusing to his teammates, he decided not to share a house with any of them in ’75, renting a small room at the Waterbury YMCA.

Three years before the Village People released their hit song extol­ling the virtues of gay life at the Y (“They have everything for young men to enjoy / You can hang out with all the boys”), Burke was already onto the notion. When his friends on the team questioned the decision, Burke told them he loved to play basketball, and living at the Y allowed him to shoot hoops every morning before he went to the ballpark.

His teammates thought this was odd, but Burke was a different kind of dude, so they didn’t make too much of it. But one day, Marvin Webb came to the Y to play basketball with Glenn. After they shot around for a while, Burke invited him to check out his room. Webb was surprised by how small it was, maybe six feet across and twelve feet deep, and dumbfounded when Burke introduced him to an out-of-town guest, his lover from California.

Webb looked around the room and saw just one small cot. “Where,” Webb asked, “is he going to stay?”

Glenn didn’t respond, but the answer was obvious.

An unspoken drama was unfolding in this small room at the Waterbury Y, at once simple and profound. Burke was in love and wanted to share this most basic of human emotions with his buddy, Webb. But disclosing his sexuality to his teammate required enormous courage. If Webb reacted with hostility or even whispered nonjudgmen­tally in the clubhouse, Burke’s career could be over. And though Webb walked out of the YMCA uncertain about how he felt about the revela­tion, within days he affirmed Burke’s trust, telling Burke not to worry; they’d always be friends.

When Burke’s partner returned home to the Bay Area, Glenn ven­tured into nearby New Haven, home of Yale University. There, he met a white professor, a man who was fully his type—older and scholarly. Burke and the professor established a routine, with Glenn riding a bus twenty-three miles every morning so they could meet for a leisurely lunch on the fabled New Haven Green, an expansive and historic down­town park.

At night after home games, Burke made up various excuses when his teammates invited him out to chase women, sometimes having one quick drink and leaving, other times saying he needed to get back to the Y for a late game of basketball. Instead, he’d go to the town’s gay bar, the Road House Café, always looking over his shoulder to be sure no one saw him walking in. But one night, Burke walked out of the bar just as a member of the team’s administrative staff walked in. Neither man said a word, but Burke gave him a knowing look, as if to say, Neither one of us will speak a word about this. And neither did.

The encounter caused Burke to think more seriously about the implications of being found out by other members of the baseball establishment. The best protection from his bosses’ likely homophobia, Burke decided, was his performance on the field. “I’m just going to have to hit .300 and lead the league in steals,” he concluded. “Then nobody can say shit to me.”

Burke fell short on batting average, hitting .270 in 1975, but he slugged a career-high 12 homers and set an Eastern League record with 48 stolen bases.

At season’s end, Burke couldn’t wait to get back to San Francisco, where he could surround himself with other gay men and not have to put on an act every day. Ever since his appearance on The King Norman Show as a kid, he had enjoyed the spotlight and relished being the center of attention in any gathering of people. But increasingly, he found it dif­ficult to reconcile his sexuality with the hetero culture of professional baseball. No longer did he want to provide the spark at his teammates’ gatherings. Now, he told a friend, he wanted to “leave his teammates behind and slip away to his own party.” Fortunately for him, in the mid-seventies Black people and gay men were changing the way Americans partied in an exhilarating new way.

Disco Fever was spreading, and Glenn Burke caught it.

Buy it: Amazon | B&N | IndieBound

Excerpted from SINGLED OUT: The True Story of Glenn Burke by Andrew Maraniss. © 2021. Follow Andrew on Twitter @trublu24 and learn more about the book at andrewmaraniss.com.

Andrew Maraniss is a New York Times-bestselling author of narrative nonfiction. His latest book, SINGLED OUT, is a biography of Glenn Burke, the first openly gay Major League Baseball player.

His first book, STRONG INSIDE, was the recipient of the 2015 Lillian Smith Book Award and the lone Special Recognition honor at the 2015 RFK Book Awards. The Young Reader edition was named one of the Top 10 Biographies and Top 10 Sports Books of 2017 by the American Library Association and was selected as a Notable Social Studies Book for 2019 by the National Council for the Social Studies.

His second book, GAMES OF DECEPTION, is the story of the first U.S. Olympic basketball team, which competed at the 1936 Summer Games in Nazi Germany. It received the 2020 Sydney Taylor Honor Award and was named one of Amazon’s Best Books of 2019. Both the National Council for the Social Studies and the American Library Association honored it as a Notable Book of 2019.

