I’m asked often for fiction that deals with recovery, and I haven’t had many recs to offer; it’s not rep to take lightly. So when Gideon E. Wood approached me with a guest post about exactly that, tied to the release of his brand-new fantasy, The Stagsblood Prince, I jumped at it, and I hope you love it as much as I do.
Before we get to the post, here’s a little more about The Stagsblood Prince, a gay fantasy epic trilogy opener set in a homophobia-free world:
Cover design by Lance Buckley.
Tel, handsome crown prince of Feigh, has negotiated an end to the war between his country and the strange queendom of Omela. He looks forward to an easy reign of wild parties and wilder men. The deities have other ideas, however, in this gay fantasy novel of transformation, redemption, and love.
When his father dies suddenly, Tel is outmaneuvered by his brother, losing the throne. Tel’s faith prohibits him from raising his sword and spilling blood, so he accepts the humiliation, working to temper his brother’s baser impulses. But the new king’s reign takes a dark turn, and his collaborators begin to round up undesirables, including those with a magic called the stagsblood.
Tel must decide: Flee or fight? Running means abandoning his people to his brother’s evil whims. Standing his ground means the sin of total war. He has no army and only a few allies—and his magical secret.
Caip, his closest friend and protector, brings military experience and blunt advice. Her right hand, Dar, is the picture of loyalty. Tough, battle-scarred Bin doesn’t suffer fools gladly. And Vared, a mysterious singer-turned-diplomat from Omela, speaks the truth to Tel in ways no one else can.
White. American. Cisgender. Male. Gay. Queer, in my more festive moments. Writer. Progressive. Cat dad. Frequent smirker. Fallen vegan. I suppose I could sit here for hours bullet-pointing my identity. With enough thought, I could get incredibly granular about it. It might even be fun. But there’s one aspect of my identity—one bullet point—before which I put all others: I’m a person in addiction recovery. If I want to be a shade more clinical about it (and why not?), I’m a person with substance use disorder in sustained remission. Fancy!
My understanding of how addiction works (booze and powder cocaine, primarily, if you must know) forces me to—mindfully and regularly—own my recovery before any other aspect of my identity. I drank-and-used myself into homelessness and suicidality, so it is quite literally a matter of life and death for me. So, more than I ponder my race and what it means, more than I ponder my nationality and what it means, more than I ponder even my dude-on-dudeness and what it means, I must ponder my addiction and what it means. This approach has served me well over the last (oh, my gods!) decade, so I have no interest in switching it up. I don’t want to drink. I don’t want to use. I don’t want to die.
When you think about our expanding string of letters (LGBTQ+ is not really an acronym, let alone LGBTQQIP2SAA+…don’t get me started), I’d ask you to imagine a superscript lowercase r—for recovering or recovery available—attached to each. We’re here. We’re queer (or whathaveyou). Even within our community, we are not yet used to it. I find this shocking.
If we take a few minutes to consider it, most of us will intuitively understand that substance use disorder runs rampant through our private and public LGBTQ+ spaces. If your own anecdotal evidence fails to convince you (and good on ya for that, really), rest assured: the research has been done. Among others, the Substance Abuse and Mental Health Services Administration (SAMHSA) and the National Institute on Drug Abuse (NIDA) acknowledge significantly higher rates of substance use disorder in the LGBTQ+ population. The reasons for this prevalence are probably self-evident: trauma, rejection, domestic strife, stigma, the risk of assault, and so on. And it’s not only addiction. These factors seem to increase risk for all manner of mental or behavioral health difficulties for us. Sadly, the science has also found serious gaps in treatment and support services for our community.
Most of us already believe representation matters. Again, the evidence is there, both anecdotally and in the research. Visibility improves our physical and mental safety, along with our feelings of wellbeing. Whatever our place in our long string of letters, our stories are not told frequently enough. In recent years, we have seen improvement on that front. We are raising our voices, finally. And some are learning to listen.
But where’s my lowercase r? Where’s the representation of queer addiction and—even more importantly, I’d argue—queer recovery? Both our guts and our sociology tell us we should be seeing those stories more than we do. We should be hearing those voices begin to rise. They are there, if we really search and listen, but they are few and far between. When I do encounter them, they tend to be in memoir or narrative nonfiction, and usually depictions of folks in the thick of it. What about after the thick of it? Especially in fiction. And I’m sorry, but I was a mess for a really long time, then I walked into an Alcoholics Anonymous meeting and all was well does not cut this particular mustard. As we say in recovery circles, we don’t wander into the dark heart of the wilderness for twenty years and then find ourselves safe and comfy at home the moment after we’ve realized we’re lost. It takes time. It takes work. It’s a hike. (Incidentally, I’m sure these stories are out there somewhere, so get in touch! I anxiously await your recs.)
I write fantasy with LGBTQ+ characters. When planning my debut, The Stagsblood Prince, I knew I wanted my main character to represent not just queerness but queerness in motion from active addiction to sustained recovery. Fantasy may not seem like a natural fit for such storytelling, but like all other human foibles and frailties, addiction and recovery are highlighted and brought into crisp relief when placed before a fantastical backdrop of myth and magic.
In fact, the genre may be more suited than most to lift these stories up. I had my own path to putting down substances and my own path to not picking those substances back up for a long while now. There are as many of these roadways as there are people in recovery. My approach may not work for you. We’ve found no silver bullets in the mountain of strategies, but plenty of overlap. Commonalities—shared principles—can be found among the many and varied recovery schools of thought.
Prince Tel of The Stagsblood Prince cannot walk into a Twelve Step meeting or secular support group. Such spaces do not exist in his world. He can’t Zoom with his therapist. There is no Zoom. There are no therapists. He has no psychopharmacology of which to avail himself. Inpatient treatment, outpatient treatment, hospitalization? Nope.
What, then, can Prince Tel do? He can learn to practice the principles of treatment and recovery which keep millions of people (the New York State Office of Alcoholism and Substance Abuse Services says it’s about 23.5 million in the US alone) away from substances here on non-fantasy earth. Tel can tend to his physical, mental, and spiritual health in myriad ways. He can foster habitual gratitude. He can strive for honesty in all matters. He can lessen his burdens by sharing his struggles with others. He can interrogate himself and uncover the flawed thinking at the heart of his troubles. Most importantly, he can learn to ask for help when he needs it. And he’ll need it! He’s got love to find and a world in need of saving.
First and foremost, I hope The Stagsblood Prince entertains. As I see it, that’s my job. In my wilder dreams, though, at least one of you will see yourself represented in Tel and his journey. If you’re finding your use of alcohol or other substances problematic today, maybe you’ll see that recovery is possible. Believe me, the aforementioned asking for help stuff is powerful medicine. (SAMHSA and NIDA are good starting points for resources. My inbox is also always open.) If you’re already on the road, maybe Tel will keep you walking for a while.
We’re here. We’re queer. We are more likely to find ourselves in addiction. We are just as likely as anyone to recover. It’s well past time to get used to it.
***
(c) Daisy Cobb
Gideon E. Wood writes gay fantasy fiction. He has been proudly clean and sober since 2011. Second chances and transformation are at the heart of his work. Gideon lives in New England with his cat but thinks it’s important you know he isn’t a cat person.
Oh, how I love this book. Let me count the ways! A) It’s perfect on the coming-of-age front, B) it has found family in multiple iterations, C) it has a Black lesbian heroine in STEM from a military background that I know anyone who was an overachieving child (and especially those pushed by parents) will identify with, more and more so the closer you get to Grace’s identity, and D) the romance is so. Freaking. Cute. It’s not what you’re picturing when you think “Got married while drunk in Vegas” but it’s such a great take on it that you are not gonna be mad about it!
