Em Liu‘s THE DEATH I GAVE HIM, a queer, locked-room sci-fi mystery pitched as inspired by Shakespeare’s Hamlet, to David Thomas Moore at Solaris, in a two-book deal, for publication in September 2023, by Penelope Burns at Gelfman Schneider/ICM (world).
Brianna Labuskes‘s THE LIBRARIAN OF BURNED BOOKS, pitched for fans of Kate Quinn and Julia Kelly, about three women who believe in the power of books to triumph over the very darkest moments of war, based on the true story of the Council of Books in Wartime, the World War II organization founded by booksellers, publishers, librarians, and authors to use books as “weapons in the war of ideas,” to Tessa Woodward at William Morrow, in a significant deal, at auction, in a two-book deal, by Abby Saul at The Lark Group (world).
Author of the forthcoming A BRUSH WITH LOVE Mazey Eddings‘s PINING, a queer holiday rom-com featuring a down-on-her-luck 20-something who wins the lottery and impulsively buys a tree farm to escape her ex, but instead of solitude she finds a grumpy woman claiming she inherited the property, causing sparks to fly as they fight for the disastrously romantic farm, to Eileen Rothschild at St. Martin’s, by Wendy Sherman Associates.
Founder of gal-dem magazine Liv Little‘s ROSEWATER, a coming-of-age story of a young, queer, Black working-class poet in south London, narrating her journey to find a place in the world and discover love where it has always been, to Caolinn Douglas at Get Lifted Books, in a nice deal, for publication in spring 2023, by Kate Hibbert at Little, Brown UK (US).
Bloomsbury Children’s editor Camille Kellogg‘s JUST AS YOU ARE, pitched as PRIDE AND PREJUDICE meets The L Word: Generation Q, an enemies-to-lovers rom-com celebrating queer friendship, identity, coming-of-age, and the unpredictable nature of love, to Katy Nishimoto at Dial Press, in a pre-empt, by Jessica Alvarez at BookEnds (world).
Cohost of the long-running Babylon Salon series Dominic Lim‘s untitled book, pitched as RED, WHITE & ROYAL BLUE meets Glee, draped in CRAZY RICH ASIANS, in which a nerdy piano prodigy meets his high school crush 20 years later, only now the crush is a famous action movie star and he is still a nerdy pianist; and a second untitled book, pitched as Kinky Boots meets Tootsie, to Alex Logan at Forever, in a very nice deal, in a pre-empt, in a two-book deal, for publication in June 2023, by Gina Panettieri at Talcott Notch Literary Services (world).
Lambda Literary Award Finalist Selby Wynn Schwartz‘s AFTER SAPPHO, a queer collective biography and poetic reimagining of intertwined circles of feminists, sapphists, writers, and artists at the turn of the 20th century as they fight for liberation and forge new identities, to Gina Iaquinta at Liveright, in a pre-empt, by Sam Jordison at Galley Beggar Press (NA).
Lambda Literary Award-winning author of WRITTEN IN THE STARS Alexandria Bellefleur’s THE FIANCEE FARCE, a queer marriage of convenience rom-com in which a shy bookstore owner claims to be dating the beautiful cover model from her favorite romance novel, but when their paths unexpectedly cross, an awkward situation becomes mutually beneficial—because her fake girlfriend is actually in need of a real wife, to Nicole Fischer at Avon, in a good deal, in a three-book deal, by Sarah Younger at Nancy Yost Literary Agency (world).
Swedish writer and critic Hanna Johansson’s ANTIQUITY, pitched as a queer contemporary LOLITA story, centered on a lonely woman whose feelings for a glamorous older artist are transferred to her 15-year-old daughter when she joins them on holiday in the Greek city of Ermoupoli, and the illicit sexual relationship that follows; a story of desire, power, lust, obsession, observation, and taboo, to Kendall Storey at Catapult, at auction, for publication in 2024, by Linda Altrov Berg at Norstedts (world English).
Iowa Writers’ Workshop graduate and Lambda Emerging LGBTQ Voices Fellow Santiago Jose Sanchez’s HOMBRECITO, about a young gay man—an immigrant from Colombia to Miami—grappling with his turbulent sexual coming of age, and his fierce, complicated relationship with his mother and their homeland, to Laura Perciasepe at Riverhead, by Jin Auh at The Wylie Agency.
Children’s/Young Adult Fiction
James Sutter‘s DARKHEARTS, a debut contemporary romance pitched as appealing to readers of MORE HAPPY THAN NOT and THE PERKS OF BEING A WALLFLOWER, in which an ordinary Seattle high schooler, having dropped out of a band that then went on to become the hottest teen pop act in America, is thrown back into contact with his former bandmate after the other bandmate dies by suicide, and the newly connected boys soon trade their frenemy status for a confusing, tentative romance, to Sara Goodman at Wednesday Books, in a two-book deal, for publication in spring/summer 2023, by Josh Adams at Adams Literary (NA).
Gen Z essayist and feminist advocate Malavika Kannan’s ALL THE YELLOW SUNS, pitched for fans of ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE, telling the story of a 16-year-old Indian American artist living in a conservative Florida suburb who falls for her white, wealthy, complicated female classmate, when she is asked to join a secret society of vandals and mischief-makers who fight for justice at their school, to Samantha Gentry at Little, Brown Children’s, in a pre-empt, for publication in summer 2023, by Stephanie Kip Rostan at Levine Greenberg Rostan (world). Rights: Janelle DeLuise
Erica Hollis’s debut HEARTS FORGED IN DRAGON FIRE, a f/f high fantasy, in which a lesbian teen who can speak to dragons must get rid of the dragon that’s terrorizing her missing mother’s hometown, but falls for the girl who’s mysteriously sabotaging her mission, to Jen Bouvier at Entangled Teen, for publication in fall 2022 (world).
Author of REFUSE and Cave Canem poetry fellow Julian Randall‘s THE DEAD DON’T NEED REMINDING, an essay collection that intertwines pop culture, from BoJack Horseman and T-Pain to the Dallas Cowboys, with the author’s struggle with depression and the search for his great-grandfather’s grave in small-town Mississippi, to tell a story of Black queer life and what it takes to come back from the edge, to Hillary Brenhouse at Bold Type Books, by Abigail Donoghue and Patrice Caldwell at New Leaf Literary & Media (world).
UC Berkeley professor, author of GENDER TROUBLE, and pioneering scholar of queer theory Judith Butler‘s WHO’S AFRAID OF GENDER?, a defense of the study of gender that spans philosophy, history, law, and reportage to analyze the social fantasy of “gender” as a destructive force that has incited new forms of fascism across the world, and argues that to oppose these reactionary tides, we must to come to a radically new understanding and affirmation of gendered lives in their complexity and diversity, to Eric Chinski and Jackson Howard at Farrar, Straus, by Sarah Chalfant at The Wylie Agency (NA).
Stonewall Honoree Robin Stevenson‘s QUEER HISTORY A–Z, covering key people, places, and events that have shaped queer history in North America over the past century, with a focus on the theme of activism, illustrated by Vivian Rosas, to Katie Scott at Kids Can Press, for publication in spring 2024, by Maria Vicente at P.S. Literary Agency for the author (world).
Editor in chief of British Vogue Edward Enninful‘s A VISIBLE MAN, a memoir of the author’s journey through one of the world’s most exclusive industries, and how as a Black, gay, working-class refugee, he found in fashion not only a home, but the freedom to share with people the world as he saw it, to Christopher Richards at Penguin Press, at auction, for publication in September 2022, by Albert Lee and Meredith Miller at UTA (NA).
Author and historian of medicine Brandy Schillace’s THE INTERMEDIARIES: HOW PIONEERS OF SEXOLOGY BUILT THE FIRST TRANS CLINIC IN THE SHADOW OF THE THIRD REICH, chronicling the stories of the pioneers who founded The Institute for Sexual Science in interwar Berlin, a base of operations for the first LGBTQ rights movement of the 20th century as well as women’s rights, sex education and birth control, offering a history as well as a cautionary tale in the face of today’s oppressive anti-trans legislation, to Jill Bialosky at Norton, at auction, by Jessica Papin at Dystel, Goderich & Bourret (world).
Editor-in-chief of frieze magazine and author of the novels SKYLAND and MACARTHUR PARKAndrew Durbin‘s SPEED OF LIFE, an exploration of three foundational, transgressive, and intimately connected gay artists—Paul Thek, Peter Hujar, and David Wojnarowicz—who defined New York’s storied downtown scene and later the international art world, and who ultimately changed contemporary art forever; a book about friendship and death, queerness and community, and the complicated meanings of “legacy,” to Jackson Howard at Farrar, Straus, in an exclusive submission, by Anna Stein at ICM (NA).
Lethal Lit follows Tig Torres, a Cuban American teen detective, in her hometown of Hollow Falls. In season one of the hit podcast, Tig used her smarts and fearlessness to track down the infamous “Lit Killer,” a serial killer who staged his murders after death scenes from famous books. But there’s no rest for courageous, mystery-solving teens in a place like Hollow Falls, and though the Lit Killer is now behind bars, his protégé, Tig’s classmate and crush Oly, has disappeared!
And that’s not the only game afoot. Tig has caught the attention of the town’s local armchair detective group, the Murder of Crows. They’re obsessed with Hollow Falls’ dark past and fixated on a dangerous search for the missing body of the town’s founder. There are rumors about what’s buried with the body that could be life-changing for whoever finds it, and with a mission like that underway, it’s not long before a member of the Murder of Crows turns up dead.
Tig, along with her friends Max and Wyn, steps in to help, but the stakes are getting higher and the hunt more deadly. Someone’s willing to kill to keep the town’s secrets buried, and if Tig’s not careful, she’ll be the Murder of Crows’ next victim.
This original Lethal Lit story takes place between Seasons 1 and 2 of the podcast, and features a brand-new, never-before-told story starring Tig Torres and her sleuthing friends!
All Luis Gonzalez wants is to go to prom with his boyfriend, something his “progressive” school still doesn’t allow. Not after what happened with Chaz Wilson. But that was ages ago, when Luis’s parents were in high school; it would never happen today, right? He’s determined to find a way to give his LGBTQ friends the respect they deserve (while also not risking his chance to be prom king, just saying…).
When a hit on the head knocks him back in time to 1985 and he meets the doomed young Chaz himself, Luis concocts a new plan-he’s going to give this guy his first real kiss. Though it turns out a conservative school in the ’80s isn’t the safest place to be a gay kid. Especially with homophobes running the campus, including Gordo (aka Luis’s estranged father). Luis is in over his head, trying not to make things worse-and hoping he makes it back to present day at all.
To save a galactic kingdom from revolution, Kindred mind-pairings were created to ensure each and every person would be seen and heard, no matter how rich or poor…
Joy Abara knows her place. A commoner from the lowly planet Hali, she lives a simple life—apart from the notoriety that being Kindred to the nobility’s most infamous playboy brings.
Duke Felix Hamdi has a plan. He will exasperate his noble family to the point that they agree to let him choose his own future and finally meet his Kindred face-to-face.
Then the royal family is assassinated, putting Felix next in line for the throne…and accused of the murders. Someone will stop at nothing until he’s dead, which means they’ll target Joy, too. Meeting in person for the first time as they steal a spacecraft and flee amid chaos might not be ideal…and neither is crash-landing on the strange backward planet called Earth. But hiding might just be the perfect way to discover the true strength of the Kindred bond and expose a scandal—and a love—that may decide the future of a galaxy.
Sam Dickson is a charismatic actress, ambitious and popular with big plans for her future. Ros Shew is one of the smartest people in school–but she’s a loner, and prefers to keep it that way. Then there’s Christian Powell, the darling of the high school soccer team. He’s not the best with communication, which is why he and Sam broke up after dating for six months; but he makes up for it by being genuine, effusive, and kind, which is why they’re still best friends.
When Christian falls for Ros on first sight, their first interaction is a disaster, so he enlists Sam’s help to get through to her. Sam, with motives of her own, agrees to coach Christian from the sidelines on how to soften Ros’s notorious walls. But as Ros starts to suspect Christian is acting differently, and Sam starts to realize the complexity of her own feelings, their fragile relationships threaten to fall apart.
Sleeping Beauty meets Indiana Jones in this thrilling fairytale retelling for fans of Sorcery of Thorns and All the Stars and Teeth.
Fi is a bookish treasure hunter with a knack for ruins and riddles, who definitely doesn’t believe in true love.
Shane is a tough-as-dirt girl warrior from the north who likes cracking skulls, pretty girls, and doing things her own way.
Briar Rose is a prince under a sleeping curse, who’s been waiting a hundred years for the kiss that will wake him.
Cursed princes are nothing but ancient history to Fi–until she pricks her finger on a bone spindle while exploring a long-lost ruin. Now she’s stuck with the spirit of Briar Rose until she and Shane can break the century-old curse on his kingdom.
Dark magic, Witch Hunters, and bad exes all stand in her way–not to mention a mysterious witch who might wind up stealing Shane’s heart, along with whatever else she’s after. But nothing scares Fi more than the possibility of falling in love with Briar Rose.
Seventeen-year-old Mickey James III is a college freshman, a brother to five sisters, and a hockey legacy. With a father and a grandfather who have gone down in NHL history, Mickey is almost guaranteed the league’s top draft spot.
The only person standing in his way is Jaysen Caulfield, a contender for the #1 spot and Mickey’s infuriating (and infuriatingly attractive) teammate. When rivalry turns to something more, Mickey will have to decide what he really wants, and what he’s willing to risk for it.
This is a story about falling in love, finding your team (on and off the ice), and choosing your own path.
Everyone in their village has magic in their bones, and Preet is the strongest of them all. Without any power of her own, how can Valissa ever be worthy of Preet’s love? When their home is attacked, Valissa has a chance to prove herself, but that means leaving Preet behind. On her own for the first time Preet breaks the village’s most sacred laws, and is rejected from the only home she’s ever known and sent into a new world.
Divided by different paths, insecurities, and distance, will Valissa and Preet be able to find their way back to each other?
The Hope Juvenile Treatment Center is ironically named. No one has hope for the delinquent teenagers who have been exiled there; the world barely acknowledges that they exist.
Then the guards at Hope start acting strange. And one day…they don’t show up. But when the teens band together to make a break from the facility, they encounter soldiers outside the gates. There’s a rapidly spreading infectious disease outside, and no one can leave their houses or travel without a permit. Which means that they’re stuck at Hope. And this time, no one is watching out for them at all.
As supplies quickly dwindle and a deadly plague tears through their ranks, the group has to decide whom among them they can trust and figure out how they can survive in a world that has never wanted them in the first place.
Emanuela has finally gotten what she’s always wanted. Since escaping her catacomb prison, she’s become the supreme ruler of everything under the veils. Finally, she has the power to throw aside senseless, old traditions and run things exactly the way they should be.
But when cracks in her magic start to show, Emanuela begrudgingly allies herself with her enemies, including her frustratingly alluring archnemesis, Verene. Together, they discover deeper truths about the mysterious blood magic Emanuela and Verene both wield. There is a higher, otherworldly authority outside the veils, and in order to save Occhia and the other realms, Emanuela may just have to rip another crown off someone’s head.
Sixteen-year-old Dylan Highmark thought his winter was going to be full of boring shifts at the Dairy Queen, until he finds himself in love with a boy who’s literally too hot to handle.
Dylan has always wanted a boyfriend, but the suburbs surrounding Philadelphia do not have a lot in the way of options. Then, in walks Jordan, a completely normal (and undeniably cute) boy who also happens to run at a cool 110 degrees Fahrenheit. When the boys start spending time together, Dylan begins feeling all kinds of ways, and when he spikes a fever for two weeks and is suddenly coughing flames, he thinks he might be suffering from something more than just a crush. Jordan forces Dylan to keep his symptoms a secret. But as the pressure mounts and Dylan becomes distant with his closest friends and family, he pushes Jordan for answers. Jordan’s revelations of why he’s like this, where he came from, and who’s after him leaves Dylan realizing how much first love is truly out of this world. And if Earth supports life that breathes oxygen, then love can only keep Jordan and Dylan together for so long.
Seventeen-year-old Brynn Riley is perfect. She’s on a hundred committees, has earned teacher’s pet in practically every class she’s ever taken, and is on track to make valedictorian—salutatorian if she REALLY slacks off, which, please.
But one night, Brynn makes a mistake.
A big one.
Why wouldn’t the cops show up on the one night she’s ever cut loose in her life? Why wouldn’t she be assigned community service for one tiny mistake (something she would DIE over if word ever got out)? And why, of all things, wouldn’t a boy from school happen to work at the pitbull rescue she chooses to do her community service hours at?
Oliver West’s dad owns the rescue. And Oliver works there as his second in command. And Brynn and Oliver both know that she absolutely screwed him out of a major opportunity at school not twenty-four hours before she shows up for her community service.
If Brynn doesn’t want her secret spilled and her sterling reputation ruined, she’d better start taking Oliver seriously. He’ll keep quiet if she helps him land this project (since she ruined it, after all), which requires Brynn to give up her own spot in the running.
As the two get closer, the stakes begin to shift. Brynn starts to want Oliver for more than the community service checkmark, and Oliver, as it turns out, takes Brynn Riley very, very seriously. But, well…you know what they say.
Nothing brings people together like blackmail, pit bulls, and court-ordered community service.
With only a drop of flare, one can light the night sky with fireworks . . . or burn a building to the ground — and seventeen-year-old Ingrid Ellis wants her fair share.
Ingrid doesn’t have a family fortune, monetary or magical, but at least she has a plan: Rise to the top on the arm of Linden Holt, heir to a hefty political legacy and the largest fortune of flare in all of Candesce. Her only obstacle is Linden’s father who refuses to acknowledge her.
So when Senator Holt announces his run for president, Ingrid uses the situation to her advantage. She strikes a deal to spy on the senator’s opposition in exchange for his approval and the status she so desperately craves. But the longer Ingrid wears two masks, the more she questions where her true allegiances lie.
Will she stand with the Holts, or will she forge her own path?
Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.
Except it’s all fake.
Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the façade.
But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.
This is the US edition. The UK edition was published in 2020.
This is the funny, honest, messy, completely relatable story of Georgia, who doesn’t understand why she can’t crush and kiss and make out like her friends do. She’s surrounded by the narrative that dating + sex = love. It’s not until she gets to college that she discovers the A range of the LGBTQIA+ spectrum — coming to understand herself as asexual/aromantic. Disrupting the narrative that she’s been told since birth isn’t easy — there are many mistakes along the way to inviting people into a newly found articulation of an always-known part of your identity. But Georgia’s determined to get her life right, with the help of (and despite the major drama of) her friends.
Hannah’s whole life has been spent in motion. Her mother has kept her and her brother, Gabe, on the road for as long as she can remember, leaving a trail of rental homes and faded relationships behind them. No roots, no family but one another, and no explanations.
All of that changes on Hannah’s seventeenth birthday when she wakes up transformed, a pair of golden eyes with knife-slit pupils blinking back at her from the mirror—the first of many such impossible mutations. Promising that she knows someone who can help, her mother leaves Hannah and Gabe behind to find a cure. But as the days turn to weeks and their mother doesn’t return, they realize it’s up to them to find the truth.
What they discover is a family they never knew, and a history more tragic and fantastical than Hannah could have dreamed—one that stretches back to her grandmother’s childhood in Prague under the Nazi occupation, and beyond, into the realm of Jewish mysticism and legend. As the past comes crashing into the present, Hannah must hurry to unearth their family’s secrets—and confront her own hidden legacy in order to break the curse and save the people she loves most, as well as herself.
Rebecca Podos, award-winning author of Like Water, returns with a contemporary fantasy of enduring love, unfathomable loss, and the power of stories to hold us together when it seems that nothing else can.
It’s the summer before senior year. Gabriel, Reese, Sal, and Heath are best friends, bonded in their small, rural town by their queerness, their good grades, and their big dreams. But they have plans for the summer, each about to embark on a new adventure.
Gabriel is interning at an environmental nonprofit in Boston.
Reese is attending design school in Paris.
Sal is volunteering on Capitol Hill for a senator.
Heath is heading to Florida, to help out at his aunt’s boardwalk arcade.
What will this season of world-expanding travel and life-changing experiences mean for each of them–and for their friendship?
When they were kids, Fassen’s fighter spaceship crash-landed on a planet that Lu’s survey force was exploring. It was a forbidden meeting between a kid from a war-focused resistance movement and a kid whose community and planet are dedicated to peace and secrecy.
Lu and Fassen are from different worlds and separate solar systems. But their friendship keeps them in each other’s orbit as they grow up. They stay in contact in secret as their communities are increasingly threatened by the omnipresent, ever-expanding empire.
As the empire begins a new attack against Fassen’s people–and discovers Lu’s in the process–the two of them have the chance to reunite at last. They finally are able to be together…but at what cost?
This beautifully illustrated graphic novel is an epic science fiction romance between two non-binary characters as they find one another through time, distance, and war.
Ophelia Rojas knows what she likes: her best friends, Cuban food, rose-gardening, and boys – way too many boys. Her friends and parents make fun of her endless stream of crushes, but Ophelia is a romantic at heart. She couldn’t change, even if she wanted to.
So when she finds herself thinking more about cute, quiet Talia Sanchez than the loss of a perfect prom with her ex-boyfriend, seeds of doubt take root in Ophelia’s firm image of herself. Add to that the impending end of high school and the fracturing of her once-solid friend group, and things are spiraling a little out of control. But the course of love―and sexuality―never did run smooth. As her secrets begin to unravel, Ophelia must make a choice between clinging to the fantasy version of herself she’s always imagined or upending everyone’s expectations to rediscover who she really is, after all.
A boy, a murder, a girl, a secret. From award-winning author Mariko Tamaki comes Cold, a haunting YA novel about a shocking crime in a quiet town and four students who knew too much and said too little.
This is the story of a boy who died―and a girl who wants to know why.
Todd Mayer is dead. Now he’s some sort of ghost, hovering over his body, which has just been found in the town park, naked and frozen in the snow. As detectives investigate Todd’s homicide,Todd replays the events that lead him to his end in the park.
Georgia didn’t know Todd. But she can’t stop thinking about him. Maybe because they’re both outcasts at their school, or because they’re both queer. It might also be because Georgia has a feeling she’s seen Todd somewhere before, somewhere he wasn’t supposed to be.
Told through the voices of Todd in his afterlife and Georgia as she uncovers the truth behind his death, Cold is an immersive, emotional, and provocative read.
Beth Kramer is a “townie” who returns to her sophomore year after having endured a year of judgment from her roommate, Sarah.
But Sarah Brunson knows there’s more to that story.
Amanda Priya “Spence” Spencer is the privileged daughter of NYC elites, who is reeling from the realization that her family name shielded her from the same fate as Sarah.
Ramin Golafshar arrives at Chandler as a transfer student to escape the dangers of being gay in Iran, only to suffer brutal hazing under the guise of tradition in the boys’ dorms.
And Freddy Bello is the senior who’s no longer sure of his future but has fallen hard for Spence and knows he has to stand up to his friends after what happened to Ramin.
At Chandler, the elite boarding school, these five teens are brought together in the Circle, a coveted writing group where life-changing friendships are born—and secrets are revealed. Their professor tells them to write their truths. But is the truth enough to change the long-standing culture of abuse at Chandler? And can their friendship survive the fallout?
All you must know is that today she will become one of the four saints of Haven. The elders will mark her and place the red hood on her head. With her sisters, she will stand against the evil power that lives beneath the black mountain–an evil which has already killed nine of her village’s men.
She will tell no one of the white-eyed beasts that follow her. Or the faceless gray women tall as houses. Or the girls she saw kissing in the elm grove.
Today she will be a saint of Haven. She will rid her family of her mother’s shame at last and save her people from destruction. She is not afraid. Are you?
This searing and lyrically written novel by the critically acclaimed author of Sawkill Girls beckons readers to follow its fierce heroine into a world filled with secrets and blood–where the truth is buried in lies and a devastating power waits, seething, for someone brave enough to use it.
One small fandom convention. One teen beauty pageant. One meet cute waiting to happen.
Up and coming fanfic author Kaylee Beaumont is internally screaming at the chance to finally meet her fandom friends in real life and spend a weekend at GreatCon. She also has a side quest for the weekend:
Try out they/them pronouns to see how it feels
Wear more masculine-presenting cosplay
Kiss a girl for the first time
It’s… a lot, and Kay mostly wants to lie face down on the hotel floor. Especially when her hometown bully, Miss North Carolina, shows up in the very same hotel. But there’s this con-sponsored publishing contest, and the chance to meet her fandom idols… and then, there’s Teagan.
Pageant queen Teagan Miller (Miss Virginia) has her eye on the much-needed prize: the $25,000 scholarship awarded to the winner of the Miss Cosmic Teen USA pageant. She also has secrets:
She loves the dresses but hates the tiaras
She’s a giant nerd for everything GreatCon
She’s gay af
If Teagan can just keep herself wrapped up tight for one more weekend, she can claim the scholarship and go off to college out and proud. If she’s caught, she could lose everything she’s worked for. If her rival, Miss North Carolina, has anything to do with it, that’s exactly how it’ll go down.
When Teagan and Kay bump into one another the first night, sparks fly. Their connection is intense—as is their shared enemy. If they’re spotted, the safe space of the con will be shattered, and all their secrets will follow them home. The risks are great… but could the reward of embracing their true selves be worth it?
After Philly teenager Alexis Duncan is injured in a gang shooting, her dreams of a college scholarship and pro basketball career vanish in an instant. To avoid becoming another Black teen trapped in her poverty-stricken neighborhood, she shifts her focus to the school’s STEM team, a group of nerds seeking their own college scholarships. Academics have never been her thing, but Alexis is freshly motivated by Aamani Chakrabarti, the new Indian student who becomes her mentor (and crush?). Alexis begins to see herself as so much more than an athlete. But just as her future starts to reform, Alexis’s own doubts and old loyalties pull her back into harm’s way.
This was previously published in Australia as The Boy From the Mish.
A remarkable YA love story between two Aboriginal boys — one who doesn’t want to accept he’s gay, and the boy who comes to live in his house who makes him realize who he is.
It’s a hot summer, and life’s going all right for Jackson and his family on the Mish. It’s almost Christmas, school’s out, and he’s hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson’s Aunty and annoying little cousins visit from the city — but this time a mysterious boy with a troubled past comes with them. As their friendship evolves, Jackson must confront the changing shapes of his relationships with his friends, family and community. And he must face his darkest secret — a secret he thought he’d locked away for good.
In this young adult novel by award-winning author Anna-Marie McLemore, two non-binary teens are pulled into a magical world under a lake – but can they keep their worlds above water intact?
Everyone who lives near the lake knows the stories about the world underneath it, an ethereal landscape rumored to be half-air, half-water. But Bastián Silvano and Lore Garcia are the only ones who’ve been there. Bastián grew up both above the lake and in the otherworldly space beneath it. Lore’s only seen the world under the lake once, but that one encounter changed their life and their fate.
Then the lines between air and water begin to blur. The world under the lake drifts above the surface. If Bastián and Lore don’t want it bringing their secrets to the surface with it, they have to stop it, and to do that, they have to work together. There’s just one problem: Bastián and Lore haven’t spoken in seven years, and working together means trusting each other with the very things they’re trying to hide.
When Andrew stumbles upon Jamie’s house, he’s injured, starved, and has nothing left to lose. A deadly pathogen has killed off most of the world’s population, including everyone both boys have ever loved. And if this new world has taught them anything, it’s to be scared of what other desperate people will do . . . so why does it seem so easy for them to trust each other?
After danger breaches their shelter, they flee south in search of civilization. But something isn’t adding up about Andrew’s story, and it could cost them everything. And Jamie has a secret, too. He’s starting to feel something more than friendship for Andrew, adding another layer of fear and confusion to an already tumultuous journey.
The road ahead of them is long, and to survive, they’ll have to shed their secrets, face the consequences of their actions, and find the courage to fight for the future they desire, together. Only one thing feels certain: all that’s left in their world is the undeniable pull they have toward each other.
Great or Nothing by Joy McCullough, Caroling Tung Richmond, Jessica Spotswood, and Tess Sharpe (March 8th)
A reimagining of Little Women set in the spring of 1942, when the United States is suddenly embroiled in the second World War, this story, told from each March sister’s point of view, is one of grief, love, and self-discovery.
In the spring of 1942, the United States is reeling from the attack on Pearl Harbor. While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth.
Under the strain of their grief, Beth’s remaining sisters fracture, each going their own way with Jo nursing her wounds and building planes in Boston, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London–the same city where one Mr. Theodore Laurence is stationed as an army pilot.
Each March sister’s point of view is written by a separate author, three in prose and Beth’s in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one’s way in a world undergoing catastrophic change.
Chase Arthur is a budding animator and hopeless romantic obsessed with Disney films and finding his true love, but he’s plagued with the belief that he’s not enough for anyone: he’s recovering from an eating disorder and suffers from body dysmorphia fueled by his father, and can’t quite figure out his gender identity. When Chase starts his freshman year of college, he has to navigate being away from home and missing his sister, finding his squad, and contending with his ex-best friend Leila who is gunning for the same exclusive mentorship. If only he can pull together a short for the freshman animation showcase at the end of the semester.
Then Chase meets Jack Reid, a pragmatic poet who worships words and longs to experience life outside of his sheltered world. But Chase throws everything into question for Jack, who is still discovering his sexual identity, having grown up in close-knit conservative family. Jack internalized a lot of homophobia from his parents and childhood best friend, who unexpectedly visit campus, which threatens to destroy their relationship. Chase will have to learn to love–and be enough for–himself, while discovering what it means to truly live.
All Harper McKinley wants is for her dad’s presidential campaign to not interfere with her senior marching band season.
But Harper’s world gets upended when the drumline’s punk-rock section leader, Margot Blanchard, tries to reject her one day after practice. Someone pretending to be Harper on Tinder catfished Margot for a month and now she’s determined to get to know the real Harper.
But the real Harper has a homophobic mother who’s the dean and a father who is running for president on the Republican ticket. With the election at stake, neither of them are happy about Harper’s new friendship with out-and-proud Margot.
As the election draws closer, Harper is forced to figure out if she even likes girls, if she might be asexual, and if it’s worth coming out at all.
School’s out, senior year is over, and Isaac Martin is ready to kick off summer. His last before heading off to college in the fall where he won’t have his best friend, Diego. Where—despite his social anxiety—he’ll be left to make friends on his own. Knowing his time with Diego is limited, Isaac enacts a foolproof plan: snatch up a pair of badges for the epic comic convention, Legends Con, and attend his first ever Teen Pride. Just him and Diego. The way it should be. But when an unexpected run-in with Davi—Isaac’s old crush—distracts him the day tickets go on sale, suddenly he’s two badges short of a perfect summer. Even worse, now he’s left making it up to Diego by hanging with him and his gamer buddies. Decidedly NOT part of the original plan. It’s not all bad, though. Some of Diego’s friends turn out to be pretty cool, and when things with Davi start heating up, Isaac is almost able to forget about his Legends Con blunder. Almost. Because then Diego finds out what really happened that day with Davi, and their friendship lands on thin ice. Isaac assumes he’s upset about missing the convention, but could Diego have other reasons for avoiding Isaac?
In this queer YA retelling of Shakespeare’s Julius Caesar, stakes at Augustus Magnet School are cutthroat, scheming is creative, and loyalty is ever-changing.
Overnight, Bronwyn St. James goes from junior class queen to daughter of an imprisoned felon, and she lands in the care of her aunt and younger cousin Cass, a competitive cheerleader who Bronwyn barely knows. Life gets worse when her ex-best friend, the always-cool Jude Cuthbert, ostracizes Bronwyn from the queer social elite for dating a boy, Porter Kendrick.
Bronwyn and Jude are both running for student body president, and that means war. But after Bronwyn, Porter, and Cass share a video of Jude in a compromising position, Jude suddenly goes missing. No one has seen her for weeks and it might be all Bronwyn’s fault.
Will Jude ever be found? Or will Bronwyn finally have to reckon with what she’s won―and what she’s lost?
After a decade of dedicated ballet practice, one missed step on a flight of stairs lands Luca in the hospital with a titanium plate screwed into his foot. Without ballet, he loses his friends, his school, and his perfect future.
As Luca settles into his new life, he strikes up an unlikely friendship with the least popular (and nicest) girl in his new school, Amina, and the gorgeous, popular, and (allegedly) straight, Jordan Tanaka-Jones.
With his dancing dreams dead on their feet, Luca has to figure out who he is without ballet. And to do that he’ll have to unlearn his prejudices about the school on the “bad” side of town, make friends who aren’t always competing against him, and figure out if love is worth being a skeleton in someone else’s closet.
For as long as they can remember, Aaron and Oliver have only ever had each other. In a small town with few queer teenagers, let alone young trans men, they’ve shared milestones like coming out as trans, buying the right binders—and falling for each other.
But just as their relationship has started to blossom, Aaron moves away. Feeling adrift, separated from the one person who understands them, they seek solace in digging deep into the annals of America’s past. When they discover the story of two Revolutionary War soldiers who they believe to have been trans man in love, they’re inspired to pay tribute to these soldiers by adopting their names—Aaron and Oliver. As they learn, they delve further into unwritten queer stories, and they discover the transformative power of reclaiming one’s place in history.
Hunter never expected to be a boy band star, but, well, here he is. He and his band Kiss & Tell are on their first major tour of North America, playing arenas all over the United States and Canada (and getting covered by the gossipy press all over North America as well). Hunter is the only gay member of the band, and he just had a very painful breakup with his first boyfriend–leaked sexts, public heartbreak, and all–and now everyone expects him to play the perfect queer role model for teens.
But Hunter isn’t really sure what being the perfect queer kid even means. Does it mean dressing up in whatever The Label tells him to wear for photo shoots and pretending never to have sex? (Unfortunately, yes.) Does it mean finding community among the queer kids at the meet-and-greets after K&T’s shows? (Fortunately, yes.) Does it include a new relationship with Kaivan, the star of the band opening for K&T on tour? (He hopes so.) But when The Label finds out about Hunter and Kaivan, it spells trouble—for their relationship, for the perfect gay boy Hunter plays for the cameras, and, most importantly, for Hunter himself.
After her eighteenth birthday, Hilde, an orphan in 1930s Berlin, goes out into the world hoping to find her place. She comes up short, at least until she stumbles into Café Lila, a vibrant cabaret full of love and music, and meets Rosa, the club’s waitress and performer, whom she can’t take her eyes off of. There, Hilde starts to find her voice and embrace her blossoming feelings for Rosa.
But Berlin is in turmoil. Between elections, protests in the streets, and the growing unrest in Café Lila itself, Hilde will have to decide what’s best for her future . . . and what it means to love a place that will soon be changed forever.
Jamal Lawson just wanted to be a part of something. As an aspiring journalist, he packs up his camera and heads to Baltimore to document a rally protesting police brutality after another Black man is murdered.
But before it even really begins, the city implements a new safety protocol…the Dome. The Dome surrounds the city, forcing those within to subscribe to a total militarized shutdown. No one can get in, and no one can get out.
Alone in a strange place, Jamal doesn’t know where to turn…until he meets hacker Marco, who knows more than he lets on, and Catherine, an AWOL basic-training-graduate, whose parents helped build the initial plans for the Dome.
As unrest inside of Baltimore grows throughout the days-long lockdown, Marco, Catherine, and Jamal take the fight directly to the chief of police. But the city is corrupt from the inside out, and it’s going to take everything they have to survive.
Arek hadn’t thought much about what would happen after he completed the prophecy that said he was destined to save the Kingdom of Ere from its evil ruler. So now that he’s finally managed to (somewhat clumsily) behead the evil king (turns out magical swords yanked from bogs don’t come pre-sharpened), he and his rag-tag group of quest companions are at a bit of a loss for what to do next.
