Adult Fiction
Marquette University professor of English B. Pladek’s DRY LAND, set at the cusp of America’s involvement in World War I, when a young queer forester discovers an uncanny gift for growing plants, seemingly from nothing, to Dennis Lloyd at University of Wisconsin Press, for publication in fall 2023, by Brenna English-Loeb at Transatlantic Literary Agency (world English).
Mark Waddell’s THE BODY IN THE BACK GARDEN, a queer cozy following a young investigative journalist as he inherits his estranged aunt’s estate in a coastal Canadian village, which includes a dead body behind the house that he is forced to investigate with a very handsome Mountie, to Faith Black Ross at Crooked Lane, for publication in fall 2023, by Melissa Edwards at Stonesong (world).
Ghassan Zeineddine’s DEARBORN, a collection of tragicomic stories that examines the diverse range and complexities of the Arab American community in Dearborn, Michigan, over several decades, exploring themes of identity, generational conflicts, war trauma, migration, sexuality, queerness, notions of home and belonging, and more, to Elizabeth DeMeo at Tin House Books, for publication in fall 2023.
Emily Hamilton’s THE STARS TOO FONDLY, a debut queer space odyssey—part sci-fi, part sapphic rom-com—following four friends who break into a storied spaceship with a mysterious past and accidentally blast off to a planet lightyears away, with a hologram of the ship’s previous captain as their only guide (and an improbable, impossible love interest); about found family, interdimensional travel, and the galaxy-saving power of love, to Nate Lanman at Voyager, in a very nice deal, at auction, by Roma Panganiban at Janklow & Nesbit (NA).
2021 Lambda Literary Fellow Craig Wilse’s PROVIDENCE, pitched as reminiscent of Patricia Highsmith, in which an introverted queer English professor falls for an enigmatic sophomore who lures him into his web of chaos and deceit, to Claire Wachtel at Union Square & Co, in a nice deal, in an exclusive submission, for publication in spring 2024, by Robert Guinsler at Sterling Lord Literistic (world English).
NYT-bestselling and Lambda Literary Award-winning author TJ Klune’s four original untitled novels about queer love and family, set in curious and enchanting worlds, to Ali Fisher at Tor, in a major deal, in a seven-figure deal, in an exclusive submission, in a four-book deal, by Deidre Knight at The Knight Agency (world English).
Clementine Taylor’s SOMETHING ABOUT HER, following two young women at the University of Edinburgh and the romantic connection that grows between them as they navigate the pressures of school and family, pitched in the vein of Sally Rooney and Emma Cline, to Gabriella Mongelli at Putnam, by Millie Hoskins at United Agents (world).
Korean author Hwang Jungeun and translator Janet Hong’s SAVAGE ALICE, about a tormented drag queen—pitched as a Korean Hedwig—who leaves Seoul and returns to their small countryside hometown and must survive the bullying, marginalization, and tortured life in order to survive; and EVERY YEAR, to Chad Post at Open Letter, in a pre-empt, in an exclusive submission, in a two-book deal, for publication in January 2023 and 2024, by Barbara Zitwer at Barbara Zitwer Agency (world English).
Short fiction writer, poet, essayist, and reviewer Jarrod Campbell’s THE REASON I’M HERE, a collection of fictions featuring queer protagonists in their attempts to navigate memories and their consequences, morality, and the silences within relationships; pitched as influenced by Tennessee Williams, John Cheever, and Andrew Holleran, to James Reich at Stalking Horse Press, in a nice deal, for publication in June 2023 (NA and UK).
Pushcart-nominated NYU MFA alum Cleo Qian’s LET’S GO LET’S GO LET’S GO, a debut slipstream short story collection exploring the alienated, technology-mediated lives of young Asian and Asian American women, restless with fear, desire, queer longing, and escapist compulsions, who are far from the dutiful, docile stereotypes, to Alyssa Ogi at Tin House Books, for publication in summer 2023, by Annie Hwang at Ayesha Pande Literary (NA).
Rob Costello’s THE DANCING BEARS: QUEER FABLES FOR THE END TIMES, a collection of eleven dark speculative tales featuring queer characters dealing with queer themes, to Steve Berman at Lethe Press, in an exclusive submission, for publication in March 2024, by Marie Lamba at Jennifer De Chiara Literary Agency (world English).
Finalist for the Lambda Literary Award SJ Sindu’s THE GOTH HOUSE EXPERIMENT, a tragicomic collection of character-driven stories ranging from the fantastical to the all-too-real, following an array of loners and artists—a boy with wings, a poet haunted by the ghost of Oscar Wilde, a queer beer brewer, a viral influencer—as they struggle to overcome grief in the wake of divorce, the pandemic, and other significant life changes, to Mark Doten at Soho Press, in an exclusive submission, by Erin Harris at Folio Literary Management (NA).
Children’s/Middle Grade Fiction
Newbery Award Honoree, National Book Award finalist, and two-time Stonewall Award-winning author Kyle Lukoff’s THE GOLEM OF REFUSE, about a Jewish trans youth fighting evil–human and otherwise–with his friends and community, followed by an untitled middle grade novel, to Ellen Cormier at Dial, in a good deal, in an exclusive submission, in a two-book deal, for publication in summer 2024, by Saba Sulaiman at Talcott Notch Literary Services (world).
