Author of DELILAH GREEN DOESN’T CARE Ashley Herring Blake‘s DREAM ON, RAMONA RILEY, a f/f rom-com about a small-town waitress who’s spent the last decade raising her baby sister and the child star-turned-party girl who’s in town to shoot a movie and save her reputation; their unexpected reunion reignites old dreams and forgotten crushes, to Angela Kim at Berkley, in a three-book deal, for publication in spring 2025, by Rebecca Podos at Rees Literary Agency (world).
Author of YOU’RE A MEAN ONE MATTHEW PRINCE Timothy Janovsky‘s THE MERRIEST MISTERS, in which a married couple accidentally attacks a burglar who turns out to be Santa, forcing them to assume the roles of Santa Claus and the first-ever merriest mister to save Christmas, while also figuring out how to save their marriage, pitched as The Santa Clause meets HUSBAND MATERIAL, to Eileen Rothschild at St. Martin’s, in a two-book deal, for publication in fall 2024, by Samantha Fabien at Root Literary (NA).
Sunday Times-bestselling author of A DOWRY OF BLOOD S.T. Gibson‘s EVOCATION, a contemporary fantasy with fortune-telling and tarot, set in a magic-riddled Boston, following an alcoholic psychic, his sorcerer ex-boyfriend, and the ex’s astrologer wife, to Eleanor Teasdale at Angry Robot, in a four-book deal, for publication in June 2024, by Tara Gilbert while at Jennifer De Chiara Literary Agency for the first two books, and at kt literary for the second two books (world English).
Linda Epstein, Ally Malinenko, and Liz Parker’s‘s THE OTHER MARCH SISTERS, pitched as a queer feminist take on the lives of Jo March’s sisters, set in the world of LITTLE WOMEN, inspired by details from the very real lives of May Alcott Nieriker (Amy), Lizzie Alcott (Beth), and Anna Alcott Pratt (Meg), with each author enabling these women to finally tell their own stories, to Wendy McCurdy at Kensington, for publication in early 2025, by Rena Rossner at Deborah Harris Agency (world).
Lambda Literary Award winner for Transgender Fiction Jeanne Thornton‘s A/S/L, (an internet initialisim for “age, sex, location”), the story of three teenage friends and game developers, connected only by the nascent internet of the 90s, and who now, twenty years later, meet for the first time in person, each at a critical turning point, in a novel about how we communicate, how we game, and how our transness is lived and seen, to Mark Doten at Soho Press, for publication in 2024, by Jin Auh at The Wylie Agency (NA).
Poet and Lambda Literary Award finalist Ben Ladouceur‘s I REMEMBER LIGHTS, a debut novel following an unnamed narrator as he explores his burgeoning sexuality during the pomp and folly of Expo ’67 in Montreal, and framed by depictions of the raids on queer spaces in that city during the late 1970s, to Hazel Millar and Jay Millar at Book*hug, for publication in spring 2025, by Marilyn Biderman at Transatlantic Literary Agency (NA).
LATimes Book Award finalist and author of EXALTED Anna Dorn‘s PERFUME & PAIN, pitched as a nod to 1950s lesbian pulp fiction, about a controversial L.A. author’s attempt to revive her career post-cancellation and escape the historic trappings of sapphic melodrama in favor of true love, to Olivia Taylor Smith at Simon & Schuster, in an exclusive submission, by Sarah Phair at Sanford J. Greenburger Associates (world English).
YA author Daniel Aleman‘s adult debut SORRY TO DISAPPOINT, a suspenseful dark comedy about a struggling gay writer who wakes up to find his date from the night before dead—and must enlist the help of his literary agent to get rid of the body and spin the entire misadventure into his next big book, to Rachael Kelly at Grand Central, at auction, for publication in fall 2024, by Pete Knapp at Park & Fine Literary and Media (NA).
Emma Sterner-Radley‘s SNOWBLOODED, a swashbuckling queer historical fantasy in which two rival state-sanctioned assassins must cooperate to bring down their city’s elusive seller of illegal magic tonics, to Amy Borsuk at Solaris, in a nice deal, for publication in summer 2024, by Anna Carmichael at Abner Stein on behalf of Saint Gibson (world, excl. NA).
Annabel Paulsen and Lydia Wang’s HOPELESSLY DEVOTED, a lesbian romcom in which two contestants on a popular dating show fall for each other instead of the leading man, to Jess Verdi at Alcove Press, for publication in spring 2024, by Kristy Hunter at The Knight Agency (world).
Author of INSIDE OUT Lor Gislason and Shelley Lavigne’s THE FLESH OF THE SEA, pitched as Our Flag Means Death meets Lovecraft Country, in which a man sets off to explore the high seas after being rejected by the royal society, where he encounters bizarre wildlife and eldritch monsters while grappling with his sexuality and desire to prove himself to the scientific community, to Andrew Robert at DarkLit, in a nice deal, in an exclusive submission, for publication in fall 2023.
Author of STARS COLLIDE Rachel Lacey’s COVER STORY, a sapphic bodyguard romance featuring an A-list actress in need of extra protection who hires a female bodyguard to pose as her girlfriend in order to keep the real story under wraps, again to Lauren Plude at Montlake, by Sarah Younger at Nancy Yost Literary Agency (world).
Children’s and Middle Grade Fiction
RuPaul’s Drag Race alum Kim Chi and author of K-POP CONFIDENTIAL Stephan Lee‘s THE LIBRARY IS OPEN, about a queer Korean-American’s plight to save his beloved local library after learning it is set to be demolished to make room for a swanky new mall, to Susan Van Metre at Candlewick, in a six-figure deal, at auction, in a two-book deal, for publication in 2025, by David Purse at Inked Entertainment (world English).
Esme Symes-Smith‘s next two novels in the Sir Callie series that expand on Callie’s world and the dangers within, to Liesa Abrams at Labyrinth Road, in a two-book deal, by Megan Manzano at D4EO Literary Agency.
Brigitta Blair‘s CRAMMING, a semi-autobiographical debut graphic novel about the pressures a girl and her friends face in eighth grade, including scoliosis bracing, school, sports, gender exploration, and the gift of learning to be at peace in your body, pitched for readers of SWIM TEAM and THE TRYOUT, to Jessica Anderson at Christy Ottaviano Books, for publication in winter 2027, by Chelsea Eberly at Greenhouse Literary Agency (NA).
Taylor Tracy‘s MURRAY OUT OF WATER, a novel-in-verse about a 12-year-old whose Jersey Shore home is destroyed by a hurricane; displaced to upstate New York and separated from her beloved ocean, she meets a boy who introduces her to the magical world of roller skating and drag shows and with his friendship, she is finally able to open up about questions she’s been having about her identity, her super-conservative family, and a secret magic that she and he share, to Alyssa Miele at Quill Tree, in a very nice deal, in a pre-empt, in a two-book deal, for publication in summer 2024, by Jordan Hamessley at New Leaf Literary & Media (world English).
Young Adult Fiction
Hayley Dennings‘s BITTERSWEET POISON, set during the most morally disruptive period in U.S. history, when Black bodies are experimented on and turned into bloodthirsty reapers and the saint empire is tasked with protecting human life, in which a saint heiress must kill her childhood best friend-turned-enemy and reaper but when a saint member is murdered and reapers murmur about a cure, the two girls are forced into an alliance and must keep their confusing feelings in check, to Wendy McClure at Sourcebooks Fire, in a pre-empt, in a two-book deal, for publication in fall 2024, by Emily Forney at BookEnds (NA).
