Yep, it’s a brand-new feature celebrating book deals! This is a combination of deal announcements that have been submitted through the site and copied from Publisher’s Marketplace and Publishers Weekly, with some minor editing. If you’d like to submit a deal, you can do so here.
Rob Sanders’s BLING BLAINE, about a child who is all about bling and glitter until complaints pour in and bling is banned from school, but then allies come to the rescue, illustrated by Letizia Rizzo, to Christina Pulles formerly at Sterling Children’s, with Eve Adler editing, for publication in fall 2020, by Rubin Pfeffer at Rubin Pfeffer Content for the author, and by Emily Coggins at Astound US for the illustrator (world).
Vicki Lame at Wednesday Books has acquired LGBTQ Reads founder Dahlia Adler’s YA novel, COOL FOR THE SUMMER, about a girl named Lara who finally lands the guy of her dreams, only to have her unexpected(ly female) summer fling transfer to her school for their senior year. Publication is slated for summer 2021; DongWon Song at Howard Morhaim Literary Agency brokered the two-book deal for North American rights.
Author of PRIDE MUST BE A PLACE and BURN BABY BURN BABY, and board member of the Ontario Writer’s Conference Kevin Craig’s THE CAMINO CLUB, in which six wayward teens are given an ultimatum after getting in trouble with the law: serve time in juvenile detention for their crimes, or walk the Camino de Santiago pilgrimage route across Spain; when it becomes clear the long walk isn’t really all that much of an option, they set out on a journey that will either make or break who they are and who they are to become, to Annie Harper at Duet, in a nice deal, in an exclusive submission, for publication in October 2020.
Rights: Mary Jo Courchesne, Gryphon Publishing Consulting
Jess Verdi’s‘s FOLLOW YOUR ARROW, after breaking up with her long-term girlfriend and falling for the new guy in town, an openly queer social media influencer faces blowback from her fans and is forced to define what it means to be bi—to the world, and to herself, to Aimee Friedman at Scholastic, by Kate McKean at Howard Morhaim Literary Agency.
Maggie Tokuda-Hall‘s SQUAD, about a clique of teen girls whose favorite pastime is to get dressed up; go to parties; target entitled, date-rapey bros; turn into wolves; and eat them, illustrated by Lisa Sterle, to Martha Mihalick at Greenwillow, for publication in fall 2021, by Jennifer Laughran at Andrea Brown Literary Agency (NA).
Alexandra Cooper at HarperTeen has acquired, at auction, Laurel Flores Fantauzzo’s THE HEARTBREAK OF CORAZON TAGUBIO. Cory Tagubio is an outcast at her all-girls Catholic high school. In the wake of an accident, Cory grows close to her history teacher, Ms. Holden, but when the crush turns into something more, Cory is shipped off to her half-brother in the Philippines, leaving her to discover how her family and their country have shaped her past and how they might change her future. Publication is set for winter 2021; Andrea Morrison at Writers House sold world English rights.
Jessica Garrison at Dial has bought, on exclusive submission, Stephanie Oakes’s THE MEADOWS, which centers on a queer girl who has pretended to “reform” following years in a government-sanctioned conversion therapy center, but can’t forget the girl she left behind, and resolves to find her. Publication is set for fall 2021; Jennifer Laughran at Andrea Brown Literary Agency handled the deal for world rights.
Daniel Ehrenhaft at Soho Teen has bought Carly Heath’s debut YA novel, THE HEATHENS OF MUSKOX HOLLOW. Set in 1904 Norway, the novel follows a trio of queer teens—two boys and their best friend, Asta—who decide to defy the expectations of their rural Scandinavian village by leaving their families, living on their own, and challenging the town’s patriarch in the region’s annual winter horse race. Publication is set for fall 2021; Steven Chudney at the Chudney Agency brokered the deal for North American English rights.
Cassandra Rose Clarke‘s FORGET THIS EVER HAPPENED, queer speculative fiction set in a run-down Southern town where space and time are inconsistent, to Mora Couch at Holiday House, for publication in fall 2020, by Stacia Decker at Dunow, Carlson & Lerner (world).
Diana Pinguicha‘s A MIRACLE OF ROSES, pitched as an f/f #ownvoices retelling of the Portuguese miracle of the same name, where the Princess of Aragon enters a bargain with an Enchanted Moura so she can reverse her gift that turns all the food she touches into flowers, to Lydia Sharp at Entangled Teen, by Travis Pennington at The Knight Agency (world).
Brianna Shrum‘s 13 WAYS TO START A FOREST FIRE, in which a 17-year-old girl is trapped by a freak mudslide and, in order to survive the cruel Rockies in the dead of winter, decides to trust the one boy she knows she shouldn’t, to Nicole Frail at Sky Pony Press, by Steven Salpeter at Curtis Brown.
Deya Muniz’s THE PRINCESS AND THE GRILLED CHEESE SANDWICH, in which a lady, a denizen of the Kingdom of Fromage, must disguise herself as a man in order to inherit her father’s estate, but her secret becomes difficult to keep once she falls in love with a royal princess, to Andrea Colvin at Little, Brown Children’s, in a two-book deal, for publication in spring 2021 (world).
SashaLaurens’s A WICKED MAGIC, the story of two teens and new witches whose friendship comes to an abrupt end when a spell they foolishly cast summons an ancient force that steals one of the girls’ boyfriends; they are then forced to work together with a new friend who is harboring a magical secret of her own to rescue him, to Ruta Rimas at Razorbill, in a nice deal, for publication in fall 2020, by Jennifer Udden at New Leaf Literary & Media (world English). Publication is set for July 27, 2020.
Karelia Stetz-Waters‘s untitled book, in which two very different women find themselves running a sex toy shop that one of them inherited and soon fall in love as the business struggles for survival and family obligations threaten to tear them apart, to Madeleine Colavita at Forever Yours, by Jane Dystel at Dystel, Goderich & Bourret (NA).
