I’m so thrilled to have Nicole Melleby back on the site today, especially after reading the wonderful In the Role of Brie Hutchens…, their new heartwarming, adorable, romantic, and soap opera-centric Middle Grade contemporary set at a Catholic School, releasing today from Algonquin Books! Come check out a little more about the book, which made me cry and relive my love for As the World Turns:
Introducing Brie Hutchens: soap opera super fan, aspiring actor, and so-so student at her small Catholic school. Brie has big plans for eighth grade. She’s going to be the star of the school play and convince her parents to let her go to the performing arts high school. But when Brie’s mom walks in on her accidentally looking at some possibly inappropriate photos of her favorite actress, Brie panics and blurts out that she’s been chosen to crown the Mary statue during her school’s May Crowning ceremony. Brie’s mom is distracted with pride—but Brie’s in big trouble: she has not been chosen. No one has. Worse, Brie has almost no chance to get the job, which always goes to a top student.
Desperate to make her lie become truth, Brie turns to Kennedy, the girl everyone expects to crown Mary. But sometimes just looking at Kennedy gives Brie butterflies. Juggling her confusing feelings with the rapidly approaching May Crowning, not to mention her hilarious non-star turn in the school play, Brie navigates truth and lies, expectations and identity, and how to—finally—make her mother really see her as she is.
To understand why I wrote my second book, In the Role of Brie Hutchens… you need to know two things about me.
One: I went to Catholic school.
From kindergarten through 8th grade, I was a St. Mary’s Saint. For high school, I was a Mater Dei Seraph.
(We didn’t know what a Seraph was at first either.)
I wore a school uniform. My only two detentions were actually because of that uniform. One because my skirt was rolled too short (we all rolled our skirts; you only got caught if it was less than two inches from your fingertips.) Two because I had a gray shirt on under my blouse instead of a white one.
Yeah, I know.
This was also a school that banned Harry Potter because JK Rowling was a satanist.
The girls wore boxers under their skirts, to keep the guys from looking up them as we climbed the stairs. Senior year, we got to wear pants…as a privilege. Those privileges could be taken away.
They often were threatened to be taken away.
We went to church every week, which was only exciting because on those days, we came back from mass to shortened class periods. There was only so much the teachers could do in twenty minutes.
Sometimes we cut class and hung out in the chapel. You couldn’t get in trouble if you got caught. Not if you said you just needed a moment with Jesus.
I wonder if they thought I needed that many moments with Jesus. They probably wish I took those moments for real now.
Health class consisted of our gym teacher yelling ABSTAIN at us. In class, in the hallways, at school dances.
We didn’t abstain.
We didn’t have the vocabulary or understanding of everything we were doing.
I didn’t have the vocabulary or understanding of everything I was feeling.
How could I even begin to explore my sexuality behind walls where they didn’t tell me it was possible?
The second thing you need to know about me is that I. LOVE. Soap Operas.
As a writer, I know what storyline tropes to avoid.
As a soap fan, I know what storyline tropes I absolutely goddamn ADORE.
There’s just something magical about discovering that two characters are pregnant at the same time.
Why? Because there’s definitely a baby swap coming.
If there’s a wedding planned during sweeps month?
It’s definitely going to go up in flames. (And not always metaphorical ones.)
If a beloved character dies? Or a classic villain?
Well, don’t worry too much. They’ll probably be back. Resurrected from the dead, recast with a new actor. (Lots of plastic surgery.)
There’s something so enjoyable about the narration over an old character with a new face, “The role of so and so is now being played by…” as the storyline itself doesn’t miss a single beat.
There’s something awe inspiring (something breathtaking) about a character, in the middle of the afternoon, in broad daylight, on a show that you watch with your mom (that so many moms watch) saying, “Mom, I’m gay.”
My mom was my 8th grade teacher at that Catholic school.
We drove home together at the end of the day.
We turned on our soaps when we got home.
We watched them together.
We watched as Erica Kane’s daughter (Erica Fricken Kane!!) said the words, “I’m gay.”
What you should know is that I didn’t come out to my own mom until much (much) later.
I felt seen that afternoon, anyway.
In the first printing of In the Role of Brie Hutchens… there’s an error in my acknowledgements. A mistake happened as mistakes tend to do, and the last paragraph of those acknowledgements were left out.
In those acknowledgements I thanked Agnes Nixon. For writing those characters. For creating Bianca and writing that storyline where that brave young woman came out to her mom, Erica Kane.
What you should know is that Agnes Nixon made me feel less alone. Agnes Nixon made me feel seen.
I can only hope that, for some reader, somewhere, In the Role of Brie Hutchens… can do the same.
Nicole Melleby is a born-and-bred Jersey girl with a passion for storytelling. She studied creative writing at Fairleigh Dickinson University and currently teaches creative writing and literature courses with a handful of local universities. Her debut novel, HURRICANE SEASON, was a Lambda Literary Award Finalist. When she’s not writing, Nicole can be found browsing the shelves at her local comic shop or watching soap operas with a cup of tea.
One of the most popular requests on the LGBTQReads Tumblr is for recommendations for m/m trans Romance, and I’m so thrilled to have an author of the world’s newest here to talk about it, and specifically about sexuality in it. Freedom by E. Davies releases today, so let’s take a look at the book and then get right into the author’s guest post!
Life doesn’t come with an instruction manual. But Henry’s junk does.
Agoraphobe Jaden shouldn’t have let his big brother put a ticket in a blind date raffle for him. He wasn’t expecting to win. And certainly not an overnight trip to the Grand Canyon with a gorgeous stranger—and his total opposite, a hunky wilderness guide.
Henry’s excited to meet a guy he clicks with, having finally finished bottom surgery. He’s been living stealth as the man he is for years, but he’s growing tired of hiding his past. Jaden not only accepts him, he captivates Henry, who resolves to be courageous and vulnerable in the rest of his life.
Back home in Denver, Henry starts to take pride in reconnecting with the trans community, while Jaden pushes himself out of his comfort zone. But freedom always comes at a price. Can they take the plunge into their wide open future together?
Transition is most visibly about embodiment—but it goes so much further than this simplified explanation. In seeking a better way of physically being, we’re also embarking on a journey of hope. Transition has forced me to believe in who I can be, and to strive to embrace that potential joy, even when those around me didn’t understand; that process has been the most powerful, life-affirming experience of my life.
I’ve been on this journey for over eight years now. A lot has changed, to say the least. And yet, despite massive increases in visibility and public awareness, and the associated risks and opportunities, the progress is uneven. Visibility rarely means education, and it’s hard to find facts on many aspects of transition and trans life. One of those areas is bottom surgery options for trans men, and another is trans men’s sexuality. Where those areas intersect, it’s often impossible to find facts without seeking out one-on-one conversations—which is not always possible or practical.
This is obviously aggravated by the current campaigns to stigmatize trans men’s surgeries. The abuse associated with trans bodies leads to many of us talking only behind closed doors—which is what transphobic factions want, so that they can control the conversation… and in doing so, our very hopes and dreams. Even when you do encounter information, it tends to be dry surgical factsheets that don’t really relate to everyday life. What will it feel like to actually interact with this different body in sex, while getting dressed, or in the bath? These questions tend to get overlooked in favor of the important decisions on surgeons, optimal healing, and so on. When you’re caught up in the required treadmill of waiting, chasing referrals, fighting for your rights, preparing for outcomes, and more, it’s hard to imagine the minutia of the “after”.
That’s where fiction can come in.
For cis authors, trans lives are often most interesting at their most raw: coming out, starting hormones, getting top surgery. But the focus on trans men in earlier stages of their journeys, the comparatively more easily-available information, and persistent myths and stigmas around gay trans men’s sexuality, means that romance featuring trans men tends to place them before or without bottom surgery.
When I started writing trans characters in MM romance, the questions I strove to answer in my fiction were much like those in the rest of my life: What does trans life actually look like after the moments that tend to be in the spotlight?
In answer, I’ve worked to create stories with a variety of trans men: James in Grind is struggling with debt from top surgery and has no interest in the further surgeries currently available, but packs and enjoys frot; Nic in Flaunt has had meta and is both ready to reembrace his femininity, and exploring his options for phallo now; Jake in Forever is boldly toppy, and would like a hysterectomy but wants to bear a child first. Each character tends to subvert some readers’ expectations, and each reflects an equally valid trans life.
In Freedom, I finally wrote a trans character who is post-phallo (all stages), having dated men before and during transition, but who hasn’t hooked up since then. He also has a complicated relationship with transness, having lived stealth for some years and found it liberating at first, only to feel like it began to encroach upon his freedom instead.