As a temporary safeguard, Arek’s best friend and mage, Matt, convinces him to assume the throne until the true heir can be rescued from her tower. Except that she’s dead. Now Arek is stuck as king, a role that comes with a magical catch: choose a spouse by your eighteenth birthday, or wither away into nothing.
With his eighteenth birthday only three months away, and only Matt in on the secret, Arek embarks on a desperate bid to find a spouse to save his life—starting with his quest companions. But his attempts at wooing his friends go painfully and hilariously wrong…until he discovers that love might have been in front of him all along.
Seventeen-year-old film noir fan Neve Lanier is a girl who just wants to be seen, but doesn’t really fit in anywhere. When Neve is betrayed by her best friend, Yasmin, at the end of the school year, she heads off to a girl’s empowerment camp feeling like no one will ever love her again. So when she grabs the attention of the beautiful, charismatic Diane, she falls right under her spell, and may accidentally promise to murder Diane’s predatory step-brother, Javier, in exchange for Diane murdering Yasmin. But that was just a joke…right?
Wrong. When Yasmin turns up dead, Diane comes calling, attempting to blackmail Neve into murdering Javier. Stalling for time, Neve pretends to go along with Diane’s plan until she can find a way out that doesn’t involve homicide. But as she gets to know Javier – and falls for him – she realizes that everything Diane told her is a lie. Even worse, she discovers that Yasmin probably wasn’t Diane’s first victim. And unless Neve can stop her, she won’t be the last
The Fountains of Silence meets Spinning Silver in this rollicking tale set amid the 1956 Hungarian revolution in post-WWII Communist Budapest from Sydney Taylor Honor winner Katherine Locke.
In the middle of Budapest, there is a river. Csilla knows the river is magic. During WWII, the river kept her family safe when they needed it most–safe from the Holocaust. But that was before the Communists seized power. Before her parents were murdered by the Soviet police. Before Csilla knew things about her father’s legacy that she wishes she could forget.
Now Csilla keeps her head down, planning her escape from this country that has never loved her the way she loves it. But her carefully laid plans fall to pieces when her parents are unexpectedly, publicly exonerated. As the protests in other countries spur talk of a larger revolution in Hungary, Csilla must decide if she believes in the promise and magic of her deeply flawed country enough to risk her life to help save it, or if she should let it burn to the ground.
Finch Chamberlin is the newest transfer student to the ultra-competitive Ulalume Academy… but she’s also not what she seems. Months before school started, Finch and her parents got into an accident that should have left her dead at the bottom of a river. But something monstrous, and ancient, and terrifying, wouldn’t let her drown. Finch doesn’t know why she woke up after her heart stopped, but since dying she’s felt a constant pull from the school and the surrounding town of Rainwater, like something on the island is calling to her.
Selena St. Clair sees right through Finch, and she knows something is seriously wrong with her. But despite Selena’s suspicion, she feels drawn to Finch and has a sinking feeling that from now on the two will be inexplicably linked to one another.
One night Finch, Selena, and her friends accidentally summon a carnivorous creature of immense power in the depths of the school. It promises to grant every desire the girls have kept locked away in their insecure hearts―beauty, power,adoration―in exchange for a price: human body parts. But as the cost of their wanting becomes more deadly, Finch and Selena must learn to work together to stop the horror they unleashed, before it consumes the entire island.
One wild and reckless day.
Years of a tumultuous history unspooling
like thin, fraying string in the hours after they set a fire.
They were best friends. Until they became more.
Their affections grew. Until the blurry lines became dangerous.
Over the course of a single day, the depth of their past, the confusion of their present, and the unpredictability of their future is revealed.
And the girls will learn that hearts, like flames, aren’t so easily tamed.
Abandoned by her parents, bookish and sheltered Georgiana Ellers is spending the summer with her stodgy aunt and uncle at their home in the English countryside. At a particularly dull party, she meets the enigmatic Frances Campbell, a wealthy member of the in-crowd who delights Georgiana with her disregard for so-called “polite society.”
Lonely and vulnerable, Georgiana quickly falls in with Frances and her wealthy, wild, and deeply improper friends, who introduce her to the upper echelons of Regency aristocracy, and a world of drunken debauchery, frivolous spending, and mysterious young men. One, in particular, stands out from the rest: Thomas Hawksley, who has a tendency to cross paths with Georgiana in her most embarrassing moments. Sparks fly, but Thomas seems unimpressed with the company she is keeping. And soon, Georgiana begins to wonder whether she’ll ever feel like she fits in––or if the price of entry into Frances’s gilded world will ultimately be higher than she is willing to pay.
Alex Blackwood is a little bit headstrong, with a dash of chaos and a whole lot of flirt. She knows how to get the girl. Keeping her on the other hand…not so much. Molly Parker has everything in her life totally in control, except for her complete awkwardness with just about anyone besides her mom. She knows she’s in love with the impossibly cool Cora Myers. She just…hasn’t actually talked to her yet.
Alex and Molly don’t belong on the same planet, let alone the same college campus. But when Alex, fresh off a bad (but hopefully not permanent) breakup, discovers Molly’s hidden crush as their paths cross the night before classes start, they realize they might have a common interest after all. Because maybe if Alex volunteers to help Molly learn how to get her dream girl to fall for her, she can prove to her ex that she’s not a selfish flirt. That she’s ready for an actual commitment. And while Alex is the last person Molly would ever think she could trust, she can’t deny Alex knows what she’s doing with girls, unlike her.
As the two embark on their five-step plans to get their girls to fall for them, though, they both begin to wonder if maybe they’re the ones falling…for each other.
Sequel to Victories Greater Than Death, this is the second book in the Unstoppable series
They’ll do anything to be the people they were meant to be — even journey into the heart of evil.
Rachael Townsend is the first artist ever to leave Earth and journey out into the galaxy — but after an encounter with an alien artifact, she can’t make art at all. Elza Monteiro is determined to be the first human to venture inside the Palace of Scented Tears and compete for the chance to become a princess — except that inside the palace, she finds the last person she ever wanted to see again. Tina Mains is studying at the Royal Space Academy with her friends, but she’s not the badass space hero everyone was expecting. Soon Rachael is journeying into a dark void, Elza is on a deadly spy mission, and Tina is facing an impossible choice that could change all her friends lives forever.
High school junior Blaine Bowers has it all—the perfect boyfriend, a pretty sweet gig as a muralist for local Windy City businesses, a loving family, and awesome, talented friends. And he is absolutely, 100% positive that aforementioned perfect boyfriend—senior student council president and Mr. Popular of Wicker West High School, Joey—is going to invite Blaine to spend spring break with his family in beautiful, sunny Cabo San Lucas.
Except Joey breaks up with him instead. In public. On their one-year anniversary.
Because, according to Joey, Blaine is too goofy, too flighty, too…unserious. And if Joey wants to go far in life, he needs to start dating more serious guys. Guys like Zach Chesterton.
Determined to prove that Blaine can be what Joey wants, Blaine decides to enter the running to become his successor (and beat out Joey’s new boyfriend, Zach) as senior student council president.
But is he willing to sacrifice everything he loves about himself to do it?
Her father is a Musik, one of only five musicians in the country licensed to compose and perform original songs. In the kingdom of Aell, where winter is endless and magic is accessible to all, there are strict anti-magic laws ensuring music remains the last untouched art.
Sofi has spent her entire life training to inherit her father’s title. But on the day of the auditions, she is presented with unexpected competition in the form of Lara, a girl who has never before played the lute. Yet somehow, to Sofi’s horror, Lara puts on a performance that thoroughly enchants the judges.
Almost like magic.
The same day Lara wins the title of Musik, Sofi’s father dies, and a grieving Sofi sets out to prove Lara is using illegal magic in her performances. But the more time she spends with Lara, the more Sofi begins to doubt everything she knows about her family, her music, and the girl she thought was her enemy.
As Sofi works to reclaim her rightful place as a Musik, she is forced to face the dark secrets of her past and the magic she was trained to avoid—all while trying not to fall for the girl who stole her future.
In this daring tale of female agency and revenge from a New York Times bestselling author, a girl becomes a teenage vigilante who roams Victorian England using her privilege and power to punish her friends’ abusive suitors and keep other young women safe.
Adele grew up in the shadows—of her broken family, of the gloomy manor halls of her lonely childhood. So when she’s finally sent away to boarding school, she’s happy to enter the brightly lit world of society girls and their wealthy suitors.
Yet there are shadows there, too. Many of the men that try to charm Adele’s new friends do so with dark intentions. After a violent assault, she turns to a roguish young con woman for help. Together, they become vigilantes meting out justice. But can Adele save herself from the same fate as those she protects?
The way she looks changes depending on what is behind her. A girl of glass. A girl who is a window. If she stands in front of floral wallpaper she is full of roses.
For Pie’s entire life it’s been Pie and her mother. Just the two of them, traveling across America. They have slept in trains, in mattress stores, and on the bare ground. They have probably slept in your house.
But Pie is lonely. And now, at seventeen, her mother’s given her a gift. The choice of the next city they will go to. And Pie knows exactly where she wants to go. Pittsburgh—where she fell in love with a girl who she plans to find once again. And this time she will reveal herself.
Six years ago, three Long Island teenagers were murdered—their drowned bodies discovered with sand dollars placed over their eyes. The mystery of the drowning summer was never solved, but as far as the town’s concerned, Evelyn Mackenzie’s father did it. His charges were dropped only because Evelyn summoned a ghost to clear his name. She swore never to call a spirit again. She lied.
For generations, the family of Mina Zanetti, a former friend of Evelyn, has worked as mediums, using the ocean’s power to guide the dead to their final resting place. But as sea levels rise, the ghosts grow more dangerous and Mina has been shut out of the family business. When Evelyn performs another summoning that goes horribly wrong, the two girls must navigate their growing attraction to each other while solving the mystery of who was really behind the drowning summer…before the line between life and death dissolves for good.
Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with.
Luckily, Quique’s prospects are each intriguing in their own ways. There’s stoner-jock Tyler Montana, who might be just as interested in Fabiola as he is in Quique; straitlaced senior class president, Ziggy Jackson; and Manny Zuniga, who keeps looking at Quique like he’s carne asada fresh off the grill. With all these choices, Quique is sure to forget about Saleem in no time.
But as the summer heats up and his deep-seated fears and anxieties boil over, Quique soon realizes that getting over one guy by getting under a bunch of others may not have been the best laid plan and living his truth can come at a high cost.
Sixteen-year-old Arden Grey is struggling. Her mother has left their family, her father and her younger brother won’t talk about it, and a classmate, Tanner, keeps harassing her about her sexuality—which isn’t even public. (She knows she likes girls romantically, but she thinks she might be asexual.) At least she’s got her love of film photography and her best and only friend, Jamie, to help her cope. Then Jamie, who is trans, starts dating Caroline, and suddenly he isn’t so reliable. Arden’s insecurity about their friendship grows. She starts to wonder if she’s jealous or if Jamie’s relationship with Caroline is somehow unhealthy—and it makes her reconsider how much of her relationship with her absent mom wasn’t okay, too.
Skylar Gray is adopted, nonverbal, and he feels most comfortable wearing skirts. Life has never been easy, but with a fresh start at a brand-new school, with new parents and in a new state, he just might finally make some friends. Maybe. Honestly it′s hard to focus on anything when gorgeous rocker boy Jacob is around. But it′s hard for Skylar to trust anyone when people have always been quick to ditch him at the first inconvenience; they always seem more than ready to judge him as defective. And the bullies love to confirm it. Skylar has only ever had himself, so why would anything be different this time? Especially for an anxious boy with literally no voice.
Jacob doesn′t give a damn, especially not since he came out over the summer. He expected the hate he got from his father, who mostly acts as if it never happened, but he refuses to let it hold him back. It doesn′t matter, Jacob′s over it. He’s going to paint his nails, dye his hair, and strike a heavy rift on his guitar if he wants to, even if it means being grounded most of senior year. But when the cute nonverbal transfer student, Skylar, wears a skirt to school, prompting a sexist new dress code proposal, Jacob decides it′s time to take a stand, no matter the risk to himself.
When Harleen Quinzel scores an internship in a psych lab at Gotham University, she’s more than ecstatic; she’s desperate to make a Big Scientific Discovery that will land her a full-ride college scholarship and get her away from her abusive father. But when Harleen witnesses the way women are treated across STEM departments–and experiences harassment herself–she decides that revenge and justice are more important than her own dreams.
Harleen finds her place in an intoxicating vigilante girl gang called the Reckoning, who creates chaos to inspire change. And when Harleen falls for another girl in the gang, it finally seems like she’s found her true passions. But what starts off as pranks and mischief quickly turns deadly as one of the gang members is found murdered–and a terrifying conspiracy is uncovered that puts the life Harleen has worked so hard for at stake. Will she choose her future–or will she choose revenge?
Chloe Green is so close to winning. After her moms moved her from SoCal to Alabama for high school, she’s spent the past four years dodging gossipy classmates and a puritanical administration at Willowgrove Christian Academy. The thing that’s kept her going: winning valedictorian. Her only rival: prom queen Shara Wheeler, the principal’s perfect progeny.
But a month before graduation, Shara kisses Chloe and vanishes.
On a furious hunt for answers, Chloe discovers she’s not the only one Shara kissed. There’s also Smith, Shara’s longtime quarterback sweetheart, and Rory, Shara’s bad boy neighbor with a crush. The three have nothing in common except Shara and the annoyingly cryptic notes she left behind, but together they must untangle Shara’s trail of clues and find her. It’ll be worth it, if Chloe can drag Shara back before graduation to beat her fair-and-square.
Thrown into an unlikely alliance, chasing a ghost through parties, break-ins, puzzles, and secrets revealed on monogrammed stationery, Chloe starts to suspect there might be more to this small town than she thought. And maybe—probably not, but maybe—more to Shara, too.
For over a year, the Bronx has been plagued by sudden disappearances that no one can explain. Sixteen-year-old Raquel does her best to ignore it. After all, the police only look for the white kids. But when her crush Charlize’s cousin goes missing, Raquel starts to pay attention—especially when her own mom comes down with a mysterious illness that seems linked to the disappearances.
Raquel and Charlize team up to investigate, but they soon discover that everything is tied to a terrifying urban legend called the Echo Game. The game is rumored to trap people in a sinister world underneath the city, and the rules are based on a particularly dark chapter in New York’s past. And if the friends want to save their home and everyone they love, they will have to play the game and destroy the evil at its heart—or die trying.
Harry wants nothing more than to write Hollywood screenplays. He knows the first step toward achieving that goal is winning a screenwriting competition that will seal his admission into the college of his dreams, so he’s determined to spend his summer free of distractions—also known as boys—and finish his script. After last year, Harry is certain love only exists in the movies anyway.
But then the cause of his first heartbreak, Grant, returns with a secret that could change everything. To complicate things further, new-in-town Logan is charming and sweet, making Harry question everything he knows about romance. As Harry tries to manage his feelings for Grant and Logan, he realizes life doesn’t always follow a script.
Seventeen-year-old Eleanor is the least likely person in Salem to believe in witchcraft—or think that her life could be transformed by mysterious forces. Ostracized by her classmates after losing her best friend and first love, Chloe, Eleanor has spent the past year in a haze, vowing to stay away from anything resembling romance.
But when a handwritten guide to tarot arrives in the mail at the witchy souvenir store where Eleanor works, it seems to bring with it the message that magic is about to enter her life. Cynical Eleanor is quick to dismiss this promise, until real-life witch Pix shows up with an unusual invitation. Inspired by the magic and mystery of the tarot, Eleanor decides to open herself up to making friends with Pix and her coven of witches, and even to the possibility of a new romance.
But Eleanor’s complicated history in Salem continues to haunt her, and she is desperate to keep Pix from finding out the truth. Eleanor will have to reckon with the old ghosts that threaten to destroy everything, even her chance at new love.
For as long as Sigrid could remember, she’s wanted to become a mighty, fearless valkyrie. But without a winged mare, she’s a mere stable hand, left wondering who her parents were and why she’s so different. So when the Eye shows her a vision where she’s leading a valkyrie charge on the legendary eight-legged horse Sleipnir, she grabs the possibility of this greater destiny with both hands, refusing to let go.
Too bad that the only one who can help her get there is Mariam, an enemy valkyrie who begrudgingly agrees to lead her to Helheim but who certainly can’t be trusted―even if she does make Sigrid more than a little flustered. As they cross the nine worlds, battling night elves, riding sea serpents, and hurtling into fire to learn the truth about Sigrid’s birthright, an unexpected but powerful bond forms.
As her feelings for Mariam deepen into something fiery and undeniable, Fate has other plans for Sigrid. What happens when the one thing you think you were meant to do might end the nine worlds?
Still reeling from a recent trauma, sixteen-year-old Dell is relieved when her mom suggests a stay at the family cabin. But the much-needed escape quickly turns into a disaster. The lake and woods are awash in trash left by a previous tenant. And worse, Dell’s mom has invited her boyfriend’s daughter to stay with them. Confident, irreverent Ivy presses all of Dell’s buttons–somehow making Dell’s shame and self-consciousness feel even more acute. Yet Dell is drawn to Ivy in a way she doesn’t fully understand. As Dell uncovers secrets in the wreckage of her family’s past–secrets hinted at through troubling dreams and strange apparitions–Ivy leads her toward thrilling, if confusing, revelations about her sexuality and identity.
Set during a humid summer in the mid-2000s, The Queen of Junk Island simmers with the intensity of a teenage girl navigating the suffocating expectations of everyone around her.
In the spirit of the author’s massively popular Twitter thread, Tucker Shaw’s When You Call My Name is a heartrending novel about two gay teens coming of age in New York City in 1990 at the height of the HIV/AIDS epidemic, perfect for fans of Adam Silvera and Mary H. K. Choi.
Film fanatic Adam is seventeen and being asked out on his first date―and the guy is cute. Heart racing, Adam accepts, quickly falling in love with Callum like the movies always promised.
Fashion-obsessed Ben is eighteen and has just left his home upstate after his mother discovers his hidden stash of gay magazines. When he comes to New York City, Ben’s sexuality begins to feel less like a secret and more like a badge of honor.