Juliette Wade’s sci-fi MAZES OF POWER, in which a fever strikes the cavern city of Pelismara, and Tagaret must represent his Family in the competition for Heir to the Throne, but a power struggle and an exploitative brother stand in his way, to Sheila Gilbert at DAW by Kristopher O’Higgins at Scribe Agency (NA). Publication is set for February 4, 2020.
Anbara Salam’s BELLADONNA, a story of friendship and obsession set in the 1950s, following two schoolgirls from Connecticut whose lives are changed forever when they travel to a silent convent in northern Italy to study art for a year, to Amanda Bergeron at Berkley by Catherine Drayton at Inkwell Management, on behalf of Hattie Grunewald at Blake Friedmann, now at The Blair Partnership (NA). Publication is set for June 9, 2020.
University of Louisiana in Lafayette PhD candidate Caitlin Vance’s THE PAPER GARDEN, a darkly humorous, gothic, and speculative story collection that explores contemporary queer romances, mother-daughter relationships, and mental illness by reimagining fairy tales or myths, to Hasanthika Sirisena at 7.13 Books, for publication in spring 2021.
Director of Creative Writing at University of Nebraska-Lincoln, and author of five books Timothy Schaffert‘s THE PERFUME THIEF, about a queer American expat with an infamous past as a thief of rare scents who retires to Paris to become a legitimate perfumer, crafting unique scents scents for the city’s cabaret performers and sex workers, until the Nazis occupy the city and seek her expertise for a sinister purpose, to Margo Shickmanter at Doubleday, in a good deal, for publication in 2021, by Alice Tasman at Jean V. Naggar Literary Agency (world English).
Kristen Arnett‘s SAMSON, a novel of motherhood, expectations, and toxic masculinity within a queer household, and WITH FOXES, a diverse, blackly humorous story collection, to Cal Morgan at Riverhead, in a major deal, at auction, in a two-book deal, by Serene Hakim at Ayesha Pande Literary (NA).
Griffin Poetry Prize winner Billy-Ray Belcourt’s A HISTORY OF MY BRIEF BODY, a meditation on grief, joy, love, and sex at the intersection of indigeneity and queerness, to Eric Obenauf at Two Dollar Radio, by Stephanie Sinclair at Transatlantic Literary Agency (US).
University of Georgia MFA in narrative nonfiction and Lamba Literary fellow Martin Padgett’s MIDNIGHT AT THE OASIS: A DECADE OF DRAG, DRUGS AND DISCO AT THE SWEET GUM HEAD, following the intersecting journeys of drag queen John Greenwell, also known as Rachel Wells, and civil rights activist Bill Smith through the gay rights movement and drag culture in 1970s Atlanta, to Amy Cherry at Norton, in a nice deal, for publication in fall 2021, by Beth Marshea at Ladderbird Literary Agency (NA).
Jacqueline Carey‘s KUSHIEL’S LEGACY series, which spans three epic trilogies set in Terre d’Ange and deals with a remarkable courtesan who saves her nation, the adventures of her adopted son, and ultimately, the trials of Moirin, a descendant of the legendary ruling house, to Lionsgate, with Dan Hadl producing, by Jane Dystel at Dystel, Goderich & Bourret.
K.D. Edwards‘s THE LAST SUN, a queer tarot-inspired fantasy, to Escape Artists, by Kim Yau at Paradigm, on behalf of Sara Megibow at kt literary.
Tom Ryan‘s KEEP THIS TO YOURSELF, in which a group of lifelong friends is shattered when a serial killer strikes their small town and claims one of their own; one year later, unable to let go, a teen finds himself investigating new clues, and begins to wonder if he can trust anything, including his feelings for his best friend, the boy who died, optioned by Robert Munic of Pull the Pin Productions and Cheryl Bayer of Living Popups, with Munic and Baker producing, by Kim Yau at Paradigm, on behalf of Eric Smith of P.S. Literary Agency.
Adiba Jaigirdar‘s THE HENNA WARS, to Emily Parliman at Listening Library, by Brent Taylor at Triada US, on behalf of Uwe Stender.
Wanna get amped for another Halloween-perfect read? Then you are definitely gonna wanna keep Wranglestone by Darren Charlton on your radar! This debut gay zombie UK YA releases from Stripes on February 6, 2020, and we’ve got a gorgeous cover and an excerpt for you! But first, here’s a little more info on the book:
In a post-apocalyptic America, a community survives in a national park, surrounded by water that keeps the Dead at bay. But when winter comes, there’s nothing to stop them from crossing the ice.
Then homebody Peter puts the camp in danger by naively allowing a stranger to come ashore and he’s forced to leave the community of Wranglestone. Now he must help rancher Cooper, the boy he’s always watched from afar, herd the Dead from their shores before the lake freezes over. But as love blossoms, a dark discovery reveals the sanctuary’s secret past. One that forces the pair to question everything they’ve ever known.
Zombie lore meets a gay coming of age tale that defies genre expectations at every turn. An action-packed and thought-provoking debut, for fans of Patrick Ness, Marcus Sedgwick, Dread Nation and The Walking Dead.
And here’s the utterly chilling cover, designed by Pip Johnson with art by Jana Heidersdorf!
On approaching the cover design, Pip said: “I wanted to work on Darren’s cover as soon as I heard about Wranglestone – such an intriguing story, in such an epic setting… Working with Jana to create a cover that conveys the sense of place, atmosphere and heart as well as the troubling undertones of the story, has been a thrilling challenge. I can’t wait to hold it in my hands!”
When it came to capturing the feel of the novel in her artwork, Jana said: “The best part about my job is getting to read the books I have the privilege to illustrate covers for. Unfortunately, some manuscripts set the bar very high for me. How can I create an artwork equally as intriguing, as atmospheric? In the end, I believe we have found a way to do Darren’s story justice, if only enough to lure people into experiencing the world of Wranglestone themselves.”
Darren set out to achieve certain things with his story. Here’s how he approached the novel in his own words: “Wranglestone is a love story between two boys set in the American wilderness fifteen years after a zombie apocalypse.