The conversations I wrote in Freedom came from a place of wanting to explore this different possible relationship to transness—post-dysphoria, if you like. Post-transition as a concept seems wobblier than it did when I started writing the book, and when I set out on this surgical journey myself. Nowadays, I think my relationship to myself, my past, and my community will keep on evolving for many years to come.
Throughout all my stories, I hope to show that transition is an ongoing process and series of choices, and there is no one-size-fits-all narrative. Above all, I want trans readers to see that romance can find you at any point in this journey; that they—and we—are loveable and loved no matter what. We can be as open and out or as stealth and private as we wish. Trans men are not an obscure fetish, nor are we desired only post-transition, or only desired by certain sexualities or genders, or any of the other myths. I tend to write pairings of cis gay men and trans gay men, simply because they’ve been the most common in my life experience. Even this fact often surprises people! Plenty of cis gay men do date, fuck, love, befriend, and desire trans men. If that simple fact can’t make it to any broader cultural awareness, there’s certainly an uphill battle about the complicated choices we make regarding our bodies.
When I was preparing for lower surgery, the vast majority of people in my life had no idea what was involved, what the options were, or even that it was possible to have a real, satisfying sex life—either before or after surgery! In particular, cis gay culture at the moment seems to have very little idea how to address our existence, and gay fiction often reflects that confusion and uncertainty. Yet trans men have been dating cis gay men (as well as people of all genders and sexualities) for as long as people have been around! Within broader society, there’s very few portrayals of our bodies, whether we opt for bottom surgery or not.
There seems to be an odd dichotomy of thought: either we must desperately desire surgery (leaving no space for those who are happy without it), or we must reject it, as “natural bottoms” (a deeply transphobic concept that is startlingly pervasive). If we do choose surgery, either it’s “the surgery” that grants us, overnight, a cis penis—a misunderstanding that can create painfully dysphoric interactions with friends and lovers. Or, on the other hand, we’re doomed to life with no satisfactory options.
Where’s the room for reality: that our options are broad, our outcomes not always certain but certainly not hopeless, and our lives not necessarily centered on this one narrow aspect of our selves? That the results can be more than satisfactory, and huge strides in techniques have been made, yet outdated myths tend to circulate more widely than fact? That despite this, there are huge strides in advocacy, information, and aftercare that must be made to protect and uplift us?
Better still, where’s the room for fantasy: that we can set aside all our reality for an afternoon and just enjoy a story? That we can have a perfectly wonderful sex life where the differences between our junk and the expectations placed on cis guy’s are minimal, or even celebrated? This is what was so deeply enjoyable about writing Freedom—having Jaden simply accept Henry’s body, embrace the advantages, and focus on learning what makes Henry, specifically, feel good. It’s not a fantasy that’s so far away from real life. In my experience, that’s how relationships tend to work, yet we often aren’t granted this fantasy on the page. Sensual moments are often used for predictable narrative tension, as if we can’t simply exist, fuck, and love it.
Not that there isn’t a place for those stories—trans lives are messy, real, and diverse. Even within Freedom, with my optimistic outlook and aims, there are moments where Henry struggles to remember that his learned habits about his body are outdated now.
Romance books are a tremendous place to explore how our many lives and loves can look. The diversity in trans bodies and lack of education regarding them can throw off readers sometimes. But that very lack of expectation is also an opportunity! Because no person should be expected to enjoy or desire sex, to fit naturally into any role, or to be interested in any particular sex act, gender, or person. Yet too many norms of society are structured around these rigid, artificial ideals.
In rewriting the rules of expectation, trans people can show a path to sexual liberation for all. At the end of the day, sex—between fictional characters or in real life—ought to be about finding what each person involved desires, and looking for the points of intersection where both (or more) can find what they want and need.
One thing’s for certain: sex, sexuality, and transness isn’t neat and tidy, but it is full of hope and possibility. And that’s something that will never grow old.
Since 2013, E. Davies has crafted feel-good stories of men in love–stories that are brimming with hope, found families, and realistic guys next door getting their modern fairytale endings. As for hobbies: rescuing bees, dancing badly, traipsing through meadows, and studying photos of cute guys for research totally count, right?
Emma Copley Eisenberg‘s debut BERNIE AND LEAH, told from the perspectives of two queer artists who leave Philadelphia for a life-changing ten day road trip, exploring artistic purpose, intimacy, and identity in a time of profound societal change, and FAT SWIM, a collection of stories new and previously published, to Alexis Washam at Hogarth, in a two-book deal, by Jin Auh at The Wylie Agency (NA).
Laura Blackett and Brooklyn College MFA graduate Eve Gleichman’s THE VERY NICE BOX, following a hardworking, heartbroken product engineer who works for a fashionable furniture company where corporate change lands her under the purview of a young, charismatic boss who seems determined to get close to her at all costs, pitched as for fans of ELEANOR OLIPHANT IS COMPLETELY FINE and SEVERANCE, to Pilar Garcia-Brown at Houghton Mifflin Harcourt, at auction, for publication in spring 2021, by Faye Bender at The Book Group (NA).
Neil Cochrane’s I WILL GO TO THE BANK BY THE WOOD, centering queer and trans characters; pitched as a loose retelling of Beauty and the Beast, to Laura Stanfill at Forest Avenue Press, in a nice deal, for publication in spring 2022 (world).
*Ruoxi Chen has acquired Nghi Vo’s THE CHOSEN AND THE BEAUTIFUL, a magical reimagining of THE GREAT GATSBY told through the eyes of a queer, Asian-American Jordan Baker as the American immigrant narrative that GATSBY always should have been. The two-book deal, for North American rights, was brokered by Diana Fox at Fox Literary.
Winner of Publishing Triangle’s Edmund White Award for Debut Fiction Joe Okonkwo’s KISS THE SCARS ON THE BACK OF MY NECK, a debut short story collection populated by complicated characters, male and female, who find themselves at the intersection of Black and gay identities, illustrating the challenges they face, and the price they pay, to live authentic lives, to Michael Nava at Amble, in an exclusive submission, for publication in spring 2021, by Malaga Baldi at Malaga Baldi (world English).
Next Generation Indie Book Award-winning journalist and editor Artem Mozgovoy’s SPRING IN SIBERIA, pitched as similar to AMERICANAH, WHAT BELONGS TO YOU, and ON EARTH WE’RE BRIEFLY GORGEOUS, in which a gay Russian journalist struggles to escape Putin’s post-communist order to persecute gay people—only to end up facing the great American wall, to Kate Gale at Red Hen Press, by Mark Gottlieb at Trident Media Group (world).
Northwestern MFA graduate Allison Epstein‘s A TIP FOR THE HANGMAN, about the life and death of Christopher Marlowe, in which the young poet is approached by the Queen’s spymaster with an offer that will catapult him to both glory and doom, pitched as Shakespeare in Love meets Sarah Waters, to Carolyn Williams at Doubleday, in a very nice deal, for publication in spring 2021, by Bridget Smith at JABberwocky Literary Agency (NA).
Nina Varela’s JUNIPER HARVEY AND THE VANISHING KINGDOM, a contemporary fantasy about a 12-year-girl whose magical artistic abilities set off a chase through parallel worlds, all while juggling new friendships and her first queer crush, to Alexandra Hightower at Little, Brown Children’s, in a good deal, at auction, in a two-book deal, for publication in summer 2022, by Patrice Caldwell at Howard Morhaim Literary Agency (NA).
Katie Fricas’s CHECKED OUT, in which a queer cartoonist and library worker launches forth into a search for love on Craigslist, artistic validation in New York City, and the perfect book, to Tracy Hurren at Drawn & Quarterly, by Mackenzie Brady Watson at Stuart Krichevsky Agency (world English).
Claire Winn’s CITY OF SHATTERED LIGHT, a high-stakes adventure pitched as a queer, female-led Guardians of the Galaxy meets Escape from New York, in which an heiress flees her controlling father to prevent her sister’s mind from being wiped, but must ally with a gunslinging smuggler to outwit a monstrous AI and save the heiress’s sister and their city, to Mari Kesselring and Kelsy Thompson at Flux, in a nice deal, for publication in fall 2021, by Cortney Radocaj at Belcastro Agency (world).
Debut novelist Jennifer Nissley‘s THE MYTHIC KODA ROSE, pitched for fans of Nina LaCour and Jandy Nelson, featuring a queer teen exploring the enigmatic legacy left behind by her rock star father and suddenly navigating an emotionally charged bond with his mercurial ex-girlfriend, to Liesa Abrams at Simon & Schuster Children’s, for publication in summer 2021, by Danielle Burby at Nelson Literary Agency (NA).