Then Callum disappears, leaving Adam heartbroken, and Ben finds out his new world is more closed-minded than he thought. When Adam finally tracks Callum down, he learns the guy he loves is very ill. And in a chance meeting near the hospital where Callum is being treated, Ben and Adam meet, forever changing each other’s lives. As both begin to open their eyes to the possibilities of queer love and life, they realize sometimes the only people who can help you are the people who can really see you―in all your messy glory.
Salem’s Lot meets The Darkest Part of the Forest in this horror-fantasy retelling of Christina Rossetti’s “Goblin Market.”
Lou never believed in superstitions or magic–until her teenage aunt Neela is kidnapped to the goblin market.
The market is a place Lou has only read about–twisted streets, offerings of sweet fruits and incredible jewels. Everything–from the food and wares, to the goblins themselves–is a haunting temptation for any human who manages to find their way in.
Determined to save Neela, Lou learns songs and spells and tricks that will help her navigate this dangerous world and slip past a goblin’s defenses–but she only has three days to find Neela before the market disappears and her aunt becomes one of them forever.
If she isn’t careful, the market might just end up claiming her too.
In this queer contemporary YA mystery, a nonbinary teen with autism realizes they must not only solve a 30-year-old mystery but also face the demons lurking in their past in order to live a satisfying life.
Sam Sylvester’s not overly optimistic about their recent move to the small town of Astoria, Oregon after a traumatic experience in their last home in the rural Midwest.
Yet Sam’s life seems to be on the upswing after meeting several new friends and a potential love interest in Shep, the pretty neighbor. However, Sam can’t seem to let go of what might have been, and is drawn to investigate the death of a teenage boy in 1980s Astoria. Sam’s convinced he was murdered–especially since Sam’s investigation seems to resurrect some ghosts in the town.
Threatening notes and figures hidden in shadows begin to disrupt Sam’s life. Yet Sam continues to search for the truth. When Sam discovers that they may be closer to a killer than previously known, Sam has a difficult decision to make. Would they risk their new life for a half-lived one?
Sometimes bitter rivalries can brew something sweet
Theo Mori wants to escape. Leaving Vermont for college means getting away from working at his parents’ Asian American café and dealing with their archrivals’ hopeless son Gabi who’s lost the soccer team more games than Theo can count.
Gabi Moreno is miserably stuck in the closet. Forced to play soccer to hide his love for dance and iced out by Theo, the only openly gay guy at school, Gabi’s only reprieve is his parents’ Puerto Rican bakery and his plans to take over after graduation.
But the town’s new fusion café changes everything. Between the Mori’s struggling shop and the Moreno’s plan to sell their bakery in the face of the competition, both boys find their dreams in jeopardy. Then Theo has an idea—sell photo-worthy food covertly at school to offset their losses. When he sprains his wrist and Gabi gets roped in to help, they realize they need to work together to save their parents’ shops but will the new feelings rising between them be enough to send their future plans up in smoke?
In one week, Maude will be dead. At least, that’s what she wants everyone to think. After years of research, Maude has decided to fake her own death. She’s figured out the how, the when, the where, and who will help her unsuspectingly. The why is complex: revenge, partly. Her terrible parents deserve this. But there’s also l’appel du vide, the call of the void, that beckons her toward a new life where she will be tied to no one, free and adrift. Then Frankie, a step-cousin she barely knows, figures out what she’s plotting, and the plan seems like it’s ruined. Except Frankie doesn’t want to rat her out. Frankie wants in.
The girls vault into the unknown, risking everything for a new and limitless life. But there are some things you can never run away from. What if the poison is not in the soil, but in the roots? This pulse-pounding thriller offers a nuanced exploration of identity, freedom, and falling in love while your world falls apart.
Nate Hargraves – stage-shy singer-songwriter – is totally stoked for his cousin’s wedding in South Africa, an all-expenses-paid trip of a lifetime. Until he finds out his sleazeball ex-boyfriend is also on the guest list.
Jai Patel – hot-as-hell high school rock-god – has troubles too. His band’s lead singer has quit, just weeks before the gig that was meant to be their big break.
When Nate saves the day by agreeing to sing with Jai’s band, Jai volunteers to be Nate’s plus-one to the wedding, and the stage is set for a summer of music, self-discovery, and simmering romantic tension. What could possibly go wrong . . . ?
Lou has enough confusion in front of her this summer. She’ll be working in her family’s ice cream shack with her newly ex-boyfriend—whose kisses never made her feel desire, only discomfort—and her former best friend, King, who is back in their Canadian prairie town after disappearing three years ago without a word.
But when she gets a letter from her biological father—a man she hoped would stay behind bars for the rest of his life—Lou immediately knows that she cannot meet him, no matter how much he insists.
While King’s friendship makes Lou feel safer and warmer than she would have thought possible, when her family’s business comes under threat, she soon realizes that she can’t ignore her father forever.
Fallon and Chloe used to be best friends. But last summer, the girls hooked up right before Chloe left for college, and after a series of misunderstandings, they aren’t even speaking to one another. Now, a year later, Chloe’s back home from school, and Fallon is doing everything in her power to avoid her. Which is especially difficult because their moms own a business together—a gourmet ice cream truck where both girls work.
But when their moms have the opportunity to make a presentation to some venture capitalists in Texas—something that could seriously expand their business and solve all their money problems to boot—it’s up to Fallon to work a series of food truck festivals across the country. But she can’t do it alone, and Chloe is the only one available to help. As tensions heat up again between the two girls, will Fallon be able to keep her cool?
Seventeen-year-old Yamilet Flores prefers drawing attention for her killer eyeliner, not for being the new kid at a mostly white, very rich, Catholic school. But at least here no one knows she’s gay, and Yami intends to keep it that way. After being outed by her crush and ex-best friend, she could use the fresh start.
At Slayton Catholic, Yami has new priorities: make her mom proud, keep her brother out of trouble, and most importantly, don’t fall in love. Granted, she’s never been great at any of those things, but that’s a problem for Future Yami.
The thing is, it’s hard to fake being straight when Bo, the only openly queer girl at school, is so annoyingly perfect. And talented. And confident. And cute. So cute. Yami isn’t sure if she likes Bo or if she’s just jealous of her unapologetic nature. Either way, she isn’t ready to make the same mistake again. If word got to her mom, she could face a lot worse than rejection.
Taylor Barzelay has the perfect life. Good looks, good grades, a starting position on the basketball team, a loving family, even an adorable corgi. Every day in Taylor’s life is perfect. And every day is torture.
Taylor is actually the Galaxy Crowned, an alien princess from the planet Cyandii, and one of the few survivors of an intergalactic war. For six long, painful years, Taylor has accepted her duty to remain in hiding as a boy on Earth.
That all changes when Taylor meets Metropolis girl Katherine “call me Kat” Silverberg, whose confidence is electrifying. Suddenly, Taylor no longer wants to hide, even if exposing her true identity could attract her greatest enemies.
Growing up in Texas’s Rio Grande Valley, Maggie Gonzalez has always been a little messy, but she’s okay with that. After all, she has a great family, a goofy group of friends, a rocky romantic history, and dreams of being a music photographer. Tasked with picking an escort for her little sister’s quinceañera, Maggie has to face the truth: that her feelings about her friends—and her future—aren’t as simple as she’d once believed.
As Maggie’s search for the perfect escort continues, she’s forced to confront new (and old) feelings for three of her friends: Amanda, her best friend and first-ever crush; Matthew, her ex-boyfriend twice-over who refuses to stop flirting with her, and Dani, the new girl who has romantic baggage of her own. On top of this romantic disaster, she can’t stop thinking about the uncertainty of her own plans for the future and what that means for the people she loves.
As the weeks wind down and the boundaries between friendship and love become hazy, Maggie finds herself more and more confused with each photo. When her tried-and-true medium causes more chaos than calm, Maggie needs to figure out how to avoid certain disaster—or be brave enough to dive right into it.
Arlee Gold is anxious about spending the summer at the college prep Camp Rockaway—the same camp her mother attended years ago, which her mother insists will help give Arlee a “fresh start” and will “change her life.” Little does Arlee know that, once she steps foot on the manicured grounds, this will prove to be true in horrifying ways.
Even though the girls in her cabin are awesome—and she’s developing a major crush on the girl who sleeps in the bunk above her—the other campers seem to be wary of Arlee, unwilling to talk to her or be near her, which only ramps up her paranoia. When she’s tapped to join a strange secret society, Arlee thinks this will be her shot at fitting in…until her new “sisters” ask her to do the unthinkable, putting her life, and the life of her new crush, in perilous danger.
Fifteen-year-old Mack is a hopeless romantic – he blames the films he’s grown up watching. He has liked Karim for as long as he can remember, and is ecstatic when Karim becomes his boyfriend – it feels like love.
But when Mack’s dad gets a job on a film in Scotland, Mack has to move, and soon hediscovers how painful love can be. It’s horrible being so far away from Karim, but the worst part is that Karim doesn’t make the effort to visit. Love shouldn’t be only on the weekends.
Then, when Mack meets actor Finlay on a film set, he experiences something powerful, a feeling like love at first sight. How long until he tells Karim – and when will his old life and new life collide?
Gaige’s curiosity gets the better of him when he discovers a bookstore on an abandoned street where no bookstore should be. He steps inside and is immediately enthralled by its antiquarian sights and smells. But one book in particular calls to him. It isn’t long before he gets a bad feeling about it, but it’s already too late. The store’s aged bookseller gives him no alternative: once he touches the book, it’s his—whether he wants it or not.
The book leads Gaige on a horrific descent into the unknown. As he falls into the depths of its pages, he loses blocks of time, and his friends become trapped inside ancient cellars with seemingly no means of escape.
Gaige soon learns that the ancient bookseller is a notorious serial killer from previous century, and fears that he has fallen into a predicament from which he may not escape. When all seems lost, he finds the one person he can turn to for help—Mael, a sweet boy also trapped inside the book who didn’t fall for the bookseller’s tricks. Together, they race against time to protect Gaige from joining a long string of boys who vanished without a trace inside the Book of Dreams.
Milo Connolly has managed to survive the first three years of high school without any major disasters, so by his calculations, he’s well past due for some sort of Epic Teenage Catastrophe. Even so, all he wants his senior year is to keep his head down and fly under the radar like the quiet, well-behaved, churchgoing boy that everyone thinks he is.
Everything is going exactly as planned until the dreamy and charismatic Marcos Price saunters back into his life after a three-year absence and turns his world upside-down. Suddenly Milo is forced to confront the long-buried feelings that he’s kept hidden not only from himself but also from his deeply religious parents and community.
To make matters worse, strange things have been happening around his sleepy Florida town ever since Marcos’s return—sinkholes, blackouts, hailstorms. Mother Nature seems out of control, and the closer Milo and Marcos get, the more disasters seem to befall them.
In fact, as more and more bizarre occurrences pile up, Milo and Marcos find themselves faced with the unthinkable: Is there a larger, unseen force at play, trying to keep them apart? And if so, is their love worth risking the end of the world?
After thwarting the man behind the gruesome ironborn murders—and breaking several fae laws to do so—all Arlo wants is a quiet summer. As the deity of luck’s Hollow Star, capable of bringing about endless possibilities, this shouldn’t be too much to ask, right?
But someone is still trying to summon the mythical Seven Deadly Sins. All signs point to immortal meddling, and if this is the gods’ attempt at returning to the Mortal Realm, it’s Arlo they’re going to use to do it.
When Queen Riadne offers to host Arlo at the Seelie Summer palace, she jumps at the chance. She’ll get to see more of Vehan and Aurelian and perhaps even work out her complicated feelings for the gorgeous ex-Fury, Nausicaä. But no one trusts the infamous Queen of Light, even as Arlo wonders if she’s just been greatly misunderstood.
With the Summer Solstice quickly approaching, everyone expects Riadne to finally challenge the High King for his crown. And as Arlo struggles to get control of her powers and take charge of her destiny, she’ll soon be faced with a choice that won’t only change the fate of the Mortal Realm forever but could condemn it to a cruelty the likes of which the Courts have never known.
I Know What You Did Last Summer meets The Haunting of Hill House in this atmospheric, eerie teen thriller following an estranged group of friends being haunted by their friend who died last summer.
Emily Joiner was once part of an inseparable group—she was a sister, a best friend, a lover, and a rival. Summers without Emily were unthinkable. Until the fire burned the lake house to ashes with her inside.
A year later, it’s in Emily’s honor that Chelsea and her four friends decide to return. The house awaits them, meticulously rebuilt. Only, Chelsea is haunted by ghostly visions. Loner Ryan stirs up old hurts and forces golden boy Chase to play peacemaker. Which has perfect hostess Kennedy on edge as eerie events culminate in a stunning accusation: Emily’s death wasn’t an accident. And all the clues needed to find the person responsible are right here.
As old betrayals rise to the surface, Chelsea and her friends have one night to unravel a mystery spanning three summers before a killer among them exacts their revenge.
With junior year starting in the fall, Harrison feels like he’s on the precipice of, well, everything. Standardized testing, college, and the terrifying unknowns and looming pressures of adulthood after that—it’s like the future wants to eat him alive. Which is why Harrison is grateful that he and his best friend, Linus, will face these things together. But at the end of a shift at their summer job, Linus invites Harrison to their special spot overlooking the city to deliver devastating news: He’s moving out of state at the end of the week.
To keep from completely losing it—and partially inspired by a cheesy movie-night pick by his Dad—Harrison plans a send-off à la Ferris Bueller’s Day Off that’s worthy of his favorite person. If they won’t be having all the life-expanding experiences they thought they would, Harrison will squeeze them all into their last day together. They end up on a mini road trip, their first Pride, and a rooftop dance party, all while keeping their respective parents, who track them on a family location app, off their trail. Harrison and Linus make a pact to do all the things—big and small—they’ve been too scared to do. But nothing feels scarier than saying goodbye to someone you love.
The jellyfish commonly known as a Portuguese man o’ war is neither Portuguese, nor a jellyfish, nor a man, nor even a singular organism. If you can cope with those facts, you can begin to understand River McIntyre, an elite high school swimmer who’s bad at counting laps.
River McIntyre has lived all their life in the shadow of Sea Planet, a now infamous ocean theme park slowly going out of business in the middle of Ohio. As Sea Planet drifts toward its final end, so does River’s high school career and, worse, their time as a competitive swimmer. Or maybe not. When River makes an impulsive dive into Ocean Planet’s shark tank, they unintentionally set off on a wrenching journey of self-discovery, from internalized homophobia and self-loathing through layers of coming out, gender confirmation surgery, and true love. And at the end of this race? Who knows. After all, counting laps has never been River’s strong suit.
As an avid watcher of K-dramas, Hana knows all the tropes to avoid when she finally lands a starring role in a buzzy new drama. And she can totally handle her fake co-star boyfriend who might be falling in love with her. After all, she promised the producers a contract romance, and that’s all they’re going to get from her.
But when showrunners bring on a new girl to challenge Hana’s role as main love interest—and worse, it’s someone Hana knows all too well—can Hana fight for her position on the show while falling for her on-screen rival in real life?
Crest is not excited to be on their Journey: the monthlong sojourn on land all teen merfolk must undergo. The rules are simple: Help a human within one moon cycle and return to Pacifica to become an Elder–or fail and remain stuck on land forever. Crest is eager to get their Journey over and done with: after all, humans are disgusting. They’ve pollluted the planet so much that there’s a floating island of trash that’s literally the size of a country.
In Los Angeles with a human body and a new name, Crest meets Sean, a human lifeguard whose boyfriend has recently dumped him. Crest agrees to help Sean make his ex jealous and win him back. But as the two spend more time together and Crest’s pespective on humans begins to change, they’ll soon be torn between two worlds. And fake dating just might lead to real feelings…
Two weeks after the door to Faery closed once more, Asalin is still in turmoil. Emyr and Wyatt are hunting Derek and Clarke themselves after having abolished the corrupt Guard, and are trying to convince the other kingdoms to follow their lead. But when they uncover the hidden truth about the witches’ real place in fae society, it becomes clear the problems run much deeper than anyone knew. And this may be more than the two of them can fix.
As Wyatt struggles to learn control of his magic and balance his own needs with the needs of a kingdom, he must finally decide on the future he wants—before he loses the future he and Emyr are building…
Emmett Maguire has big dreams. He wants to be country music’s biggest gay superstar—a far reach when you’re 17 and living in suburban Illinois. Thankfully, his parents are letting him do the next best thing for the summer: stay with his aunt in Jackson Hollow, Tennessee, and perform at Wanda World—the amusement park owned by his idol, country music legend Wanda Jean Stubbs.
Luke Barnes, a 17-year-old Jackson Hollow resident, has no interest in country music. As the grandson of Verna Rose, the disgraced country singer who had a famous falling out with Wanda Jean, the world of country music has only brought his family pain. But as medical bills pile up at home, he’s forced to accept a job in the last place he’d ever want to work: a restaurant at Wanda World.
With Emmett focused on his career, and Luke blossoming in the kitchen, neither boy is expecting to find romance. But sparks fly when they meet and soon the two are inseparable. However, when a long-lost secret about Luke’s grandma and superstar Wanda Jean comes to light, it threatens to unravel everything. Unless the boys can uncover the truth of what really happened, their dreams could be over before they start, leaving their new relationship to go down in history as just another Sad Country Love Song.
A literal star-studded anthology that delivers a love story for every star sign straight from the hearts of thirteen multicultural YA authors.
A haunted Aquarius finds love behind the veil. An ambitious Aries will do anything to stay in the spotlight. A foodie Taurus discovers the best eats in town (with a side of romance). A witchy Cancer stumbles into a curious meet-cute.
Whether it’s romantic, platonic, familial, or something else you can’t quite define, love is the thing that connects us. All Signs Point to Yes will take you on a journey from your own backyard to the world beyond the living as it settles us among the stars for thirteen stories of love and life.
These stories will touch your heart, speak to your soul, and have you reaching for your horoscope forevermore.