When I was growing up in the 80’s, the only way I stood a chance of seeing myself (or future self) reflected in books and film, was in the troubled adult worlds of Joe Orton and Edmund White, when all I needed was for Tom Sawyer to fall in love with Huck or Luke Skywalker to swing across that chasm with Han.
For my debut I wanted to give LGBTQ+ teens not an issue based or coming out story, but their very own adventure and for other readers, a coming of age thriller and mystery that just happens to have a gay relationship at its heart.
So, Brokeback Mountain meets Walking Dead,for teens! I hope you enjoy!”
And speaking of enjoying, here’s an excerpt for your reading pleasure!
Peter was born into a world of unwelcome visitors. And winter on Lake Wranglestone sure as hell was one of them. Just when the bears had started to leave for higher ground, those damned dark clouds came down off the mountains, carrying something far worse inside.
Peter drove his axe into the woodpile and looked out across the water. The lake, tucked in between the Great Glaciers to the north and the Shark Tooth mountains of the south, was among the most remote of all the refuges built for the nation’s National Park Escape Program. A dozen little islands, all peaked with pine, dotted the deep blue eye of the forest.
His island, Skipping Mouse on account of it being the smallest, was down one end. Eagle’s Rest, where Cooper lived, was all the way up at the top. On a clear day, you could watch him skimming stones in nothing but his undershorts, but not this morning. Fingers of icy cloud hung so low over the water that the islands disappeared inside them. Peter steadied himself on the grip of the axe. The lake took on a special eerie feel now that the year was dying, and the air was thick with log smoke and bull elks grunting. But there was something else.
A loon bird wailed like a wolf in the night.
A canoe broke through the mist.
A moment later, it came.
“No,” Peter whispered. “Not yet. Please go away. I’ll be real good, I promise.”
A single snowflake bobbed over Peter’s head and settled on the blade of the axe. He chewed the skin around his fingernail and the snowflake dissolved to nothing. But it wasn’t nothing. It just wasn’t. Soon more snow would be on its way. More than just the snow too. Soon they would come.
Peter swung round, furiously scanning the shoreline. Over on the mainland, yellow leaves shimmered down from silver branches like sunlight on water. The lake clapped the rocky shore. He sighed. At least there was no sign of the ice forming yet. Their clawing hands couldn’t get to the islands for now. But the big freeze was coming and it was coming fast, and no one was going to dig out their box of sleigh bells and Christmas stockings for First Fall. Not any more. Not ever.
Peter turned back. Above him, candlelight twinkled from inside the island’s piney chamber. They were safe in their little timber tree house. The six wooden stilts that held it up there in among the pine cones and black squirrels were built to withstand a heavy knock, even a herd. That’s what his dad had always promised him anyways. Not that it made much difference. Nothing stopped those stilts from looking as flimsy as matchsticks at this time of year. But then winter was the one season every Lake Lander feared. Not because Montana was about to get colder than a bald eagle’s gaze, but because the Dead could make it across the lake’s frozen waters.
Darren Charlton lives in London with his partner and works in the voluntary sector for a homeless organisation. His lifetime obsessions with the National Parks of America, horror, film music and 80s kids movies have all worked their way into his writing.
I am delighted to welcome Caleb Roehrig back to the site today for an exclusive cover reveal of his upcoming paranormal romance The Fell of Dark, releasing July 14, 2020 from Feiwel & Friends/Macmillan and helping usher vampires back into YA!
Caleb himself had some words to say on that, so before we get to the cover you’re all here to see, let’s give the book some context, shall we?
(Okay, fine, I’ll tease it a little first. Happy now?)
But now, for real, is Caleb Roehrig:
Ten years ago, I read an interview with a literary agent that said: “Unless your manuscript has vampires, werewolves, or shapeshifters, you can’t get published in YA.” This was actually okay with me. I was part of the original cult following for Buffy the Vampire Slayer, and I longed to craft stories that had the same blend of thrills, humor, and emotional impact.
I wrote a novel about a girl, bitten and left for dead, who gradually develops abilities and cravings she doesn’t understand. She had a gay best friend that didn’t do much—because it was implicitly understood that gays had to be polite and peripheral if they wished to take up space—and she was caught between the attentions of two gorgeous vampire boys. I intended it as the first in a series of five novels…but, of course, it was never published. By the time I realized vampires were a popular trend, it was already far too late to jump on the bandwagon—a lesson I learned the hard way. But I’d sketched the entire series out, including some dramatic twists I could never quite get out of my head, and privately I hoped that someday I’d get the chance to raise my vampires from their untimely graves.
The Fell of Dark is a book that took a decade to see the light of day. I altered most of the plot and all of the players, the main character changing from a straight girl to a gay boy—because that was the story I had really wanted to tell all along—and I condensed my planned five-part series into a single novel that is stacked to the rafters with thrills, humor, action, pathos, magic, mayhem, and make-outs. This cover by Rich Deas evokes the pulp horror underpinnings of the gritty side of my vampire tale, where the stakes are nothing less than the end of the actual world—while still also managing to convey the cheeky humor and apocalyptic frustrations of a gay teen’s first attempt at romance. It’s perfect, and I can’t wait for readers to dive in.
The only thing August Pfeiffer hates more than algebra is living in a vampire town.
Located at a nexus of mystical energy fields, Fulton Heights is practically an electromagnet for supernatural drama. And when a mysterious (and annoyingly hot) vampire boy arrives with a cryptic warning, Auggie suddenly finds himself at the center of it.
An ancient and terrible power is returning to the earthly realm, and somehow Auggie seems to be the only one who can stop it.
You may have already heard me hype Candice Montgomery a million times, but honestly, it’ll never be enough. Their voice in YA is like nothing else out there, and if you haven’t yet read their work, I hope this’ll convince you to dive in! (If not, just read the acknowledgements of By Any Means Necessary, which just released on October 8 and is basically a master class in voice all on its own.) Especially if you’ve been looking for more queer and/or nonbinary Black voices and/or Muslim voices, have I got some wonderful news for you. So please welcome the utterly fabulous Candice Montgomery!