Author of HOT DOG GIRL and VERONA COMICS Jennifer Dugan‘s SOME GIRLS DO, about an openly gay track star who falls for a closeted, bisexual local beauty queen with a penchant for fixing up old cars, to Stephanie Pitts at Putnam Children’s, in an exclusive submission, for publication in summer 2021, by Brooks Sherman at Janklow & Nesbit (world English).
Brian Zepka’s THE TEMPERATURE OF ME AND YOU, a humorous love story with a sci-fi bent, about a 16-year-old hopeless romantic and the undeniably cute boy who walks into the Dairy Queen where the hero works and changes everything, showing how first love is truly out of this world, to Brittany Rubiano at Disney, with Augusta Harris editing, for publication in 2021, by Liz Parker at Verve Talent & Literary (world).
Phil Stamper’s THE VALEDICTORIANS, the first entry in a rom-com duology following four queer teens during an unforgettable summer; as senior year approaches—with the real world looming just beyond—these lifelong friends try to stay close when their futures seem to be forcing them apart, to Mary Kate Castellani at Bloomsbury Children’s, in a two-book deal, for publication in winter 2022, by Brent Taylor at TriadaUS Literary Agency (world English).
You know when you’re already so excited for a book, and then you see the cover and you just gasp with joy at both its beauty and the fact that the premise has externally been done justice? If you love that feeling as much as I do, you’re definitely going to want to keep reading to learn more about A Curse of Roses by Diana Pinguicha, a debut f/f YA Fantasy Romance coming December 1, 2020 from Entangled Teen. Here’s the pitch:
With just one touch, bread turns into roses. With just one bite, cheese turns into lilies.
There’s a famine plaguing the land, and Princess Yzabel is wasting food simply by trying to eat. Before she can even swallow, her magic—her curse—has turned her meal into a bouquet. She’s on the verge of starving, which only reminds her that the people of Portugal have been enduring the same pain.
If only it were possible to reverse her magic. Then she could turn flowers…into food.
Fatyan, a beautiful Enchanted Moura, is the only one who can help. But she is trapped by magical binds. She can teach Yzabel how to control her curse—if Yzabel sets her free with a kiss.
As the King of Portugal’s betrothed, Yzabel would be committing treason, but what good is a king if his country has starved to death?
With just one kiss, Fatyan is set free. And with just one kiss, Yzabel is yearning for more.
She’d sought out Fatyan to help her save the people. Now, loving her could mean Yzabel’s destruction.
Based on Portuguese legend, this #OwnVoices historical fantasy is an epic tale of mystery, magic, and making the impossible choice between love and duty…
And here’s the spectacular cover, designed by Entangled’s Art Director, Bree Archer!
But wait, there’s also a heartbreakingly romantic excerpt!
Hearing her name in Fatyan’s lips heated her cheeks further, and her closeness breathed wonder into her lungs. No stranger had come so near her, and she almost stepped away—but then her eyes found Fatyan’s and the tender curiosity reflected upon them, and the enchantment of it all rooted her in place.
“I need your help,” Yzabel said.
“I know. I need yours, too.” A slight tilt of her head. “What would you ask of me?”
Yzabel tensed, her fingers matching the white of her dress as she clutched it. “You have to promise not to tell anyone. Even after we leave this place.”
“Is it the sahar?”
“Magic.” She motioned toward Yzabel’s left hand still glowing as though someone had spread embers under the skin. “It’s what woke me up, even though you were far away.”
The curse had been reacting to Fatyan’s. Yzabel’s lips fell open. “Can you tell me why it turns all the food I touch into flowers?”
Intrigue drew Fatyan’s lips into a pout and her fingers to her chin. “You’ve been cursed?”
“Yes. That’s why I came to find you.” Yzabel looked at Fatyan from under her brown eyelashes, and her tongue darted to wet her mouth. “I need it gone.”
Pensive eyes studied her. “I need to feel your sahar better.” Fatyan caught her hand before it touched Yzabel’s skin, left it to hover above her jaw. “May I?”
An answering nod came without Yzabel’s command, and she stepped forward so Fatyan’s fingers brushed her cheek. The moura closed her eyes as she fully cupped the side of Yzabel’s face, and she wasn’t certain what spell had her enthralled so completely, if it was the stone’s or the moura’s, but her heart was racing, and an odd feeling forming in her stomach, so much like hunger and yet not.
The magic inside her surged, and heat spread from where their skin touched. Yzabel’s heart tried to climb up her throat. When she swallowed it back down, the throb rose to her ears, deafening her to anything that wasn’t Fatyan.
A crease appeared between the moura’s brows as she opened her eyes, and her hand moved across Yzabel’s jaw, down the slope of her neck, mesmerized as they trailed her own gesture. Yzabel looked down when the moura stopped at her shoulder and gasped at the sight before her.
Under Fatyan’s touch, Yzabel’s skin came alight, as though she had candles underneath her flesh and Fatyan’s fingers were the flame that lit their wick.
“This is no curse,” Fatyan said under her breath. She trailed her hand down the inside of Yzabel’s arm, and it was like watching a storm cross her skin.
Born in the sunny lands of Portugal, Diana grew up in Estremoz, and now lives in Lisbon with two extremely fluffy cats and one amazing bearded dragon. A Computer Engineer graduate from Instituto Superior Técnico, she has worked in award-winning educational video games, but writing is where her heart always belonged. When she’s not working on her books, she can be found painting, immersed in books or video games, or walking around with her dragon.
As you may have noticed, I’m no longer doing YA previews on here, since I now do them for Buzzfeed. However, since sequels could always use a little extra help (plus this gives you the whole month of July to read the earlier books), we decided to go ahead with continuing to give them a specific boost.
For sequels that released between January and June, click here.
After being swept up into the brutal Vathek court, Amani, the ordinary girl forced to serve as the half-Vathek princess’s body double, has been forced into complete isolation. The cruel but complex princess, Maram, with whom Amani had cultivated a tenuous friendship, discovered Amani’s connection to the rebellion and has forced her into silence, and if Amani crosses Maram once more, her identity – and her betrayal – will be revealed to everyone in the court.
Amani is desperate to continue helping the rebellion, to fight for her people’s freedom. But she must make a devastating decision: will she step aside, and watch her people suffer, or continue to aid them, and put herself and her family in mortal danger? And whatever she chooses, can she bear to remain separated, forever, from Maram’s fiancé, Idris?
Darius Kellner is having a bit of a year. Since his trip to Iran this past spring, a lot has changed. He’s getting along with his dad, and his best friend Sohrab is only a Skype call away. Between his first boyfriend, Landon, his varsity soccer practices, and his internship at his favorite tea shop, Darius is feeling pretty okay. Like he finally knows what it means to be Darius Kellner.
Then, of course, everything changes. Darius’s grandmothers are in town for a long visit while his dad is gone on business, and Darius isn’t sure whether they even like him. The internship isn’t what Darius thought it would be, and now he doesn’t know about turning tea into his career. He was sure he liked Landon, but when he starts hanging out with Chip–soccer teammate and best friend of Trent Bolger, epic bully–well, he’s just not so sure about Landon anymore, either.
Darius thought he knew exactly who he was and what he wanted, but maybe he was wrong. Maybe he deserves better.
The war on the ground has ended, but the war with the sky has just begun. After the Siege of the Six Villages, the ghost eagles have trapped Uztaris on both sides of the conflict. The villagers and Kartami alike hide in caves, huddled in terror as they await nightly attacks. Kylee aims to plunge her arrows into each and every ghost eagle; in her mind, killing the birds is the only way to unshackle the city’s chains. But Brysen has other plans.
While the humans fly familiar circles around each other, the ghost eagles create schemes far greater and more terrible than either Kylee or Brysen could have imagined. In the final installment of the Skybound Saga, the tug-of-war between love and power begins to fray, threatening bonds of siblinghood and humanity alike.
For too long the cruel, beautiful Automae have lorded over the kingdom of Rabu, oppressing the humans who live there. But the human revolution is on the rise, and at its heart is Ayla. Once handmaiden, now fugitive, Ayla escaped the palace of Lady Crier, the girl Ayla had planned to kill . . . but instead fell in love with. Now Ayla has pledged her allegiance to Queen Junn, whom she believes can accomplish the ultimate goal of the human rebellion: destroy the Iron Heart. Without it, the Automae will be weakened to the point of extinction.
But playing at Ayla’s memory are the powerful feelings she developed for Crier. And unbeknownst to her, Crier has also fled the palace, taking up among travelling rebels, determined to find and protect Ayla.
As their paths collide, neither are prepared for the dark secret underlying the Iron Heart.
Robert Gorham always gets what he wants. But the power of persuasion is as potent a blessing as it is a curse.