Author of the forthcoming SAINT JUNIPER’S FOLLY Alex Crespo‘s THE WATCHER, a queer paranormal mystery, pitched as SAWKILL GIRLS by way of Twin Peaks, in which four teens track down a local cryptid that’s feeding off secrets before their own hidden truths are exposed to their coastal Oregon town, to Ashley Hearn at Peachtree Teen, for publication in spring 2025, by Mary C. Moore at Kimberley Cameron & Associates (world).
Eisner Award-winning graphic novelist Emil Ferris‘s graphic novel RECORDS OF THE DAMNED, set in mid-60s Chicago, a prequel to MY FAVORITE THING IS MONSTERS, following its monster-loving protagonist’s queer coming-of-age and burgeoning friendship with her haunted neighbor; and A. ROSENBLOOM AND THE MARIONETTE MURDERS, a standalone noir revolving around a string of grisly murders, to Lisa Lucas and Zach Phillips at Pantheon, at auction, in a two-book deal, by Markus Hoffmann at Regal Hoffmann & Associates (world English).
National Book Award-winning author Kacen Callender‘s INFINITY ALCHEMIST, featuring a cast of trans and queer characters of color in a polyamorous triad, following a boy who illegally practices alchemy and is blackmailed into helping a college apprentice find the legendary Book of Source, said to make its reader all-powerful, pitting the two against dangerous rivals willing to kill for it, to Ali Fisher at Tor Teen, in a major deal, at auction, in a two-book deal, for publication in winter 2024, by Beth Phelan at Gallt and Zacker Literary Agency (world English).
Michelle Kulwicki‘s AT THE END OF THE RIVER STYX, in which two boys—one who cheated death and one who is cursed to spend 500 years ferrying souls across the river Styx—aim to discover if their love is worth dying for as they find their lives intertwining in dreams at the edge of death’s domain; part queer romance, part meditation on grief and sacrifice, forcing readers to examine the complexities of their own relationships and what they’d be willing to give up for those they hold dear, to Tamara Grasty at Page Street Kids, in a nice deal, by Lauren Bittrich at Lucinda Literary (world).
THE GHOSTS OF ROSE HILL author R.M. Romero‘s DEATH’S COUNTRY, pitched as a queer Orpheus and Eurydice retelling in verse with a polyamorous triad, following two Miami teens who travel to the underworld to retrieve their girlfriend’s soul, so they can reunite it with her body before it’s too late, to Ashley Hearn at Peachtree Teen, for publication in summer 2024, by Rena Rossner at Deborah Harris Agency (world).
Vichet Chum’s KWEEN, about a queer Cambodian American teen’s journey to find her voice and step into her legacy, to Jennifer Ung at Quill Tree, for publication in fall 2023 (world).
Non-Fiction
Speaker, activist, and TikTok expert Ben Greene‘s MY CHILD IS TRANS, NOW WHAT?, a roadmap for transgender people, their families, and allies to support transgender people as they navigate their journeys, to Suzanne Staszak-Silva at Rowman & Littlefield, by Jessica Faust at BookEnds (world English).
Actor (Search Party, The Horror of Dolores Roach, Spoiler Alert) Jeffery Self‘s SELF-SABOTAGE, a collection of personal essays exploring everything from the author’s Southern upbringing to sex work to the glitz and glamour of being bipolar, to Rakesh Satyal at Harper One, by Alex Kane at William Morris Endeavor (NA).
Frances Cannon‘s FLING DICTION, poems about the vulnerability of desire that explore different styles of relationships, including queer love, polyamory, familial drama, dog and human companionship, and longing in isolation, through characters who find and lose each other in rural and urban settings and have their experiences intensified by the sensuality and ferocity of nature, to Dede Cummings at Green Writers Press, with Maria Tane editing, in an exclusive submission, for publication in spring 2024 (US).
Author of the forthcoming THE MALE GAZED Manuel Betancourt‘s HELLO STRANGER, combining cultural criticism and memoir to question prescribed notions of monogamy and coupledom, with a fresh consideration of modern queer dating, from ephemeral connections made through cruising and hookup apps to long-term polyamorous relationships, again to Alicia Kroell at Catapult, by Michael Bourret at Dystel, Goderich & Bourret (NA).
Brittney Griner‘s memoir, recounting her detention, trial, and imprisonment in Russia, as well as the efforts in public and behind the scenes to bring her home, also documenting how the global #WeAreBG movement began as well as the issue of pay equity for women athletes in the United States—the very inequity that led Griner to play basketball in Russia, to Jordan Pavlin at Knopf, for publication in spring 2024, by Kim Witherspoon at Inkwell Management, with Jon Liebman at Brillstein Entertainment and Lindsay Kagawa Colas at Wasserman (world). Random House Children’s will publish a YA edition at a later date.
Hosts of the podcast GAYISH Kyle Getz and Mike Johnson‘s YOU’RE PROBABLY GAYISH, taking a look at gay stereotypes and why none of us are “gay enough,” but rather comfortably “gayish,” to Alex DiFrancesco at Jessica Kingsley, for publication in February 2025 (world).
In honor of Independent Bookstore Day tomorrow (April 29th), here are some of our favorite indies along with some handy links to special, signed (including bookplated), and/or personalized editions that can ship right to you! (Stores are listed alphabetically by state.) Please note that some of these are preorders, and some are already published titles.
Note: Make sure you request the copy be signed/personalized in the comments of your order!
Today on the site, I’m delighted to reveal the cover of Written With Pride, an all-queer anthology edited by Viveca Shearin, Claudine Griggs, and Fable Tethras, and releasing from Not a Pipe Publishing on June 1, 2023!
Created in opposition to Florida’s Don’t Say Gay bill, Written With Pride is an anthology published by Not a Pipe Publishing exclusively filled with short stories by authors who all belong to the broad and beautiful spectrum of the LGBTQIA+ community. The stories range in style and subject matter, as well as genre-from contemporary to speculative fiction. Not all of them have happy endings, but all of them were penned by members of our community who still believe in their voice.
The contents include:
Kiersten Adams – “Anatomy of the Universe and Us”
J.L. Henker – “Are You Really Going to Cook That?”
Ethan Jones – “Bull by the Horns,” “Ferryman”
Marianne Xenos – “Doomcookies and Donuts”
Lina Gerhard – “From the Vine”
Erin Edwards – “Good Bye”
Gwen Tolios – “Isolation Training”
Oliver Fosten – “Wolf Skin”
Katie Kent – “I Hear You”
Summer Jewel Keown – “Scion”
Tucker Struyk – “The Way I see It,” “Getaway”
And here’s the rainbow cover, designed by editor Fable Tethras!
Fable Tethras is a journalist-turned-author who writes depressing science fiction and less depressing fantasy. Their short story, Shrinking, was awarded an honorable mention in the L Ron Hubbard’s Writers of the Future Contest and is published in Not A Pipe Publishing’s Anthology Shout: An Anthology of Resistance Short Fiction and Poetry. They live in Albuquerque, NM, where they spend most of their time writing or playing board games.