Honey Girl releases February 23 from Park Row Books, so please make good use of those buy links below to preorder!
With her newly completed PhD in astronomy in hand, twenty-eight-year-old Grace Porter goes on a girls’ trip to Vegas to celebrate. She’s a straight A, work-through-the-summer certified high achiever. She is not the kind of person who goes to Vegas and gets drunkenly married to a woman whose name she doesn’t know…until she does exactly that.
This one moment of departure from her stern ex-military father’s plans for her life has Grace wondering why she doesn’t feel more fulfilled from completing her degree. Staggering under the weight of her father’s expectations, a struggling job market and feelings of burnout, Grace flees her home in Portland for a summer in New York with the wife she barely knows.
In New York, she’s able to ignore all the annoying questions about her future plans and falls hard for her creative and beautiful wife, Yuki Yamamoto. But when reality comes crashing in, Grace must face what she’s been running from all along—the fears that make us human, the family scars that need to heal and the longing for connection, especially when navigating the messiness of adulthood.
Literally nobody on Earth needs me to extol the virtues of Akwaeke Emezi’s writing; pretty sure all their awards and accolades do a fine job at that on their own. But if you somehow haven’t read Pet, their speculative 2019 YA debut starring a Black trans girl who goes hunting for the most insidious kind of monster in a world that’s supposed to be safe from them, I am legally* obligated to make sure you do that, and to remind you that no matter how much increased rep we see in other areas, we’re still not seeing a real increase in transfeminine YA heroines in traditionally published YA novels, and certainly not trans girls of color.
But this isn’t a “read it because the rep is so special” call, even though the rep is so special, and nothing brings on more like increasing the success of what exists; it’s a “read it because it’s one of the only times in my life I’ve ever been completely hooked by a novel on page 1.” Read it because it does something brilliant and special with the gentle way it handles CSA and both sides of the fear and bravery coin. Read it because it’s so damn smart in such a slim profile. Read it because I said so.
Pet is here to hunt a monster. Are you brave enough to look?
There are no monsters anymore, or so the children in Lucille are taught. Jam and her best friend, Redemption, have grown up with the lesson that the city is safe for everyone. But when Jam meets Pet, a creature who some might call monstrous but, in reality, is anything but, she must reconsider what she’s been told. Pet has emerged from one of her mother’s paintings to hunt a true monster–and the shadow of something grim lurks in Redemption’s house. No one has encountered monsters in years, though, and Jam’s quest to protect her best friend and uncover the truth is met with doubt and disbelief.
This award-winning novel from a rising-star author asks: What really makes a monster, and how do you save the world from something if no one will admit it exists?
When Jenn Berney and her wife decided they wanted to have children, they took the next logical step: they went to a fertility clinic. Intrauterine insemination is a simple medical procedure that has been available since the 1950s, but doctors were baffled by Jenn’s situation. With no man factoring into her relationship, she was disparaged by doctors, given an inaccurate diagnosis, and her medical needs were overlooked.
Berney decided to step outside of the system, and, looking into the history of fertility and her own community, she realized queer women have a long history of being disregarded by a patriarchal medical community, and have worked around it to build families on their own terms. In The Other Mothers, Berney reflects on the odds that were stacked against her because of her sexual orientation and envisions a bright future worth fighting for. Writing with clarity, determination, and hope, Berney gives us a wonderful glimpse of what America can be.
For Veronica Clayton, the sudden death of her mother has turned her naturally bright and happy-go-lucky view of the world bleak. As the Police Protection Officer for the Queen’s children, she has purpose, but for the next six months, the Queen’s family is the focus of a documentary on royal life. The last thing Clay wants is a camera pointed in her face.
Katya Kovach, a refugee to Britain, knows all about death and grief. She saw her family shot in front of her and has never recovered from those dark memories. Now trained at London’s most prestigious childcare school, she’s happy as the nanny to Queen Georgina and Queen Bea’s children.
Clay is usually good-natured, but the rule-oriented Katya is not only a pain, but annoyingly beautiful, and they find themselves facing the awkward reality that everyone else is a couple except them while their every move is being filmed. Loss has defined both their lives, but guarding their hearts may prove to be the biggest heartbreak of all.
It’s a hot summer, and life’s going all right for Jackson and his family on the Mish. It’s almost Christmas, school’s out, and he’s hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson’s Aunty and annoying little cousins visit from the city – but this time a mysterious boy with a troubled past comes with them… As their friendship evolves, Jackson must confront the changing shapes of his relationships with his friends, family and community. And he must face his darkest secret – a secret he thought he’d locked away for good.
Lone Stars follows the arc of four generations of a Texan family in a changing America. Julian Warner, a father at last, wrestles with a question his husband posed: what will you tell our son about the people you came from, now that they’re gone? Finding the answers takes Julian back in time to Eisenhower’s immigration border raids, an epistolary love affair during the Vietnam War, crumbling marriages, queer migrations to Cambridge and New York, up to the disorienting polarization of Obama’s second term. And in these answers lies a hope: that by uncloseting ourselves–as immigrants, smart women, gay people–we find power in empathy.
Transgressive, foulmouthed, and devastatingly funny, Brontez Purnell’s 100 Boyfriends is a revelatory spiral into the imperfect lives of queer men desperately fighting—and often losing—the urge to self-sabotage. His characters solicit sex on their lunch breaks, expose themselves to racist neighbors, sleep with their coworker’s husbands, rub Preparation H on their hungover eyes, and, in an uproarious epilogue, take a punk band on a disastrous tour of Europe. They also travel to claim inheritances, push past personal trauma, and cultivate community while living on the margins of a white supremacist, heteronormative society.
Armed with a deadpan wit that finds humor in even the lowest of nadirs, Brontez Purnell—a widely acclaimed underground writer, filmmaker, musician, and performance artist—writes with the peerless zeal, insight, and horniness of a gay punk messiah. From dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama, Purnell indexes desire, desperation, race, and loneliness with a startling blend of levity and vulnerability. Together, the slice-of-life tales that writhe within 100 Boyfriends are a singular and uncompromising vision of an unexposed queer underbelly. Holding them together is the vision of an iconoclastic storyteller, as fearless as he is human.
While the Iskat Empire has long dominated the system through treaties and political alliances, several planets, including Thea, have begun to chafe under Iskat’s rule. When tragedy befalls Imperial Prince Taam, his Thean widower, Jainan, is rushed into an arranged marriage with Taam’s cousin, the disreputable Kiem, in a bid to keep the rising hostilities between the two worlds under control.
But when it comes to light that Prince Taam’s death may not have been an accident, and that Jainan himself may be a suspect, the unlikely pair must overcome their misgivings and learn to trust one another as they navigate the perils of the Iskat court, try to solve a murder, and prevent an interplanetary war… all while dealing with their growing feelings for each other.
Orphaned and forced to serve her country’s ruling group of scribes, Karis wants nothing more than to find her brother, long ago shipped away. But family bonds don’t matter to the Scriptorium, whose sole focus is unlocking the magic of an ancient automaton army.
In her search for her brother, Karis does the seemingly impossible—she awakens a hidden automaton. Intelligent, with a conscience of his own, Alix has no idea why he was made. Or why his father—their nation’s greatest traitor—once tried to destroy the automatons.
Suddenly, the Scriptorium isn’t just trying to control Karis; it’s hunting her. Together with Alix, Karis must find her brother…and the secret that’s held her country in its power for centuries.