Robert is alone until a group of strangers who can do impossible things―produce flames without flint, conduct electricity with their hands, and see visions of the past―welcome him. They call themselves Unusuals and they give Robert a new name too: DAMIEN.
Finally, finally he belongs. As long as he can keep his power under control.
But control is a sacrifice he might not be willing to make.
Jessie Archer faced down death to prove her dedication to Athena, the elite organization of female spies she works for. Now she’s back on the team, in time to head to Pakistan to take down the man whose actions spurred Athena’s founders to create the secretive squad. But his connections spread farther than anyone knew, and when a girls’ school in Mumbai is bombed, a shadowy far-right organization reveals itself—and its evil plans to continue attacks.
When someone close to the investigation turns on Athena, Jessie knows that their time to save everyone is nearly up. Once again, she’ll have to risk everything to protect the vulnerable and prove herself.
Maren’s world was shattered when her girlfriend Kaia was abducted by the Aurati. After a daring rescue, they’ve finally been reunited, but Maren’s life is still in pieces: Kaia seems more like a stranger than the lover Maren knew back home; Naava, the mother of all dragons, has retreated into seclusion to recover from her wounds, leaving Maren at a loss for how to set the rest of the dragons free; and worst of all, her friend Sev has been captured by the emperor’s Talons.
As a prisoner of Zefed, Sev finds himself entangled in a treacherous game of court politics. With more people joining the rebellion, whispers of a rogue dragon mistress spreading, and escape seeming less likely with each passing day, Sev knows that it won’t be long before the emperor decides to make an example of him. If he’s to survive, he’ll have to strike first—or hope Maren reaches him in time.
With the final battle for Zefed looming, Maren must set aside her fears, draw upon all she’s learned about her dragon touched abilities, and face her destiny once and for all. But when the fighting is over and the smoke clears, who will be left standing?
Johnny and Alison were your average, miserable high school students until they cast a haywire spell that drew the attention of the Marduk Institute, a secret organization billing itself as a “magic school”; however, things are rarely as they seem . . . With Hunter back from the dead, the Institute takes him down to their underground research facility. Johnny, Alison, and Blake decide that they must infiltrate the facility in order to save Hunter. The odyssey that unfurls begins to unwind the conspiracy at the heart of the Institute, and what they learn may change the course of the Defector’s war against the Institute forever.
After a treacherous journey and a life-shattering meeting with a twin neither knew they had, Haidee and Odessa expected to emerge from the Great Abyss to a world set right. But though the planet is turning once again, the creatures of the abyss will not rest until they have tasted another goddess’s sacrifice.
To break the cycle, Haidee and Odessa need answers that lie beyond the seven gates of the underworld, within the Cruel Kingdom itself. The shadows of the underworld may hunger to tear them apart, but these two sisters are determined to heal their world—together.
In the town of Howler’s Hollow, conjuring magic is strictly off-limits. Only nothing makes Delpha McGill’s skin crawl more than rules. So when she finds her family’s secret book of hexes, she’s itching to use it to banish her mama’s money troubles. She just has to keep it quieter than a church mouse — not exactly Delpha’s specialty.
Trouble is, Katybird Hearn is hankering to get her hands on the spell book, too. The daughter of a rival witching family, Katy has reasons of her own for wanting to learn forbidden magic, and she’s not going to let an age-old feud or Delpha’s contrary ways stop her. But their quarrel accidentally unleashes a hex so heinous it resurrects a graveyard full of angry Hearn and McGill ancestors bent on total destruction. If Delpha and Katy want to reverse the spell in time to save everyone in the Hollow from rampaging zombies, they’ll need to mend fences and work together.
Goldie, Diane, and Cheryl find themselves jetsetting to sunny Los Angeles for a break but are drawn into a deeply personal investigation in this all new original graphic novel.
CALIFORNIA HERE WE COME!
Thanks to a serendipitous conflagration of events, Goldie, Diane, and Cheryl find themselves jetsetting to sunny Los Angeles! While Cheryl pursues space dreams at JPL and Diane continues her work as a remote scout for a music label, Goldie finds her days lost in the haze of old Hollywood, becoming friendly with a silent film start long past her prime. But when she’s framed for stealing, Goldie must dive back into her secret history in Tinsel Town to get to the bottom of it!
In the eerie town of ‘Allows, some people get to be magical sorceresses, while other people have their spirits trapped in the mall for all ghastly eternity.
Then there’s twelve-year-old goblin-witch Beetle, who’s caught in between. She’d rather skip being homeschooled completely and spend time with her best friend, Blob Glost. But the mall is getting boring, and B.G. is cursed to haunt it, tethered there by some unseen force. And now Beetle’s old best friend, Kat, is back in town for a sorcery apprenticeship with her Aunt Hollowbone. Kat is everything Beetle wants to be: beautiful, cool, great at magic, and kind of famous online. Beetle’s quickly being left in the dust.
But Kat’s mentor has set her own vile scheme in motion. If Blob Ghost doesn’t escape the mall soon, their afterlife might be coming to a very sticky end. Now, Beetle has less than a week to rescue her best ghost, encourage Kat to stand up for herself, and confront the magic she’s been avoiding for far too long. And hopefully ride a broom without crashing.
Amateur detective Pepper Blouse has always held true to this rule, even if it meant pushing people away. But when the results of Pepper’s latest case cost her any hope of the girl she likes returning her feelings, she decides that maybe she should lay low for a while.
That is, until her Great Aunt Florence passes away under mysterious circumstances. And even though her dad insists there’s nothing to investigate, Pepper can’t just ignore rule fourteen: Trust your gut.
But there’s nothing in the rulebook that could’ve prepared her for this.
Twelve-year-old Ana-Marie Jin, the reigning US Juvenile figure skating champion, is not a frilly dress kind of kid. So, when Ana learns that next season’s program will be princess themed, doubt forms fast. Still, Ana tries to focus on training and putting together a stellar routine worthy of national success.
Once Ana meets Hayden, a transgender boy new to the rink, thoughts about the princess program and gender identity begin to take center stage. And when Hayden mistakes Ana for a boy, Ana doesn’t correct him and finds comfort in this boyish identity when he’s around. As their friendship develops, Ana realizes that it’s tricky juggling two different identities on one slippery sheet of ice. And with a major competition approaching, Ana must decide whether telling everyone the truth is worth risking years of hard work and sacrifice.
Essie is a thirteen-year-old girl feeling glum about starting a new school after her professor dad takes a temporary teaching position in a different town. She has 110 days here and can’t wait for them to end. Then she meets Ollie: delicate, blue eyes, short hair, easy smile. At first, Essie thinks she has a typical crush on a beautiful boy. But as her crush blossoms, she soon realizes that Ollie is not a boy or a girl, but gender non-binary.
Meanwhile, Ollie is experiencing a crush of their own . . . on Essie. As Ollie struggles to balance their passion for queer advocacy with their other interests, they slowly find themselves falling for a girl whose stay is about to come to an end. Can the two unwind their merry-go-round of feelings before it’s too late?
I’m really thrilled to have Katrina Jackson back on the site today for this beautiful essay on finding queer Black love in literature. I asked her to write it after seeing her Twitter threads about it, and I’m so grateful that she did. You can see more about Kat and her books here, but frankly, I’m antsy to get to the post, so, onward!
I didn’t start reading romance with any kind of intention until I was an adult, but I have loved love stories my entire life, especially Black love stories. There was something about seeing movies with Ossie Davis and Ruby Dee and realizing that they had spent decades sharing their passion for art and activism with one another, that made my heart swell. It still does. I’ve also always loved queer love stories for as long as I can remember, even when I didn’t understand that I loved queer love stories for the same reasons I loved Black love stories: I was searching for depictions of love that reflected pieces of myself. I was searching for something that felt like a little slice of me on the big and small screens.
The first DVD I bought was The Color Purple. It was one of those old-school DVDs where the movie was split between two discs with those cheap plastic covers. I cherished that DVD, because once it was mine, I could watch that scene of Celie and Shug’s tentative kiss – with the juke joint providing a muffled backdrop – whenever I wanted. And I wanted to watch it over and over and over again. I felt similarly engrossed, years later as I watched the climax of Moonlight. I was a puddle of happy, relieved tears as the tumult of Chiron’s life culminates in this hardened, resilient man sitting across a diner table, staring at his childhood love with softness and warmth in his eyes. These two scenes, among so many others, spoke to that quietest part of my heart and the longing many of us hold to look at someone we love and feel fully and completely seen and loved for all that we are.
I turned to romance books while getting my master’s degree. I was in the depths of one of the worst depressive episodes of my adult life. Every day I received messages from professors and other students, that I did not belong, and I dreamt about abandoning the program and running home to the places and people who loved me. I didn’t leave, but I did start reading romance. Finding love stories that centered people who looked like me made the world feel much less alone and allowed me to start down a years-long road to fully identifying as bisexual, even though I’ve always known that I wasn’t straight. It took a little work to find queer stories with Black people, but once I found one, I found more and more and more.