Andrew is a Visiting Author at Vanderbilt University Athletics and a contributor to ESPN’s TheUndefeated.com.

Andrew was born in Madison, Wis., grew up in Washington, D.C. and Austin, Texas and now lives in Brentwood, Tenn., with his wife Alison, and their two young children. Follow Andrew on Twitter @trublu24 and visit his website at andrewmaraniss.com.

Exclusive Cover Reveal: Tonight We Rule the World by Zack Smedley

As a huge fan of Zack Smedley’s debut, Deposing Nathan, I’m thrilled to be revealing the cover of his sophomore novel, Tonight We Rule the World, which releases from Page Street on October 5th, 2021! Here’s the story:

Owen Turner is a boy of too many words. For years, they all stayed inside his head and he barely spoke—until he met Lily. Lily, the girl who gave him his voice, helped him come out as bi, and settle into his ASD diagnosis. But everything unravels when someone reports Owen’s biggest secret to the school: that he was sexually assaulted at a class event.

As officials begin interviewing students to get to the bottom of things, rumors about an assault flood the school hallways. No one knows it happened to Owen, and he’s afraid of what will happen if his name gets out. He’s afraid that his classmates will call him a word he can’t stand—“victim.” He’s afraid his father, a tough-as-nails military vet, will resort to extreme methods to hunt down the name of who did it. And he’s afraid that when Lily finds out, she’ll take their relationship to a dark, dangerous place to keep Owen quiet. Then, one day, Owen’s fears all come true. And it will take everything he’s got to escape the explosion intact.

Heartbreaking and hopeful, Tonight We Rule the World is an accessible coming-of-age story that examines identity, voice, and the indelible ways our stories are rewritten by others.

And here’s the haunting, evocative cover, designed by Julia Tyler for Page Street Publishing!

Preorder: Bookshop | Amazon | IndieBound

Zack Smedley was born in 1995, in an endearing Southern Maryland county almost no one has heard of. His critically acclaimed debut novel, Deposing Nathan, was a Kirkus Best Books of 2019 selection, an ALA Rainbow List selection, a Lambda Literary Award finalist, and winner of the 2019 YA Bi Book Award. Alongside writing, he has a degree in Chemical Engineering from UMBC and currently works within the field. He spends his free time building furniture, baking, programming, screenwriting, and tinkering with electronic systems.

Fave Five: Memoirs by Asian Authors

Gaysia: Adventures in the Queer East by Benjamin Law

Before the Rain: A Memoir of Love & Revolution by Luisita Lopez Torregrosa

Naturally Tan by Tan France

Fairest by Meredith Talusan

How to Write an Autobiographical Novel by Alexander Chee (Essays)

Exclusive Cover Reveal: Lies With Man by Michael Nava

Today on the site I’m thrilled to be helping Michael Nava reveal the cover of the newest book in his award-winning Henry Rios mystery series, Lies With Man, releasing from Bywater Books’ new Amble Press imprint, which is helmed by Nava himself! (More on that later this month!) Lies With Man releases on April 27th, and the author’s sharing more about it here:

Evangelical Christians and right-wing Republicans push a ballot initiative to forcibly quarantine people with the HIV virus in the eighth Henry Rios novel, Lies With Man, by award winning mystery writer, Michael Nava. Set in Los Angeles in 1986, Rios, a gay, Latino criminal defense lawyer, agrees to represent members of a militant gay activist group called QUEER (Queers United to End Erasure and Repression) who are fighting to defeat the ballot measure with civil disobedience. When a fundamentalist church is firebombed, killing its pastor who supported the initiative, Theo Latour, a member of QUEER is arrested for the crime. And Rios suddenly finds himself defending a client facing the death penalty.

But, in the tradition of the best noir novels, and nothing is as it first appears. As Rios delves into the case, shocking secrets emerge about the victim, Rios’s client, QUEER, the highest echelons of the Los Angeles Police Department and the young man Rios falls in love with. Although set 30 years in the past, the themes of Lies With Man – the Christian right’s assault on LGBTQ people, a community overwhelmed by an epidemic, and police misconduct – could have been taken from today’s news. Lies With Man proves again what the Los Angeles Times said about a previous Rios novel: “Nava’s mysteries are set apart by their insight, compassion, and sense of social justice.” Or, in words of The New York Times Book Review, “Nava is one of our best.”