Viveca Shearin started off as a freelance editor who joined Not a Pipe Publishing to work on a single novel and has worked her way to the top. In 2020 she was promoted to co-publisher and co-owner. She lives in Brooklyn, New York. When she’s not working, Viveca can often be found with a big mug of tea (or coffee), her face buried in a good book or video game, and her beloved cat nearby for company.
Claudine Griggs’ fiction has appeared in Lightspeed, Escape Pod, Zahir Tales, New Theory, Leading Edge SF, Not a Pipe Publishing, Upper Rubber Boot Books, Mount Island, Ligeia, Flora Fiction, etc. Her story “Helping Hand” appears as an episode in the Netflix series “Love, Death & Robots.” Her first novel, Don’t Ask, Don’t Tell, was released on June 1, 2020, and a book-length story collection, Firestorm, was released on March 13, 2022. She has two nonfiction books out regarding trans/gender issues as well. Claudine is a long-time member of the Authors Guild and a member of Science Fiction Writers of America.
Happy Lesbian Visibility Day! Today we’re celebrating books explicitly starring lesbians, so come find some new great picks for your shelf! (Note: this post only includes books that were not featured in past posts. For even more visibly lesbian goodness, check out posts from past years, too!)
If you asked seventeen-year-old Cass Williams to describe herself, she’d happily tell you she’s fat, queer, and obsessed with the Tide Wars books. What she won’t tell you—or anyone in her life—is that she’s part of an online Tide Wars roleplay community. Sure, it’s nerdy as hell, but when she’s behind the screen writing scenes as Captain Aresha, she doesn’t have to think about her mother who walked out or how unexpectedly stressful it is dating resident cool girl Taylor Cooper.
But secretly retreating to her online life is starting to catch up with Cass. For one, no one in her real life knows her secret roleplay addiction is the reason her grades have taken a big hit. Also? Cass has started catching feelings for Rowan Davies, her internet bestie…and Taylor might be catching on.
As Cass’s lies continue to build, so does her anxiety. Roleplaying used to be the one place she could escape to, but this double life and offline-online love triangle have only made things worse. Cass must decide what to do—be honest and risk losing her safe space or keep it a secret and put everything else on the line.
Taylor Parker has always been a funny girl―but when she is accepted as a finalist for a diverse writers’ internship at Saturday Night Live, it turns her life upside down. If she wants a shot at winning in a little more than a month, Taylor will have to come out about both of her secrets: She wants to be a comedian . . . and she’s a lesbian.
With a mom who gave up a career in comedy to raise her, and a comedian dad who left for a younger woman, working in comedy is a sore subject in Taylor’s house. To keep her secret under wraps, she sneaks out to do improv and hides her sketches under the bed, and to distract from her anxiety about the competition, Taylor frequents Salem’s Museum of Witchcraft to pine for Abigail Williams from the back row.
It’s at the Museum of Witchcraft where Taylor falls deeper in love with the girl who plays Abigail Williams―Charlotte Grey, an out and proud lesbian at Nathaniel Hawthorne High. Charlotte radiates so much confidence in her acting and queerness that Taylor can’t resist her. So when Charlotte reaches out for help on a school project, Taylor readily agrees. As they spend more time together, Taylor sees what living her truth and pursuing her dreams could bring her, but Charlotte can’t understand why someone as funny as Taylor wouldn’t go all out to make the most of her opportunities. To live up to her own comedy dreams and become the person she wants to be, Taylor will have to find the confidence to tell everyone exactly who she is and what she wants.
What would you do if you forgot the love of your life ever even existed?
Stevie and Nora had a love. A secret, epic, once-in-a-lifetime kind of love. They also had a plan: to leave their small, ultra-conservative town and families behind after graduation and move to California, where they could finally stop hiding that love.
But then Stevie has a terrible fall. And when she comes to, she can remember nothing of the last two years—not California, not coming to terms with her sexuality, not even Nora. Suddenly, Stevie finds herself in a life she doesn’t quite understand, one where she’s estranged from her parents, drifting away from her friends, lying about the hours she works, dating a boy she can’t remember crushing on, and headed towards a future that isn’t at all what her fifteen-year-old self would have envisioned.
And Nora finds herself…forgotten. Can the two beat the odds a second time and find their way back together when “together” itself is just a lost memory?
Sixteen-year-old Bianca Torre is an avid birder undergoing a gender identity crisis and grappling with an ever-growing list of fears.
Some, like Fear #6: Initiating Conversation, keep them constrained, forcing them to watch birds from the telescope in their bedroom. And, occasionally, their neighbors. When their gaze wanders from the birds to one particular window across the street, Bianca witnesses a creepy plague-masked murderer take their neighbor’s life.
Worse, the death is ruled a suicide, forcing Bianca to make a choice—succumb to their long list of fears (including #3 Murder and #55 Breaking into a Dead Guy’s Apartment), or investigate what happened.
Bianca enlists the help of their friend Anderson Coleman, but the two have more knowledge of anime than true crime. As Bianca and Anderson dig deeper into the murder with a little help from Bianca’s crush and fellow birding aficionado, Elaine Yee (#13 Beautiful People, #11 Parents Discovering They’re a Raging Lesbian), the trio uncover a conspiracy much larger—and weirder—than imagined. But when the killer catches wind of the investigation, Bianca’s #1 fear of public speaking doesn’t sound so bad under the threat of being silenced for good.
Setting the stage for her appearance in Life is Strange: True Colors, this official Steph Gingrich novel sheds light on the Drugstore Makeup years and the story of how Steph crash-landed in Haven Springs, Colorado.
Steph Gingrich has finally run out of couches to surf. Now she’s back at her dad’s place in Seattle to figure out what she wants to do with the rest of her life.
When running an RPG session for her local gamer café, Steph meets Izzie. Izzie is electric: a punk, a girl who likes girls, and a hella good guitarist. Steph finds the punk life is exactly what she needs, she loves the music, the art and the fashion, but most of all she likes the girl. Entranced, she offers to drum for Izzie, forming the band Drugstore Makeup.
A hit in more ways than one, Drugstore Makeup compete in a battle of the bands before deciding to tour the offbeat punk venues of America. But Steph and Izzie soon find themselves on different wavelengths, unable to communicate, and wanting different things.
Nora Gallagher can begrudgingly admit that she and Gray Ferris are both stellar Philadelphia real estate agents, but that’s the beginning and the end of the similarities between them.
Nora’s life has been in a self-imposed holding pattern for half a decade. Depending on people in her personal life only leads to disappointment, and she has no plans of making that mistake again.
Gray Ferris is extroversion personified. Bubbly. Conversational. Vibrant. She’s trying to make the best of life, even if it hasn’t always gone her way.
When the two women begin to learn that maybe they’re not as different as they think, they may finally figure out the most important thing they have in common when it comes to finding a life worth living.
In her debut novel, Dreaming in Color, Uvile Ximba explores with subtlety, humor, and probing insight the connections between the joyful reclaiming of pleasure and the healing of buried traumas.
As students at university in Makhanda, South Africa during the #RUReferenceList campaign, Langa and her lover Khwezi have a passionate and complex relationship. Puzzling gaps in her memory haunt Langa, yet her dreams are vivid with colors and symbols that hint at a nightmare of forgotten violations and losses. So many secrets—and Langa has had enough of secrets and silences. Who can she turn to? Her mother? Her grandmother? Khwezi? Or herself?