New book! New book! It’s well documented that I’m obsessed with Torrey and By Any Means Necessary, but could you please share a little about your sophomore novel and how it came to be for those who didn’t get an early read?
HAAA! It is absolutely well documented that you run my literary (and personal) life better than I do.
So, By Any Means Necessary is a story about a newly minted college freshman. He’s hyped and ready to take on his new town up in San Francisco, and nervousness—though present!—takes a backseat. That is, until he gets news that the apiary he owns back home, by way of his late uncle, is being seized.
So he’s torn between taking on this new thing that’s only about Torrey himself (and also maybe a little about a certain dancer boy named Gabriel) and going home to a place that’s chewed him up raw, all to save his uncle’s legacy.
The idea for BAMN came to me when a friend and I were on the phone talking about gentrification and how it was affecting us directly, as individuals. And then, common to our conversational flow, we segued into talking about weird hobbies for main characters. She talked about her characters operating a vineyard and I suddenly had the idea for a character to run a bee farm where his struggle (getting stung constantly) and his desire to be free (flying away from the hive he knows) would mirror his hobby. In Torrey’s case, his passion.
Queerness (and specifically queer characters of color) also feature in your debut Home and Away, which has a kickass female football-playing protag and a wonderful male love interest who happens to be bi. What would you say draws Tasia and Kai together, and in your mind, where are they now?
I think Taze and Kai are opposite sides of the same very big coin. And that’s what works for them. Kai brings out Tasia’s looser side and she not only lets Kai just be who he is, but she actively enjoys it. It’s basically just two teens who don’t feel they fit in finding out that they actually DO. With each other.
In my mind, Taze and Kai are still very much together but also attending separate colleges about an hour from one another. Taze is playing ball for Cal and studying Pan African Studies and Kai is over at the San Francisco Art Institute taking the art world by storm. And making Taze laugh while he does it.
For readers looking for even more of your published work, you’ve got a fabulous story in Habibi, the all-Muslim anthology edited by Hadeel Al-Massari and Nyala Ali, starring a Muslim girl who’s managing both depression and her feelings for her best friend, a trans guy named Aaron. What made this the story you wanted to tell in this collection in particular?
Oof! Thank you! I love that story and that anthology so much. Don’t forget about that one by the way. It’s got big plans for the future.
But my story in Habibi is called “Love God Herself.” And it’s a story I wanted to tell because a muslimah (now) friend of mine tweeted on a trending about wanting to see hijabis who are questioning their faith, who are bucking back against traditional Islamic partnerships, who are depressed and not instantly healed, all—MASHALLAH!!!
I reached out to her. Asked her if she’d write it. And then she turned around and asked ME if I would.
And speaking of anthologies, we’ll get even more Cam goodness in 2020 when you feature in the upcoming all-queer anthology Out Now: Queer We Go Again!, the contemporary followup to All Out, once again edited by Saundra Mitchell. What can you tell us about your story for that collection?
My story for Out Now was honestly one of the most difficult things I’ve ever written. I’m so in love with it. I struggled for months with it and then one night it all just poured out of me, start to finish. I didn’t even read it through before I sent it off to Saundra; I was already so past deadline. Twice. And from there, I didn’t get asked to make any structural changes to the story, either. Just a few grammatical things. It’s a raw story and probably the best thing I’ll ever write. It’s about a skateboarding enby who has a crush on a girl whom they think will NEVER notice them. Maybe she will, maybe she won’t. But the main character will take you all the way through it.
Cam Anthology Goodness of 2020 Part II has you breaking into MG in Once Upon an Eid! What was it like to write for a younger audience, and is it something you could see yourself doing in longer form?
First—CAM ANTHOLOGY GOODNESS OF 2020! YESSSS. ONCE has been such a fun process. It was just happy-making anytime I worked on it. This was my first time writing ANYTHING MG. And immediately after my story was submitted, I started drafting an MG novel of my own. It’s on hold for a moment, but I’m 12K words deep and still sooo excited about it.
You’re such a great advocate for more midlist authors and especially for other queer/trans Black authors, and QTAoC in general. What books and authors would you love to see get more attention, and what queer books have meant a lot to you as a both an author and a reader?
Oooh! I love this question. There are a few key QTAoC that I’d undoubtedly return to religiously, one of whom being Rivers Solomon (they), author of An Unkindness of Ghosts. It is the queer Afro-futurist fic of my marshmallow heart. And I wish I’d written it myself. Also entirely jealous of this human’s 12-ton talent: Freshwater by Akwaeke Emezi (they). I should say that these are some pretty heavy novels, though. But I think anybody who reads them will be made better for them. My heart needed ’em.
And if we’re talking books that formed me as both an author and a reader—it’s not fiction, it’s a memoir. But my favorite book in the world, the reason I was able to tell my family I’m queer, the path through which I found my label as a Pansexual person—it’s Paul Monette’s Borrowed Time: An AIDS Memoir. Yes, it’s a memoir. Yes, it’s horrifically heartbreaking. Yes, it ends in a way that will ruin your entire week (lololo). But also… it’s romantic in ways I’ve never seen expressed on the page before.
What’s your first memory of LGBTQIAP+ representation in the media, for better or for worse?
Glee. It was, unfortunately, when Glee introduced Kurt and… the kid with the chin and the hair? Blaine? My mom and my little sister and I would watch it together every week and I remember sitting in strained, awkward silence with them, while such an explicit and open GAY display moved across the television. We never talked about it. I just wanted it to be over, not for my discomfort, but for theirs. My mom and sister’s. I wanted to tone down my relationship to queerness in order to make others more comfortable.
And as far as I knew, out of the 3 of us, I was the only one who connected to it. (spoiler: my little sister is out and openly panromantic polyamorous).
As someone contributing to a couple of great collections next year, what would be a dream project for you specifically to helm?