And here’s the explosive cover, designed by Ann McMan!

Buy it: Bookshop | Amazon | B&N | IndieBound

Michael Nava’s Henry Rios crime novels have won seven Lambda Literary awards for gay mystery. He is also the author of The City of Palaces, a historical novel set at the beginning of the Mexican Revolution of 1910. In 2001, he was awarded the Publishing Triangle’s Bill Whitehead Lifetime Achievement Award in LGBT literature. He currently serves as the managing editor of Amble Press, an imprint of Bywater Books. Amble Press publishes LGBTQ writers and is particularly interested in publishing queer writers of color.

Happy 5th Anniversary, LGBTQReads!

Yup. Five years.

Five YEARS, this site has existed.

In five years, there have been over 800 posts, 20,000 Twitter followers, 16,000 Tumblr followers, and over 3,000 Instagram followers. We’ve revealed 126 covers, and yes, that’s my favorite number because it also happens to be my birthday, and no, I probably didn’t do that on purpose. (Plus, it’ll be 127 tomorrow.)

In five years, we’ve done a whole lot, all together. You’ve posted and shared, you’ve reblogged and retweeted, you’ve donated and commented, you’ve recommended this site to your library patrons and students, and you’ve helped make it what it is.

Thank you.

A few fun facts:

The most popular post on the entire site is… LGBTQIAP YA Preview 2020: January-June (and it damn well should be, since I wrote blurbs for 72 books)

The most popular guest post on the entire site is… Recommendations for Polyamory in Fiction by Shira Glassman

The most popular discussion guest post is… Goodbye, Bad Bi: the Lose-Lose Situation of Bisexual YA by Casey Lawrence

The most viewed cover reveal is… The House in the Cerulean Sea by TJ Klune

The most viewed New Release Spotlight is… Darius the Great is Not Okay by Adib Khorram

The most viewed Better Know an Author is… Kacen Callender

The most viewed Fave Five is… Canon Demisexual Characters

and the most viewed subpage is… (Romance) by Trope/Archetype

So, an anniversary! What are we doing to celebrate??

To be honest, not much! Because I had a book come out yesterday and have another one out in less than two months and I am a little fried! But you can enter to win that first one here, and if you want to win the latter (aka Cool for the Summer), comment below with one of your favorite LGBTQIAP+ books, and one you’re looking forward to reading this year! I’ll give away one bound galley (left) and one ARC (right) so please include which one you’re entering for in your comment!

Book Giveaway: That Way Madness Lies ed. by Dahlia Adler

Tomorrow marks the fifth anniversary of LGBTQReads, but today we are celebrating a different creation of mine (because really, why run your own space on the internet if not to celebrate yourself as often as possible): That Way Madness Lies: XV of Shakespeare’s Most Notable Works Reimagined!

Of course, though I’m the editor of this one (and also wrote a story), anthologies do not happen without the brilliant authors behind the contributions, especially the queer ones! Here’s the copy including the official lineup:

Fifteen acclaimed YA writers put their modern spin on William Shakespeare’s celebrated classics! West Side Story. 10 Things I Hate About You. Kiss Me, Kate. Contemporary audiences have always craved reimaginings of Shakespeare’s most beloved works. Now, some of today’s best writers for teens take on the Bard in these 15 whip-smart and original retellings!

Contributors include Dahlia Adler (reimagining The Merchant of Venice), Kayla Ancrum (The Taming of the Shrew), Lily Anderson (As You Like It), Patrice Caldwell (Hamlet), Melissa Bashardoust (A Winter’s Tale), A.R. Capetta and Cory McCarthy (Much Ado About Nothing), Brittany Cavallaro (Sonnet 147), Joy McCullough (King Lear), Anna-Marie McLemore (A Midsummer Night’s Dream), Samantha Mabry (Macbeth), Tochi Onyebuchi (Coriolanus), Mark Oshiro (Twelfth Night), Lindsay Smith (Julius Caesar), Kiersten White (Romeo and Juliet), and Emily Wibberley and Austin Siegemund-Broka (The Tempest).

Bookshop | Indiebound | Target | Amazon | Apple | Barnes & Noble

***

No purchase necessary. The giveaway is open internationally to entrants 18 and older. Entry period begins at 12:00 p.m. EST on 3/16/21 and ends at 11:59 p.m. EST on 3/21/21. Void where prohibited.

***To enter, tell us your favorite queer retelling in the comments!***