The point I’m trying to make is that I have looked for Black queer love stories for most of my life and I have found them! They have buoyed me when I was at my lowest, when life seemed bleak and when looking at the news made my entire body hurt so much that I spent days in bed mourning.
So you can imagine how much it hurt when, in the midst of the most recent cluster of stories about American police officers killing Black people like Tony McDade and Breonna Taylor and George Floyd, I saw bookish twitter accounts – some I follow, some I don’t – begin recommending books by Black authors that refused to recognize the full breadth of Black life and humanity. Romance accounts, specifically, were so cavalier in their lists that many recommended books by non-Black authors who wrote Black characters, sometimes problematically, because they didn’t read much romance by Black authors, but refused to cede space to reviewers and readers who did. Across the board, I watched romance outlets, writers, reviewers and readers, recommend books that focused on white characters, books filled with anti-Black stereotypes, and on top of all that many patently ignored queer Black authors and books with queer Black characters.
While I don’t particularly agree with recommending fiction in a moment where people need to confront the depths of their anti-blackness and begin to consider the realities of global white supremacy, watching romance readers who imagined themselves as supportive of diversity, erase (queer) Black people (authors and characters) dug deep in my chest. It sent the message that people like me and the characters I write don’t actually matter, even while people were putting the hashtag in their bios. It was an erasure that struck a painful chord because it reminded me that the people and stories I love – who are the center of my life – are so easily forgotten and ignored.
I love Black people. I love queer Black people and QPOC. They don’t just matter to me, they are precious. I would not be alive today without them. I would not be writing without them. And I would not have the solace of these stories on the days when I still can’t get out of bed because everything hurts. At least with the stories that Black authors have written, my heart doesn’t have to hurt nearly as much, because it is so full of love for queer Black people.
Unfortunately, even when I’m depressed, I have a near obsessive desire to catalog books, so I took to twitter to begin a thread of queer romance written by Black authors. I began with books I love by authors I respect and appreciate and asked for recommendations. What I found in this process was instructive in many ways. I made a few caveats for recommendations that might have seemed random at the time but were not. I asked that the author identify as Black, since I’d seen so many outlets recommending non-Black authors. It mattered to me that if the response to Black murder was to uplift Black authors, that those authors better be Black and stand firm in their blackness. I wanted to focus specifically on adult romance because the YA book community had rallied their recommendations firmly behind Black authors (trans, cis, queer and het). It was exciting to watch and frustrating to compare to the adult romance community.
The other critical requirement was that the books feature Black characters and all the love interests should be Black or other people of color. Again, this was not arbitrary. Romance, like other literary genres, is steeped in white supremacist narratives. It is not just that so many traditionally published romance authors are white, it is that the foundation of the genre is based on whiteness as the norm. The tropes and story structures and even the Happily Ever After (the only requirement of romance literature) have been defined by a white default, even when some of the characters are people of color.
The proliferation of romance stories (traditionally published, indie and self-pub) that peddle in anti-Black, homophobic, transphobic, racist and xenophobic stereotypes is alarming, but not new. What feels new are the ways in which so many of these books are classified as “diverse” and “inclusive” even when they are not. So when I asked that all the recommendations focus on Black and POC characters, it was because I wanted to create a list of queer romances that rejected the white supremacist narrative in romance that centers whiteness, that demands white love interests and requires a translation of queer love between characters of color for white audiences. I wanted to find books by Black authors who, hopefully, wrote for readers of color.
What I found in this process was a mixed bag, as much of life is. On the downside, I found that I spent hours of my day clarifying fairly clear instructions, asking readers to verify that the authors and characters were Black and POC. I found that some people were disinterested in the idea of queer Black people and QPOC loving one another. I found that readers, writers and reviewers – many who jumped at the chance to make recommendation lists themselves – had become comfortable ignoring blackness. They considered it incidental or a box to check on the list of diversity brownie points. They were perfectly fine to tokenize Black authors and characters but were never challenged to consider why.
But the other, far better, thing I discovered was the wealth of queer romance written by Black authors. There was Black Romance and IR, polyamorous, m/m, and even the apparently elusive f/f romance. There were so many bisexual and pansexual characters! I found contemporary and historical and paranormal and urban. Certainly, there is room to grow in many areas, for instance so far there is only one trans Black romance recommendation (noted below) and ace spectrum representation is similarly lacking. In this moment, I choose to celebrate that the few books we have exist, but I hope for more.
There were many highs and lows in this process. I won’t pretend that I didn’t often wish I hadn’t decided to field the barrage of twitter notifications in a moment when I really should have given myself peace and quiet. Self-care is a thing I’m working on, especially now. But for all the new books and authors I and others discovered, I’ve decided that the exercise was worth it.
Below are a sample of books that emerged in the conversation, some I’ve read, some I’ve moved up my TBR and some I’m waiting impatiently to be released. These are books that remind me of the things that were true at the beginning of this all. I love being Black with every cell in my body. This is not incidental to me. And queer Black people are still PRECIOUS and CRUCIAL to my life and well-being.
For even more recommendations put together by Katrina, check out this list on Goodreads! (Blogger’s Note: Please do not add to this list anything that does not fit the above-stated requirements or I may do a murder.)
Katrina is a college professor by day who writes romances by weekend when her cats allow. She writes high heat, diverse and mostly queer erotic romances and erotica. She also likes sleep, salt-and-pepper beards, and sunshine.
She’s super active on twitter. Follow her: @katrinajax
*All links are affiliate, bringing a small percentage of each purchase back to the site (Amz = Amazon | Bks = Bookshop)
Summer Hemlock never meant to come back to Omen, Massachusetts.
But with his mother in need of help, Summer has no choice but to return to his hometown, take up a teaching residency at the Albin Academy boarding school—and work directly under the man who made his teenage years miserable.
Professor Fox Iseya.
Forbidding, aloof, commanding: psychology instructor Iseya is a cipher who’s always fascinated and intimidated shy, anxious Summer. But that fascination turns into something more when the older man challenges Summer to be brave. What starts as a daily game to reward Summer with a kiss for every obstacle overcome turns passionate, and a professional relationship turns quickly personal.
Yet Iseya’s walls of grief may be too high for someone like Summer to climb…until Summer’s infectious warmth shows Fox everything he’s been missing in life.
Now both men must be brave enough to trust each other, to take that leap.
The town of Bentley holds two things dear: its football, and its secrets. But when star quarterback Dylan Whitley goes missing, an unremitting fear grips this remote corner of Texas.
Joel Whitley was shamed out of conservative Bentley ten years ago, and while he’s finally made a life for himself as a gay man in New York, his younger brother’s disappearance soon brings him back to a place he thought he’d escaped for good. Meanwhile, Sheriff’s Deputy Starsha Clark stayed in Bentley; Joel’s return brings back painful memories—not to mention questions—about her own missing brother. And in the high school hallways, Dylan’s friends begin to suspect that their classmates know far more than they’re telling the police. Together, these unlikely allies will stir up secrets their town has long tried to ignore, drawing the attention of dangerous men who will stop at nothing to see that their crimes stay buried.
But no one is quite prepared to face the darkness that’s begun to haunt their nightmares, whispering about a place long thought to be nothing but an urban legend: an empty night, a flicker of light on the horizon—The Bright Lands.
Junior-high school nurse Rebecca Newsome was an experienced hiker, until she plummeted to her death to the bottom of a ravine in a Columbus metro park. Her daughter, Maggie, doesn’t believe it was an accident, and Rebecca’s ex-husband is her prime suspect. But he’s a well-connected ex-cop and Maggie is certain that’s the reason no one will listen to her. Roxane quickly uncovers that the dead woman’s ex is definitely a jerk, but is he a murderer?
As she pieces together the days before Rebecca died, Roxane finds a series of trips to Detroit and across the border into Windsor, Canada, major withdrawals from her checking account, and more contacts with a casino manager than a middle-aged school nurse from Toledo should reasonably have. When the investigation leads to Leila Hassan, the cunning con artist who got away in What You Want to See, Roxane is determined not to make the same mistake twice by falling for Leila’s lies–except she might actually be telling the truth this time. Roxane needs to figure out the connection between Leila, a secretive church group, a women’s health organization, and Rebecca’s fall in the woods…before a dangerous secret gets someone else killed.
One (fake) boyfriend
Practically perfect in every way
Luc O’Donnell is tangentially–and reluctantly–famous. His rock star parents split when he was young, and the father he’s never met spent the next twenty years cruising in and out of rehab. Now that his dad’s making a comeback, Luc’s back in the public eye, and one compromising photo is enough to ruin everything.