Amber McCloud’s dream is to become cheer captain at the end of the year, but it’s an extra-tall order to be joyful and spirited when the quarterback of your team has been killed in a car accident. For both the team and the squad, watching Robbie get replaced by newcomer Jack Walsh is brutal. And when it turns out Jack is actually short for Jaclyn, all hell breaks loose.
The players refuse to be led by a girl, the cheerleaders are mad about the changes to their traditions, and the fact that Robbie’s been not only replaced but outshined by a QB who wears a sports bra has more than a few Atherton Alligators in a rage. Amber tries for some semblance of unity, but it quickly becomes clear that she’s only got a future on the squad and with her friends if she helps them take Jack down.
Just one problem: Amber and Jack are falling for each other, and if Amber can’t stand up for Jack and figure out how to get everyone to fall in line, her dream may come at the cost of her heart.
To conclude the trio of anthologies that started with critically acclaimed All Out and Out Now, Out There features seventeen original short stories set in the future from fantastic queer YA authors.
Explore new and familiar worlds where the human consciousness can be uploaded into a body on Mars…an alien helps a girl decide if she should tell her best friend how she feels…two teens get stuck in a time loop at a space station…people are forced to travel to the past or the future to escape the dying planet…only a nonbinary person can translate the binary code of a machine that predicts the future…everyone in the world vanishes except for two teen girls who are in love.
This essential and beautifully written collection immerses and surprises with each turn of the page.
Syyed is pining for his ex, who left home to—save the world? He doesn’t know much more, except to wish he’d gone along when Farouk asked. But Sy is shy and timid, from a controlling Indian Muslim family, and wants most to make a life and home with people he loves. Then he meets Reggie, an heiress—is she magical or just rich?—who, in exchange for his kindness, offers to grant Sy three wishes, the first of which is a million dollars, naturally!
But soon reality bites hard: His father realizes Sy is gay and kicks him out. Homeless and alone, he’s off with Reggie and his last two wishes, chasing Farouk to lands he never dreamed to visit to find his missing love for one last, desperate chance at rebuilding his life. And he’ll find out, maybe, that there is a loophole to everything, including wishes.
In River City, where magic used to thrive and is now fading, the witches who once ruled the city along with their powerful King have become all but obsolete. The city’s crumbling government is now controlled primarily by the new university and teaching hospital, which has grown to take over half of the city.
Moving between the decaying Old City and the ruthless New, four young queer people struggle with the daily hazards of life―work, school, dodging ruthless cops and unscrupulous scientists―not realizing that they have been selected to play in an age-old drama that revives the flow of magic through their world. When a mysterious death rocks their fragile peace, the four are brought into each other’s orbits as they uncover a deeper magical conspiracy.
Sixteen-year-old trans boy Benji is on the run from the cult that raised him—the fundamentalist sect that unleashed Armageddon and decimated the world’s population. Desperately, he searches for a place where the cult can’t get their hands on him, or more importantly, on the bioweapon they infected him with.
But when cornered by monsters born from the destruction, Benji is rescued by a group of teens from the local Acheson LGBTQ+ Center, affectionately known as the ALC. The ALC’s leader, Nick, is gorgeous, autistic, and a deadly shot, and he knows Benji’s darkest secret: the cult’s bioweapon is mutating him into a monster deadly enough to wipe humanity from the earth once and for all.
Still, Nick offers Benji shelter among his ragtag group of queer teens, as long as Benji can control the monster and use its power to defend the ALC. Eager to belong, Benji accepts Nick’s terms…until he discovers the ALC’s mysterious leader has a hidden agenda, and more than a few secrets of his own.
Slip by Marika McCoola (Text) and Aatmaja Pandya (Illustrations) (June 7th)
Right before Jade is about to leave for a summer art intensive, her best friend, Phoebe, attempts suicide. How is Jade supposed to focus on herself right now?
But at the Art Farm, Jade has artistic opportunities she’s been waiting for her whole life. And as she gets to know her classmates, she begins to fall for whimsical, upbeat, comfortable-in-her-own-skin Mary. Jade pours herself into making ceramic monsters that vent her stress and insecurities, but when she puts her creatures in the kiln, something unreal happens: they come to life. And they’re taking a stand: if Jade won’t confront her problems, her problems are going to confront her, including the scariest of them all—if Jade grows, prospers, and even falls in love this summer, is she leaving Phoebe behind?
Two teen vigilantes set off on an action-packed investigation to expose corruption and deliver justice in Valiant Ladies, Melissa Grey’s YA historical fiction novel inspired by real seventeenth century Latinx teenagers known as the Valiant Ladies of Potosí.
By day Eustaquia “Kiki” de Sonza and Ana Lezama de Urinza are proper young seventeeth century ladies. But when night falls, they trade in their silks and lace for swords and muskets, venturing out into the vibrant, bustling, crime-ridden streets of Potosí, in the Spanish Empire’s Viceroyalty of Peru. They pass their time fighting, gambling, and falling desperately in love with one another.
Then, on the night Kiki’s engagement to the Viceroy’s son is announced, her older brother―heir to her family’s fortune―is murdered. The girls immediately embark on a whirlwind investigation that takes them from the lowliest brothels of Potosí to the highest echelons of the Spanish aristocracy.
Taylor Parker isn’t out yet, but she’s keeping an even bigger secret: she entered a sketch contest where the grand prize is an internship at SNL.
When Taylor applied to this opportunity for marginalized writers, she checked the “LGBTQ” box on the application without really thinking about it. But now that she’s a finalist, she realizes she’ll need to be out to win. Whether she’s ready or not.
In the month leading up to the competition results, Taylor befriends Charlotte Grey, whom Taylor’s had a crush on for years. As they spend more time together, they realize they’re genuinely falling for each other–and while Charlotte is willing to take it slow, Taylor doesn’t want to ask her to keep their relationship secret forever. Taylor just hopes she can muster the courage to come out before all her secrets do.
Jane Grady’s claim to fame is that she was one first viral internet sensations, dubbed #bagbaby—discovered as a one-year-old in an oversized Gucci bag by her adopted father in a Poughkeepsie train station. Now in her senior year of high school, Jane is questioning whether she wants to look for her bio family due to a loving, but deeply misguided push from her best friend Algie, while also navigating an all-consuming crush on his cousin, the beautiful, way-out-of-her-league Gwen Fairfax.
And while Janey’s never thought of herself as the earnest type, she needs to be honest with her parents, Algie, Gwen, but mostly herself if she wants to make her life truly epic. With a wink toward Oscar Wilde’s beloved play, Epically Earnest explores the complexity of identity, the many forms family can take, and the importance of being . . . yourself.
Briseis has one chance to save her mother, but she’ll need to do the impossible: find the last fragment of the deadly Absyrtus Heart. If she is to locate the missing piece, she must turn to the blood relatives she’s never known, learn about their secret powers, and take her place in their ancient lineage. Briseis is not the only one who wants the Heart, and her enemies will stop at nothing to fulfill their own ruthless plans. The fates tell of a truly dangerous journey, one that could end in more heartache, more death. Bolstered by the sisterhood of ancient magic, can Briseis harness her power to save the people she loves most?
Ever since she was a girl, Raliel Dark-Smile’s best friend has been the great demon that lives in the palace. As the daughter of the Emperor, Raliel appears cold and distant to those around her, but what no one understands is that she and the great demon, Moon, have a close and unbreakable bond and are together at all times. Moon is bound to the Emperor and his two consorts, Raliel’s parents, and when Raliel comes of age, she will be bound to Moon as well, constrained to live in the Palace for the rest of her days.
Raliel is desperate to see the Empire Between Five Mountains, and she feels a deep kinship with Moon, who longs to break free of its bonds. When the time finally arrives for Raliel’s coming of age journey, she discovers a dangerous way to take Moon with her, even as she hides this truth from her travel companion, the beautiful, demon-kissed bodyguard Osian Redpop. But Osian is hiding secrets of his own, and when a plot surfaces that threatens the Empire, Raliel will have to decide who she can trust and what she’ll sacrifice for the power to protect all that she loves.
Luca Laine Thomas lives on a cursed island. To the outside world, Parris is an exclusive, idyllic escape accessible only to the one percent. There’s nothing idyllic about its history, though, scattered with the unsolved deaths of young women—deaths Parris society happily ignores to maintain its polished veneer. But Luca can’t ignore them. Not when the curse that took them killed her best friend, Polly, three years ago. Not when she feels the curse lingering nearby, ready to take her next.
When Luca comes home to police cars outside her house, she knows the curse has visited once again. Except this time, it came for Whitney, her sister. Luca decides to take the investigation of Whitney’s death into her own hands. But as a shocking betrayal rocks Luca’s world, the identity Whitney’s killer isn’t the only truth Luca seeks. And by the time she finds what she’s looking for, Luca will come face to face with the curse she’s been running from her whole life.
The Gearbreakers struck a devastating blow against Godolia on Heavensday, but the cost of victory has been steep. Months later, the few rebels who’ve managed to escape the tyrannical empire’s bloody retribution have fled to the mountains, hunted by the last Zenith–Godolia’s only surviving leader.
Eris has been held prisoner since the attack on the capital city, which almost killed her. And she begins to wish it had when she discovers Sona–the girl she loves, the girl she would tear down cities for–also survived, only to be captured and Corrupted by the Zenith. The cybernetic brainwashing that Sona has forcibly undergone now has her believing herself a loyal soldier for Godolia, and Eris’ mortal enemy.
With the rebellion shattered and Godolia moving forward with an insidious plan to begin inducting Badlands children into a new Windup Pilot program, the odds have never been more stacked against the Gearbreakers. Their last hope for victory will depend on whether Eris and Sona can somehow find their way back to eac
Today on the site I’m thrilled to be sharing the cover of Ben and Beatriz by Katalina Gamarra, a pan m/f reimagining of Much Ado About Nothing releasing from Graydon House on August 2, 2022! Here’s the story:
Beatriz Herrera is a fierce woman who will take you down with her quick wit and keen intellect. And after the results of the 2016 election worked hard to erase her identity as a queer biracial woman, she’d be right to. Especially if you come for her sweet BFF cousin, Hero. Beatriz would do anything for her, a loyalty that lands Beatriz precisely where she doesn’t want to be: spending a week at the ridiculous Cape Cod mansion of stupid-hot playboy Ben Montgomery. The same Ben Montgomery she definitely shouldn’t have hooked up with that one time… The things we do for family.
White and wealthy, Ben talks the talk and walks the walk of privilege, but deep down, he’s wrestling with the politics and expectations of a conservative family he can’t relate to. Though Beatriz’s caustic tongue drives him wild in the very best way, he’s the last person she’d want, because she has zero interest in compromising her identity. But as her and Ben’s assumptions begin to unravel and their hookups turn into something real, they start wondering if it’s still possible to hold space for one another and the inescapable love that unites them.
And here’s a note from author Katalina Gamarra on the book!
Ben and Beatriz was inspired by both my love of Shakespeare and my own life. Writing this book is how I processed being a person of color unwelcome in a WASP family. It’s how I came to terms with the rude awakening I felt as a millennial under Obama when Trump proved just how easily progress can be undone. It’s how I realized it’s VITAL to keep fighting for what you believe, and to prioritize self-respect over family expectations. This book is how I came to terms with many difficult things in my life. I hope it can do the same for you, or at least entertain you along the way. <3 – Katalina Gamarra, author of Ben and Beatriz
And finally, here’s the marvelously detailed cover (look at that pan pride pin!) illustrated by Bokiba, with design and art direction by Kathleen Oudit!
Katalina Gamarra earned a BA in English from Drew University, where she received accolades for both creative writing and academic prowess, as well as an award in Shakespeare Study. Before becoming an author, she worked in bookselling and literary scouting. She lives in Boston with her husband, cat, and dog.
I know what you’re thinking: didn’t I just see a different Timothy Janovsky rom-com that also looks and sounds amazing on yesterday’s list of the Most Anticipated Adult Fiction of 2022? You did, but Janovsky’s such a boss, he’s giving us twice the joy next year, and the second time around, he’s doing it with a delightful play on the Grinch with You’re a Mean One, Matthew Prince, releasing from Sourcebooks on October 4, 2022! Here’s the story:
Bring a little joy to the world?
Not today, Santa.
Matthew Prince is young, rich, and thoroughly spoiled. So what if his parents barely remember he exists and the press is totally obsessed with him? He’s on top of the world. But one major PR misstep later, and Matthew is cut off and shipped away to spend the holidays in his grandparents’ charming small town hellscape. Population: who cares?
It’s bad enough he’s stuck in some festive winter wonderland—it’s even worse that he has to share space with Hector Martinez, an obnoxiously attractive local who’s unimpressed with anything and everything Matthew does.
Just when it looks like the holiday season is bringing nothing but heated squabbles, the charity gala loses its coordinator and Matthew steps in as a saintly act to get home early on good behavior…with Hector as his maddening plus-one. But even a Grinch can’t resist the unexpected joy of found family, and in the end, the forced proximity and infectious holiday cheer might be enough to make a lonely Prince’s heart grow three sizes this year.
Timothy Janovsky is a queer, multidisciplinary storyteller from New Jersey. He holds a degree in theatre and dance from Muhlenberg College. His work as a humor writer has been featured on Points in Case, The Broadway Beat, and Well Mannered Grump, and his fiction short story debut was published by Voyage YA Journal. When he’s not daydreaming about a young Hugh Grant, he’s writing the queer rom-coms he wished he had as a teenager.
Set in Vienna from 1910 to 1946, All of You Every Single One is an atmospheric, original, and deeply moving novel about family, freedom, and how true love might survive impossible odds. Julia Lindqvist, a woman unhappily married to a famous Swedish playwright, leaves her husband to begin a passionate affair with a female tailor named Eve. The pair run away together and settle in the more liberal haven of Vienna, where they fall in love, navigate the challenges of their newfound independence, and find community in the city’s Jewish quarter. But Julia’s yearning for a child throws their fragile happiness into chaos and threatens to destroy her life and the lives of those closest to her. Ada Bauer’s wealthy industrialist family have sent her to Dr. Freud in the hope that he can cure her mutism—and do so without a scandal. But help will soon come for Ada from an unexpected place, changing many lives irrevocably.
Through the lives of her queer characters, and against the changing backdrop of one of the greatest cities of the age, Hitchman asks what it’s like to live through oppression, how personal decisions become political, and how far one will go to protect the ones they love. Moving across Europe and through decades, Hitchman’s sophomore novel is an intensely poignant portrait of life and love on the fringes of history.
When bookish young American Sylvia Beach opens Shakespeare and Company on a quiet street in Paris in 1919, she has no idea that she and her new bookstore will change the course of literature itself.
Shakespeare and Company is more than a bookstore and lending library: Many of the prominent writers of the Lost Generation, like Ernest Hemingway, consider it a second home. It’s where some of the most important literary friendships of the twentieth century are forged—none more so than the one between Irish writer James Joyce and Sylvia herself. When Joyce’s controversial novel Ulysses is banned, Beach takes a massive risk and publishes it under the auspices of Shakespeare and Company.
But the success and notoriety of publishing the most infamous and influential book of the century comes with steep costs. The future of her beloved store itself is threatened when Ulysses‘ success brings other publishers to woo Joyce away. Her most cherished relationships are put to the test as Paris is plunged deeper into the Depression and many expatriate friends return to America. As she faces painful personal and financial crises, Sylvia—a woman who has made it her mission to honor the life-changing impact of books—must decide what Shakespeare and Company truly means to her.
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
Originally published in the UK, this is the US version.
Dundalk—The Town, to locals—took Aoife in when she left home at eighteen. Now she’s gone from a small-time slinger of hash to a bona fide player in Dundalk’s criminal underworld. Aoife’s smart, savvy, and cool under pressure. Except, that is, when it comes to Annie. Annie is mysterious and compelling, and Aoife is desperate to impress her and keep her close.
Unfortunately, not everyone in The Town shares Aoife’s opinion of Annie. So much so that when Aoife’s friend and associate, the Rat King, approaches her about off-loading ten kilos of stolen coke, he specifically tells her to keep Annie out of it. Aoife doesn’t want to do the job without Annie, though, so she lands on an idea. Annie has contacts in the UK, and sure it’d be better to get the coke as far away from Dundalk as possible. At first, everything goes to plan. But when Annie decides she’d like to stay in the UK, Aoife makes a decision that changes everything, and finds her whole world turned upside down.
The first openly nonbinary contestant on America’s favorite cooking show falls for their clumsy competitor in this delicious romantic comedy debut “that is both fantastically fun and crack your heart wide open vulnerable.” (Rosie Danan, author of The Roommate)
Recently divorced and on the verge of bankruptcy, Dahlia Woodson is ready to reinvent herself on the popular reality competition show Chef’s Special. Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she’s focused on winning, until she meets someone she might want a future with more than she needs the prize money.
After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan.
As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after.
It’s 1999, and Samantha has danced for years at the Lovely Lady strip club. She’s not used to taking anyone under her wing―after all, between her disapproving boyfriend and his daughter, who may as well be her own child, she has enough to worry about. But when Samantha overrides her better judgment to drive a new dancer home, they are run off the road. The police arrive at the scene of the accident―but find only one body.
Georgia, another dancer, is drawn into the investigation as she tries to assist Holly, a Harvard-educated detective with a complicated story of her own. As the point of view shifts from dancers and detectives to club patrons and children, the women round up a list of suspects, all the while grappling with their understandings of loss and love.
The Falcon and the Foe by A.J. Truman (January 24th)
Two single dads. One huge grudge. And one tiny tent.
It’s hard enough balancing two jobs with raising my son solo. Forget dating. I barely have time for laundry.
But when my son’s scouting troop The Falcons needed a co-scout leader, I couldn’t say no. There’s just one ginormous problem: the other scout leader Russ.
To all other parents, he’s #DadGoals, Mr. Sexy Widower who lords over the drop off line.
To me? He’s the bane of my picket-fenced existence – stuck up, anal (not in the fun way), and definitely the person who got me booted from the Parent Teacher Association. I can’t let him wrest control of The Falcons and have history repeat itself – no matter how hot he looks in his khaki uniform.