Randa Jarrar is a fearless voice of dissent who has been called “politically incorrect” (Michelle Goldberg, The New York Times). As an American raised for a time in Egypt, and finding herself captivated by the story of a celebrated Egyptian belly dancer’s journey across the United States in the 1940s, she sets off from her home in California to her parents’ in Connecticut.
Coloring this road trip are journeys abroad and recollections of a life lived with daring. Reclaiming her autonomy after a life of survival—domestic assault as a child, and later, as a wife; threats and doxxing after her viral tweet about Barbara Bush—Jarrar offers a bold look at domestic violence, single motherhood, and sexuality through the lens of the punished-yet-triumphant body. On the way, she schools a rest-stop racist, destroys Confederate flags in the desert, and visits the Chicago neighborhood where her immigrant parents first lived.
Andre Cobb hopes his luck is finally turning around. After being sick for as long as he can remember, he’s finally gotten the liver transplant he desperately needed. Now his life can finally begin. But weeks after the operation, he feels shaky and ill, passes out, and wakes up somewhere totally unexpected…the past.
Somehow, he’s slipped through time to the 1960s version of his neighborhood in Boston. While there he meets Michael, who he is instantly connected to. Michael is everything Andre is not. He’s free-spirited, artistic, and open to all of life’s possibilities.
But just as suddenly as he arrived, Andre slips back to present-day Boston. As he tries to figure out what happened, the family of his donor reaches out to let him know his new liver may have side effects… of the time travel variety. They task their youngest son, Blake, with the job of helping Andre figure out the ins and outs of his new ability.
As Andre trains with Blake, he can’t help but feel attracted to him. Blake understands Andre in a way no one else ever has. But every time Andre journeys to the past, he’s drawn back into to Michael’s world.
Torn between two boys, one in the past and one in the present, Andre has to figure out where he belongs and more importantly who he wants to be before the consequences of jumping in time catch up to him and changes his fate for good.
Rachel is twenty-four, a lapsed Jew who has made calorie restriction her religion. By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting.
Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey.
Quiet, thoughtful princess Thanh was sent away as a hostage to the powerful faraway country of Ephteria as a child. Now she’s returned to her mother’s imperial court, haunted not only by memories of her first romance, but by worrying magical echoes of a fire that devastated Ephteria’s royal palace.
Thanh’s new role as a diplomat places her once again in the path of her first love, the powerful and magnetic Eldris of Ephteria, who knows exactly what she wants: romance from Thanh and much more from Thanh’s home. Eldris won’t take no for an answer, on either front. But the fire that burned down one palace is tempting Thanh with the possibility of making her own dangerous decisions.
Can Thanh find the freedom to shape her country’s fate—and her own?
Marty arrives in London with nothing but his oboe and some savings from his summer job, but he’s excited to start his new life–where he’s no longer the closeted, shy kid who slips under the radar and is free to explore his sexuality without his parents’ disapproval.
From the outside, Marty’s life looks like a perfect fantasy: in the span of a few weeks, he’s made new friends, he’s getting closer with his first ever boyfriend, and he’s even traveling around Europe. But Marty knows he can’t keep up the facade. He hasn’t spoken to his parents since he arrived, he’s tearing through his meager savings, his homesickness and anxiety are getting worse and worse, and he hasn’t even come close to landing the job of his dreams. Will Marty be able to find a place that feels like home?
Kink is a dynamic anthology of literary fiction that opens an imaginative door into the world of desire. The stories within this collection portray love, desire, BDSM, and sexual kinks in all their glory with a bold new vision. The collection includes works by renowned fiction writers such as Callum Angus, Alexander Chee, Vanessa Clark, Melissa Febos, Kim Fu, Roxane Gay, Cara Hoffman, Zeyn Joukhadar, Chris Kraus, Carmen Maria Machado, Peter Mountford, Larissa Pham, and Brandon Taylor, with Garth Greenwell and R.O. Kwon as editors.
The stories within explore bondage, power-play, and submissive-dominant relationships; we are taken to private estates, therapists’ offices, underground sex clubs, and even a Victorian-era sex theater. While there are whips and chains, sure, the true power of these stories lies in their beautiful, moving dispatches from across the sexual spectrum of interest and desires, as portrayed by some of today’s most exciting writers.
Natalie Chan gained her corporate citizenship, but barely survived the battle for Tribulation.
Now corporate has big plans for Natalie. Horrible plans.
Locked away in Natalie’s missing memory is salvation for the last of an alien civilization and the humans they tried to exterminate. The corporation wants total control of both—or their deletion.
Anne Bonny had it all—her own ship, a pirate crew, and a fearsome reputation—but a new enemy has her on the run and it’ll take all of Anne’s courage to stay afloat. The night before a major heist, Anne has an unsettling dream, and come morning, the robbery is thwarted by Woodes Roger, a zealot who has sworn to eliminate piracy. With no plan to escape, Anne must persuade her crew to seek the meaning of her dream—or perish. Full of sass, solidarity, and swordplay, Tell No Tales is a graphic novel about belonging, belief, and how far we’re willing to go to protect the ones we love.
William Anson is done with relationships, thanks. He’s starting the second year of his medicine degree single, focused, and ready to mingle with purely platonic intentions.
Meeting Daniel, a barely recovered drug addict ready to start living life on his own terms, might just change that.
There are two problems.
One: William isn’t out.
What’s the point in telling your friends you’re bisexual when you aren’t going to date anyone?
Two: Daniel’s abusive ex-boyfriend still roams the university campus, searching for cracks in Daniel’s recovery.
No matter how quickly William falls for Daniel, their friendship is too important to risk ruining over a crush.
William is fine with being just friends for the rest of forever.
Well, not quite.
Content warning – This book includes references to abortion, PTSD, drug addiction, abusive relationships, and self-harm.
This is the final book in the Magic in Manhattan series
New York, 1925
Arthur Kenzie is on a mission: to destroy the powerful supernatural relic that threatens Manhattan—and all the nonmagical minds in the world. So far his search has been fruitless. All it has done is keep him from the man he loves. But he’ll do anything to keep Rory safe and free, even if that means leaving him behind.
Psychometric Rory Brodigan knows his uncontrolled magic is a liability, but he’s determined to gain power over it. He can take care of himself—and maybe even Arthur, too, if Arthur will let him. An auction at the Paris world’s fair offers the perfect opportunity to destroy the relic, if a group of power-hungry supernaturals don’t destroy Rory and Arthur first.
As the magical world converges on Paris, Arthur and Rory have to decide who they can trust. Guessing wrong could spell destruction for their bond—and for the world as they know it.
Set in the year between the 2015 Supreme Court marriage equality ruling and the 2016 Pulse nightclub massacre, Let’s Get Back to the Party explores the intertwined lives of two gay men named Sebastian Mote and Oscar Burnham: estranged childhood friends who reconnect as adults in Washington, DC.
Thirty-somethings who came of age after the AIDS crisis but before the current era where they might have had the comfort of an out adolescence, the two have grown into very different men. Sebastian, a straitlaced suburban high school teacher mourning the end of a long-term relationship, finds his orderly lifestyle threatened by the appearance of Arthur Ayer, a gay student so comfortable in his own skin that Sebastian finds himself dangerously obsessed with the teenager. Oscar, furious and defiant in the face of what he sees as the death of queer culture, begins a confusing relationship—is it friendship or something more?—with once-eminent novelist Sean Stokes, known for graphic stories of pre-AIDS hedonism. Alternating chapters from Sebastian and Oscar’s points of view, Let’s Get Back to the Party recounts their mirrored struggles with generational envy, cultural identity, the traumas of history, and, ultimately, each other.