Young Adult Fiction
Author of THE SKY BLUES and the forthcoming If I See You Again Tomorrow Robbie Couch’s YOU AGAIN, after the death of his best friend leaves him heartbroken and adrift, a gay teen enters an immersive study aimed at boosting his ability to forge bonds with classmates; just as researchers begin to help him form new relationships (and maybe even fall in love), he finds himself wondering if his friend is really gone for good… or if he’s losing his grip on reality, to Alexa Pastor at Simon & Schuster Children’s, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in summer 2024, by Moe Ferrara at BookEnds (world English).
M.E. Corey’s OUT OF BLUE COMES GREEN, in which a transgender teen wants what every other teenage boy wants—a girlfriend and a successful rock band—but when a new girl assumes the teen is a boy and asks him out, he accepts without correcting her; what could possibly go wrong?, to Tamara Grasty at Page Street, in a nice deal, for publication in winter 2024, by Tina Schwartz at The Purcell Agency (world).
Alex Dingley’s ANCESTREE, pitched as Crimson Peak meets The Green Knight, a queer YA horror graphic novel in which a young prince finds out the unsavory truth about his royal lineage when he becomes haunted by a dark creature lurking in the woods surrounding his family’s castle, to Michelle Nguyen at Oni Press, with Desiree Rodriguez editing, for publication in 2025, by Britt Siess at Britt Siess Creative Management (world).
Author of the forthcoming titles HAZEL HILL IS GONNA WIN THIS ONE and NOAH FRYE GETS CRUSHED Maggie Horne’s STAY HERE WITH ME, pitched as a cross between SOME GIRLS DO and Netflix’s The Half of It, a queer love story that centers on two best friends (and recent exes, after one of them came out as gay) who find themselves developing feelings for the same girl, to Rachel Diebel at Feiwel and Friends, at auction, for publication in fall 2024, by Claire Friedman at Inkwell Management (NA).
Author of the forthcoming FUNERAL GIRL Emma K. Ohland’s HERE GOES NOTHING, pitched as a femme queer update of Much Ado About Nothing that finds across-the-street neighbors endlessly feuding and just maybe falling in love, sparking questions for one about her asexual identity, her place in their friend group, and her plans for the future, to Amy Fitzgerald at Carolrhoda Lab, for publication in fall 2024, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Louangie Bou-Montes’s debut DON’T FEAR THE REAPER, pitched as CEMETERY BOYS meets UNDEAD GIRL GANG, in which the 16-year-old, Afro-Latinx son of the local mortician accidentally reanimates the dead body of the boy he had more than friendly feelings for and has to uncover the truth about his family’s necromantic abilities to keep him alive for good, to Carolina Ortiz at Harper Children’s, in a pre-empt, for publication in fall 2024, by Saritza Hernandez at Andrea Brown Literary Agency.
Non-Fiction
Educator in the kink and queer communities Lee Harrington’s BECOME YOUR OWN BELOVED: A GUIDE TO DELIGHTING IN SELF-CONNECTION, sharing how readers can ease the pain of loneliness, heal longtime emotional wounds, and celebrate themselves as complete beings in and of themselves, embracing an all-inclusive approach to appeal to readers of any gender, age, race, sexual orientation, economic status, and disability, to Elena Vega at Twin Flame, for publication in February 2023 (world).
BDSM educator, Lambda Literary fellow, creator of the Image Comics series SFSX, and host of the eponymous podcast Tina Horn’s WHY ARE PEOPLE INTO THAT, a queer feminist exploration of kink, blending cultural criticism and personal narrative to examine how we conceptualize sex, pleasure, gender, fantasy, and power—and how we can reimagine those concepts for a more liberated future, to Carrie Napolitano at Hachette Books, by Sarah Bolling at The Gernert Company (NA).
Photographer Julie Rae Powers ed.’s QUEERING APPALACHIA’S VISUAL HISTORY, an anthology of contemporary images and writing by artists currently living in or from Appalachia who identify as queer, to Abby Freeland at University Press of Kentucky, in a nice deal, for publication in fall 2024.
Performer, co-executive producer of HBOMax’s Legendary, and member of the House of Xtravaganza Sydney Baloue’s UNDENIABLE: A HISTORY OF VOGUING, BALLROOM AND HOW IT CHANGED MY LIFE (AND THE WORLD), the untold history of ballroom—a transformative social space of competition, experiment, and creativity in gender, sexuality, and culture—a driving force in the Black and Latinx LGBTQ+ community and, eventually, of profound influence to wider American society, as told through the intimate story of how voguing helped the author to realize and embrace his identity as a transgender man, to Angela Ledgerwood at Sugar23, with Libby Burton at Crown editing, at auction, by Alice Whitwham at The Cheney Agency (NA).
Covid lockdown is over, but A’s world feels smaller than ever. Coming out as trans didn’t exactly go well, and most days, he barely leaves his bedroom, let alone the house. But the low point of A’s life isn’t online school, missing his bar mitzvah, or the fact that his parents monitor his phone like hawks—it’s the weekly Save Our Sons and Daughters meetings his parents all but drag him to.
At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter’s numbness, the event that he has avoided for twenty years returns to haunt him.
In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that what they call “inversion,” or homosexuality, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage there is a third party: John has a lover, a working class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry. John and Catherine have three grown daughters and a long, settled marriage, over the course of which Catherine has tried to accept her husband’s sexuality and her own role in life; Henry and Edith’s marriage is intended to be a revolution in itself, an intellectual partnership that dismantles the traditional understanding of what matrimony means.