Thing is, the more we work together, the more I glimpse the caring man lurking under the cold exterior. Maybe he isn’t the completely wretched human being I thought.
We’d both sworn off romance to focus on fatherhood, and nothing’s going to change that, not even sharing a too-small tent in the wilderness.
When Alex and Elana move from small-town Virginia to El Paso, they are just a young married couple, each the other’s best friend, intent on a new beginning. Born in Mexico but adopted by white American Pentecostal parents, Alex is hungry to learn about the place where he was born. He spends every free moment across the border in Juárez—perfecting his Spanish, hanging with a collective of young activists, and studying Mexican professional wrestling, “lucha libre,” for his graduate work in sociology. Though Elana has enrolled at the local university as well, she feels disillusioned by academia and struggles to find her place in their new home. She also has no idea that Alex has fallen in love with Mateo, a lucha libre fighter.
When Alex goes missing and Elana can’t determine whether he left of his own accord or was kidnapped, it’s clear that neither of them is able to face who they really are. Spanning their journey from Virginia to Texas to Mexico, Mesha Maren’s thrilling and fiercely intelligent follow-up to Sugar Run takes us from missionaries to wrestling matches to a luxurious cartel compound, and deep into the psychic choices that shape our identities.
At first, the death of millionaire businessman Charles Parsons seems like a straightforward suicide. There’s no sign of forced entry or struggle in his lavish New Jersey mansion—just a single gunshot wound from his own weapon. But days later, a different story emerges. Computer techs pick up a voice recording that incriminates Parsons’ adoptive daughter, Ann, who duly confesses and pleads guilty.
Erin McCabe has little interest in reviewing such a slam-dunk case—even after she has a mysterious meeting with one of the investigating detectives, who reveals that Ann, like Erin, is a trans woman. Yet despite their misgivings, Erin and her law partner, Duane Swisher, ultimately can’t ignore the pieces that don’t fit.
As their investigation deepens, Erin and Swish convince Ann to withdraw her guilty plea. But Ann clearly knows more than she’s willing to share, even if it means a life sentence. Who is she protecting, and why?
Fighting against time and a prosecutor hell-bent on notching another conviction, the two work tirelessly—Erin inside the courtroom, Swish in the field—to clear Ann’s name. But despite Parsons’ former associates’ determination to keep his—and their own—illegal activities buried, a horrifying truth emerges—a web of human exploitation, unchecked greed, and murder. Soon, a quest to see justice served becomes a desperate struggle to survive . . .
Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.
D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.
All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.
But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.
At thirty-seven years old, Stevie Green has had it with binge drinking and sleeping with strange men. When her mother asks her to return to her hometown of La Jolla, California, to help her move into a new house, she’s desperate enough to say yes.
The move goes so well that Stevie starts her own decluttering business. She stops drinking. She hires her formerly estranged sister, Bonnie, to be her business partner. She rekindles a romance with her high school sweetheart, Brad. Things are better than ever—except for the complicated past Stevie can’t seem to outrun.
Who was responsible for the high school scandal that caused her life to take a nosedive 20 years earlier? Why is she so secretive about the circumstances of her father’s death? Why are her feelings for her ex-friend Chris so mystifying? Is she gay? Is she an alcoholic? If she’s done drinking, then why can’t she declutter the wine bottles from her car?
The nine stories in Morgan Thomas’s shimmering debut collection, Manywhere, witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, at whatever cost. As each character traces deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.
A trans woman finds her independence through the purchase of a pregnancy bump. A young Virginian flees their relationship, choosing instead to immerse themselves in the life of an intersex person from Colonial-era Jamestown. A young writer tries to evade the murky and violent legacy of an ancestor who supposedly disappeared into a midwifery bag. And in the uncanny title story, a young trans person brings home a replacement daughter for their elderly father.
Winding between reinvention and remembrance, transition and transcendence, these origin stories rebound across centuries. With warm, meticulous emotional intelligence, Thomas uncovers how the stories we borrow to understand ourselves in turn shape the people we become. Ushering in a new form of queer mythmaking, Manywhere introduces a storyteller of uncommon range and talent.
Valentine Layton, the Duke of Malvern, has twin problems: literally.
It was always his father’s hope that Valentine would marry Miss Arabella Tarleton. But, unfortunately, too many novels at an impressionable age have caused her to grow up…romantic. So romantic that a marriage of convenience will not do and after Valentine’s proposal she flees into the night determined never to set eyes on him again.
Arabella’s twin brother, Mr. Bonaventure “Bonny” Tarleton, has also grown up…romantic. And fully expects Valentine to ride out after Arabella and prove to her that he’s not the cold-hearted cad he seems to be.
Despite copious misgivings, Valentine finds himself on a pell-mell chase to Dover with Bonny by his side. Bonny is unreasonable, overdramatic, annoying, and…beautiful? And being with him makes Valentine question everything he thought he knew. About himself. About love. Even about which Tarleton he should be pursuing.
In New York City everybody needs a side hustle, and perfumer Vic Fowler has developed a delicate art that has proved to be very lucrative: creating bespoke scents that evoke immersive memories—memories that, for Vic’s clients, are worth killing for. But the city is expensive, and these days even artisanal murder doesn’t pay the bills. When Joseph Eisner, a former client with deep pockets, offers Vic an opportunity to expand the enterprise, the money is too good to turn down. But the job is too intricate—and too dangerous—to attempt alone.
Manipulating fellow struggling artists into acting as accomplices is easy. Like Vic, they too are on the verge of burnout and bankruptcy. But as relationships become more complicated, Vic’s careful plans start to unravel. Hounded by guilt and a tenacious private investigator, Vic grows increasingly desperate to complete Eisner’s commission. Is there anyone—friends, lovers, coconspirators—that Vic won’t sacrifice for art?
Margot Cooper doesn’t do relationships. She tried and it blew up in her face, so she’ll stick with casual hookups, thank you very much. But now her entire crew has found “the one” and she’s beginning to feel like a fifth wheel. And then fate (the heartless bitch) intervenes. While touring a wedding venue with her engaged friends, Margot comes face-to-face with Olivia Grant—her childhood friend, her first love, her first… well, everything. It’s been ten years, but the moment they lock eyes, Margot’s cold, dead heart thumps in her chest.
Olivia must be hallucinating. In the decade since she last saw Margot, her life hasn’t gone exactly as planned. At almost thirty, she’s been married… and divorced. However, a wedding planner job in Seattle means a fresh start and a chance to follow her dreams. Never in a million years did she expect her important new client’s Best Woman would be the one that got away.
When a series of unfortunate events leaves Olivia without a place to stay, Margot offers up her spare room because she’s a Very Good Person. Obviously. It has nothing to do with the fact that Olivia is as beautiful as ever and the sparks between them still make Margot tingle. As they spend time in close quarters, Margot starts to question her no-strings stance. Olivia is everything she’s ever wanted, but Margot let her in once and it ended in disaster. Will history repeat itself or should she count her lucky stars that she gets a second chance with her first love?
Chance has been in love only once, but it wasn’t with the girlfriend she stayed with for far too long. The same girlfriend who dropped Chance when she became too inconvenient. Or maybe just boring.
To bury her disappointment, Chance tries to return to the woman she loved back when she was too afraid to be herself. A stud attracted to other studs.
Instead of her old love, though, Chance finds Garet: a new and persistent admirer with the kind of swagger that leaves Chance weak in the knees. Garet is hot and very popular with her half a million followers on social media. She’s also a lot younger than Chance is used to. Not to mention there’s something familiar about her, something dangerous, that Chance can’t quite put her finger on.
Two years ago, Csorwe and Shuthmili risked the anger of the wizard Belthandros Sethennai to gain their freedom. Now, they make their living exploring relic worlds of the ancient serpent empire of Echentyr. They think they’re prepared for anything―but when one of their expeditions releases an Echentyri soldier who has slept undisturbed since the fall of her homeland, they are thrown back into a conflict that has lain dormant for thousands of years. Shuthmili will give anything to protect the woman and the life that she loves, but as events spiral out of control, she is torn between clinging to her humanity and embracing her eldritch power.
Meanwhile, Tal Charossa returns to Tlaanthothe to find that Sethennai has gone missing. Tal wants nothing to do with his old boss and former lover, so when a magical catastrophe befalls the city, Tal tries to run rather than face his past―but he soon learns that something even worse may lurk in the future. Throughout the worlds of the Echo Maze, fragments of an undead goddess begin to awaken, and not all confrontations can be put off forever . . .
Though Owen Tanner has never met anyone else who has a chatty bird in their chest, medical forums would call him a Terror. From the moment Gail emerged between Owen’s ribs, his mother knew that she had to hide him away from the world. After a decade spent in hiding, Owen takes a brazen trip outdoors in the middle of a forest fire, and his life is upended forever.
Suddenly, Owen is forced to flee the home that had once felt so confining and hide in plain sight with his uncle and cousin in Washington. There, he feels the joy of finding a family among friends; of sharing the bird in his chest and being embraced fully; of falling in love and feeling the devastating heartbreak of rejection before finding a spark of happiness in the most unexpected place; of living his truth regardless of how hard the thieves of joy may try to tear him down. But the threat of the Army of Acronyms is a constant, looming presence, making Owen wonder if he’ll ever find a way out of the cycle of fear.
In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.
Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.
Claudia Lin is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she’s just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.
A lifelong mystery reader who wrote her senior thesis on Jane Austen, Claudia believes she’s landed her ideal job. But when a client goes missing, Claudia breaks protocol to investigate—and uncovers a maelstrom of personal and corporate deceit. Part literary mystery, part family story, The Verifiers is a clever and incisive examination of how technology shapes our choices, and the nature of romantic love in the digital age.
Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept it—no matter how bizarre the interview or how vague the job description.
By day, she is assistant to the family doctor and his charge, Jonathan, the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious. By night, Lena discovers the more sinister side of the family, as she works overtime at their lavish parties, helping to hide their self-destructive tendencies . . . and trying not to fall for Jonathan’s alluring sister, Audrey. But when she stumbles upon the knowledge that the Verdeau patriarch is the one responsible for the ruin of her own family, Lena vows to get revenge—a poison-filled quest that leads her further into this hedonistic world than she ever bargained for, forcing her to decide how much—and who—she’s willing to sacrifice for payback.
It’s been months since aspiring journalist Kian Andrews has heard from his ex-boyfriend, Hudson Rivers, but an urgent text has them meeting at a café. Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love. . . But no, Hudson has a favor to ask—he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees.
The dinner doesn’t go exactly as planned, and suddenly Kian is Hudson’s plus one to Georgia’s wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can’t afford another mistake. If Kian goes, he’ll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs.
But their fake relationship is starting to feel like it might be more than a means to an end, and it’s time for both men to fact-check their feelings.
Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.
When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all.
Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…
When archivist Sol meets Elsie, the larger than life widow of a moderately famous television writer who’s come to donate her wife’s papers, there’s an instant spark. But Sol has a secret: he suffers from an illness called vampirism, and hides from the sun by living in his basement office. On their way to falling in love, the two traverse grief, delve into the Internet fandom they once unknowingly shared, and navigate the realities of transphobia and the stigmas of carrying the “vampire disease.”
Then, when strange things start happening at the collection, Sol must embrace even more of the unknown to save himself and his job.
When shy, sensitive Laura Stearns arrives at St. Dunstan’s Academy in Maine, she dreams that life there will echo her favorite novel, All Before Them, the sole surviving piece of writing by Byronic “prep school prophet” (and St. Dunstan’s alum) Sebastian Webster, who died at nineteen, fighting in the Spanish Civil War. She soon finds the intensity she is looking for among the insular, Webster-worshipping members of the school’s chapel choir, which is presided over by the charismatic, neurotic, overachiever Virginia Strauss. Virginia is as fanatical about her newfound Christian faith as she is about the miles she runs every morning before dawn. She expects nothing short of perfection from herself—and from the members of the choir.
Virginia inducts the besotted Laura into a world of transcendent music and arcane ritual, illicit cliff-diving and midnight crypt visits: a world that, like Webster’s novels, finally seems to Laura to be full of meaning. But when a new school chaplain challenges Virginia’s hold on the “family” she has created, and Virginia’s efforts to wield her power become increasingly dangerous, Laura must decide how far she will let her devotion to Virginia go.
Chef’s Kiss by Jarrett Melendez (Author), Danica Brine (Illustrator), Hank Jones (Colorist), Hassan Otsmane-Elhaou (Letterer) (March 1st)
Now that college is over, English graduate Ben Cook is on the job hunt looking for something…anything…related to his passion for reading and writing. But interview after interview, hiring committee after hiring committee, Ben soon learns getting the dream job won’t be as easy as he thought. Proofreading? Journalism? Copywriting? Not enough experience. It turns out he doesn’t even have enough experience to be a garbage collector! But when Ben stumbles upon a “Now Hiring—No Experience Necessary” sign outside a restaurant, he jumps at the chance to land his first job. Plus, he can keep looking for a writing job in the meantime. He’s actually not so bad in the kitchen, but he will have to pass a series of cooking tests to prove he’s got the culinary skills to stay on full-time. But it’s only temporary…right?
When Ben begins developing a crush on Liam, one of the other super dreamy chefs at the restaurant, and when he starts ditching his old college friends and his old writing job plans, his career path starts to become much less clear.
When Neema Avashia tells people where she’s from, their response is nearly always a disbelieving “There are Indian people in West Virginia?” A queer Asian American teacher and writer, Avashia fits few Appalachian stereotypes. But the lessons she learned in childhood about race and class, gender and sexuality continue to inform the way she moves through the world today: how she loves, how she teaches, how she advocates, how she struggles.
Another Appalachia examines both the roots and the resonance of Avashia’s identity as a queer desi Appalachian woman, while encouraging readers to envision more complex versions of both Appalachia and the nation as a whole. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, gun culture, and more, Another Appalachia mixes nostalgia and humor, sadness and sweetness, personal reflection and universal questions.
It’s four in the morning, and our narrator is walking home from the club when they realise that it’s February 29th – the birthday of the man who was something like their first love. Piecing together art, letters and memory, they set about trying to write the story of a doomed affair that first sparked and burned a decade ago.
Ten years earlier, and our young narrator and a boy named Thomas James fall into bed with one another over the summer of their graduation. Their ensuing affair, with its violent, animal intensity and its intoxicating and toxic power play will initiate a dance of repulsion and attraction that will cross years, span continents, drag in countless victims – and culminate in terrible betrayal.
A story of idealism, activism, and systemic corruption, centered on a naïve young woman’s quest for agency in a world ravaged by climate change.
Willa Marks has spent her whole life choosing hope. She chooses hope over her parents’ paranoid conspiracy theories, over her dead-end job, over the rising ocean levels. And when she meets Sylvia Gill, renowned Harvard professor, she feels she’s found the justification of that hope. Sylvia is the woman-in-black: the only person smart and sharp enough to compel the world to action. But when Sylvia betrays her, Willa fears she has lost hope forever.
And then she finds a book in Sylvia’s library: a guide to fighting climate change called Living the Solution. Inspired by its message and with nothing to lose, Willa flies to the island of Eleutheria in the Bahamas to join the author and his group of ecowarriors at Camp Hope. Upon arrival, things are not what she expected. The group’s leader, author Roy Adams, is missing, and the compound’s public launch is delayed. With time running out, Willa will stop at nothing to realize Camp Hope’s mission—but at what cost?
1657. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man’s proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre’s bride.
1675. Jeanne, Marie’s oldest child, is seventeen, neither white nor Algonquin, caught between worlds. Caught by her own desires, too. Her heart belongs to a girl named Josephine, but soon her father will have to find her a husband or be forced to pay a hefty fine to the French crown. Among her mother’s people, Jeanne would have been considered blessed, her two-spirited nature a sign of special wisdom. To the settlers of New France, and even to her own father, Jeanne is unnatural, sinful–a woman to be shunned, beaten, and much worse.
With the poignant, unforgettable story of Marie and Jeanne, Danielle Daniel reaches back through the centuries to touch the very origin of the long history of violence against Indigenous women and the deliberate, equally violent disruption of First Nations cultures.
On June 2, 2016, a protrusion of rock growing from the Central Park Reservoir is spotted by a jogger. Three weeks later, when it finally stops growing, it’s nearly two-and-a-half miles tall, and has been determined to be an active volcano.
As the volcano grows and then looms over New York, an eight-year-old boy in Mexico City finds himself transported 500 years into the past, where he witnesses the fall of the Aztec Empire; a Nigerian scholar in Tokyo studies a folktale about a woman of fire who descends a mountain and destroys an entire village; a white trans writer in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse tends to Syrian refugees in Greece while grappling with the trauma of living through the bombing of a hospital in Kunduz, Afghanistan; a nomadic farmer in Mongolia is stung by a bee, magically transforming him into a green, thorned, flowering creature that aspires to connect every living thing into its consciousness.
With its riveting and audacious vision, My Volcano is a tapestry on fire, a distorted and cinematic new work from the fiercely talented John Elizabeth Stintzi.
In the wake of the First World War, Jonathan Morgan stows away on an Antarctic expedition, determined to find his rightful place in the world of men. Aboard the expeditionary ship of his hero, the world-famous explorer James “Australis” Randall, Jonathan may live as his true self—and true gender—and have the adventures he has always been denied. But not all is smooth sailing: the war casts its long shadow over them all, and grief, guilt, and mistrust skulk among the explorers.
When disaster strikes in Antarctica’s frozen Weddell Sea, the men must take to the land and overwinter somewhere which immediately seems both eerie and wrong; a place not marked on any of their part-drawn mapsof the vast white continent. Now completely isolated, Randall’s expedition has no ability to contact the outside world. And no one is coming to rescue them.
In the freezing darkness of the Polar night, where the aurora creeps across the sky, something terrible has been waiting to lure them out into its deadly landscape…
As the harsh Antarctic winter descends, this supernatural force will prey on their deepest desires and deepest fears to pick them off one by one. It is up to Jonathan to overcome his own ghosts before he and the expedition are utterly destroyed.