To clean up his image, Luc has to find a nice, normal relationship…and Oliver Blackwood is as nice and normal as they come. He’s a barrister, an ethical vegetarian, and he’s never inspired a moment of scandal in his life. In other words: perfect boyfriend material. Unfortunately apart from being gay, single, and really, really in need of a date for a big event, Luc and Oliver have nothing in common. So they strike a deal to be publicity-friendly (fake) boyfriends until the dust has settled. Then they can go their separate ways and pretend it never happened.
But the thing about fake-dating is that it can feel a lot like real-dating. And that’s when you get used to someone. Start falling for them. Don’t ever want to let them go.
Fire on the Island is a playful, romantic thriller set in contemporary Greece, with a gay Greek-American FBI agent, who is undercover on the island to investigate a series of mysterious fires. Set against the very real refugee crisis on the beautiful, sun-drenched Greek islands, this novel paints a loving portrait of a community in crisis. As the island residents grapple with declining tourism, poverty, refugees, family feuds, and a crumbling church, an arsonist invades their midst.
Nick Damigos, the FBI agent, arrives on the island just in time to witness the latest fire and save the dog of Lydia, a local cafe owner. Immediately enveloped by the community, Nick finds himself drawn to Takis, a young man who becomes his primary suspect, which is a problem because they’re having an affair. Theirs is not the only complicated romance in the community and Takis isn’t the only suspicious character on the island. The priest is an art forger, the young Albanian in love with Lydia’s daughter harbors a secret, the captain of the coast guard station seems to have his own agenda, and Takis’s sister, who owns a local bar, has a vendetta against the whole village. Nick has to unravel the truth in time to prevent catastrophe, as he comes to terms with his own past trauma. In saving the village, he will go a long way toward saving himself.
Lunar New Year should be a time for familial reunions, ancestor worship, and consumption of an unhealthy amount of candied fruit.
But when dragon prince Thuan brings home his brooding and ruthless husband Asmodeus for the New Year, they find not interminable family gatherings, but a corpse outside their quarters. Asmodeus is thrilled by the murder investigation; Thuan, who gets dragged into the political plotting he’d sworn off when he left, is less enthusiastic.
It’ll take all of Asmodeus’s skill with knives, and all of Thuan’s diplomacy, to navigate this one—as well as the troubled waters of their own relationship….
When Agatha Griffin finds a colony of bees in her warehouse, it’s the not-so-perfect ending to a not-so-perfect week. Busy trying to keep her printing business afloat amidst rising taxes and the suppression of radical printers like her son, the last thing the widow wants is to be the victim of a thousand bees. But when a beautiful beekeeper arrives to take care of the pests, Agatha may be in danger of being stung by something far more dangerous…
Penelope Flood exists between two worlds in her small seaside town, the society of rich landowners and the tradesfolk. Soon, tensions boil over when the formerly exiled Queen arrives on England’s shores—and when Penelope’s long-absent husband returns to Melliton, she once again finds herself torn, between her burgeoning love for Agatha and her loyalty to the man who once gave her refuge.
As Penelope finally discovers her true place, Agatha must learn to accept the changing world in front of her. But will these longing hearts settle for a safe but stale existence or will they learn to fight for the future they most desire?
Wynn Jamison is turning thirty. Her career has made her rich, but her love life’s sorely lacking. She’s okay with that until she spends her birthday dinner with the woman who could’ve changed it all. There’s only one problem. She’s married to Wynn’s sister.
Carly Evans is tired of her wife ignoring her needs to put her career first. Family has always been important to her, and Jordan just doesn’t seem to care.
A freak thunderstorm rages during the night, and Wynn finds herself catapulted back in time to the day she made the worst decision of her life―stepping aside to let her sister romance Carly. Reliving the day over and over again, Wynn must decide what is most important: success, loyalty, or love. Given a second chance at happiness, will she take the opportunity and change her destiny?
Raised on a small island in North Carolina’s Outer Banks, Willa has a picture-perfect nautical life: hanging out at the beach with her friends, living in a cozy seaside cottage, working at a sailing store, and running a hugely popular sailing Instagram. It’s so convincing that her overzealous online followers register her to compete in the High Seas, a televised national sailing championship.
Too bad Willa doesn’t actually know how to sail.
Desperate to protect her carefully curated life, Willa tracks down four-time High Seas champion Lane Cordova, and begs her for a crash course in sailing before the race begins. But Lane’s mastery of the water is matched only by Willa’s ineptitude—and her growing crush on Lane isn’t helping matters. When the competition threatens to go awry and take her idealized life with it, Willa has to figure out if she can save her reputation from sinking while taking a chance on love.
While the redevelopment brief for Rivervue Community Theatre moulders on his desk, a phone call from a unrequited past love sends architect, Gabriel Mora, running back to his artsy hometown. Afraid of worsening his mother’s health, Gabriel is forced to hide his involvement in the redevelopment. It’s just one more secret to keep, along with his feelings for a certain red-headed stage manager.
Bruce Clifton can build anything. But the jobs mean nothing if he’s not getting paid. On the cusp of losing his home, Bruce needs to find a way to call in those debts without showing his community how much trouble he’s got himself into. With Gabriel’s return to town stirring up past hurts, soon it’s not just his home Bruce has to worry about losing, but his heart.
Can Bruce and Gabriel work together for the good of Rivervue, or will their hope for a second chance exit stage right?
Megan Harris had hopes of seeing the world, but at twenty-five she’s never even left Florida. Now a wedding invitation lures her to Quebec…in February. When her ex-friend Scarlett offers to be her plus-one (yeah, that’s a whole story) and suggests they turn the journey into an epic road trip, Megan reluctantly agrees to the biggest adventure of her life.
A week together in a car is a surefire way to kill a crush, and Scarlett Andrews has had a big one on Megan for years. The important thing is fixing their friendship.
As the miles roll away, what starts as harmless road-trip games and rest-stop dares escalates into something like intimacy. And when a surprise snowstorm forces Megan and Scarlett to hunker down without the open road as distraction, they’ve got a bigger challenge than making it to the church on time: facing the true nature of their feelings for each other.
She arrived with her arts, her wits, and her only friend.
In victory, her world has turned to ash.
After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman’s shoulders.
Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her.
Sealed in the gothic gloom of the Emperor’s Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?
Nora hasn’t looked back. Not since she fled Texas to start a new life. Away from her father’s volatile temper and the ever-watchful gaze of her claustrophobically conservative small town, Nora has freed herself. She can live—and love—however she wants. The only problem is that she also left behind the one woman she can’t forget. Now tragedy calls her back home to confront her past—and reconcile her future.
Sophie seems to have everything—a wonderful daughter, a successful husband and a rewarding career. Yet underneath that perfection lies an explosive secret. She still yearns for Nora—her best friend and first love—despite all the years between them. Keeping her true self hidden hasn’t been easy, but it’s been necessary. So when Sophie finds out that Nora has returned, she hopes Nora’s stay is short. The life she has built depends on it.
But they both find that first love doesn’t fade easily. Memories come to light, passion ignites and old feelings resurface. As the forces of family and intolerance that once tore them apart begin to reemerge, they realize some things may never change—unless they demand it.
The hunt is over. After fifteen years of lies and sacrifice, Baru Cormorant has the power to destroy the Imperial Republic of Falcrest that she pretends to serve. The secret society called the Cancrioth is real, and Baru is among them.
But the Cancrioth’s weapon cannot distinguish the guilty from the innocent. If it escapes quarantine, the ancient hemorrhagic plague called the Kettling will kill hundreds of millions…not just in Falcrest, but all across the world. History will end in a black bloodstain.
Is that justice? Is this really what Tain Hu hoped for when she sacrificed herself?
Baru’s enemies close in from all sides. Baru’s own mind teeters on the edge of madness or shattering revelation. Now she must choose between genocidal revenge and a far more difficult path — a conspiracy of judges, kings, spies and immortals, puppeteering the world’s riches and two great wars in a gambit for the ultimate prize.
If Baru had absolute power over the Imperial Republic, she could force Falcrest to abandon its colonies and make right its crimes.
Long ago, Queen Mirantha vanished. King Karolje claimed it was an assassination by a neighboring king, but everyone knew it was a lie. He had Disappeared her himself.
But after finding the missing queen’s diary, Anza—impassioned by her father’s unjust execution and inspired by Mirantha’s words—joins the resistance group to overthrow the king. When an encounter with Prince Esvar thrusts her into a dangerous game of court politics, one misstep could lead to a fate worse than death.
