Category Archives: Backlist Book of the Month

Backlist Book of the Month: A Safe Girl to Love by Casey Plett

This month’s backlist book of the month is A Safe Girl to Love by Casey Plett, a collection of short stories, each featuring at least one trans woman. Here are three reason to get this one on your shelf ASAP:

  1. The writing. I mean, it’s a straight-up good book with well-written stories, and if you dig short-story collections, this is a great one to pick up. It’s raw and honest and gives voice to far too many women who still don’t get one in literature.
  2. The diversity of representation. There’s some nice variety of trans experiences here—single and partnered and polyamorous and monogamous and straight and queer and vanilla and kinky and fat and easily read and not easily read.
  3. It’s not “trans lit for cis people.” Which, ya know, fellow cis people, I think we can cop to very largely writing when it’s us behind the wheel. I’m all for writing outside of your lane but this is a perfect example of #ownvoices at its finest, and why it matters.

Eleven unique short stories that stretch from a rural Canadian Mennonite town to a hipster gay bar in Brooklyn, featuring young trans women stumbling through loss, sex, harassment, and love.

These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.

Buy it: B&N * Amazon * IndieBound

Backlist Book of the Month: The Five Stages of Andrew Brawley by Shaun David Hutchinson

This month’s Backlist Book of the Month is The Five Stages of Andrew Brawley, a gay YA hybrid novel by Shaun David Hutchinson, whose work also includes the hiiiighly acclaimed gay YA We Are the Ants. Here are three reasons this one’s a Must Read:

  1. FEEEEEEELINGS. You like feeling things, don’t you? Sadness and pain and sympathy or maybe empathy but also friendship feelings and caring and that spark of discovering someone new? I’m not gonna pretend this book won’t crush you, but…come on. Isn’t that what books are for, really?
  2. The art. As I mentioned, this book is a hybrid – the main character is a comic artist, and the actual art in the book was done by illustrator Christine Larsen. The comic panels add so much to the work, not just because they’re beautifully done, and not just because they encompass so many emotions, but because they allow you to get that much further into Andrew’s head and the swirl of emotions that come with it.
  3. The universality. You might not be gay, or have lost your family, or be in the hospital, or have a friend who’s dying, but this isn’t just about those things individually – it’s everything that comes with survivor’s guilt, with your life turning upside-down, with considering a new future when you know it won’t look anything like you thought it would. It’s finding beauty in ugly places and strength through your weakest times. And I’m pretty sure we can all relate to that.

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Andrew Brawley was supposed to die that night. His parents did, and so did his sister, but he survived.

Now he lives in the hospital. He serves food in the cafeteria, he hangs out with the nurses, and he sleeps in a forgotten supply closet. Drew blends in to near invisibility, hiding from his past, his guilt, and those who are trying to find him.

Then one night Rusty is wheeled into the ER, burned on half his body by hateful classmates. His agony calls out to Drew like a beacon, pulling them both together through all their pain and grief. In Rusty, Drew sees hope, happiness, and a future for both of them. A future outside the hospital, and away from their pasts.

But Drew knows that life is never that simple. Death roams the hospital, searching for Drew, and now Rusty. Drew lost his family, but he refuses to lose Rusty, too, so he’s determined to make things right. He’s determined to bargain, and to settle his debts once and for all.

But Death is not easily placated, and Drew’s life will have to get worse before there is any chance for things to get better.

Barnes & Noble * Indiebound * Amazon

Backlist Book of the Month: Not Otherwise Specified by Hannah Moskowitz

Every month, the site will feature an LGTBQIAP+ read that’s over a year old, as part of a “Backlist Book of the Month” feature. I’m excited to kick it off with one of my personal favorites, Not Otherwise Specified by Hannah Moskowitz (Simon Pulse). Three reasons I love this book:

  1. Intersectionality FTW: Etta is a Black, bisexual ballerina in recovery for an eating disorder
  2. So much bi pride. So much. If you’re sick and tired of seeing bi erasure in lit, this book will make you do a serious fist pump of pride. (And yes, it’s nominated for a Bisexual Book Award.)
  3. The voice. Etta’s voice is killer. If you wanna see just how much that can matter for a book, this is definitely one to pick up.

ed201c_fe71b360b1994cf7859f2c2a7d1d853fEtta is tired of dealing with all of the labels and categories that seem so important to everyone else in her small Nebraska hometown.

Everywhere she turns, someone feels she’s too fringe for the fringe. Not gay enough for the Dykes, her ex-clique, thanks to a recent relationship with a boy; not tiny and white enough for ballet, her first passion; and not sick enough to look anorexic (partially thanks to recovery). Etta doesn’t fit anywhere— until she meets Bianca, the straight, white, Christian, and seriously sick girl in Etta’s therapy group. Both girls are auditioning for Brentwood, a prestigious New York theater academy that is so not Nebraska. Bianca seems like Etta’s salvation, but how can Etta be saved by a girl who needs saving herself? 

IndieBound * Amazon * Barnes and Noble * iBooks