11-year-old Stevie is an avid reader and she knows a lot of things about a lot of things. But these are the things she’d like to know the most:
1. The ocean and all the things that live there and why it’s so scary
2. The stars and all the constellations
3. How phones work
4. What happened to Princess Anastasia
5. Knots
Knowing things makes Stevie feel safe, powerful, and in control should anything bad happen. And with the help of her mom, she is finding the tools to manage her anxiety.
But there’s one something Stevie doesn’t know, one thing she wants to understand above everything else, and one thing she isn’t quite ready to share with her mom: the fizzy feeling she gets in her chest when she looks at her friend, Chloe. What does it mean and why isn’t she ready to talk about it?
In this poetic exploration of identity and anxiety, Stevie must confront her fears to find inner freedom all while discovering it is our connections with others that make us stronger.
For years, Robin Thorpe has kept her head down, staying among her people in the Riverside neighborhood and hiding the magic that would have her imprisoned by the state. But when Grace Hensley comes knocking on Clan Thorpe’s door, Robin’s days of hiding are at an end. As freed witches flood the streets of Kingston, scrambling to reintegrate with a kingdom that destroyed their lives, Robin begins to plot a course that will ensure a freer, juster Aeland. At the same time, she has to face her long-bottled feelings for the childhood love that vanished into an asylum twenty years ago.
Can Robin find happiness among the rising tides of revolution? Can Kingston survive the blizzards that threaten, the desperate monarchy, and the birth throes of democracy? Find out as the Kingston Cycle comes to an end.
With no water, no air, and no native life, the planet Gora is unremarkable. The only thing it has going for it is a chance proximity to more popular worlds, making it a decent stopover for ships traveling between the wormholes that keep the Galactic Commons connected. If deep space is a highway, Gora is just your average truck stop.
At the Five-Hop One-Stop, long-haul spacers can stretch their legs (if they have legs, that is), and get fuel, transit permits, and assorted supplies. The Five-Hop is run by an enterprising alien and her sometimes helpful child, who work hard to provide a little piece of home to everyone passing through.
When a freak technological failure halts all traffic to and from Gora, three strangers—all different species with different aims—are thrown together at the Five-Hop. Grounded, with nothing to do but wait, the trio—an exiled artist with an appointment to keep, a cargo runner at a personal crossroads, and a mysterious individual doing her best to help those on the fringes—are compelled to confront where they’ve been, where they might go, and what they are, or could be, to each other.
The “ironborn” half-fae outcast of her royal fae family.
A tempestuous Fury, exiled to earth from the Immortal Realm and hellbent on revenge.
A dutiful fae prince, determined to earn his place on the throne.
The prince’s brooding guardian, burdened with a terrible secret.
For centuries, the Eight Courts of Folk have lived among us, concealed by magic and bound by law to do no harm to humans. This arrangement has long kept peace in the Courts—until a series of gruesome and ritualistic murders rocks the city of Toronto and threatens to expose faeries to the human world.
Four queer teens, each who hold a key piece of the truth behind these murders, must form a tenuous alliance in their effort to track down the mysterious killer behind these crimes. If they fail, they risk the destruction of the faerie and human worlds alike. If that’s not bad enough, there’s a war brewing between the Mortal and Immortal Realms, and one of these teens is destined to tip the scales. The only question is: which way?
In this wry and hilarious queer romantic comedy, fifteen-year-old Phoebe realizes that falling in love is maybe not just for losers.
Did you know you can marry yourself? How strange / brilliant is that?
Fifteen-year-old Phoebe thinks falling in love is vile and degrading, and vows never to do it. Then, due to circumstances not entirely in her control, she finds herself volunteering at a local thrift shop. There she meets Emma . . . who might unwittingly upend her whole theory on life.
African American lesbian writers and theorists have made extraordinary contributions to feminist theory, activism, and writing. Mouths of Rain, the companion anthology to Beverly Guy-Sheftall’s classic Words of Fire, traces the long history of intellectual thought produced by Black Lesbian writers, spanning the nineteenth century through the twenty-first century.
Using “Black Lesbian” as a capacious signifier, Mouths of Rain includes writing by Black women who have shared intimate and loving relationships with other women, as well as Black women who see bonding as mutual, Black women who have self-identified as lesbian, Black women who have written about Black Lesbians, and Black women who theorize about and see the word lesbian as a political descriptor that disrupts and critiques capitalism, heterosexism, and heteropatriarchy. Taking its title from a poem by Audre Lorde, Mouths of Rain addresses pervasive issues such as misogynoir and anti-blackness while also attending to love, romance, “coming out,” and the erotic.
With her newly completed PhD in astronomy in hand, twenty-eight-year-old Grace Porter goes on a girls’ trip to Vegas to celebrate. She’s a straight A, work-through-the-summer certified high achiever. She is not the kind of person who goes to Vegas and gets drunkenly married to a woman whose name she doesn’t know…until she does exactly that.
This one moment of departure from her stern ex-military father’s plans for her life has Grace wondering why she doesn’t feel more fulfilled from completing her degree. Staggering under the weight of her father’s expectations, a struggling job market and feelings of burnout, Grace flees her home in Portland for a summer in New York with the wife she barely knows.
In New York, she’s able to ignore all the annoying questions about her future plans and falls hard for her creative and beautiful wife, Yuki Yamamoto. But when reality comes crashing in, Grace must face what she’s been running from all along—the fears that make us human, the family scars that need to heal and the longing for connection, especially when navigating the messiness of adulthood.
World War II is raging, and five teens are looking to make a mark. Daniel and Rebeka seek revenge against the Nazis who slaughtered their family; Simone is determined to fight back against the oppressors who ruined her life and corrupted her girlfriend; Phillip aims to prove that he’s better than his worst mistakes; and Liam is searching for a way to control the portal to the shadow world he’s uncovered, and the monsters that live within it–before the Nazi regime can do the same. When the five meet, and begrudgingly team up, in the forests of Germany, none of them knows what their future might hold.
As they race against time, war, and enemies from both this world and another, Liam, Daniel, Rebeka, Phillip, and Simone know that all they can count on is their own determination and will to survive. With their world turned upside down, and the shadow realm looming ominously large–and threateningly close–the course of history and the very fate of humanity rest in their hands. Still, the most important question remains: Will they be able to save it?
Charlie Matheson has spent his life taking care of things. When his parents died two days before his eighteenth birthday, he took care of his younger brother, even though that meant putting his own dreams on hold. He took care of his father’s hardware store, building it into something known several towns over. He took care of the cat he found in the woods…so now he has a cat.
When a stranger with epic tattoos and a glare to match starts coming into Matheson’s Hardware, buying things seemingly at random and lugging them off in a car so beat-up Charlie feels bad for it, his instinct is to help. When the man comes in for the fifth time in a week, Charlie can’t resist intervening.
Rye Janssen has spent his life breaking things. Promises. His parents’ hearts. Leases. He isn’t used to people wanting to put things back together—not the crumbling house he just inherited, not his future and certainly not him. But the longer he stays in Garnet Run, the more he can see himself belonging there. And the more time he spends with Charlie, the more he can see himself falling asleep in Charlie’s arms…and waking up in them.
Is this what it feels like to have a home—and someone to share it with?
In this delightfully compelling full-color graphic memoir, the author shares her process of undoing the effects of a patriarchal, colonial society on her self-image, her sexuality, and her concept of freedom. Reflecting on the ways in which oppression was the cause for her late bloom into queerness, we are invited to discover people and things in the author’s life that helped shape and inform her LGBTQ identity. And we come to an understanding of her holistic definition of queerness.