Dreaming in Color is Langa’s story of coming out to herself, of discerning the history behind the closed door of conscious memory.
All Reyna and Kianthe want is to open a bookshop that serves tea. Worn wooden floors, plants on every table, firelight drifting between the rafters… all complemented by love and good company. Thing is, Reyna works as one of the Queen’s private guards, and Kianthe is the most powerful mage in existence. Leaving their lives isn’t so easy.
But after an assassin takes Reyna hostage, she decides she’s thoroughly done risking her life for a self-centered queen. Meanwhile, Kianthe has been waiting for a chance to flee responsibility–all the better that her girlfriend is on board. Together, they settle in Tawney, a town nestled in the icy tundra of dragon country, and open the shop of their dreams.
What follows is a cozy tale of mishaps, mysteries, and a murderous queen throwing the realm’s biggest temper tantrum. In a story brimming with hurt/comfort and quiet fireside conversations, these two women will discover just what they mean to each other… and the world.
When your parents name you and your three siblings after flowers, the world is stacked against you. At least, that’s how Aster Lavender feels. The youngest daughter, Aster always keeps her head down and lets her siblings stand in the spotlight. She sells her gourmet doughnuts from Hole in One, the small drive-through stand in sleepy Homer’s Bluff, Kansas, and daydreams about seeing the big beautiful world. Love is never going to happen, especially when the only other lesbians in town are already married to each other.
Beautiful Brynn Garrett arrives to fill in for Homer Bluff’s only veterinarian, and suddenly every pet in town is sick. Brynn’s older, smarter, and way out of Aster’s league. Plus, she’s only in town temporarily and definitely running from something. Aster didn’t plan for a connection so strong it knocks the wind right out of her, but Brynn makes her feel like anything but a wallflower.
Botanist Fisch’s life in Clover Hill is small. Getting physical distance from her tense relationship with her mother was supposed to give her room to breathe. Instead, she’s created a new cage for herself, spending most of her time isolated and working on other people’s projects instead of her own dreams. Admitting she’s lonely is the first step. Doing something about it seems much harder.
When traveling photojournalist Jaeeun Kupperman comes to town, it’s a wake-up call like no other. Jaeeun’s hot, talented, sweet, and the proud cat parent of one perfect angel named Dan. Faster than Dan can take down a dandelion, the two butch women are mutually smitten. But the sun is setting as both of them search for their next assignments and Fisch realizes it’s past time to branch out just as Jaeeun considers planting roots.
They might both be eager to sow the seeds of love, but will they be brave enough to keep it growing? Or will Jaeeun leave Fisch in her rearview mirror when the golden hour is over?
Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she’s there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.
In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace’s old friend. She can’t bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can’t bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace’s death, Gilda may have to finally reveal the truth of her mortifying existence.
It’s an open secret that the newest justice on the Supreme Court is a lesbian. So when the Court decides to hear a case about gay marriage, Justice Victoria Willoughby must navigate the press, sway at least one of her conservative colleagues, and confront her own fraught feelings about coming out.
Just when she decides she’s up to the challenge, she learns that the very brilliant, very out Genevieve Fornier will be lead counsel on the case.
Genevieve isn’t sure which is causing her more sleepless nights: the prospect of losing the case, or the thought of who will be sitting on the bench when she argues it.
Solo Dance by Li Kotomi, trans. by Arthur Reiji Morris
This novel was originally published in Japanese.
Cho Norie, twenty-seven and originally from Taiwan, is working an office job in Tokyo. While her colleagues worry about the economy, life-insurance policies, marriage, and children, she is forced to keep her unconventional life hidden―including her sexuality and the violent attack that prompted her move to Japan. There is also her unusual fascination with death: she knows from personal experience how devastating death can be, but for her it is also creative fuel.
Solo Dance depicts the painful coming of age of a gay person in Taiwan and corporate Japan. This striking debut is an intimate and powerful account of a search for hope after trauma.
Tess Bennett has never dared to dream of a better life. With no family and working a dead-end diner job to make ends meet, she’s just another twenty-something struggling to get by.
Until she’s kidnapped one night by a mysterious older woman. Ava is seductive, commanding, beautiful as sin. She takes Tess to her secluded island mansion, insisting it’s to keep her safe.
Ava provides her with every luxury she could ever dream of, but all Tess wants is answers. In a gilded cage, she must place her trust in a woman as cold and distant as she is irresistible. A forbidden kiss is all it takes for the spark between them to ignite.
Her protector, torn between a promise and desire…
A long time ago, Ava Vidal made a vow. She intends to keep it. Rescuing Tess was only the beginning. Now, Ava must keep her safe from those who mean her deadly harm.
But what’s even harder is keeping her hands off the woman she swore to protect. Especially with Tess determined to tempt her. She thinks she can handle Ava’s twisted tastes. With every tantalizing moment spent in Tess’s presence, Ava’s iron will unravels.
A secret that binds their hearts…
But the truths Ava hides could shatter them both. Because their lives have always been connected. As danger looms, can the two women risk everything for each other?
Flirting has never been Denny’s strong suit, but so what if she’s too shy to ask women out? She’s content with her simple life, working as a cashier and helping her sister raise her niece. But then she gets a wrong-number text message from a stranger named Eliza, asking her of all people for dating advice! Eliza is Denny’s total opposite: witty, outgoing—and straight. Despite their differences, the accidental text sparks an unlikely friendship. Soon, Eliza—self-proclaimed queen of disastrous first dates—would rather banter back and forth with Denny than to keep trying her luck at online dating.
When they meet in person, there’s an instant connection. But what Eliza is feeling can’t be attraction, right? It doesn’t mean a thing that she’s starting to wish the guys she dates would be more like Denny. Or does it? Can the wrong number lead to the right woman after all?
Talented A-lister Cate Whitney is the gorgeous middle-aged movie star almost every lesbian has a crush on.
Rachel Janssen, an introverted medical physics student, is no exception. So when her celebrity crush starts filming near her Vancouver apartment, she can’t believe her luck.
A chance encounter with Cate leads to a little swooning, small-talk, and a shock offer to help the star as a science consultant on her Marie Curie film. And, wait, could Cate actually be flirting with Rachel?
However, as the chemistry sizzles between them, Rachel struggles with the harsh reality of being linked to a famous actress. Paparazzi keep dragging her into the spotlight when all she wants is to be taken seriously in her medical career.
Is falling for a superstar too much to handle? Even if sexy Cate Whitney is the one everyone wants? Even if she’s everything Rachel needs?
Jessi Hempel was raised in a seemingly picture-perfect, middle-class American family. But the truth was far from perfect. Her father was constantly away from home, traveling for work, while her stay-at-home mother became increasingly lonely and erratic. Growing up, Jessi and her two siblings struggled to make sense of their family, their world, their changing bodies, and the emotional turmoil each was experiencing. And each, in their own way, was hiding their true self from the world.
By the time Jessi reached adulthood, everyone in her family had come out: Jessi as gay, her sister as bisexual, her father as gay, her brother as transgender, and her mother as a survivor of a traumatic experience with an alleged serial killer. Yet coming out was just the beginning, starting a chain reaction of other personal revelations and reckonings that caused each of them to question their place in the world in new and ultimately liberating ways.