When his father falls ill, Andrés, a professor of public health, returns to his suburban hometown to tend to his father’s recovery. Reevaluating his rocky marriage in the wake of his husband’s infidelity and with little else to do, he decides to attend his twenty-year high school reunion, where he runs into the long-lost characters of his youth.
Jeremy, his first love, is now married with two children after having been incarcerated and recovering from addiction. Paul, who Andrés has long suspected of having killed a man in a homophobic attack, is now an Evangelical minister and father of five. And Simone, Andrés’s best friend, is in a psychiatric institution following a diagnosis of schizophrenia. During this short stay, Andrés confronts these relationships, the death of his brother, and the many sacrifices his parents made to offer him a better life.
The Four Realms—Life, Death, Light, and Darkness—all converge on the city of dusk. For each realm there is a god, and for each god there is an heir.
But the gods have withdrawn their favor from the once vibrant and thriving city. And without it, all the realms are dying.
Unwilling to stand by and watch the destruction, the four heirs—Risha, a necromancer struggling to keep the peace; Angelica, an elementalist with her eyes set on the throne; Taesia, a shadow-wielding rogue with rebellion in her heart; and Nik, a soldier who struggles to see the light— will sacrifice everything to save the city.
On Crow Island, people whisper, real magic lurks just below the surface. New to the idyllic summer getaway, Annie Mason is confident those are only rumors. Magic—the kind that leaves soldiers shell shocked and families heartbroken—has been prohibited since the war ended. Now, the closest anyone gets are party tricks designed for the rich and aimless.
Neither real magic nor faux magic interests Annie. Not after it stole her future. She’s only on the island to settle her late father’s estate and, hopefully, reconnect with her long-absent best friend, Beatrice, who fled their dreary lives for a more glamorous one.
Yet Crow Island is brimming with temptation, and the biggest one may be her enigmatic new neighbor.
Mysterious and alluring, Emmeline Delacroix is a figure shadowed by rumors of witchcraft. And when Annie witnesses a confrontation between Bea and Emmeline at one of Crow Island’s extravagant parties, she is drawn into a glittering, haunted world. A world where the boundaries of wickedness are tested, and the cost of illicit magic might be death.
Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they fall in love, they dream of finding somewhere they belong, while Mungo works hard to hide his true self from all those around him, especially from his big brother Hamish, a local gang leader with a brutal reputation to uphold. But the threat of discovery is constant and the punishment unspeakable. And when several months later Mungo’s mother sends him on a fishing trip to a loch in Western Scotland, together with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to try to get back to a place of safety, a place where he and James might still have a future.
In 1966, Sissily travels across Kansas with an older man, the father of one of her schoolfriends. On their way to California to begin a life together, he insists on stopping at his family ranch to see his mother. This family reunion is a painful reminder for Sissily about the truth about her own heritage, but she also sees a woman who, decades later, is still scarred by the great depression.
In 1947, Nella’s family relocates to Kansas from Milwaukee, and during the summer before her senior year, begins an interracial relationship with a white man called Lucky. They can only meet in secret, or as Lucky is in a wheelchair sometimes Nella pretends to be his nurse. When three white men stumble upon “Nurse Nella” one catastrophic afternoon, the violence of a racist society forces Nella to face the reality of their situation.
In 1933, at the height of the dust bowl and brutal jackrabbit roundups, surrounded by violence and starvation, Greta finds love with another farm woman. Their clandestine encounters will be unsustainable for obvious reasons but will have consequences for generations. A novel told in three parts, New to Liberty showcases the growth and strength of three unforgettable women as they evolve in a society that refuses to. In lustrous prose, DeMisty Bellinger brings the quiet, but treacherous landscape to life, offering a snapshot of mid-century America and keeping readers guessing until the end as to how these three women are connected.
Lia Harris is tired of being the odd one out. She’s never quite fit in with her uptight family, and now that her roommates have all found love, she’s starting to feel like a third wheel in her own apartment. Fed up with her mother’s constant meddling in her love life, Lia drops hints about a girlfriend she doesn’t have. But with her brother’s London nuptials approaching, she needs to find a date to save face. Lia turns to her best friend, Rosie, for help, and Rosie delivers–with the fun, gorgeous Grace Poston.
Grace loves to have a good time, hiding her insecurities behind a sunny smile. Her recent move to London has provided her with a much-needed fresh start. Grace isn’t looking for love, and she hates weddings, having weathered more than her fair share of heartache. Friendships are different, though, so for Rosie’s sake, she reluctantly agrees to pose as Lia’s adoring girlfriend for the wedding festivities.
Both Grace and Lia are prepared for an awkward weekend, complete with prying family members and a guest room with only one bed. As it turns out, they get along well–spectacularly, in fact. Before they know it, the chemistry they’re faking feels all too real. But is their wedding weekend a fleeting performance or the rehearsal for a love that’s meant to last?
She left all she knew to find who she could be . . .
She grows up in the wild wood, in a cave with her mother, but visions of a faraway lake drift to her on the spring breeze, scented with promise. And when she hears a traveler speak of Artos, king of Caer Leon, she decides her future lies at his court. So, brimming with magic and eager to test her strength, she breaks her covenant with her mother and sets out on her bony gelding for Caer Leon.
With her stolen hunting spear and mended armour, she is an unlikely hero, not a chosen one, but one who forges her own bright path. Aflame with determination, she begins a journey of magic and mystery, love, lust and fights to death. On her adventures, she will steal the hearts of beautiful women, fight warriors and sorcerers, and make a place to call home.
After twelve years of marriage and two kids, Merit has begun to feel like a stranger in her own life. She loves her husband and sons, but she desperately needs something more than sippy cups and monthly sex. So, she returns to her career at Jager + Brandt, where a brilliant and beautiful Danish architect named Jane decides to overlook the “break” in Merit’s résumé and give her a shot. Jane is a supernova—witty and dazzling and unapologetically herself—and as the two work closely together, their relationship becomes a true friendship. In Jane, Merit sees the possibility of what a woman could be. And Jane sees Merit exactly for who she is. Not the wife and mother dutifully performing the roles expected of her, but a whole person.
Their relationship quickly becomes a cornerstone in Merit’s life. And as Merit starts to open her mind to the idea of more—more of a partner, more of a match, more out of love—she begins to question: What if the love of her life isn’t the man she married. What if it’s Jane?
There are three things you need to know about Preston “PK” Kingsley:
He’s a writer, toiling in obscurity as an editorial assistant at a New York City publishing house.
He is not a cliché. No, really.
He’s been secretly in love with his best friend, Art, since they once drunkenly kissed in college.
When Art moves in with PK following a bad breakup, PK hopes this will be the moment when Art finally sees him as more than a friend. But Art seems to laugh off the very idea of them in a relationship, so PK returns to his writing roots—in fiction, he can say all the things he can’t say out loud.
In his book, PK can be the perfect boyfriend.
Before long, it seems like the whole world has a crush on the fictionalized version of him, including Art, who has no idea that the hot new book everyone’s talking about is PK’s story. But when his brilliant plan to win Art over backfires, PK might lose not just his fantasy book boyfriend, but his best friend.
Mallory is a freshman in college, reeling from her mother’s recent death, when she encounters the woman. She sees her for the first time at the university’s gym, immediately entranced. Soon, they meet, drawn by an electric tension and shared past wounds; before long, they begin sleeping together in secret. Self-possessed, successful, brilliant, and aloof—the woman is everything Mallory wants…and wants to be. Desiring not only the woman but also the idea of who she is when they’re together, Mallory retreats from the rest of the world, solidifying a sense of aloneness that has both haunted and soothed her since childhood and will continue to do so for years even after the affair ends. As an adult, Mallory must decide whether to stay safely in isolation or step fully into the world, to confront what the woman meant to her and how their relationship shaped her, for better or worse.
Mallory’s life is transformed by loss and by love and by discovering who she is while enduring both. In this enthralling debut novel, the complexities of influence, obsession, and admiration reveal how desire and its consequences can alter the trajectory of someone’s life.
Dear (never-been-quite-over-you) Crush,
It’s been a few years since we were together,
but I can’t stop thinking about the time we almost…
Wren Roland has never been kissed, but he wants that movie-perfect ending more than anything. Feeling nostalgic on the eve of his birthday, he sends emails to all the boys he (ahem) loved before he came out. Morning brings the inevitable Oh God What Did I Do?, but he brushes that panic aside. Why stress about it? None of his could-have-beens are actually going to read the emails, much less respond. Right?
Enter Derick Haverford, Wren’s #1 pre-coming-out-crush and his drive-in theater’s new social media intern. Everyone claims he’s coasting on cinematic good looks and his father’s connections, but Wren has always known there’s much more to Derick than meets the eye. Too bad he doesn’t feel the same way about the infamous almost-kiss that once rocked Wren’s world.
Whatever. Wren’s no longer a closeted teenager; he can survive this. But as their hazy summer becomes consumed with a special project that may just save the struggling drive-in for good, Wren and Derick are drawn ever-closer…and maybe, finally, Wren’s dream of a perfect-kiss-before-the-credits is within reach.
Life is going well for Greg Kelly. He’s married to the handsome and kind Cristian, a Spanish-born artist who is also a talented cook. Greg’s work as a translator for an IT startup allows them to live comfortably in a stylish Bushwick two bedroom and enjoy just about all NYC has to offer―including sleeping with other men, since Greg and Cristian’s marriage has been open for the past few years. This arrangement has been particularly appealing to Greg and his exceptional sexual appetite. Now approaching their mid-thirties, fatherhood calls and they enlist a friend to act as surrogate.
In order to focus on building a family, Greg and Cristian decide to close up the marriage when the baby arrives. Greg is going to miss his hookups, but at least he has the summer for one last hurrah. He methodically plans his hookups via Grindr and Tinder, carefully coordinates train routes for quick lunchtime hookups, and scouts potential candidates anywhere, anytime, like an old time Hollywood casting director.
As their baby’s due date draws closer, anxiety sets in over Greg’s impending parental responsibilities, the loss of his sexual freedom, and even his marriage to Cristian. But before he can sort out his feelings, a spurned hook-up reappears―Russell, an arrogant tv producer, who had wanted a relationship with Greg. And the problem is, Russell just won’t go away, infiltrating himself into Greg’s life in the worst ways possible, threatening his marriage and sanity. Greg is left asking, what does it mean to find happiness but still crave more?
If sex is a truth-teller, Eve—a young, queer woman in Brooklyn—is looking for answers. On an evening when she is feeling particularly impulsive, she posts some nude photos of herself online. This is how Eve meets Olivia, and through Olivia, the charismatic Nathan—and soon the three begin a relationship that disturbs Eve as much as it delights her. As each act of the affair unfolds, Eve is left to ask: to whom is she responsible? And to what extent do our desires determine who we are?
Danny Scudd is absolutely fine. He always dreamed of escaping the small-town life of his parents’ fish and chip shop, moving to London, and becoming a journalist. And, after five years in the city, his career isn’t exactly awful, and his relationship with pretentious Tobbs isn’t exactly unfulfilling. Certainly his limited edition Dolly Parton vinyls and many (maybe too many) house plants are hitting the spot. However, a visit to the local clinic reveals that Tobbs might not have been exactly faithful. In fact, Tobbs claims they were never operating under the “antiquated” terms of monogamy to begin with. Oh, and Danny’s flatmates are unceremoniously evicting him because they want to start a family. It’s all going quite well.
Newly single and with nowhere to live, Danny is forced to move in with his best friend, Jacob, a flamboyant non-binary artist whom he’s known since childhood, and their extravagant group of friends living in an East London “commune.” What follows is a colorful voyage of discovery through modern queer life, dating, work, and lots of therapy—all places Danny has always been too afraid to fully explore. Upon realizing just how little he knows about himself and his sexuality, he careens from one questionable decision (and man) to another, relying on his inscrutable new therapist and housemates to face the demons he’s spent his entire life trying to repress. Is he really fine, after all?
“No maids, no funny talking, no fainting flowers.” Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn’t care. She’d rather play a monster than a maid.
But in Luli’s world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her. For those who do survive to earn their fame, success comes with a steep price. Luli is willing to do whatever it takes—even if that means becoming the monster herself.
Feared and despised for the sinister power in her veins, Alyce wreaks her revenge on the kingdom that made her an outcast. Once a realm of decadence and beauty, Briar is now wholly Alyce’s wicked domain. And no one will escape the consequences of her wrath. Not even the one person who holds her heart.
Princess Aurora saw through Alyce’s thorny facade, earning a love that promised the dawn of a new age. But it is a love that came with a heavy price: Aurora now sleeps under a curse that even Alyce’s vast power cannot seem to break. And the dream of the world they would have built together is nothing but ash.
Alyce vows to do anything to wake the woman she loves, even if it means turning into the monster Briar believes her to be. But could Aurora love the villain Alyce has become?
Morgan Flowers just wants to hide. Raised by their neurodivergent father, Morgan has grown up haunted by the absence of their mysterious mother Zoe, especially now, as they navigate their gender identity and the turmoil of first love. Their father Julian has raised Morgan with care, but he can’t quite fill the gap left by the dazzling and destructive Zoe, who fled to Europe on Morgan’s first birthday. And when Zoe is dumped by her girlfriend Brigid, she suddenly comes crashing back into Morgan and Julian’s lives, poised to disrupt the fragile peace they have so carefully cultivated.
Through it all, Julian and Brigid have become unlikely pen-pals and friends, united by the knowledge of what it’s like to love and lose Zoe; they both know that she hasn’t changed. Despite the red flags, Morgan is swiftly drawn into Zoe’s glittering orbit and into a series of harmful missteps, and Brigid may be the only link that can pull them back from the edge.
Two years ago, Miss Viola Carroll seized the chance to live as her true self—at the cost of cutting nearly all ties to her past. Presumed to have died at the battle of Waterloo, she instead has taken a position as a lady’s companion. Yet when she discovers her childhood companion, the Duke of Gracewood, blames himself for her death, she realizes that history cannot be so neatly set aside. She barely recognizes the darkly brooding man Gracewood has become . . . but beneath his guilt and shame, she sees the ghost of her old friend.
Only now an incendiary attraction burns between them . . .
Justin de Vere, Duke of Gracewood, lost everything when his best friend died: his health, his faith, and his joy in the world. But when family machinations bring Viola Carroll back into his life, he begins believing that his heart is far from dead. He is desperate to prove himself capable of providing Viola with the life she deserves, but after losing so much of himself to grief, he fears he has nothing left to give.
If they are to embrace a future together, Gracewood must move past his grief. But if there is one truth Viola knows, it is the precariousness of desire. Can they both put aside their fear and heartache and nurture a new love from the ashes of their old friendship?
Feyi Adekola wants to learn how to be alive again.
It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.
She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?
In this delightful debut collection of prize-winning stories, queer, gender-nonconforming, and trans characters struggle to find love and forgiveness, despite their sometimes comic, sometimes tragic mistakes.
In one story, a young lesbian tries to have a baby with her lover using an unprofessional sperm donor and a high-powered, rainbow-colored cocktail. In another, a fifth-grader explores gender identity by dressing as an ox—instead of a matriarch—for a class Oregon Trail reenactment. Meanwhile a nonbinary person on the eve of top surgery dangerously experiments with an open relationship during the height of the COVID crisis.
With insight and compassion, debut author Lydia Conklin takes their readers to a meeting of a queer feminist book club and to a convention for trans teenagers, revealing both the dark and lovable sides of their characters. The stories in RainbowRainbow will make you laugh and wince, sometimes at the same time.
Suddenly jobless and single after a devastating layoff followed by a breakup with his cheating ex, advertising copywriter Dominick Gibson flees Hell’s Kitchen and finds himself trying get his life back on track in his hometown of Detroit, where he’s got one objective in mind: To exit the shallow gay dating pool ASAP and be married by 35—and he’s only got two years left.
Dom’s best friend Troy Clements, an idealistic teacher who never left the Motor City, finds himself at odds with all the men in his life: A troubled boyfriend he’s desperate to hold onto, a perpetually dissatisfied father, and his other best friend, Remy. Remy Patton is a rags-to-riches real estate agent in town with his own problems—namely choosing between making it work with a long-distance paramour or settling with a local Mr. Right Now that’s not quite Mr. Right—but his friendship with Troy may be compromised over his latest high-stakes deal.
Follow these three men as they confront their evolving friendship, but also individual hiccups—workplace microaggressions, bad Tinder dates, situationships, frenemies, learning the Tamia hustle—while attempting to navigate the new and changing Detroit.
When Sara Foster runs away from home at sixteen, she leaves behind the girl she once was, capable of trust and intimacy. Years later, in Los Angeles, she is a sought-after bartender, renowned as much for her brilliant cocktails as for the mystery that clings to her. Across the city, Emilie Dubois is in a holding pattern, yearning for the beauty and community her Creole grandparents cultivated but unable to commit. On a whim, she takes a job arranging flowers at the glamorous restaurant Yerba Buena and embarks on an affair with the married owner.
The morning Emilie and Sara first meet at Yerba Buena, their connection is immediate. But the damage both women carry, and the choices they have made, pulls them apart again and again. When Sara’s old life catches up to her, upending everything she thought she wanted just as Emilie has finally gained her own sense of purpose, they must decide if their love is more powerful than their pasts.
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses of Great Mother Aphrodite. When Odysseus comes to recruit the “prince” Achilles for a war against the Hittites, she prepares to die rather than fight as a man. However, her divine mother, Athena, intervenes, transforming her body into the woman’s body she always longed for, and promises her everything: glory, power, fame, victory in war, and, most importantly, a child born of her own body. Reunited with her beloved cousin, Patroklos, and his brilliant wife, the sorceress Meryapi, Achilles sets out to war with a vengeance.
But the gods—a dysfunctional family of abusive immortals that have glutted on human sacrifices for centuries—have woven ancient schemes more blood-soaked and nightmarish than Achilles can imagine. At the center of it all is the cruel, immortal Helen, who sees Achilles as a worthy enemy after millennia of ennui and emptiness. In love with her newfound nemesis, Helen sets out to destroy everything and everyone Achilles cherishes, seeking a battle to the death.