Esvar is the second son to an evil king. Trapped under his thumb and desperate for a way out, a chance meeting with Anza gives him the opportunity to join the resistance. Together, they might have the leverage to move against the king—but if they fail, their deaths could mean a total loss of freedom for generations to follow.
Even the Wild Man of Greenhollow can’t ignore a summons from his mother, when that mother is the indomitable Adela Silver, practical folklorist. Henry Silver does not relish what he’ll find in the grimy seaside town of Rothport, where once the ancient wood extended before it was drowned beneath the sea—a missing girl, a monster on the loose, or, worst of all, Tobias Finch, who loves him.
Though for Zoe Cooper and Amelia Hughes, it’s the very first step toward their happy ending.
It’s been a year since Zoe Cooper packed up her daughter and fled her abusive husband with only the clothes on her back. But life as a waitress, food blogger, and “roommate” to her supportive mother has turned into a holding pattern, and her dream of launching her own catering company and cooking school feels like just another fairy tale ending–when she’s no Cinderella.
Until the newest cooking competition comes to town, and suddenly magic just might be at Zoe’s fingertips with the chance to audition for Heating Up the Kitchen.
If only she can beat Amelia.
Fresh out of a disastrous relationship and determined to prove her ex wrong, Amelia’s got a chip on her shoulder and is ready for a grudge match in the kitchen. When she locks horns with Amelia, there’s more steaming than their buns as the two competitive young chefs vie for the top spot on the show…
…and the top spot in each others’ hearts.
There’s more cooking in this kitchen than the food, and romance is on the menu. When hatred turns to heat and threatens to boil over, their rivalry might just end in disaster.
Or Zoe and Amelia might just find the future they need in each other–in between stolen hugs and quiches.
Terminally Ill salvage pilot Ash Jackson lost everything in the war with the alien Vai, but she’ll be damned if she loses her future. Her plan: to buy, beg, or lie her way out of corporate indenture and fine a cure.
When her crew salvages a genocidal weapon from a ravaged starship above a dead colony, Ash uncovers a conspiracy of corporate intrigue and betrayal that threatens to turn her into a living weapon
The multiverse business is booming, but there’s just one catch: no one can visit a world where their counterpart is still alive.Enter Cara, whose parallel selves happen to be exceptionally good at dying–from diseases, from turf wars, from vendettas they couldn’t outrun.But on this earth, Cara’s survived. And she’s reaping the benefits, thanks to the well-heeled Wiley City scientists who ID’d her as an outlier and plucked her from the dirt. Now she’s got a new job collecting offworld data, a path to citizenship, and a near-perfect Wiley City accent. Now she can pretend she’s always lived in the city she grew up staring at from the outside, even if she feels like a fraud on either side of its walls.But when one of her eight remaining doppelgangers dies under mysterious circumstances, Cara is plunged into a new world with an old secret. What she discovers will connect her past and future in ways she never could have imagined–and reveal her own role in a plot that endangers not just her world, but the entire multiverse.
It’s not long before their pet-centric arrangement sparks a person-centric desire…Simon Burke has always preferred animals to people. When the countdown to adopting his own dog is unexpectedly put on hold, Simon turns to the PetShare app to find the fluffy TLC he’s been missing. Meeting a grumpy children’s book illustrator who needs a dog walker isn’t easy for the man whose persistent anxiety has colored his whole life, but Jack Matheson’s menagerie is just what Simon needs.Four dogs, three cats and counting. Jack’s pack of rescue pets is the only company he needs. But when a bad fall leaves him with a broken leg, Jack is forced to admit he needs help. That the help comes in the form of the most beautiful man he’s ever seen is a complicated, glorious surprise.Being with Jack–talking, walking, making out–is a game changer for Simon. And Simon’s company certainly…eases the pain of recovery for Jack. But making a real relationship work once Jack’s cast comes off will mean compromise, understanding and lots of love.
Erin and her brother Alex were the last children abducted by ‘the Father’, a serial killer who only ever took pairs of siblings. She escaped, but her brother was never seen again. Traumatised, Erin couldn’t remember anything about her ordeal, and the Father was never caught.
Eighteen years later, Erin has done her best to put the past behind her. But then she meets Harriet. Harriet’s young cousins were the Father’s first victims and, haunted by their deaths, she is writing a book about the disappearances and is desperate for an interview. At first, Erin wants nothing to do with her. But then she starts receiving sinister gifts, her house is broken into, and she can’t shake the feeling that she’s being watched. After all these years, Erin believed that the Father was gone, but now she begins to wonder if he was only waiting…
When Paul and Julian meet as university freshmen in early 1970s Pittsburgh, they are immediately drawn to one another. A talented artist, Paul is sensitive and agonizingly insecure, incomprehensible to his working-class family, and desolate with grief over his father’s recent death.
Paul sees the wealthy, effortlessly charming Julian as his sole intellectual equal—an ally against the conventional world he finds so suffocating. He idolizes his friend for his magnetic confidence. But as charismatic as he can choose to be, Julian is also volatile and capriciously cruel. And admiration isn’t the same as trust.
As their friendship spirals into an all-consuming intimacy, Paul is desperate to protect their precarious bond, even as it becomes clear that pressures from the outside world are nothing compared with the brutality they are capable of inflicting on one another. Separation is out of the question. But as their orbit compresses and their grip on one another tightens, they are drawn to an act of irrevocable violence that will force the young men to confront a shattering truth at the core of their relationship.
Two transgender elders must learn to weave from Death in order to defeat an evil ruler—a tyrant who murders rebellious women and hoards their bones and souls—in the first novella set in R. B. Lemberg’s award-winning queer fantasy Birdverse universe
Wind: To match one’s body with one’s heart
Sand: To take the bearer where they wish
Song: In praise of the goddess Bird
Bone: To move unheard in the night
The Surun’ nomads do not speak of the master weaver, Benesret, who creates the cloth of bone for assassins in the Great Burri Desert. But aged Uiziya must find her aunt in order to learn the final weave, although the price for knowledge may be far too dear to pay.
Among the Khana in the springflower city of Iyar, women travel in caravans to trade, while men remain in the inner quarter, as scholars. A nameless man struggles to embody Khana masculinity, after many years of performing the life of a woman, trader, wife, and grandmother. As his past catches up, the man must choose between the life he dreamed of and Uiziya – while Uiziya must discover how to challenge the evil Ruler of Iyar, and to weave from deaths that matter.
When an unprecedented hurricane devastates the city of Houston, Noah Mishner finds shelter in the Dallas Mavericks’ basketball arena. Though he finds community among other queer refugees, Noah fears his trans and Jewish identities put him at risk with certain “capital-T” Texans. His fears take form when he starts seeing visions of his great- grandfather Abe, who fled Nazi Germany as a boy. As the climate crisis intensifies and conditions in the shelter deteriorate, Abe’s ghost grows more powerful. Ultimately, Noah must decide whether he can trust his ancestor — and whether he’s willing to sacrifice his identity and community in order to survive.
In Stone and Steel, when General Aaliyah returns triumphant to the city of Titus, she expects to find the people prospering under the rule of her Queen, the stone mage Odessa. Instead, she finds a troubling imbalance in both the citizens’ wellbeing and Odessa’s rule. Aaliyah must rely on all of her allies, old and new, to do right by the city that made her.
Powerful shipping magnate Evelyn Perdanu lives a tight, contained life, holding herself at a distance from all who would get close to her. Her family is dead, her country is dying, and when something foul comes to the city of Delphinium, the brittle, perilous existence she’s built for herself is strained to breaking.
When one of her ships arrives in dock, she counts herself lucky that it made it through the military blockades slowly strangling her city. But one by one, the crew fall ill with a mysterious sickness: an intense light in their eyes and obsessive behavior, followed by a catatonic stupor. Even as Evelyn works to exonerate her company of bringing plague into her besieged capital city, more and more cases develop, and the afflicted all share one singular obsession: her.
Panicked and paranoid, she retreats to her estate, which rests on a foundation of secrets: the deaths of her family, the poisons and cures that hasten the dissolution of the remaining upper classes, and a rebel soldier, incapacitated and held hostage in a desperate bid for information. But the afflicted are closing in on her, and bringing the attention of the law with them. Evelyn must unearth her connection to the spreading illness, and fast, before it takes root inside her home and destroys all that she has built.
One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman’s body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with mysterious powers of her own. As the two young lovers translate the grandmother’s letters, Daughter begins to understand that each woman in her family embodies a myth — and that she will have to bring her family’s secrets to light in order to change their destiny.
In an empire controlled by bone shard magic, Lin, the former heir to the emperor will fight to reclaim her magic and her place on the throne. TheBone Shard Daughter marks the debut of a major new voice in epic fantasy.