I absolutely have an answer to this… but that’s all I can say for now. Stay tuned! 😉
What can you share about what you’re working on right now?
Right now, I’m pulling my own teeth out trying to draft a new YA romance about two Black teens who explore their ancestry through Hoodoo and Voodoo. It’s difficult. And it’s unlike anything I’ve written before.
Candice “Cam” Montgomery is an LA transplant now living in the woods of Seattle, where they write Young Adult novels. Their debut novel, featured on the 2018 Kirkus Best list, HOME AND AWAY can be found online and in stores now, and their sophomore novel, BY ANY MEANS NECESSARY was released earlier this October. By day, Cam writes about Black teens across all their intersections. By night, they bartend at a tiny place nestled inside one of Washington’s greenest trees. They’re an avid Studio Ghibli fan and will make you watch at least one episode of Sailor Moon and listen to one Beyoncé record before they’ll call you “friend.”
I mean, that headline is probably already the best thing I’ll read today, but once you read that, how can you not go on to read about F.T. Lukens’s delightful research exploits when writing their The Rules series, including the recently released Monster of the Week, which just came out from Duet Books on October 15? Obviously, you must read more, so first, check out the book, and let’s just keep weirding out from there!
Spring semester of Bridger Whitt’s senior year of high school is looking great. He has the perfect boyfriend, a stellar best friend, and an acceptance letter to college. He also has this incredible job as an assistant to Pavel Chudinov, an intermediary tasked with helping cryptids navigate the modern world. His days are filled with kisses, laughs, pixies, and the occasional unicorn. Life is awesome. But as graduation draws near, Bridger’s perfect life begins to unravel. Uncertainties about his future surface, his estranged dad shows up out of nowhere, and, perhaps worst of all, a monster-hunting television show arrives in town to investigate the series of strange events from last fall. The show’s intrepid host will not be deterred, and Bridger finds himself trapped in a game of cat and mouse that could very well put the myth world at risk. Again.
And now here’s the guest post from author F.T. Lukens!
Most writers have joked about being on a government watch list due to the things we research when writing a novel. Myself, as well as many of my author friends, have talked, tweeted, and written about what our defense would be when we are carted away. “No, really, officer, I needed to know the best way to hide a body for my novel! I swear!” (To be completely accurate and honest this was not the last thing I googled for my current work in progress. That honor goes to ‘best way to administer a cure in the case of a pandemic resulting in space zombies.’) I’m sure, if you follow any authors on Twitter, you’ve seen a similar sentiment.
When writing The Rules and Regulations for Mediating Myths & Magic and the sequel, Monster of the Week, I had the absolute pleasure of researching the weirdest, hilarious, most grotesque, horrifying, yet quaint aspects of North American folklore ever. I now have the best answer for the inevitable audience question of “What’s the weirdest thing you’ve ever researched for a book?” My answer can be any number of local cryptids and folklore, but for the foreseeable future my favorite is ‘The Lizard Man of Scape Ore Swamp’ solely for the pure joy and lyricism of the name. Well, that, and the story is amazing. Seriously. There’s even a local festival dedicated to the Lizard Man in South Carolina, and that’s a festival I want to visit.
We’ve all heard of Sasquatch, the Loch Ness Monster, The Jersey Devil, and the Mothman (And if you haven’t, how? At least two of these have roller coasters named after them.) Along with a few others, those are the big names in cryptozoology, and take up their fair share of the public consciousness when it comes to weird creatures. But have you heard of the Pope Lick Goat Man? How about the Beast of Bray Road? Or the Fouke County Monster? The Richmond Vampire? The Ozark Howler? No? You’re missing out, my friends.
Peppered across North America are hundreds of local cryptids rooted in the myth and traditions of small towns and big cities from coast to coast. I’ve read all about goat men (shockingly, there’s more than one) who sometimes lure unsuspecting victims onto railroad tracks by song, and other times, chase them with axes. I’ve read about massive animals with glowing red eyes and dark, shaggy fur, that run as fast as cars on all fours, have the curled horns of a ram on their heads, and bugle like elks but look like bears. I’ve read about ghost lights (a ton of places have a local floating light. Check yours out today!), vampires in big cities, werewolves in Wisconsin, giant salamanders in California, blood-sucking big cats in North Carolina, even lake monsters in New York. I’ve jumped at sounds when walking my dog after reading a few of the more sinister accounts of terrifying things that bump in the night. I’ve laughed with my brother about some of the random creatures who lurk on lonely roads and haunt deserted seashores. (We have our own cryptid story about giant migrating crabs on Ocracoke Island. It’s hilarious, and well worth the fifteen minutes it takes us to recount it between laughs.) The point, and there is one, is that the more I researched, the more I realized that cryptids are everywhere.
While Wikipedia is a resource my middle-schooler is not allowed to cite in a research paper, it’s a great starting place for your very own cryptid research adventure. In a mere few hours, you too can fall down a rabbit hole of clicks, and find yourself using the way back machine to read a geocities page that has a first-hand account of how someone’s cousin’s best friend’s aunt’s son happened to overhear a story when having lunch at the little diner down on third (you know the one with the chicken wings to die for), about a creature that stood on its furred hind legs, had the chest of a man but the head of a dog, and howled. After, you can watch a video on YouTube of shaky cam footage, or a video on the top ten weird things in your neighborhood.
Call me quirky, and some people do, but I love a good cryptid story, especially ones that spawn festivals. Here in western North Carolina, there’s an annual Bigfoot festival, complete with a 5k called—wait for it—The Bigfoot Chase. I’m in love. The thought makes me want to find out what other races are out there based on cryptids. Is there Ogopogo swim? A skunk ape triathlon?
Whether you’re a believer or a skeptic, there’s a lot of weird and wonderful out there to explore, either in the relative safety of your own home via your computer or one of many monster hunting TV shows on various streaming platforms. You may even venture into your own community. If you do and you happen to come across something strange, please stay safe, take video footage and immediately upload it to the cloud in case you drop your phone during your hasty escape, and in the case of giant migrating crabs, try not to hit them with your car.