Prelude delineates the gay female experience through a poetic reconstruction of the girlhood of Catherine of Siena, a Catholic saint who lived in 1300s Italy and disobeyed her parents by refusing marriage to devote her life to God. Through a historical lens, Brynne Rebele-Henry examines the erasure of gay women’s lives and offers a perspective of medieval queer girlhood while considering themes such as violence, desire, and the lesbian body.
Star has spent the past five years making Clover Hill’s Anisse & Clover Diner her home away from home. She’s turned her job there into a fulfilling career and has never felt more content. If her dating life is a little lackluster, well, that’s just how it’ll have to be. But when ownership of the diner changes hands from mother to daughter, Star finds herself scrambling to keep up…and to keep far away from the attractive woman who’s now at the helm.
Anisse moved back home to reconnect with her roots after too many years in the city, and she’s excited to bring the diner her family founded into the current decade. Unfortunately, she might have more to worry about than just reinventing the recipes she grew up with. Star, the gorgeous manager whose cooperation she needs to make the refreshed Anisse & Clover a success, hardly gives her the time of day.
But once Star and Anisse are pushed into sitting down together, their mutual attraction is undeniable. Going from coworkers to dating would be tricky, but neither of them wants to walk away from what might be the relationship they’ve always wanted.
Can these two women navigate their burgeoning connection, or will too many changes too fast leave both of them singed beyond repair?
Mickey Hayward dreams of writing stories that matter. She has a flashy media job that makes her feel successful and a devoted girlfriend who takes care of her when she comes home exhausted and demoralized. It’s not all A-list parties and steamy romance, but Mickey’s on her way, and it’s far from the messy life she left behind in Maryland. Despite being overlooked and mistreated at work, it seems like she might finally get the chance to prove herself–until she finds out she’s being replaced.
Distraught and enraged, Mickey fires back with a detailed letter outlining the racism and sexism she’s endured as a Black woman in media, certain it will change the world for the better. But when her letter is met with overwhelming silence, Mickey is sent into a tailspin of self-doubt. Forced to reckon with just how fragile her life is–including the uncertainty of her relationship–she flees to the last place she ever dreamed she would run to, her hometown, desperate for a break from her troubles.
Back home, Mickey is seduced by the simplicity of her old life–and the flirtation of a former flame–but her life in New York refuses to be forgotten. When a media scandal catapults Mickey’s forgotten letter into the public zeitgeist, suddenly everyone wants to hear what Mickey has to say. It’s what she’s always wanted–isn’t it?
Avery Byrne has secrets. She’s queer; she’s in love with her best friend, Cass; and she’s suffering from undiagnosed clinical depression. But on the morning Avery plans to jump into the river near her college campus, the world discovers there are only nine days left to live: an asteroid is headed for Earth, and no one can stop it.
Trying to spare her family and Cass additional pain, Avery does her best to make it through just nine more days. As time runs out and secrets slowly come to light, Avery would do anything to save the ones she loves. But most importantly, she learns to save herself. Speak her truth. Seek the support she needs. Find hope again in the tomorrows she has left.
If Tomorrow Doesn’t Come is a celebration of queer love, a gripping speculative narrative, and an urgent, conversation-starting book about depression, mental health, and shame.
As an autistic scholarship student at the prestigious Webber Academy in New York City, Waverly is used to masking to fit in—in more ways than one. While her classmates are the children of the one percent, Waverly is getting by on tutoring gigs and the generosity of the school’s charming and enigmatic dean. So when her tutoring student and resident “it girl” asks Waverly to attend the school’s annual fundraising Masquerade disguised as her, Waverly jumps at the chance—especially once she finds out that Ash, the dean’s daughter and her secret ex-girlfriend, will be there.
The Masquerade is everything Waverly dreamed of, complete with extravagant gowns, wealthy parents writing checks, and flowing champagne. Most importantly, there’s Ash. All Waverly wants to do is shed her mask and be with her, but the evening takes a sinister turn when Waverly stumbles into a secret meeting between the dean and the school’s top donors—and witnesses a brutal murder. This gala is harboring far more malevolent plots than just opening parents’ pocketbooks. Before she can escape or contact the authorities, a mysterious global blackout puts the entire party on lockdown. Waverly’s fairy tale has turned into a nightmare, and she, Ash, and her friends must navigate through a dizzying maze of freight elevators, secret passageways, and back rooms if they’re going to survive the night.
And even if they manage to escape the Masquerade, with technology wiped out all over the planet, what kind of world will they find waiting for them beyond the doors?
Lady Camembert wants to live life on her own terms, without marriage. Well, without marrying a man, that is. But the law of the land is that women cannot inherit. So when her father passes away, she does the only thing she can: She disguises herself as a man and moves to the capital city of the Kingdom of Fromage to start over as Count Camembert.
But it’s hard to keep a low profile when the beautiful Princess Brie, with her fierce activism and great sense of fashion, catches her attention. Camembert can’t resist getting to know the princess, but as the two grow closer, will she able to keep her secret?
A romantic comedy about mistaken identity, true love, and lots of grilled cheese.
Jillian and Henry are the kind of couple who do everything together. They take the same classes, have the same hobbies, and applied for the same super-competitive scholarship so they can go to the same dream college. They even come out as gay to each other on the same night, after junior prom, prompting a sudden breakup that threatens their intertwined identities and carefully designed future. Jillian knows the only way to keep everything on track is to approach their breakup with the same precision and planning as their scholarship application. They will still be “Jillian and Henry”—even if they’re broken up.
Except they hadn’t planned on Henry meeting the boy of his dreams or Jillian obsessing over a cool girl at school. Jillian is desperate to hold on to her best friend when so much else is changing. But as she and Henry explore what—and who—they really want, it becomes harder to hold on to the careful definitions she has always lived her life by. Stuck somewhere between who she was with Henry and who she might be on her own, Jillian has to face what she can’t control and let go of the rules holding her back.
Graveyard of Lost Children by Katrina Monroe (May 9, 2023)
At four months old, Olivia Dahl was almost murdered. Driven by haunting visions, her mother became obsessed with the idea that Olivia was a changeling, and that the only way to get her real baby back was to make a trade with the “dead women” living at the bottom of the well. Now Olivia is ready to give birth to a daughter of her own…and for the first time, she hears the women whispering.
Everyone tells Olivia she should be happy. She should be glowing, but the birth of her daughter only fills Olivia with dread. As Olivia’s body starts giving out, slowly deteriorating as the baby eats and eats and eats, she begins to fear that the baby isn’t her daughter at all and, despite her best efforts, history is repeating itself.
Soon images of a black-haired woman plague Olivia’s nightmares, drawing her back to the well that almost claimed her life―tying mother and daughter together in a desperate cycle of fear and violence that must be broken if Olivia has any hope of saving her child…or herself.
Sasha and Jesse are professionally creative, erotically adventurous, and passionately dysfunctional twentysomethings making a life together in Brooklyn. When a pair of older, richer lesbians—prominent news host Jules Todd and her psychotherapist partner, Miranda—invites Sasha and Jesse to their country home for the holidays, they’re quick to accept. Even if the trip includes a third couple—Jesse’s best friend, Lou, and their cool-girl flame, Darcy—whose It-queer clout Sasha ridicules yet desperately wants.