Robin Loxleigh and his sister Marianne are the hit of the Season, so attractive and delightful that nobody looks behind their pretty faces.
Until Robin sets his sights on Sir John Hartlebury’s heiress niece. The notoriously graceless baronet isn’t impressed by good looks, or fooled by false charm. He’s sure Robin is a liar—a fortune hunter, a card sharp, and a heartless, greedy fraud—and he’ll protect his niece, whatever it takes.
Then, just when Hart thinks he has Robin at his mercy, things take a sharp left turn. And as the grumpy baronet and the glib fortune hunter start to understand each other, they also find themselves starting to care—more than either of them thought possible.
But Robin’s cheated and lied and let people down for money. Can a professional rogue earn an honest happy ever after?
This is an annual feature that runs a little differently from the rest on LGBTQReads, as the post builds on itself each year and new titles/sections are added with asterisks. These books are all queer titles by Black authors, the vast majority of which star Black main characters. (Obviously this isn’t remotely exhaustive.)
Sites
Sistahs on the Shelf – SotS is run by Rena, a Black lesbian who reviews Black lesbian books. You can also follow on Twitter at @SotS!
WoC in Romance – this is a site highlighting all Romance written by WoC, but there’s a page just for LGBTQ Romances. It’s run by Rebekah Weatherspoon, whose name you may recognize as being a prolific author of LGBTQ lit herself! You can follow on Twitter at @WOCInRomance, and make sure you check out their Patreon; link is in the pinned tweet!
Black Lesbian Literary Collective – To nab from their site, “The Black Lesbian Literary Collective creates a nurturing and sustainable environment for Black lesbian and queer women of color writers.” Looking for more reviews of Black lesbian fic? Ta da! The site is new, so it’s not packed with posts just yet, but there is already an active radio show linked to it. Find them on Twitter at @LezWriters.
The Brown Bookshelf – this is a site dedicated to Black kidlit; here are the posts that come up if you search LGBT.
Author of the Booker Prize-shortlisted REAL LIFE Brandon Taylor‘s THE LATE AMERICANS, exploring the tension between inner lives and projected selves within a creative community in Iowa City; and GROUP SHOW, about five striving assistants navigating the straits of desire, complicity, and belief behind the scenes at a regional art museum, to Cal Morgan at Riverhead, in a significant deal, in a two-book deal, by Meredith Kaffel Simonoff at DeFiore and Company (world).
Author of SOCIAL CREATURE and STRANGE RITES: NEW RELIGIONS FOR A GODLESS WORLD Tara Isabella Burton‘s THE WORLD CANNOT GIVE, a coming-of-age novel about queer desire, religious zealotry, and the hunger for transcendence among the devoted members of a cultic chapel choir in a prestigious Maine boarding school, and the obsessively ambitious, terrifyingly charismatic girl that rules over them, to Carina Guiterman at Simon & Schuster, in an exclusive submission, in a two-book deal, by Emma Parry at Janklow & Nesbit (world).
Chencia C. Higgins‘s READY, SET, WED!, in which two women thrown together on a reality show that’s never produced a permanent couple fight with everything they’ve got to get to the altar—before the quest for TV ratings keeps them from turning something fake into forever, to Kerri Buckley at Carina Press Adores, for publication in early 2022.
Timothy Janovsky‘s debut OVER THE RIVER AND THROUGH THE WOODS, pitched as a LGBTQ+ romantic comedy that blends the riches-to-rags humor of Schitt’s Creek with the feel-good romance of a Hallmark Christmas movie, to Mary Altman at Sourcebooks Casablanca, in an exclusive submission, in a two-book deal, for publication in fall 2023, by Kevin O’Connor at O’Connor Literary Agency (world).
Iowa Writers Workshop Rona Jaffe Fellow, Best American Short Stories 2020 contributor, and mutual aid organizer Sarah Thankam Mathews‘s ALL THIS COULD BE DIFFERENT, following a young woman fresh out of college as she tries to forge a new life in Milwaukee during Obama’s second term—navigating precarious employment, queerness, immigration, a dizzying romance with a ballet dancer, and the pulls of blood and chosen family—and unfolding a story that circles the question of how a better world might be, to Lindsey Schwoeri at Viking, at auction, by Bill Clegg at The Clegg Agency (NA).
Author of WHO IS VERA KELLY and VERA KELLY IS NOT A MYSTERY Rosalie Knecht’s third installment in the Vera Kelly series, exploring issues of gender, sexuality, and class, set in the early 1970s, in which a private investigator travels to meet her girlfriend’s family at their extravagant Los Angeles estate, and in the process finds herself with a new high-stakes case: the search for her missing girlfriend, to Masie Cochran at Tin House Books, for publication in summer 2022, by Soumeya Bendimerad Roberts at HG Literary (NA).
Roan Parrish and Timmi Meskers‘s STRANGE COMPANY, a collection of queer horror short stories and original music, to Steve Feldberg at Audible Originals, in an exclusive submission, by Courtney Miller-Callihan at Handspun Literary (world).
Children’s/Young Adult Fiction
Anna-Marie McLemore‘s retelling of THE GREAT GATSBY, featuring Gatsby as a transgender young man, amid all the glamour and sparkle of the 1920s; part of the upcoming Remixed Classics series, to Emily Settle at Feiwel and Friends, for publication in fall 2022, by Taylor Martindale Kean at Full Circle Literary (world).
THE FELL OF DARK author Caleb Roehrig‘s untitled book, pitched as bringing a queer perspective to ROMEO AND JULIET, to Emily Settle at Feiwel and Friends, for publication in winter 2023, by Rosemary Stimola at Stimola Literary Studio (world).
Sacha Lamb‘s WHEN THE ANGELS LEFT THE OLD COUNTRY, pitched as having a voice reminiscent of a (queer) Isaac Bashevis Singer story, about an angel and a demon, centuries-long study partners in their small shtetl, who decide to travel to America (a place that turns out to be more complicated than they expect) with two young women who are deeply connected, to Arthur Levine at Levine Querido, in a pre-empt, for publication in fall 2022, by Rena Rossner at Deborah Harris Agency (world).
Michael Gray Bulla‘s debut A TYPE OF BLEEDING, about a trans teenager who joins his town’s LGBTQ+ support group where he meets a cute boy, sparking a friendship that upends his life and challenges his ideas of love, family, and friendship, to Karen Chaplin at Quill Tree, in a good deal, in a two-book deal, for publication in summer 2022, by Pete Knapp at Park & Fine Literary and Media (world English).
Maggie Horne‘s debut HAZEL HAYES IS GONNA WIN THIS ONE, a humorous friendship story that follows a feisty 12-year-old girl who, after one of her classmates is harassed online, devises a plan to take down the school’s golden boy and hopefully win her beloved public speaking competition, to Lily Kessinger at Houghton Mifflin Harcourt Children’s, at auction, for publication in fall 2022, by Claire Friedman at Inkwell Management (NA).
Lambda Literary and MacDowell Fellow Jas Hammonds‘s WE DESERVE MONUMENTS, following a queer, Black, biracial teen who moves to small-town Georgia to live with her estranged grandmother and becomes entangled in a web of family secrets, the town’s racist history, and her growing feelings for the girl next door, to Mekisha Telfer at Roaring Brook Press, in a pre-empt, in a two-book deal, for publication in summer 2022, by Suzie Townsend at New Leaf Literary & Media (world English).
