Better Off Red by Rebekah Weatherspoon
Hemovore by Jordan Castillo Price
Wander This World by G.L. Tomas
Desire at Dawn by Fiona Zedde
The Gilda Stories by Jewelle Gomez
Best mates Karl and Abu are both 17 and live near Kings Cross. Its 2011 and racial tensions are set to explode across London. Abu is infatuated with gorgeous classmate Nalini but dares not speak to her. Meanwhile, Karl is the target of the local “wannabe” thugs just for being different.
When Karl finds out his father lives in Nigeria, he decides that Port Harcourt is the best place to escape the sound and fury of London, and connect with a Dad he’s never known. Rejected on arrival, Karl befriends Nakale, an activist who wants to expose the ecocide in the Niger Delta to the world, and falls headlong for his feisty cousin Janoma. Meanwhile, the murder of Mark Duggan triggers a full-scale riot in London. Abu finds himself in its midst, leading to a near-tragedy that forces Karl to race back home.
Matt hasn’t eaten in days.
His stomach stabs and twists inside, pleading for a meal. But Matt won’t give in. The hunger clears his mind, keeps him sharp—and he needs to be as sharp as possible if he’s going to find out just how Tariq and his band of high school bullies drove his sister, Maya, away.
Matt’s hardworking mom keeps the kitchen crammed with food, but Matt can resist the siren call of casseroles and cookies because he has discovered something: the less he eats the more he seems to have . . . powers. The ability to see things he shouldn’t be able to see. The knack of tuning in to thoughts right out of people’s heads. Maybe even the authority to bend time and space.
So what is lunch, really, compared to the secrets of the universe?
Matt decides to infiltrate Tariq’s life, then use his powers to uncover what happened to Maya. All he needs to do is keep the hunger and longing at bay. No problem. But Matt doesn’t realize there are many kinds of hunger… and he isn’t in control of all of them.
Mercedes Moreno is an artist. At least, she thinks she could be, even though she hasn’t been able to paint anything worthwhile since her award-winning piece Food Poisoning #1 last year.
Her lack of inspiration might be because her abuela is lying comatose in faraway Puerto Rico after suffering a stroke. Or the fact that Mercedes is in love with her best friend, Victoria, but is too afraid to admit her true feelings.
Despite Mercedes’s creative block, art starts to show up in unexpected ways. A piano appears on her front lawn one morning, and a mysterious new neighbor invites Mercedes to paint with her at the Red Mangrove Estate.
At the Estate, Mercedes can create in ways she never has before. She can share her deepest secrets and feel safe. But Mercedes can’t take anything out of the Estate, including her new-found clarity. As her life continues to crumble around her, the Estate offers more solace than she could hope for. But Mercedes can’t live both lives forever, and ultimately she must choose between this perfect world of art and truth and a much messier reality.
Zelda McCartney (almost) has it all: a badass superhero name, an awesome vampire roommate, and her dream job at a glossy fashion magazine (plus the clothes to prove it). The only issue in Zelda’s almost-perfect life? The uncontrollable need to transform into a werebear once a month. Just when Zelda thinks things are finally turning around and she lands a hot date with Jake, her high school crush and alpha werewolf of Kensington, life gets complicated. Zelda receives an unusual work assignment from her fashionable boss: play bodyguard for devilishly charming fae nobleman Benedict (incidentally, her boss’s nephew) for two weeks. Will Zelda be able to resist his charms long enough to get together with Jake? And will she want to? Because true love might have been waiting around the corner the whole time in the form of Janine, Zelda’s long-time crush and colleague. What’s a werebear to do?
The little mermaid has no idea that as she makes her way on land, she’s being watched over by the sister of the very witch with whom she made her bargain. She has no idea that the witch’s sister is falling in love with her.
When the prince decides to marry another woman, the little mermaid’s secret helper offers her a chance to live. But the price may be too high…
Sara Walker’s life is going nowhere fast: she has a job she enjoys but doesn’t love, friends who are too busy to hang out with her, and no boyfriend in sight. Then a phone call on a lonely Friday night changes everything, and suddenly she’s spending her weekends with Laura. Newly single and openly bisexual, Laura makes Sara think decidedly not-straight thoughts.
Laura Murphy, with her red hair, freckles, and killer curves, is any guy’s wet dream. But Laura’s done with guys for now, and it’s Sara who can’t stop dreaming about her. When Sara finally gives in to the curiosity, Laura blows her mind and pushes her further than she’s ever gone before.