As the late December afternoons blur together in a haze of debaucherous homecooked feasts and sweaty sauna confessions, so too do the guests’ secret and shifting motivations. When Jesse and Darcy collaborate an ill-fated livestream performance, a complex web of infatuation and jealousy emerges, sending Sasha down a spiral of destructive rage that threatens each couple’s future.
Unfolding over ten heady days, Dykette is an unforgettable love story at the crossroads of queer nonconformity and seductive normativity. With propulsive plotting and sexy, wickedly entertaining prose, Jenny Fran Davis captures the vagaries of desire and the many devastating places in which we seek recognition.
In her coming-of-age memoir, refugee advocate Luma Mufleh writes of her tumultuous journey to reconcile her identity as a gay Muslim woman and a proud Arab-turned-American refugee.
With no word for “gay” in Arabic, Luma may not have known what to call the feelings she had growing up in Jordan during the 1980’s, but she knew well enough to keep them secret. It was clear that not only would her family have trouble accepting who she was, but trapped in a religious society, she could also be killed if anyone discovered she was gay. Luma spent her teenage years increasingly desperate to find a way out. After two suicide attempts, she finally realizes that to survive, she must leave the Middle East for good. While attending college in the United States, Luma endures the agonizing process of applying for political asylum, which ensures her safety—but causes her family to break ties with her.
Suddenly becoming a refugee in America is a rude awakening. Disowned, depressed, and broke, Luma must rely on the grace of both friends and strangers as she builds a tenuous new life finally embracing her full self. Slowly, she forges a new path forward with both her biological and chosen families, eventually founding Fugees Family, a nonprofit dedicated to the education and support of refugee children in the United States.
When Amelia Possanza moved to Brooklyn to build a life of her own, she found herself surrounded by queer stories: she read them on landmark placards, overheard them on the pool deck when she joined the world’s largest LGBTQ swim team, and even watched them on TV in her cockroach-infested apartment. These stories inspired her to seek out lesbians throughout history who could become her role models, in romance and in life.
Centered around seven love stories for the ages, this is Possanza’s journey into the archives to recover the personal histories of lesbians in the twentieth century: who they were, how they loved, why their stories were destroyed, and where their memories echo and live on. Possanza’s hunt takes readers from a drag king show in Bushwick to the home of activists in Harlem and then across the ocean to Hadrian’s Library, where she searches for traces of Sappho in the ruins. Along the way, she discovers her own love—for swimming, for community, for New York City—and adds her record to the archive.
At the heart of this riveting, inventive history, Possanza asks: How could lesbian love help us reimagine care and community? What would our world look like if we replaced its foundation of misogyny with something new, with something distinctly lesbian?
Beck Birsching has been adrift since the death of her mother, a brilliant but troubled investigative reporter. She finds herself unable to stop herself from slipping into memories of happier days, clamoring for a time when things were normal. So when a mysterious letter in her mother’s handwriting arrives in the mail with the words Come and find me, pointing to a town called Backravel, Beck hopes that it may hold the answers.
But when Beck and her sister Riley arrive in Backravel, Arizona it’s clear that there’s something off about the town. There are no cars, no cemeteries, no churches. The town is a mix of dilapidated military structures and new, shiny buildings, all overseen by the town’s gleaming treatment center high on a plateau. No one seems to remember when they got there, and the only people who seem to know more than they’re letting on is the town’s enigmatic leader and his daughter, Avery.
As the sisters search for answers about their mother, Beck and Avery become more drawn together, and their unexpected connection brings up emotions Beck has buried since her mother’s death. Beck is desperate to hold onto the way things used to be, and when she starts losing herself in Backravel and its connection to her mother, will there be a way for Beck to pull herself out?
In her sophomore novel Courtney Gould draws readers into the haunting town of Backravel and explores grief, the weight of not letting go of the past, first love, and the bonds between sisters, mothers and daughters.
The dust may have just settled in the failed war of conquest between the Holy Vaalbaran Empire and the Ominirish Republic, but the last Emperor’s surrender means little to a lowly scribe like Enitan. All she wants is to quit her day job and expand her fledgling tea business. But when her lover is assassinated and her sibling is abducted by Imperial soldiers, Enitan abandons her idyllic plans and weaves her tea tray up through the heart of the Vaalbaran capital. There, she will learn just how far she is willing to go to exact vengeance, free her sibling, and perhaps even secure her homeland’s freedom.
From one of Russia’s most exciting new voices, Wound follows a young lesbian poet on a journey from Moscow to her hometown in Siberia, where she has promised to bury her mother’s ashes. Woven throughout this fascinating travel narrative are harrowing and at times sublime memories of her childhood and her sexual and artistic awakening. As she carefully documents her grief and interrogates her past, the narrator of Oksana Vasyakina’s autobiographical novel meditates on queerness, death, and love and finds new words for understanding her relationship with her mother, her country, her sexuality, and her identity as an artist.
A sensual, whip-smart account of the complicated dynamics of queer life in present-day Siberia and Moscow, Wound is also in conversation with feminist thinkers and artists, including Susan Sontag, Louise Bourgeois, and Monique Wittig, locating Vasyakina’s work in a rich and exciting international literary tradition.
We Met in a Bar by Claire Forsythe (October 10, 2023)
Wealthy nightclub owner Erica turns undercover bartender on a mission to catch a thief. The ridiculous idea seemed comical when her brother proposed it. After all, Erica has never worked a day in her life. But when her pushy mother plays matchmaker with yet another woman Erica isn’t interested in, she escapes on a train to London, to a club she hasn’t set foot in since inheriting it. There she meets no strings, no commitments Charlie, who couldn’t be further from Erica’s type. Erica has never met anyone who gets under her skin so much, and that’s surely a bad thing, right?
Charlie lives for the thrill of the chase. She loves women a little too much to imagine herself settling down. The very thought of a relationship is a terrifying prospect. It doesn’t matter anyway because she’s never met anyone who has held her interest for anything longer than a quick fling. All that changes when she meets the mysterious new bartender at her local club. Getting to know the obnoxious yet beautiful woman is a challenge she can’t resist. She just hadn’t bargained on her heart getting involved.
Set against a backdrop of 1950s New York, this experimental novel follows an ensemble cast of all-singing, all-dancing butch dykes and Yiddish anarchists through eternal Friday nights, around the table, and at the bar.
In one of many bars, Frankie Gold sings while Sammy Silver plays piano after a day job at the anarchist newspaper. The Butch Piano Players Union meets in the corner next to the jukebox. Laur smokes on the back steps, sweaty thigh to thigh with Vic. Frankie’s childhood sweetheart, Lily, turns up at yet another bar to see a second Sammy play every Friday night. And before all that, there’s always dinner at Marg’s. Fabulated out of oral histories, anthologies, as well as the fiction of the butch-femme bar scene and Yiddish anarchist tradition, Greasepaint is a rollicking whirlwind of music and politics―the currents of community embodied and held inside the bar.
Leather, Lace, and Locs by Anne Shade (November 14)
Melissa Hart is a shy, mousy introvert, afraid to step out of her comfort zone until she dons a mask and leather as the dominatrix persona Mistress Heart. Living a double life, she develops an intimate relationship with a mysterious client who chips away the wall separating Ms. Hart from Mistress Heart to show Melissa the woman she really is.
Golden Hughes had one goal, to turn her passion for dance into a professional career. Then tragedy strikes and Golden sets her dreams aside for a regular job and steady paycheck. Now that she has everything she needs, her passion for dance is reignited in burlesque performance, putting her in the path of two unique and sexy women.