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F.T. Lukens is an award-winning author of young adult fiction who holds degrees in Psychology and English Literature. A cryptid enthusiast, F.T. loves folklore and myths, specifically the weird and wonderful creatures of North America. She also enjoys sci-fi and fantasy television shows, superhero movies, and writing. F.T. lives in the mountains of North Carolina, a perfect area for sasquatch sightings, with her husband, three kids, and three cats.
Her novel, The Rules and Regulations for Mediating Myths & Magic, won several awards, including the 2017 Foreword INDIES Gold Award for Young Adult Fiction and the 2017 IPBA Benjamin Franklin Gold Award for Best Teen Fiction.
Don’t you love the smell of new cover reveals? Today brings to us Fragile Remedy by Maria Ingrande Mora, a YA sci-fi dystopian novel that centers around 16-year-old Nate, a GEM (genetically engineered medical surrogate) who must choose to save himself or the life of the boy he loves. Fragile Remedy releases from Flux on June 16, 2020, and here’s the story:
Sixteen-year-old Nate is a GEM—a Genetically Engineered Medical Surrogate—created by Gathos City scientists as a cure for the elite from the fatal lung rot ravaging the population. As a child, Nate was smuggled out of the laboratory where he was held captive and into the Withers—a quarantined, lawless region. He manages to survive by becoming a Tinker, fixing broken tech in exchange for food or a safe place to sleep. When he meets Reed, a kind and fiercely protective boy that makes his heart race, and his misfit gang of scavengers, Nate finds the family he’s always longed for—even if he can’t risk telling them what he is.
But Gathos created a genetic failsafe in their GEMs—a flaw in their DNA that causes their health to rapidly deteriorate as they age unless they are regularly dosed with medication controlled by Gathos City. When violence erupts across the Withers, Nate’s illegal supply of medicine is cut off, and a vicious attack on Reed threatens to expose his secret. With time running out, Nate is left with only two options: work for a shadowy terrorist organization that has the means to keep him alive, or stay—and die—with the boy he loves.
And here’s the striking cover, designed by Jake Nordby!
Happy Asexual Awareness Week! As the week celebrates asexual, demisexual, gray-asexual, aromantic, and demiromantic identities, so does this post! Details are provided where known and not made explicit in the blurb.
Please note that this post only includes titles not included in last year’s Asexual Awareness Week post, so for even more a-spec goodness, check over there! (And, as always, check out Claudie Arseneault’s amazing Aro Ace Database!)
Abigail is content with her quiet life as a librarian. But when she’s invited to a high-profile charity auction, she finds herself dancing with one of the most beautiful women she’s ever met. Abby’s sure she’ll never see her again, but then Gabrielle calls and asks her on a date. And soon after, another.
Supermodel Gabrielle Levesque has a reputation as the Ice Queen—cold and untouchable—except she warms up whenever she’s with Abby. Only Abby isn’t interested in the heat between them; she’s asexual, and she’s worried that admitting as much to Gabrielle might spell the end of their blooming romance.
They’re two different women from two very different worlds, but Abby knows she can love Gabrielle. Her passion for books, travel, and theater prove there’s more to the Ice Queen than meets the eye. But they’ll have to overcome Abby’s fears—and Gabrielle’s own threatening secrets—in order to find their way to love.
For Nari, aka Narioka Diane, aka hacker digital alter ego “d0l0s,” it’s college and then a career at “one of the big ones,” like Google or Apple. Keagan, her sweet, sensitive boyfriend, is happy to follow her wherever she may lead. Reese is an ace/aro visual artist with plans to travel the world. Santiago is off to Stanford on a diving scholarship, with very real Olympic hopes. And Bellamy? Physics genius Bellamy is admitted to MIT—but the student loan she’d been counting on is denied when it turns out her estranged father—one Robert Foster—is loaded.
Nari isn’t about to let her friend’s dreams be squashed by a deadbeat billionaire, so she hatches a plan to steal just enough from Foster to allow Bellamy to achieve her goals.
Clara Gutierrez is a highly-skilled technician specializing in the popular ‘Raise’ AI companions. Her childhood in a migrant worker family has left her uncomfortable with lingering in any one place, so she sticks around just long enough to replenish her funds before she moves on, her only constant companion Joanie, a fierce, energetic Raise hummingbird.
Sal is a fully autonomous robot, the creation of which was declared illegal ages earlier due to ethical concerns. She is older than the law, however, at best out of place in society and at worst hated. Her old master is long dead, but she continues to run the tea shop her master had owned, lost in memories of the past, slowly breaking down, and aiming to fulfill her master’s dream for the shop.
When Clara stops by Sal’s shop for lunch, she doesn’t expect to find a real robot there, let alone one who might need her help. But as they begin to spend time together and learn more about each other, they both start to wrestle with the concept of moving on…
Clover Martinez has always been a survivor, which is the only reason she isn’t among the dead when aliens invade and destroy Earth as she knows it.
When Clover hears an inexplicable radio message, she’s shocked to learn there are other survivors—and that they’re all at the former Area 51. When she arrives, she’s greeted by a band of misfits who call themselves The Last Teenagers on Earth.
Only they aren’t the ragtag group of heroes Clover was expecting. The group seems more interested in hiding than fighting back, and Clover starts to wonder if she was better off alone. But then she finds a hidden spaceship, and she doesn’t know what to believe…or who to trust.
Or so Amastan has been taught. As a new assassin in the Basbowen family, he’s already having second thoughts about taking a life. A scarcity of contracts ends up being just what he needs.
Until, unexpectedly, Amastan finds the body of a very important drum chief. Until, impossibly, Basbowen’s finest start showing up dead, with their murderous jaan running wild in the dusty streets of Ghadid. Until, inevitably, Amastan is ordered to solve these murders, before the family gets blamed.
Every life has its price, but when the tables are turned, Amastan must find this perfect assassin or be their next target.
In this queer polyamorous m/f romance novella, two metamours realize they have crushes on each other while planning their shared partner’s birthday party together.