But Laura makes it very clear that this is only a rebound fling, and she’s still planning to move to California. She’s more than happy to tie Sara up, but she’s not ready to be tied down. If Sara wants to keep her, she’s going to have to work hard to convince Laura that New York is worth staying for . . . and so is she.
Buy it: Riptide
Match Point by R.L. Burgess (tennis)
Roller Girl by Vanessa North (roller derby)
Interference by Zoe Reed (hockey)
Crash Into You by Diana Morland (roller derby)
Bonus: Tumbling by Caela Carter has a lesbian POV (YA, Olympic gymnastics), although there is no romance, and the You Know Who Girls series by Annameekee Hesik (basketball) has f/f romance and a lesbian protag but is not a Romance by definition
If you read f/f NA/Romance, it’s pretty impossible not to know Rebekah Weatherspoon, but how well do you really know Rebekah Weatherspoon? (Also, not to brag, but I just got to see her on several panels at RT and she was freaking fantastic; if you ever get the opportunity to hear her panel somewhere, DO IT.) How could I not beg to pick the brain behind not only a seriously epic collection of diverse romance, but the entire #WoCInRomance site? (PS she also had a new release just this past weekend: check out So Right, the sequel to So Sweet, which share a bi heroine in an m/f relationship!)
I usually avoid asking authors about their inspiration because I know it gets asked to death, but you have a paranormal lesbian sorority series, and I’m sorry but I must know where the idea for that came from. Must.
Ha! I don’t know where the idea came from, I remember exactly where I was when the idea came to me. I was driving down Wilshire Blvd and I hit the intersection at New Hampshire Ave (I’m from New Hampshire, you see). The idea popped into my head and I remember thinking this is so ridiculous and over the top I’ll be kicking myself if I don’t run with it. So I did.
You’re one of very few writers of f/f NA, and bless you for it. What have been the biggest challenges and awesome moments of publishing it?
Honestly, I don’t see any challenges. I think a lot of my work is outside of the mainstream. I write a lot of women of color and being a woman of color I face the same challenges walking down the street or going to the bank. It’s just another day.
What’s a particularly conscious choice you’ve made in your representation?
I’ve made the choice to write women of color, particularly young black women. I feel like young women of color (tween-25) almost NEVER seen themselves on screen or in literature. And if they are screen they are sometimes played by an adult. I love Arden Cho something fierce, but she was like 28 when she started playing a 17-year-old on Teen Wolf. I know that sort of thing messes with the teen mind. In writing NA, I wanted to give younger women a most realistic portrayal of themselves. Even if there are vampires involved.
What’s the first queer representation you saw in any medium that really stuck with you, for better or for worse?
Oh man, I really have to think. When I was growing up none of the LGBTQ terms were in my vocabulary. My parents just had friends that were married to other women, but they didn’t tell me they were lesbians so I didn’t have the words for it. BUT I think Ricky on My So-Called Life stuck with me. Ricky was gay and out and Latino and living in a mostly white town, but he was also so cool. I remember really wishing that Ricky could find his own happiness outside of Angela and her family. I’m sure he’d have it by now.
What’s something you’ve seen in LGBTQIAP+ lit that’s really stuck with you, for better or for worse?
Uh, there’s a lot of racism. That kinda sucks. Also a lot of different flavors of misogyny and transmisogny and transphobia that sneak in. When I came out I remember being really excited and then extra bummed that a lot of what I was seeing in the straight/cis community was presenting in every aspect of the LGBTQIAP+ community as well including our literature.
Which of your books has queer representation?
What’s your favorite of your covers, and why?
You can’t make me choose. I won’t choose. (Blogger’s note: This is legit; her covers are fanfreakingtastic. You can scroll through them all here.)
What are some of your favorite queer-centric things on the Internet?
Tumblr. Aint nothing queerer than my tumblr feed.
What do you do when you’re not writing?
Watching TV. I’m super boring, but I’m also kind of obsessed with consuming media. To be a writer or to work in entertainment you have to know what’s going on. I watch a ton of TV and a lot of movies.
What are your favorite LGBTQIAP+ reads?
What would you still love to see in LGBTQIAP+ lit?
A lot less of the crud I mentioned before with the bigotry, etc. and I NEED more queer New Adult reads, and I would sell my grandma for more erotic queer lit of every kind. Queer erotic fairy tales, queer erotic sports romances, queer erotic romantic comedies. Make ’em queer, and sweet, and extra porny.
What’s up next for you?
Self-pub wise, after I wrap up the Sugar Baby series in the fall I’ll be working on some space lesbian erotic romance. There’s not enough erotic romance in space, featuring lesbians.