Zoe Grant has spent most of her adult life putting her wants and needs on the back burner to focus on raising her daughter, her career as a beautician, and expanding her family’s natural hair care products business. When a woman running from a painful past comes to the salon for a life-changing haircut, Zoe finds what she wants and needs in the most unexpected way.
Three friends, each on their own path, discover love could lead to happily ever after.
Ugly Sweater Christmas by Shannon O’Connor (December 6, 2023)
Emma and Jess have been best friends forever, despite how different they are. This year Jess’ life starts falling apart, starting with losing her job, her apartment and her girlfriend. But leave it to Emma to make this the best Christmas ever. Starting with an ugly sweater Christmas party. But when they both end up under the mistletoe, dared to kiss, and sparks begin to fly, who knows what will happen?
Determined to turn things around for her best friend, Emma tries to show Jess there’s still magic in Christmas. As the two move in together, go job hunting and find the magic of Christmas, they start to see each other in a new light. But will they open their hearts and their mouths to tell the other the truth? Or will they pretend their feelings aren’t real and lose what could be the best Christmas ever?
It’s 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. But playing the blushing ingenue makes Beth’s skin crawl and she’d rather be anywhere but here.
Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She figures she has plenty of security as the only daughter of a rakish earl, from whom she’s gotten all her flair, fun, and less-than-proper party games.
“Let’s get them together,” she says.
It doesn’t take long for Gwen to hatch her latest scheme: rather than surrender Beth to courtship, they should set up Gwen’s father and Beth’s newly widowed mother. Let them get married instead.
“It’ll be easy” she says.
There’s just…one, teeny, tiny problem. Their parents kind of seem to hate each other.
But no worries. Beth and Gwen are more than up to the challenge of a little twenty-year-old heartbreak. How hard can parent-trapping widowed ex-lovers be?
Of course, just as their plan begins to unfold, a handsome, wealthy viscount starts calling on Beth, offering up the perfect, secure marriage.
Beth’s not mature enough for this…
Now Gwen must face the prospect of sharing Beth with someone else, forever. And Beth must reckon with the fact that she’s caught feelings, hard, and they’re definitely not for her potential fiancé.
That’s the trouble with matchmaking: sometimes you accidentally fall in love with your best friend in the process.
Today on the site, we’re revealing the cover for For Never & Always by Helena Greer, a pan and demi second-chance m/f romance releasing November 28th from Forever! Here’s the story:
One surprise inheritance, two best friends (now bitter exes), and three months to prove he loves her, forever and always, in this swoony second-chance romance for fans of Alexandria Bellefleur and Ashley Herring Blake.
Hannah Rosenstein should be happy: after a lonely childhood of traipsing all over the world, she finally has a home as the co-owner of destination inn Carrigan’s All Year. But her thoughts keep coming back to Levi “Blue” Matthews: her first love, worst heartbreak, and now, thanks to her great-aunt’s meddling will, absentee business partner.
When Levi left Carrigan’s, he had good intentions. As the queer son of the inn’s cook and groundskeeper, he never quite fit in their small town and desperately wanted to prove himself. Now that he’s a celebrity chef, he’s ready to come home and make amends. Only his return goes nothing like he planned: his family’s angry with him, his best friend is dating his nemesis, and Hannah just wants him to leave. Again.
Levi sees his chance when a VIP bride agrees to book Carrigan’s—if he’s the chef. He’ll happily cook for the wedding, and in exchange, Hannah will give him five dates to win her back. Only Hannah doesn’t trust this new Levi, and Levi’s coming to realize Hannah’s grown too. But if they find the courage to learn from the past . . . they just might discover the love of your life is worth waiting for.
And here’s the gorgeous cover by the inimitable Leni Kauffman!
Helena Greer writes contemporary romance novels that answer the question, what if this beloved trope were gay? She was born in Tucson, and her heart still lives there although she no longer does. After earning a BA in writing and mythology, and a master’s in library science, she spent several years blogging about librarianship before returning to writing creatively. Helena loves cheesy pop culture, cats without tails, and ancient Greek murderesses. Follow her on Twitter + Instagram @blumagaincurios.
We’re celebrating National Poetry Month with – what else – queer poetry recommendations! This page contains a select few titles, but we do, of course, have entire poetry pages, so please avail yourselves!
From cities and cross-country bus rides to swamps and fern forests, Michael Mlekoday’s All Earthly Bodies celebrates the ungentrifiable, ungovernable wildness of life. This is anarchist ecology, nonbinary environmentalism, an earthbound theology against empire in all its forms. These poems ask how our lives and language, our prayers and politics, might evolve if we really listened to the world and its more-than-human songs. “Sometimes I wish I could / peel myself from myself / without discarding the shell,” Mlekoday writes. Through a kind of lyric dreamwork, Mlekoday sounds the depths—of ancestry and identity, race and gender, earth and self—to track the unbecoming and re-membering of the body.
In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.
Metamorphoses springs from Ovid’s epic poem to explore the slipperiness of identity. In poems that shift registers from travelogue to elegy, from nature documentary to a simple record of the realities of daily life, Kennedy focuses on transformation, personal and collective, in an empire in decline, in a world transfigured by ecological upheaval.
Like a fever dream over Gibbon’s Decline and Fall, Kennedy has one foot in Ancient Rome and the other in contemporary San Francisco, acknowledging the “transformations of this city [he] loves” into “awful condos of steel and glass” alongside Victorian homes. The poet shores up fragments against this cultural decadence through the cultivation of a wry pagan mysticism, whether he’s offering devotions to Attis and Apollo, banishing Madonna from his pantheon, or placing twink emperor and notorious prankster Elagabalus in the East Bay. The book’s transformations even extend to its central conceit, as Kafka bursts into the proceedings to dispute Ovid’s claim to the laurel.
From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity.
With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America—and the painful, joyous path to adulthood as a young, queer Black woman.
Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.
In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. At the collection’s center sits “On the Overnight from Agadir,” a poem that chronicles Shanahan’s survival of a devastating bus accident in Morocco, his mother’s birth country, and ruminates on home, belonging, and the mysteries of fate. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives. In a language yoked equally to the physical and metaphysical worlds, the poet articulates the need we all share for real intimacy and connection, and proves, time and again, that the true cost of our separateness is the love that our survival requires.
Non-binary poet Cyrus Parker returns with an all-new collection of poetry and prose dedicated to those struggling to find their own identity in a world that often forces one into the confines of what’s considered “socially acceptable.”
Divided into three parts and illustrated by Parker, masqueradegrapples with topics such as the never-ending search for acceptance, gender identity, relationships, and the struggle to recognize your own face after hiding behind another for so long.
Ocean Vuong’s first full-length collection aims straight for the perennial “big”—and very human—subjects of romance, family, memory, grief, war, and melancholia. None of these he allows to overwhelm his spirit or his poems, which demonstrate, through breath and cadence and unrepentant enthrallment, that a gentle palm on a chest can calm the fiercest hungers.