NYT-bestselling author Gayle Forman‘s debut FRANKIE & BUG, about the friendship between a feisty 10-year-old girl who feels abandoned when her older brother decides he’d rather hang out with his friends than with her, and an 11-year-old trans boy who is spending the summer with his gay uncle and only wants to have the chance to be who he is, to Kristin Gilson at Aladdin, for publication in fall 2021, by Michael Bourret at Dystel, Goderich & Bourret (world English).
Ashley Woodfolk‘s NOTHING BURNS AS BRIGHT AS YOU, a novel-in-verse that tells the story of a tumultuous romance between two girls in nonlinear chapters, anchored by a single day where they set a fire and their relationship spirals out of control, to Margaret Raymo at Versify, in a significant deal, in a pre-empt, for publication in spring 2022, by Beth Phelan at Gallt and Zacker Literary Agency (world).
Michael Leali‘s debut THE CIVIL WAR OF AMOS ABERNATHY, in which a 12-year-old openly gay historical reenactor sets out to prove to himself and his closeted crush that queer people always have and always will exist in American history; the story is told partly in letters to Albert D.J. Cashier, the Union soldier his research uncovers, who becomes his confidant and historical queer icon, to Stephanie Stein at Harper Children’s, in a pre-empt, in a two-book deal, for publication in summer 2022, by Sara Crowe at Pippin Properties (NA).
Non-Fiction
Author of DAMAGED GOODS and PROBLEMATIC Dianna Anderson‘s THEY/THEM, part memoir, part gender theory, examining the emergence and history of nonbinary gender, including interviews with gender nonconforming individuals and experts on gender affirming care, along with the author’s own story, to Lisa Kloskin at Broadleaf, in a nice deal, for publication in fall 2022, by Hannah Bowman at Liza Dawson Associates (world).
Author of the NYT Editor’s Choice CONFESSIONS OF THE FOX Jordy Rosenberg‘s THE DAY UNRAVELS WHAT THE NIGHT HAS WOVEN, an exploration of transgender sexuality, Jewish assimilation, and the author’s difficult relationship with his mother—an accomplished bargain-hunter, committed homophobe, and dazzling old world yenta—weaved throughout with fictional vignettes of the author’s mother’s life, as well as her imagined retellings of landmarks of leftist philosophy, to Nicole Counts at One World, by Rob McQuilkin at Massie & McQuilkin (world).
Comedian, TV writer, and The Lesbian Agenda host Sophie Santos‘s THE ONE YOU WANT TO MARRY (AND OTHER IDENTITIES I’VE HAD), a memoir of growing up an army brat and the daughter of a Filipino and Spanish lieutenant colonel and strong Southern nurse, about the author’s search—through pee-wee football, puberty, pageant life, and University of Alabama sorority sisterhood—to embrace her identity as a proud lesbian comedian, to Hafizah Geter at Topple Books, with Laura Van der Veer editing, by Jack Greenbaum at The Arlook Group (world).
Doesn’t it seem totally reasonable when I write it in such an official way? Using “our” like I’m not the one writing this post? Whatever, look, it’s been a really tough year and a really tough week and I have two books coming out this year and a paperback release and so I have decided to dedicate today to Me. (But also, it’s a Tuesday, so make sure you check out this month’s New Releases post to see what else you need!)
Coming up on March 16th, my Shakespeare reimagining anthology, That Way Madness Lies, releases from Flatiron books! My story in this one actually isn’t queer other than a minor character being nonbinary, but it also contains work from AR Capetta and Cory McCarthy, Mark Oshiro, Anna-Marie McLemore, Lindsay Smith, and more, who have made sure this collection is bursting with rainbows. (Mostly trans and ace-spec rep, for those curious!)
If you preorder from Third Place Books, you’ll get a bookplate signed by a whole bunch of us (one of my dream bookish goals is to get an anthology signed by all its contributors, so this takes you halfway there!), and if you preorder from Mysterious Galaxy, the same is true, but your book will also be signed by the lovely Kiersten White!
Fifteen acclaimed YA writers put their modern spin on William Shakespeare’s celebrated classics! West Side Story. 10 Things I Hate About You. Kiss Me, Kate. Contemporary audiences have always craved reimaginings of Shakespeare’s most beloved works. Now, some of today’s best writers for teens take on the Bard in these 15 whip-smart and original retellings!
Contributors include Dahlia Adler (reimagining The Merchant of Venice), Kayla Ancrum (The Taming of the Shrew), Lily Anderson (As You Like It), Patrice Caldwell (Hamlet), Melissa Bashardoust (A Winter’s Tale), A.R. Capetta and Cory McCarthy (Much Ado About Nothing), Brittany Cavallaro (Sonnet 147), Joy McCullough (King Lear), Anna-Marie McLemore (A Midsummer Night’s Dream), Samantha Mabry (Macbeth), Tochi Onyebuchi (Coriolanus), Mark Oshiro (Twelfth Night), Lindsay Smith (Julius Caesar), Kiersten White (Romeo and Juliet), and Emily Wibberley and Austin Siegemund-Broka (The Tempest).
And in case you haven’t seen my biconic cover everywhere, Cool for the Summer is my first novel since Out on Good Behavior (!) and it releases May 11 from Wednesday Books! Get your bisexual questioning, mulling over compulsory heterosexuality, Demi Lovato references, graphic novel recs, Jewish rep (both Ashkenazi and Sephardi!) and more within! (No indies are specifically tied to this one, so please preorder from wherever you like – there is a campaign TBA!)
Larissa Bogdan was supposed to spend her summer babysitting and bookselling. Instead, she tagged after her mom to the Outer Banks, working on her tan and making new friends. Now she’s back and starting her senior year at Stratford High, only to face another unexpected turn: she’s finally attracted the attention of superstar quarterback Chase Harding, the guy she’s crushed on since middle school.
Then Jasmine Killary shows up. Jasmine, who’s supposed to be in North Carolina, not the New York City suburbs. Jasmine, who immediately entices Stratford’s student body with her glittering beauty and casual-cool style. Jasmine, who gave Larissa the three most perfect months of her life.
But now Jasmine’s keeping her distance, not even acknowledging their friendship, much less the hot summer nights they spent together. Larissa knows she should be glad to bury their secret, but she also knows she never felt more comfortable, more confident, more herself than when she was with Jasmine. What was supposed to be a playful fling became something much deeper than she ever could have imagined.
If Larissa’s finally got the guy, why can’t she stop thinking about the girl?
And of course, if you haven’t yet read His Hideous Heart, you can grab that in paperback starting September 7th!
Thirteen of YA’s most celebrated names reimagine Edgar Allan Poe’s most surprising, unsettling, and popular tales for a new generation.
Edgar Allan Poe may be a hundred and fifty years beyond this world, but the themes of his beloved works have much in common with modern young adult fiction. Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.
Dahlia Adler (reimagining “Ligeia”), Kendare Blake (“Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morgue”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).
Finally, in case you missed it, I have a new anthology coming in Fall 2022! At the Stroke of Midnight is a collection of fairytale retellings, a number of which are absolutely guaranteed to be queer as hell, and you can add it on Goodreads!
I hope you’re all having a wonderful Dahlia Day, and I can’t promise this will be the last time I’m this wildly self-indulgent on here, but I can promise that oh look at the time, I’ve gotta go, bye! xoxo
Today on the site I’m excited to reveal a very dashing cover for the upcoming Contemporary m/m Romance Hard Sell by Hudson Lin, which releases May 25, 2021 from Carina Adores! It stars two Asian-Canadian men bonded by their mutual love for Wei, Tobin’s big brother and Danny’s best friend, and follows what happens when they meet again in the boardroom after a one-night stand… Here’s the official story:
Danny Ip walks into every boardroom with a plan. His plan for struggling tech company WesTec is to acquire it, shut it down, and squeeze the last remaining revenue out of it for his Jade Harbour Capital portfolio. But he didn’t expect his best friend’s younger brother—the hottest one-night stand he ever had—to be there.