Ernest, a Jewish autistic demiromantic queer fat trans man submissive, and Nora, a Jewish disabled queer fat femme cis woman switch, have to contend with an age gap, a desire not to mess up their lovely polyamorous dynamic as metamours, the fact that Ernest has never been attracted to a cis person before, and the reality that they are romantically attracted to each other, all while planning their dominant’s birthday party and trying to do a really good job.
The spellbinding tale of six queer witches forging their own paths, shrouded in the mist, magic, and secrets of the ancient California redwoods.
Danny didn’t know what she was looking for when she and her mother spread out a map of the United States and Danny put her finger down on Tempest, California. What she finds are the Grays: a group of friends who throw around terms like queer and witch like they’re ordinary and everyday, though they feel like an earthquake to Danny. But Danny didn’t just find the Grays. They cast a spell that calls her halfway across the country, because she has something they need: she can bring back Imogen, the most powerful of the Grays, missing since the summer night she wandered into the woods alone. But before Danny can find Imogen, she finds a dead boy with a redwood branch through his heart. Something is very wrong amid the trees and fog of the Lost Coast, and whatever it is, it can kill.
Lush, eerie, and imaginative, Amy Rose Capetta’s tale overflows with the perils and power of discovery — and what it means to find your home, yourself, and your way forward.
The white picket fence.
That life was never meant for him.
For years he’s been bouncing from city to city—from one cage fight to another.
That’s his outlet. That’s pain Erik can control.
But in Seattle, everything changed.
River’s an artist.
He’s a pretty boy.
He does yoga.
Someone so soft shouldn’t be intrigued by Erik’s rough edges.
His life was quiet. He had a simple routine.
Designing tattoos, avoiding drama. Well, mostly.
Then Erik comes along—scarred and dangerous, shrouded in mystery.
A mystery River can’t resist trying to solve.
Maybe a secret as dark as his own.
Neither of them expected a relationship so complicated, so intense.
Neither of them expected…each other.
Erik and River are both trying to escape a shadowed past.
But the thing about shadows is: the faster you run, the faster they chase you.
Emma Robledo has a few more responsibilities that the usual high school senior, but then again, she and her friends have left school to lead a fractured Resistance movement against a corrupt Heroes League of Heroes. Emma is the only member of a supercharged team without powers, and she isn’t always taken seriously. A natural leader, Emma is determined to win this battle, and when that’s done, get back to school. As the Resistance moves to challenge the League, Emma realizes where her place is in this fight: at the front.
The city of Parole is burning. Like Venice slips into the sea, Parole crumbles into fire.
The entire population inside has been quarantined, cut off from the rest of the world, and left to die – directly over the open flame. Eye in the Sky, a deadly and merciless police force ensures no one escapes. Ever. All that’s keeping Parole alive is faith in the midst of horrors and death, trust in the face of desperation… and their fantastic, terrifying, and beautiful superhuman abilities.
Regan, silent, scaly stealth expert, is haunted by ten years of anxiety, trauma and terror, and he’s finally reached his limit. His ability to disappear into thin air isn’t enough: he needs an escape, and he’ll do anything for a chance. Unluckily for him, Hans, a ghostly boy with a chilling smile, knows just the thing to get one. It starts with a little murder.
But instead of ending a man’s life, Regan starts a new one of his own. He turns away from that twisted path, and runs into Evelyn, fearless force on stage and sonic-superheroic revolutionary on the streets. Now Regan has a choice – and a chance to not only escape from Parole, but unravel the mystery deep in its burning heart. And most of all, discover the truth about their own entwining pasts.
Parole’s a rough place to live. But they’re not dead yet. If they can survive the imminent cataclysmic disaster, they might just stay that way…
When a guy named Martin Nathaniel Munroe II texts you, it should be obvious who you’re talking to. Except there’s two of them (it’s a long story), and Haley thinks she’s talking to the one she doesn’t hate.
A question about a class project rapidly evolves into an all-consuming conversation. Haley finds that Martin is actually willing to listen to her weird facts and unusual obsessions, and Martin feels like Haley is the first person to really see who he is. Haley and Martin might be too awkward to hang out in real life, but over text, they’re becoming addicted to each other.
There’s just one problem: Haley doesn’t know who Martin is. And Martin doesn’t know that Haley doesn’t know. But they better figure it out fast before their meet-cute becomes an epic meet-disaster . . .
Damian Nettoyer is the Empire’s go-to gun. He kills whoever they want him to kill. In exchange, he and his rag-tag gang of crooks get to live, and Damian’s psychokinetic partner and lover, Aris, isn’t issued a one-way ticket to an Empire-sanctioned lobotomy.
Then Damian’s latest mark, a suave revolutionary named Raeyn, kicks his ass and demands his help. The first item on the new agenda: take out Damian’s old boss—or Raeyn will take out Damian’s crew.
To protect his friends and save his own skin, Damian teams up with Raeyn to make his revolution work. As the revolution gains traction, Damian gets way too close to Raeyn, torn between the need to shoot him one moment and kiss him the next. But Aris slips further away from Damian, and as Aris’ control over his powers crumbles, the Watch catches on.
With the Empire, Damian had two policies: shoot first and don’t ask questions. But to save the guy he loves, he’ll set the world on fire.
In a world where magic thrives in secret city corners, a group of magicians embark on a road trip—and it’s the “no-love-interest”, found family adventure you’ve been searching for.
Sixteen-year-old Blythe is one of seven Guardians: magicians powerful enough to cause worldwide panic with a snap of their fingers. But Blythe spends her days pouring latte art at her family’s coffee shop, so why should she care about having apocalyptic abilities?
She’s given a reason when magician anarchists crash into said coffee shop and kidnap her family.
Heartbroken but determined, Blythe knows she can’t save them alone. A war is brewing between two magician governments and tensions are too high. So, she packs up her family’s bright yellow Volkswagen, puts on a playlist, and embarks on a road trip across the United States to enlist the help of six strangers whose abilities are unparalleled—the other Guardians.