Feed is the fourth book in the Teebs tetralogy. It’s an epistolary recipe for the main character, a poem of nourishment, and a jaunty walk through New York’s High Line park, with the lines, stanzas, paragraphs, dialogue, and registers approximating the park’s cultivated gardens of wildness. Among its questions, Feed asks what’s the difference between being alone and being lonely? Can you ever really be friends with an ex? How do you make perfect mac & cheese? Feed is an ode of reconciliation to the wild inconsistencies of a northeast spring, a frustrating season of back-and-forth, of thaw and blizzard, but with a faith that even amidst the mess, it knows where it’s going.
Prelude delineates the gay female experience through a poetic reconstruction of the girlhood of Catherine of Siena, a Catholic saint who lived in 1300s Italy and disobeyed her parents by refusing marriage to devote her life to God. Through a historical lens, Brynne Rebele-Henry examines the erasure of gay women’s lives and offers a perspective of medieval queer girlhood while considering themes such as violence, desire, and the lesbian body.
A vital breath of life arrives in American poetry with Synthetic Jungle, the latest collection from acclaimed poet Michael Chang. With poems in a register both hilarious and scathing, Synthetic Jungle effortlessly bashes convention while simultaneously rebuilding the language we use to communicate our fears and joys.
Synthetic Jungle is a collection written by a brilliant jester who winks at you as you catch their every reference before sharing a laugh at your own self-satisfaction. Themes of identity, sexuality, and literacy play out in a dizzying rhythm of microtheaters. Readers will find themselves giggling, snorting, and guffawing their way through this work: whether at a repudiation of the literary landscape or a critique of a failing justice system, to laugh along with Chang is to recognize your mistakes and, ultimately, grow from them.
Kate and Tam meet, and both of their worlds tip sideways. At first, Tam figures Kate is your stereotypical cheerleader; Kate sees Tam as another tall jock. And the more they keep running into each other, the more they surprise each other. Beneath Kate’s sleek ponytail and perfect façade, Tam sees a goofy, sensitive, lonely girl. And Tam’s so much more than a volleyball player, Kate realizes: She’s everything Kate wishes she could be. It’s complicated. Except it’s not. When Kate and Tam meet, they fall in like. It’s as simple as that. But not everybody sees it that way. This novel in verse about two girls discovering their feelings for each other is a universal story of finding a way to be comfortable in your own skin.
Halfway through sixth grade, Noah’s best friend and the only other trans boy in his school, Lewis, passed away in a car accident. Lewis was adventurous and curious, always bringing a new paranormal story to share with Noah. Together they daydreamed about cryptids and shared discovering their genders and names. After his death, lonely and yearning for someone who could understand him like Lewis once did, Noah starts writing letters to Mothman, wondering if he would understand how Noah feels and also looking for evidence of Mothman’s existence in the vast woods surrounding his small Poconos town. Noah becomes determined to make his science fair project about Mothman, despite his teachers and parents urging him to make a project about something “real.”
Meanwhile, as Noah tries to find Mothman, Noah also starts to make friends with a group of girls in his grade, Hanna, Molly, and Alice, with whom he’d been friendly, but never close to. Now, they welcome him, and he starts to open up to each of them, especially Hanna, who Noah has a crush on. But as strange things start to happen and Noah becomes sure of Mothman’s existence, his parents and teachers don’t believe him. Noah decides it’s up to him to risk everything, trek into the woods, and find Mothman himself.
Love at first sight isn’t a myth. For seventh graders Olivia and Eden, it’s fate. Olivia is a capital-P Poet, and Eden thinks she wants to be a musician one day, but for now she’s just the new girl. And then Eden shows up to Poetry Club and everything changes.
Eden isn’t out, and she has rules for dating Olivia: don’t call. Don’t tell her friends. And don’t let anyone know they’re together.
But when jealousy creeps in, it’s Olivia’s words that push Eden away. While Eden sets out to find herself, Olivia begins a journey to bring Eden back—using poetry. Both Olivia and Eden will learn just how powerful their words can be to bring them together . . . or tear them apart forever.
Two girls.
One wild and reckless day.
Years of a tumultuous history unspooling
like thin, fraying string in the hours after they set a fire.
They were best friends. Until they became more.
Their affections grew. Until the blurry lines became dangerous.
Over the course of a single day, the depth of their past, the confusion of their present, and the unpredictability of their future is revealed.
And the girls will learn that hearts, like flames, aren’t so easily tamed.
Sixteen-year-old Alicia Rivers has a reputation that precedes her. But there’s more to her story than the whispers that follow her throughout the hallways at school—whispers that splinter into a million different insults that really mean: a girl who has had sex. But what her classmates don’t know is that Alicia was sexually abused by a popular teacher, and that trauma has rewritten every cell in her body into someone she doesn’t recognize. To the world around her, she’s been cast, like the mythical Medusa, as not the victim but the monster of her own story: the slut who asked for it.
Alicia was abandoned by her best friend, quit the track team, and now spends her days in detention feeling isolated and invisible. When mysterious letters left in her locker hint at another victim, Alicia struggles to keep up the walls she’s built around her trauma. At the same time, her growing attraction to a new girl in school makes her question what those walls are really keeping out.
That’s how Sadie feels, on a perfect summer day, wrapped in her girlfriend’s arms. School is out, and even though she’s been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness a violent incident of police brutality unfold before them, Sadie’s whole world is upended in an instant.
I’m not safe anywhere.
That’s how Sadie feels every day after—vulnerable, uprooted. She retreats inside as the weeks slip by and relies on her phone to stay connected to the outside world. When Sadie’s therapist gives her a diagnosis for her debilitating panic—agoraphobia—she starts on a path of acceptance and healing. Meanwhile, Sadie’s best friend, Evan, updates her on the protests taking place in their city. Sadie wants to be a part of it, to use her voice and affect change. But how do you show up for your community when you can’t even leave your house?
I can build a safe place inside myself.
That’s what Sadie learns over the course of one life-changing summer, with some help from her family, her best friend, an online platform for activists, and a magnetic crush she develops for the new boy next door.
You may already know Alyson Derrick as half of the married writing pair behind the fabulous She Gets the Girl, but her solo outing is definitely noteworthy all on its own. Forget Me Not hearkens to Eternal Sunshine of the Spotless Mind with the story of a girl named Stevie, who loses two years of her memory, not realizing just how consequential those two years were when it comes to her identity, her relationships, and her heart. The only person who knows absolutely everything is Nora, who was not only there for the accident, but is also the key to it all. Fearful of how the truth would land and all it might uproot if heard all at once, Nora’s determined to let Stevie fill in her memories on her own, even if it means she might be obliterated from them entirely. Sound utterly heartbreaking? It is! Sound beautiful? It is! Sound like a must read? Sure is!
What would you do if you forgot the love of your life ever even existed?
Stevie and Nora had a love. A secret, epic, once-in-a-lifetime kind of love. They also had a plan: to leave their small, ultra-conservative town and families behind after graduation and move to California, where they could finally stop hiding that love.
But then Stevie has a terrible fall. And when she comes to, she can remember nothing of the last two years—not California, not coming to terms with her sexuality, not even Nora. Suddenly, Stevie finds herself in a life she doesn’t quite understand, one where she’s estranged from her parents, drifting away from her friends, lying about the hours she works, dating a boy she can’t remember crushing on, and headed towards a future that isn’t at all what her fifteen-year-old self would have envisioned.
And Nora finds herself…forgotten. Can the two beat the odds a second time and find their way back together when “together” itself is just a lost memory?