Tobin Lok has always thought the world of Danny. He’s funny, warm, attractive—and totally out of Tobin’s league. Now, pitted against Danny at work, Tobin might finally get a chance to prove he’s more than just Wei’s little brother.
It takes a lot to get under Danny’s skin, but Tobin is all grown up in a way Danny can’t ignore. Now, with a promising patent on the line and the stakes higher than ever, all he can think about is getting Tobin back into his bed—and into his life for good.
If only explaining their relationship to Wei could be so easy…
And here’s the brutally suave cover, designed by Victor Cheng!
Hudson Lin was raised by conservative immigrant parents and grew up straddling two cultures with oftentimes conflicting perspectives on life. Instead of conforming to either, she has sought to find a third way that brings together the positive elements of both.
Having spent much of her life on the outside looking in, Lin likes to write stories about outsiders who fight to carve out their place in society, and overcome everyday challenges to find love and happily ever afters. Her books are diverse romances featuring queer and disabled people of color.
When not getting lost in a good story, Lin hosts a podcast, interviews queer people of color, and coaches aspiring authors.
Fun fact: one of the last things I did before the pandemic hit was have lunch with this author, so you can say I’ve been looking forward to this book for a loooong time. Maxine Kaplan’s Wench releases today from Amulet/Abrams, and here’s the story:
Tanya has worked at her tavern since she was able to see over the bar. She broke up her first fight at 11. By the time she was a teenager she knew everything about the place, and she could run it with her eyes closed. She’d never let anyone—whether it be a drunkard or a captain of the queen’s guard—take advantage of her. But when her guardian dies, she might lose it all: the bar, her home, her purpose in life. So she heads out on a quest to petition the queen to keep the tavern in her name—dodging unscrupulous guards, a band of thieves, and a powerful, enchanted feather that seems drawn to her. Fast-paced, magical, and unapologetically feminist, Wench is epic fantasy like you’ve never seen it before.
And here’s Maxine, with a guest post that’s very close to my heart about finding herself through writing Wench and its bi main character!
I started writing Wench with a clear and deeply-held agenda: There would be no romance.
It’s not something I talked about a lot. When I talked about the book, I talked about my simultaneous love for and frustration with classic sword-and-sorcery fantasy; I talked about how I wanted to flesh out fantasy archetypes with humor and humanity; and I mostly talked about my titular tavern wench, Tanya, and how I’d never seen that ubiquitous non-playable background character get to have her own adventure, or even a name most of the time. What I didn’t say was that I was determined to get Tanya through one (1) whole entire epic quest without the interference or influence of a love interest.
I thought of it as a secret mission. I knew how much readers, and especially readers of YA fantasy, expected at least a glimmer of romantic or sexual tension, and I didn’t want to turn them off before they even cracked the spine. But it was that very expectation of romance that bothered me. I hated the expectation that a girl couldn’t have an epic adventure without falling in love along the way. I cringed at the idea of Tanya achieving self-discovery and actualization through the medium of who she wanted to kiss. It felt wrong to me—even anti-feminist. I loathed the idea that something I wrote could reinforce the message that young people receive every day that says: You are nothing and no one until somebody wants to make out with you.
Tanya was going on a quest to win back her tavern. The world I had devised and the story engine I had built didn’t need any romance to make it go. And I was determined that I wouldn’t shoe-horn in a romance (and especially not a love triangle) just to fit the market—because Tanya deserved better, damn it!
And then Tanya taught me that I was wrong. Because, despite my clear intentions to the contrary, two characters showed up who would just not stop having chemistry with Tanya. One was a boy and he was very much within my own crush wheelhouse historically speaking: smart, funny, and angry. I think I just liked writing him and, slowly, he and Tanya fell into chemistry, like real people do. It was quiet, but it was on the page. I couldn’t deny it.
The other was a girl and nothing in my own writing has ever surprised me more.
This girl was always part of the story, for sure. She had been in my outline from go. I knew she was a happy-go-lucky rogue; a thief who loved violence and smiled a lot. So that’s how I wrote her and, without my even having to try, she and hyper-competent, independent, snarky Tanya smacked into each other with the electricity of a lightning storm. Writing good sexual tension—satisfying, believable tension–is hard to do. I know it is, because I’ve tried to do it. But with these two, I didn’t have to try. I didn’t even think about it, not once. It just was.
It got to the point that my strict avoidance of any mention of romance was rendering the story legitimately confusing for any reader. That’s how clear the chemistry between these two was—the completely unplanned, unlooked for, and even unwanted chemistry. But however inadvertent the romance between the two girls was, I eventually had to own up to a simple fact: I wrote it, so I was invested in it.
I grew up in the late 90s and early 2000s as a cis female. It was a time when calling oneself bisexual had a lot of cultural connotations that I was frankly uncomfortable with. It’s not something I’m proud of, but I had a lot of internalized biphobia. I remember being “scared” that I might be attracted to girls—because, sometimes, I was. But I was also attracted to guys. I had no confusion on that score, so I quietly filed all the moments of attraction to girls away in a mental folder labeled “anomalies” and got on with my life as a straight woman.
That was a mistake. That was short-sighted. I wish that, when I was Tanya’s age, I had paid better attention to who and what I actually was: queer. And the thing is? I think that if I had been Tanya’s age today, in 2021, I wouldn’t have had that problem. Because I would have had books like the ones LGBTQReads writes about every day.
And that’s how I came around on romance in my YA. Wench is a book, at its heart, about found families and finding community, which in and of itself, is a process hardwired to identity. You can’t find where you belong without knowing who you are. And you can’t find out who you are by shutting down, or shutting out, the voices in your head telling you who you want. A good book romance isn’t about finding a partner; it’s about a character learning more about themselves, and, sometimes, a romance—whether it’s successful, disastrous, or unrequited— can help with that process. It can be a means to an end as much as it can be its own happily ever after.
The romance I found in Wench helped me remember who I was. It reminded me to honor what has always been true about me. And there’s nothing anti-feminist about that.
***
Maxine Kaplan is a private investigator and writer. Her books are The Accidental Bad Girl and Wench. She lives and writes in Brooklyn, NY, where she caters to the whims of her dim, but soulful cat. Follow her on Twitter @maxinegkaplan.
Pet is here to hunt a monster. Are you brave enough to look?
For Veronica Clayton, the sudden death of her mother has turned her naturally bright and happy-go-lucky view of the world bleak. As the Police Protection Officer for the Queen’s children, she has purpose, but for the next six months, the Queen’s family is the focus of a documentary on royal life. The last thing Clay wants is a camera pointed in her face.
It’s a hot summer, and life’s going all right for Jackson and his family on the Mish. It’s almost Christmas, school’s out, and he’s hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson’s Aunty and annoying little cousins visit from the city – but this time a mysterious boy with a troubled past comes with them… As their friendship evolves, Jackson must confront the changing shapes of his relationships with his friends, family and community. And he must face his darkest secret – a secret he thought he’d locked away for good.