The emperor’s reign has lasted for decades, his mastery of bone shard magic powering the animal-like constructs that maintain law and order. But now his rule is failing, and revolution is sweeping across the Empire’s many islands.
Lin is the emperor’s daughter and spends her days trapped in a palace of locked doors and dark secrets. When her father refuses to recognise her as heir to the throne, she vows to prove her worth by mastering the forbidden art of bone shard magic.
Yet such power carries a great cost, and when the revolution reaches the gates of the palace, Lin must decide how far she is willing to go to claim her birthright – and save her people.
In the quiet streets of Prague all manner of otherworldly creatures lurk in the shadows. Unbeknownst to its citizens, their only hope against the tide of predators are the dauntless lamplighters – a secret elite of monster hunters whose light staves off the darkness each night. Domek Myska leads a life teeming with fraught encounters with the worst kind of evil: pijavica, bloodthirsty and soulless vampiric creatures. Despite this, Domek find solace in his moments spent in the company of his friend, the clever and beautiful Lady Ora Fischer – a widow with secrets of her own.
When Domek finds himself stalked by the spirit of the White Lady – a ghost who haunts the baroque halls of Prague castle – he stumbles across the sentient essence of a will-o’-the-wisp, a mischievous spirit known to lead lost travellers to their death, but who, once captured, are bound to serve the desires of their owners.
After discovering a conspiracy amongst the pijavica that could see them unleash terror on the daylight world, Domek finds himself in a race against those who aim to twist alchemical science for their own dangerous gain.
Declan has commitment issues. He’s been an office temp for literally years now, and his friends delight in telling people that he left his last boyfriend at the altar.
And that’s all true. But he’s starting to think it’s time to start working on his issues. Maybe.
When Declan meets Sidney—a popular nonbinary YouTuber with an advice show—an opportunity presents itself: as part of The Love Study, Declan will go on a series of dates arranged by Sidney and report back on how the date went in the next episode.
The dates are…sort of blah. It’s not Sidney’s fault; the folks participating are (mostly) great people, but there’s no chemistry there. Maybe Declan’s just broken.
Or maybe the problem is that the only person he’s feeling chemistry with is Sidney.
Rosa, also known as Red Riding Hood, is done with wolves and woods.
Hou Yi the Archer is tired, and knows she’s past her prime.
They would both rather just be retired, but that’s not what the world has ready for them.
When deadly sunbirds begin to ravage the countryside, threatening everything they’ve both grown to love, the two must join forces. Now blessed and burdened with the hindsight of middle age, they begin a quest that’s a reckoning of sacrifices made and mistakes mourned, of choices and family and the quest for immortality.
Benson and Mike are two young guys who live together in Houston. Mike is a Japanese American chef at a Mexican restaurant and Benson’s a Black day care teacher, and they’ve been together for a few years — good years — but now they’re not sure why they’re still a couple. There’s the sex, sure, and the meals Mike cooks for Benson, and, well, they love each other.
But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives in Texas for a visit, Mike picks up and flies across the world to say goodbye. In Japan he undergoes an extraordinary transformation, discovering the truth about his family and his past. Back home, Mitsuko and Benson are stuck living together as unconventional roommates, an absurd domestic situation that ends up meaning more to each of them than they ever could have predicted. Without Mike’s immediate pull, Benson begins to push outwards, realizing he might just know what he wants out of life and have the goods to get it.
Both men will change in ways that will either make them stronger together, or fracture everything they’ve ever known. And just maybe they’ll all be okay in the end. Memorial is a funny and profound story about family in all its strange forms, joyful and hard-won vulnerability, becoming who you’re supposed to be, and the limits of love.
France, 1714: in a moment of desperation, a young woman makes a Faustian bargain to live forever and is cursed to be forgotten by everyone she meets.
Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world.
But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name.
This is the US/UK release day. The book released in Canada on September 12.
When the airplane piloted by Elias Santos crashes one week before their wedding day, Coen Caraway loses the man he loves and the illusion of happiness he has worked so hard to create. The only thing Elias leaves behind is a recording of his final words, and even Coen is baffled by the cryptic message.
Numb with grief, he takes refuge on the Mexican island that was meant to host their wedding. But as fragments of the past come to the surface in the aftermath of the tragedy, Coen is forced to question everything he thought he knew about Elias and their life together. Beneath his flawed memory lies the truth about Elias — and himself.
From the damp concrete of Vancouver to the spoiled shores of Mexico, After Elias braids the past with the present to tell a story of doubt, regret, and the fear of losing everything.
This is the second book in the Hell’s Library series
The Library of the Unwritten in Hell was saved from total devastation, but hundreds of potential books were destroyed. Former librarian Claire and Brevity the muse feel the loss of those stories, and are trying to adjust to their new roles within the Arcane Wing and Library, respectively. But when the remains of those books begin to leak a strange ink, Claire realizes that the Library has kept secrets from Hell–and from its own librarians.
Claire and Brevity are immediately at odds in their approach to the ink, and the potential power that it represents has not gone unnoticed. When a representative from the Muses Corps arrives at the Library to advise Brevity, the angel Rami and the erstwhile Hero hunt for answers in other realms. The true nature of the ink could fundamentally alter the afterlife for good or ill, but it entirely depends on who is left to hold the pen.
Scarlett Clark is an exceptional English professor. But she’s even better at getting away with murder.
Every year, she searches for the worst man at Gorman University and plots his well-deserved demise. Thanks to her meticulous planning, she’s avoided drawing attention to herself—but as she’s preparing for her biggest kill yet, the school starts probing into the growing body count on campus. Determined to keep her enemies close, Scarlett insinuates herself into the investigation and charms the woman in charge, Dr. Mina Pierce. Everything’s going according to her master plan…until she loses control with her latest victim, putting her secret life at risk of exposure.
Meanwhile, Gorman student Carly Schiller is just trying to survive her freshman year. Finally free of her emotionally abusive father, all Carly wants is to focus on her studies and fade into the background. Her new roommate has other ideas. Allison Hadley is cool and confident—everything Carly wishes she could be—and the two girls quickly form an intense friendship. So when Allison is sexually assaulted at a party, Carly becomes obsessed with making the attacker pay…and turning her fantasies about revenge into a reality.
Our story begins in 1902, at The Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, author of a scandalous bestselling memoir that transforms these acolytes into bold rebels. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, a seeming paradise, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered, a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling manner.
Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” gilded-age institution. Her bestseller inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells, as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins.
After a disastrous blind date, Darcy Lowell is desperate to stop her well-meaning brother from playing matchmaker ever again. Love—and the inevitable heartbreak—is the last thing she wants. So she fibs and says her latest set up was a success. Darcy doesn’t expect her lie to bite her in the ass.
Elle Jones, one of the astrologers behind the popular Twitter account, Oh My Stars, dreams of finding her soul mate. But she knows it is most assuredly not Darcy… a no-nonsense stick-in-the-mud, who is way too analytical, punctual, and skeptical for someone as free-spirited as Elle. When Darcy’s brother—and Elle’s new business partner—expresses how happy he is that they hit it off, Elle is baffled. Was Darcy on the same date? Because… awkward.
When Darcy begs Elle to play along, she agrees to pretend they’re dating to save face. But with a few conditions: Darcy must help Elle navigate her own overbearing family over the holidays and their arrangement expires on New Year’s Eve. The last thing they expect is to develop real feelings during a fake relationship.
But maybe opposites can attract when true love is written in the stars?
Simply the Best… Giselle Otero needs a win in her life, and being personal assistant to Helene Jolie, the socialite founder of SimplytheBest.com, is finally it. The hours are long, and keeping Helene happy is more than a full-time job. That Helene seems to find Giselle’s company pleasing in ways beyond work is dizzying.
Simply the Worst… An unfortunate lapse in judgment has bumped New York reporter Alice Cabot from Science to Style. Even worse, she’s exiled to New Mexico to complete a series of in-depth and upbeat features on Helene Jolie and her company’s meteoric success. She knows she’s going to hate every last thing about this assignment, starting with the assistant who’ll be her corporate babysitter.
Simply Irresistible… Tasked with keeping the inquisitive reporter in check, Giselle is eager to prove her worth to the demanding, charismatic Helene. Even if that means spending every day arguing with a big mouth, big city know-it-all whose probing questions lead to sleepless nights―and awakened desires.
This is a standalone followup to Empress of Salt and Fortune
The cleric Chih finds themself and their companions at the mercy of a band of fierce tigers who ache with hunger. To stay alive until the mammoths can save them, Chih must unwind the intricate, layered story of the tiger and her scholar lover―a woman of courage, intelligence, and beauty―and discover how truth can survive becoming history.