This is the sequel to Black Wings Beating. Kylee is aroace.
In this thrilling sequel to Black Wings Beating, twins Kylee and Brysen are separated by the expanse of Uztar, but are preparing for the same war – or so they think.
Kylee is ensconsed in the Sky Castle, training with Mem Uku to master the Hollow Tongue and the Ghost Eagle. But political intrigue abounds and court drama seems to seep through the castle’s stones like blood from a broken feather. Meanwhile, Brysen is still in the Six Villages, preparing for an attack by the Kartami. The Villages have become Uztar’s first line of defense, and refugees are flooding in from the plains. But their arrival lays bare the villagers darkest instincts. As Brysen navigates the growing turmoil, he must also grapple with a newfound gift, a burgeoning crush on a mysterious boy, and a shocking betrayal.
The two will meet again on the battlefield, fighting the same war from different sides―or so they think. The Ghost Eagle has its own plans.
When Zora Novak is framed for a crime she didn’t commit, she must track down the true culprit and clear her name before it’s too late. But in a small town obsessed with ghosts, getting people to believe the truth might prove to be impossible. Fans of Riverdale and Maureen Johnson’s Truly Devious will devour this eerie murder mystery. Features spot art and a map by the author.
Zora Novak has been framed.
When someone burns down the home of the school janitor and he dies in the blaze, everyone in Addamsville, Indiana, points a finger at Zora. Never mind that Zora has been on the straight and narrow since her father was thrown in jail. With everyone looking for evidence against her, her only choice is to uncover the identity of the real killer. There’s one big problem—Zora has no leads. No one does. Addamsville has a history of tragedy, and thirty years ago a similar string of fires left several townspeople dead. The arsonist was never caught.
Now, Zora must team up with her cousin Artemis—an annoying self-proclaimed Addamsville historian—to clear her name. But with a popular ghost-hunting television show riling up the townspeople, almost no support from her family and friends, and rumors spinning out of control, things aren’t looking good. Zora will have to read between the lines of Addamsville’s ghost stories before she becomes one herself.
Hazel knows a lot about the world. That’s because when she’s not hanging with her best friend, taking care of her dog, or helping care for the goats on her family’s farm, she loves reading through dusty encyclopedias.
But even Hazel doesn’t have answers for the questions awaiting her as she enters eighth grade. What if no one at her new school gets her, and she doesn’t make any friends? What’s going to happen to one of her moms, who’s pregnant again after having two miscarriages? Why does everything have to change when life was already perfectly fine?
As Hazel struggles to cope, she’ll come to realize that sometimes you have to look within yourself—instead of the pages of a book—to find the answer to life’s most important questions.
Kamai was warned never to open the black door, but she didn’t listen …
Everyone has a soul. Some are beautiful gardens, others are frightening dungeons. Soulwalkers―like Kamai and her mother―can journey into other people’s souls while they sleep.
But no matter where Kamai visits, she sees the black door. It follows her into every soul, and her mother has told her to never, ever open it.
When Kamai touches the door, it is warm and beating, like it has a pulse. When she puts her ear to it, she hears her own name whispered from the other side. And when tragedy strikes, Kamai does the unthinkable: she opens the door.
A.M. Strickland’s imaginative dark fantasy features court intrigue and romance, a main character coming to terms with her asexuality, and twists and turns as a seductive mystery unfolds that endangers not just Kamai’s own soul, but the entire kingdom …
When Amaya rescues a mysterious stranger from drowning, she fears her rash actions have earned her a longer sentence on the debtor ship where she’s been held captive for years. Instead, the man she saved offers her unimaginable riches and a new identity, setting Amaya on a perilous course through the coastal city-state of Moray, where old-world opulence and desperate gamblers collide. Amaya wants one thing: revenge against the man who ruined her family and stole the life she once had. But the more entangled she becomes in this game of deception—and as her path intertwines with the son of the man she’s plotting to bring down—the more she uncovers about the truth of her past. And the more she realizes she must trust no one…
Emilie des Marais is more at home holding scalpels than embroidery needles and is desperate to escape her noble roots to serve her country as a physician. But society dictates a noble lady cannot perform such gruesome work.
Annette Boucher, overlooked and overworked by her family, wants more from life than her humble beginnings and is desperate to be trained in magic. So when a strange noble girl offers Annette the chance of a lifetime, she accepts.
Emilie and Annette swap lives—Annette attends finishing school as a noble lady to be trained in the ways of divination, while Emilie enrolls to be a physician’s assistant, using her natural magical talent to save lives.
But when their nation instigates a frivolous war, Emilie and Annette must work together to help the rebellion end a war that is based on lies.
Georgia feels loveless – in the romantic sense, anyway. She’s eighteen, never been in a relationship, or even had a crush on a single person in her whole life. She thinks she’s an anomaly, people call her weird, and she feels a little broken. But she still adores romance – weddings, fan fiction, and happily ever afters. She knows she’ll find her person one day … right?
After a disastrous summer, Georgia is now at university, hundreds of miles from home. She is more determined than ever to find love – and her annoying roommate, Rooney, is a bit of a love expert, so perhaps she can help.
But maybe Georgia just doesn’t feel that way about guys. Or girls. Or anyone at all. Maybe that’s okay. Maybe she can find happiness without falling in love. And maybe Rooney is a little more loveless than she first appears.
Rick’s never questioned much. He’s gone along with his best friend Jeff even when Jeff’s acted like a bully and a jerk. He’s let his father joke with him about which hot girls he might want to date even though that kind of talk always makes him uncomfortable. And he hasn’t given his own identity much thought, because everyone else around him seemed to have figured it out.
But now Rick’s gotten to middle school, and new doors are opening. One of them leads to the school’s Rainbow Spectrum club, where kids of many genders and identities congregate, including Melissa, the girl who sits in front of Rick in class and seems to have her life together. Rick wants his own life to be that … understood. Even if it means breaking some old friendships and making some new ones.