Transgressive, foulmouthed, and devastatingly funny, Brontez Purnell’s 100 Boyfriends is a revelatory spiral into the imperfect lives of queer men desperately fighting—and often losing—the urge to self-sabotage. His characters solicit sex on their lunch breaks, expose themselves to racist neighbors, sleep with their coworker’s husbands, rub Preparation H on their hungover eyes, and, in an uproarious epilogue, take a punk band on a disastrous tour of Europe. They also travel to claim inheritances, push past personal trauma, and cultivate community while living on the margins of a white supremacist, heteronormative society.
Orphaned and forced to serve her country’s ruling group of scribes, Karis wants nothing more than to find her brother, long ago shipped away. But family bonds don’t matter to the Scriptorium, whose sole focus is unlocking the magic of an ancient automaton army.
Randa Jarrar is a fearless voice of dissent who has been called “politically incorrect” (Michelle Goldberg, The New York Times). As an American raised for a time in Egypt, and finding herself captivated by the story of a celebrated Egyptian belly dancer’s journey across the United States in the 1940s, she sets off from her home in California to her parents’ in Connecticut.
Andre Cobb hopes his luck is finally turning around. After being sick for as long as he can remember, he’s finally gotten the liver transplant he desperately needed. Now his life can finally begin. But weeks after the operation, he feels shaky and ill, passes out, and wakes up somewhere totally unexpected…the past.
Fire burns bright and has a long memory….
Marty arrives in London with nothing but his oboe and some savings from his summer job, but he’s excited to start his new life–where he’s no longer the closeted, shy kid who slips under the radar and is free to explore his sexuality without his parents’ disapproval.
Kink is a dynamic anthology of literary fiction that opens an imaginative door into the world of desire. The stories within this collection portray love, desire, BDSM, and sexual kinks in all their glory with a bold new vision. The collection includes works by renowned fiction writers such as Callum Angus, Alexander Chee, Vanessa Clark, Melissa Febos, Kim Fu, Roxane Gay, Cara Hoffman, Zeyn Joukhadar, Chris Kraus, Carmen Maria Machado, Peter Mountford, Larissa Pham, and Brandon Taylor, with Garth Greenwell and R.O. Kwon as editors.
Natalie Chan gained her corporate citizenship, but barely survived the battle for Tribulation.
Anne Bonny had it all—her own ship, a pirate crew, and a fearsome reputation—but a new enemy has her on the run and it’ll take all of Anne’s courage to stay afloat. The night before a major heist, Anne has an unsettling dream, and come morning, the robbery is thwarted by Woodes Roger, a zealot who has sworn to eliminate piracy. With no plan to escape, Anne must persuade her crew to seek the meaning of her dream—or perish. Full of sass, solidarity, and swordplay, Tell No Tales is a graphic novel about belonging, belief, and how far we’re willing to go to protect the ones we love.
William Anson is done with relationships, thanks. He’s starting the second year of his medicine degree single, focused, and ready to mingle with purely platonic intentions.
New York, 1925
Set in the year between the 2015 Supreme Court marriage equality ruling and the 2016 Pulse nightclub massacre, Let’s Get Back to the Party explores the intertwined lives of two gay men named Sebastian Mote and Oscar Burnham: estranged childhood friends who reconnect as adults in Washington, DC.
11-year-old Stevie is an avid reader and she knows a lot of things about a lot of things. But these are the things she’d like to know the most:
For years, Robin Thorpe has kept her head down, staying among her people in the Riverside neighborhood and hiding the magic that would have her imprisoned by the state. But when Grace Hensley comes knocking on Clan Thorpe’s door, Robin’s days of hiding are at an end. As freed witches flood the streets of Kingston, scrambling to reintegrate with a kingdom that destroyed their lives, Robin begins to plot a course that will ensure a freer, juster Aeland. At the same time, she has to face her long-bottled feelings for the childhood love that vanished into an asylum twenty years ago.
Choose your player.
In this wry and hilarious queer romantic comedy, fifteen-year-old Phoebe realizes that falling in love is maybe not just for losers.
African American lesbian writers and theorists have made extraordinary contributions to feminist theory, activism, and writing. Mouths of Rain, the companion anthology to Beverly Guy-Sheftall’s classic Words of Fire, traces the long history of intellectual thought produced by Black Lesbian writers, spanning the nineteenth century through the twenty-first century.
With her newly completed PhD in astronomy in hand, twenty-eight-year-old Grace Porter goes on a girls’ trip to Vegas to celebrate. She’s a straight A, work-through-the-summer certified high achiever. She is not the kind of person who goes to Vegas and gets drunkenly married to a woman whose name she doesn’t know…until she does exactly that.
World War II is raging, and five teens are looking to make a mark. Daniel and Rebeka seek revenge against the Nazis who slaughtered their family; Simone is determined to fight back against the oppressors who ruined her life and corrupted her girlfriend; Phillip aims to prove that he’s better than his worst mistakes; and Liam is searching for a way to control the portal to the shadow world he’s uncovered, and the monsters that live within it–before the Nazi regime can do the same. When the five meet, and begrudgingly team up, in the forests of Germany, none of them knows what their future might hold.
Charlie Matheson has spent his life taking care of things. When his parents died two days before his eighteenth birthday, he took care of his younger brother, even though that meant putting his own dreams on hold. He took care of his father’s hardware store, building it into something known several towns over. He took care of the cat he found in the woods…so now he has a cat.
In this delightfully compelling full-color graphic memoir, the author shares her process of undoing the effects of a patriarchal, colonial society on her self-image, her sexuality, and her concept of freedom. Reflecting on the ways in which oppression was the cause for her late bloom into queerness, we are invited to discover people and things in the author’s life that helped shape and inform her LGBTQ identity. And we come to an understanding of her holistic definition of queerness.
Robin Loxleigh and his sister Marianne are the hit of the Season, so attractive and delightful that nobody looks behind their pretty faces.
Fifteen acclaimed YA writers put their modern spin on William Shakespeare’s celebrated classics! West Side Story. 10 Things I Hate About You. Kiss Me, Kate. Contemporary audiences have always craved reimaginings of Shakespeare’s most beloved works. Now, some of today’s best writers for teens take on the Bard in these 15 whip-smart and original retellings!
Larissa Bogdan was supposed to spend her summer babysitting and bookselling. Instead, she tagged after her mom to the Outer Banks, working on her tan and making new friends. Now she’s back and starting her senior year at Stratford High, only to face another unexpected turn: she’s finally attracted the attention of superstar quarterback Chase Harding, the guy she’s crushed on since middle school.
Thirteen of YA’s most celebrated names reimagine Edgar Allan Poe’s most surprising, unsettling, and popular tales for a new generation.
Hudson Lin was raised by conservative immigrant parents and grew up straddling two cultures with oftentimes conflicting perspectives on life. Instead of conforming to either, she has sought to find a third way that brings together the positive elements of both.
Tanya has worked at her tavern since she was able to see over the bar. She broke up her first fight at 11. By the time she was a teenager she knew everything about the place, and she could run it with her eyes closed. She’d never let anyone—whether it be a drunkard or a captain of the queen’s guard—take advantage of her. But when her guardian dies, she might lose it all: the bar, her home, her purpose in life. So she heads out on a quest to petition the queen to keep the tavern in her name—dodging unscrupulous guards, a band of thieves, and a powerful, enchanted feather that seems drawn to her. Fast-paced, magical, and unapologetically feminist, Wench is epic fantasy like you’ve never seen it before.
Maxine Kaplan is a private investigator and writer. Her books are The Accidental Bad Girl and Wench. She lives and writes in Brooklyn, NY, where she caters to the whims of her dim, but soulful cat. Follow her on Twitter @maxinegkaplan.