An innovative spin on a familiar tale, this is the Trojan War unlike anything ever told, and an Achilles whose vulnerability is revealed by the people she chooses to fight…and chooses to trust.
In 1919, Mohammed el Adl, the young Egyptian lover of British author E. M. Forster, spent six months in a jail cell. A century later, Kip Starling has locked himself in his Brooklyn basement study with a pistol and twenty-one gallons of Poland Spring to write Mohammed’s story.
Kip has only three weeks until his publisher’s deadline to immerse himself in the mind of Mohammed who, like Kip, is Black, queer, an Other. The similarities don’t end there. Both of their lives have been deeply affected by their confrontations with Whiteness, homophobia, their upper crust education, and their white romantic partners. As Kip immerses himself in his writing, Mohammed’s story – and then Mohammed himself – begins to speak to him, and his life becomes a Proustian portal into Kip’s own memories and psyche. Greenland seamlessly conjures two distinct yet overlapping worlds where the past mirrors the present, and the artist’s journey transforms into a quest for truth that offers a world of possibility.
Robin and Ellie have been best friends since childhood. When Robin came out, Ellie was there for her. When Ellie’s father died, Robin had her back. But when Ellie asks Robin to be her maid of honor, she is reluctant. A queer academic, Robin is dubious of the elaborate wedding rituals now sweeping the nation, which go far beyond champagne toasts and a bouquet toss. But loyalty wins out, and Robin accepts.
Yet, as the wedding weekend approaches, a series of ominous occurrences lead Robin to second-guess her decision. It seems that everyone in the bridal party is out to get her. Perhaps even Ellie herself.
Things are looking up for Mr. and Mrs. Cho. Their dream of franchising their Korean plate lunch restaurants across Hawaiʻi seems within reach after a visit from Guy Fieri boosts the profile of Cho’s Delicatessen. Their daughter, Grace, is busy finishing her senior year of college and working for her parents, while her older brother, Jacob, just moved to Seoul to teach English. But when a viral video shows Jacob trying—and failing—to cross the Korean demilitarized zone, nothing can protect the family from suspicion and the restaurant from waning sales.
No one knows that Jacob has been possessed by the ghost of his lost grandfather, who feverishly wishes to cross the divide and find the family he left behind in the north. As Jacob is detained by the South Korean government, Mr. and Mrs. Cho fear their son won’t ever be able to return home, and Grace gets more and more stoned as she negotiates her family’s undoing. Struggling with what they don’t know about themselves and one another, the Chos must confront the separations that have endured in their family for decades.
Set in the months leading up to the 2018 false missile alert in Hawaiʻi, Joseph Han’s profoundly funny and strikingly beautiful debut novel is an offering that aches with histories inherited and reunions missed, asking how we heal in the face of what we forget and who we remember.
At her day job in a Christian bakery and with her conservative family, Amy plays the role of a straight, church-going young woman—exactly what’s expected in mid-2010s Tulsa, Oklahoma, the “Buckle of the Bible Belt.” But at night, she tends bar at the only place in town that truly feels like home: Ruby Red’s, a lovably grungy queer bar with a group of regulars who have become her chosen family. Amy’s spent a lifetime learning how to walk this fine line, placing others before herself so effortlessly that she doesn’t even realize she’s lost touch with her own needs and desires.
Still, everything seems more than fine, especially when Amy falls into a whirlwind romance with Charley, a charming newcomer to Tulsa. But then Amy is suddenly outed and subsequently fired from her bakery job. When a new friend begs her to fill in for one of the bridesmaids at her wedding—and offers to pay Amy more than she makes in a single night at Ruby Red’s—she can’t afford to turn it down. As her relationship with Charley heats up, this one-off opportunity turns into a full-time business, thanks to Amy’s baking talents, crafting skills, and expert ability to become whatever other people need her to be.
Between weddings, bachelorette parties, bridal showers, and dress fittings, Amy’s in her element, her years of watching rom-coms and Say Yes to the Dress finally paying off. But at what cost? Gay marriage is not legal, yet she’s playing the role of a straight girl, working hard to facilitate strangers’ special days even while she’s secretly dreaming of her own potential wedding day with Charley. When Amy’s precarious balancing act strains her relationships to a breaking point, she must decide what it looks like to be true to herself—and if she has the courage to try.
Marian Hayes, the Duchess of Clare, just shot her husband. Of course, the evil, murderous man deserved what was coming to him, but now she must flee to the countryside. Unfortunately, the only person she can ask for help is the charismatic criminal who is blackmailing her—and who she may have left tied up a few hours before…
A highwayman, con artist, and all-around cheerful villain, Rob Brooks is no stranger to the wrong side of the law or the right side of anybody’s bed. He never meant to fall for the woman whose secrets he promised to keep for the low price of five hundred pounds, but how could he resist someone who led him on a merry chase all over London, left him tied up in a seedy inn, and then arrived covered in her husband’s blood and in desperate need of his help?
As they flee across the country—stopping to pick pockets, drink to excess, and rescue invalid cats—they discover more true joy and peace than either has felt in ages. But when the truth of Rob’s past catches up to him, they must decide if they are willing to reshape their lives in order to forge a future together.
If you look hard enough at old photographs, we’re there in the background: healers in the trenches; Suffragettes; Bletchley Park oracles; land girls and resistance fighters. Why is it we help in times of crisis? We have a gift. We are stronger than Mundanes, plain and simple.
At the dawn of their adolescence, on the eve of the summer solstice, four young girls–Helena, Leonie, Niamh and Elle–took the oath to join Her Majesty’s Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is now the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she’s a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right.
To her own dismay, Lou is a natural model: tall, thin, captivatingly androgynous, and with a striking look. Out of nowhere, every agent in the Portland area wants to represent her. But Lou doesn’t care for fashion, nor does she wish to be seen. Fresh out of high school, Lou’s plan is to spend the summer taking photographs and hoping to catch the attention of Ivy, her close friend and secret crush.
But when an afternoon hiking trip ends in a tragic accident, Lou finds herself lost, ridden with guilt, and unsure how to connect with her friends. Determined to find a purpose, Lou steps into the dizzying world of modeling auditions, commercial shoots, shockingly expensive haute couture, and runways in New York, Paris, and Milan. It’s a whirlwind of learning how to walk, how to command her body and its movements, and how to manage her newfound fame. But in the dazzling flash of the camera and the thrill of seeing her face giant-size on billboards, Lou begins to worry that she’s losing her identity-as a person, as an artist, and as a young woman still in love with the girl she left behind.
If you’ve been searching for smutty, fearless, gender diverse erotica written by affirming own-voices folks who get it, then this is the book you’ve been looking for Packed with explicit erotic stories from trans and nonbinary gender diverse writers, Heckin’ Lewd celebrates sexual nonconformity, queerness, nontraditional relationship structures, and unrestrained lust, pleasure, and kink.
In the first book of a visionary African- and Arabian-inspired fantasy trilogy, three womenband together against a cruel empire that divides people by blood.
Red is the blood of the elite, of magic, of control. Blue is the blood of the poor, of workers, of the resistance. Clear is the blood of the slaves, of the crushed, of the invisible.
Sylah dreams of days growing up in the resistance, being told she would spark a revolution that would free the empire from the red-blooded ruling classes’ tyranny. That spark was extinguished the day she watched her family murdered before her eyes.
Anoor has been told she’s nothing, no one, a disappointment, by the only person who matters: her mother, the most powerful ruler in the empire. But dust always rises in a storm.
Hassa moves through the world unseen by upper classes, so she knows what it means to be invisible. But invisibility has its uses: It can hide the most dangerous of secrets, secrets that can reignite a revolution.
As the empire begins a set of trials of combat and skill designed to find its new leaders, the stage is set for blood to flow, power to shift, and cities to burn.
Kadou, the shy prince of Arasht, finds himself at odds with one of the most powerful ambassadors at court–the body-father of the queen’s new child–in an altercation which results in his humiliation.
To prove his loyalty to the queen, his sister, Kadou takes responsibility for the investigation of a break-in at one of their guilds, with the help of his newly appointed bodyguard, the coldly handsome Evemer, who seems to tolerate him at best. In Arasht, where princes can touch-taste precious metals with their fingers and myth runs side by side with history, counterfeiting is heresy, and the conspiracy they discover could cripple the kingdom’s financial standing and bring about its ruin.
The world is ending, and down-and-out sadist Lee spends their days working for a big corporation and their nights wandering the streets of Brooklyn listening to true crime podcasts. But everything changes when Lee is dragged to a warehouse party by their best friend, where they find themself in the clutches of the seductive and bloodthirsty X. When Lee seeks her out again, she’s nowhere to be found.
Amid the steady constriction of civil rights and the purging of migrants and refugees, the U.S. government has recently begun encouraging the semi-voluntary “exporting” of undesirable citizens—the radicalized, the dissident, and the ungovernable. Word has it that X may be among those leaving. If Lee doesn’t track her down soon, she may be gone forever.
Amy Chambers: restaurant owner, micromanager, control freak.
Amy will do anything to revive her ailing restaurant, including hiring a former reality-show finalist with good connections and a lot to prove. But her hopes that Sophie’s skills and celebrity status would bring her restaurant back from the brink of failure are beginning to wane…
Sophie Brunet: grump in the kitchen/sunshine in the streets, took thirty years to figure out she was queer.
Sophie just wants to cook. She doesn’t want to constantly post on social media for her dead-in-the-water reality TV career, she doesn’t want to deal with Amy’s take-charge personality and she doesn’t want to think about what her attraction to her boss might mean…
Then, an opportunity: a new foodie TV show might provide the exposure they need. An uneasy truce is fine for starters, but making their dreams come true means making some personal and painful sacrifices and soon, there’s more than just the restaurant at stake.
With the horrors of the summer and the Girl Killer behind her, Louise Lloyd is eager to usher in her 28th year with her girlfriend and best friend by her side.
When Nora Davies, one of the girls Louise was kidnapped with, reintroduces herself, Louise is wary to connect. By the next morning, Nora will be dead, Rosa Maria Moreno covered in her blood, and no one can remember what happened.
With Rosa Maria’s freedom on the line, Louise must get to the bottom of Nora’s death before time runs out.
Today on the site we’re happy to welcome back Roan Parrish, to reveal the cover of her upcoming queer holiday romance, The Holiday Trap, which releases from Sourcebooks on September 6, 2022! Here’s the story:
The Holiday but make it gay. Greta Russakoff loves her tight-knit family and tiny Maine hometown, even if they don’t always understand what it’s like to be a lesbian living in such a small world. She desperately needs space to figure out who she is.
Truman Belvedere has just had his heart crushed into a million pieces when he learned that his boyfriend of almost a year has a secret life that includes a husband and a daughter. Reeling from this discovery, all he wants is a place to lick his wounds far, far away from New Orleans.
Enter Greta and Truman’s mutual friend, Ramona, who facilitates a month-long house swap. Over Christmas, each of them will have a chance to try on a new life…and maybe fall in love with the perfect partner of their dreams. But all holidays must come to an end, and eventually Greta and Truman will have to decide whether the love they each found so far from home is worth fighting for.
Roan Parrish lives in Philadelphia, where she is gradually attempting to write love stories in every genre. When not writing, she can usually be found cutting her friends’ hair, meandering through whatever city she’s in while listening to torch songs and melodic death metal, or cooking overly elaborate meals. She loves bonfires, winter beaches, minor chord harmonies, and self-tattooing. One time she may or may not have baked a six-layer chocolate cake and then thrown it out the window in a fit of pique.
Cameron Battle grew up reading The Book of Chidani, cherishing stories about the fabled kingdom that cut itself off from the world to save the Igbo people from danger. Passed down over generations, the Book is Cameron’s only connection to his parents who disappeared one fateful night, two years ago.
Ever since, his grandmother has kept the Book locked away, but it calls to Cameron. When he and his best friends Zion and Aliyah decide to open it again, they are magically transported to Chidani. Instead of a land of beauty and wonder, they find a kingdom in extreme danger, as the Queen’s sister seeks to destroy the barrier between worlds. The people of Chidani have been waiting for the last Descendant to return and save them . . . is Cameron ready to be the hero they need?
Drew Leclair knows what it takes to be a great detective. She’s pored over the cases solved by her hero, criminal profiler Lita Miyamoto. She tracked down the graffiti artist at school, and even solved the mystery of her neighbor’s missing rabbit. But when her mother runs off to Hawaii with the school guidance counselor, Drew is shocked. How did she miss all of the clues?
Drew is determined to keep her family life a secret, even from her best friend. But when a cyberbully starts posting embarrassing rumors about other students at school, it’s only a matter of time before Drew’s secret is out.
Armed with her notebooks full of observations about her classmates, Drew knows what she has to do: profile all of the bullies in her grade to find the culprit. But being a detective is more complicated when the suspects can be your friends. Will Drew crack the case if it means losing the people she cares about most
Aubrey and Joel are like two tomato vines that grew along the same crooked fence—weird, yet the same kind of weird. But lately, even their shared weirdness seems weird. Then Joel disappears. Vanishes. Poof. The whole town is looking for him, and Aubrey was the last person to see Joel. Aubrey can’t say much, but since lies of omission are still lies, here’s what they know for sure:
-For the last two weeks of the school year, when sixth grade became too much, Aubrey and Joel have been building a raft in the woods.
-The raft was supposed to be just another part of their running away game.
-The raft is gone now, too.
Aubrey doesn’t know where Joel is, but they might know how to find him. As Aubrey, their friend Mari, and sister Teagan search along the river, Aubrey has to fess up to who they really are, all the things they never said, and the word that bully Rudy Thomas used that set all this into motion.
Thirteen-year-old Ellen Katz feels most comfortable when her life is well planned out and people fit neatly into her predefined categories. She attends temple with Abba and Mom every Friday and Saturday. Ellen only gets crushes on girls, never boys, and she knows she can always rely on her best-and-only friend, Laurel, to help navigate social situations at their private Georgia middle school. Laurel has always made Ellen feel like being autistic is no big deal. But lately, Laurel has started making more friends, and cancelling more weekend plans with Ellen than she keeps. A school trip to Barcelona seems like the perfect place for Ellen to get their friendship back on track.
Except it doesn’t. Toss in a new nonbinary classmate whose identity has Ellen questioning her very binary way of seeing the world, homesickness, a scavenger hunt-style team project that takes the students through Barcelona to learn about Spanish culture and this trip is anything but what Ellen planned.
Making new friends and letting go of old ones is never easy, but Ellen might just find a comfortable new place for herself if she can learn to embrace the fact that life doesn’t always stick to a planned itinerary.
Anishinaabe culture and storytelling meet Alice in Wonderland in this coming-of-age graphic novel that explores Indigenous and gender issues through a fresh yet familiar looking glass.
Aimée, a non-binary Anishinaabe middle-schooler, is on a class trip to offer gifts to Paayehnsag, the water spirits known to protect the land. While stories are told about the water spirits and the threat of the land being taken over for development, Aimée zones out, distracting themselves from the bullying and isolation they’ve experienced since expressing their non-binary identity. When Aimée accidentally wanders off, they are transported to an alternate dimension populated by traditional Anishinaabe figures in a story inspired by Alice in Wonderland.
To gain the way back home, Aimée is called on to help Trickster by hunting down dark water spirits with guidance from Paayehnsag. On their journey, Aimée faces off with the land-grabbing Queen and her robotic guards and fights the dark water spirits against increasingly stacked odds. Illustrated by KC Oster with a modern take on their own Ojibwe style and cultural representation, Rabbit Chase is a story of self-discovery, community, and finding one’s place in the world.
Sam is very in touch with their own queer identity. They’re nonbinary, and their best friend, TJ, is nonbinary as well. Sam’s family is very cool with it… as long as Sam remembers that nonbinary kids are also required to clean their rooms, do their homework, and try not to antagonize their teachers too much.
The teacher-respect thing is hard when it comes to Sam’s history class, because their teacher seems to believe that only Dead Straight Cis White Men are responsible for history. When Sam’s home borough of Staten Island opens up a contest for a new statue, Sam finds the perfect non-DSCWM subject: photographer Alice Austen, whose house has been turned into a museum, and who lived with a female partner for decades.
Soon, Sam’s project isn’t just about winning the contest. It’s about discovering a rich queer history that Sam’s a part of — a queer history that no longer needs to be quiet, as long as there are kids like Sam and TJ to stand up for it.
Annabelle Blake fully expects this school year to be the same as every other: same teachers, same classmates, same, same, same. So she’s elated to discover there’s a new kid in town. To Annabelle, Bailey is a breath of fresh air. She loves hearing about their life in Seattle, meeting their loquacious (and kinda corny) parents, and hanging out at their massive house. And it doesn’t hurt that Bailey has a cute smile, nice hands (how can someone even have nice hands?) and smells really good.
Suddenly sixth grade is anything but the same. And when her irascible father shares that he and Bailey have something big–and surprising–in common, Annabelle begins to see herself, and her family, in a whole new light. At the same time she starts to realize that her community, which she always thought of as home, might not be as welcoming as she had thought. Together Annabelle, Bailey, and their families discover how these categories that seem to mean so much—boy, girl, gay, straight, fruit, vegetable—aren’t so clear-cut after all.
Thirteen-year-old Andi feels stranded after the loss of her mother, the artist, who swept color onto Andi’s blank canvas. When she is accepted to a music camp, Andi finds herself struggling to play her trumpet like used to before her whole world changed. Meanwhile, Zora, a returning camper, is exhausted trying to please her parents, who are determined to make her a flute prodigy even though she secretly has a dancer’s heart.
At Harmony Music Camp, Zora and Andi are the only two Black girls in a sea of mostly white faces. In kayaks and creaky cabins, the two begin to connect, unraveling their loss, insecurities, and hope for the future.
And as they struggle to figure out who they really are, they may just come to realize who they really need: each other. From the author of the critically-acclaimed novel, For Black Girls Like Me, comes a lyrical story about the rush of first love and the power of one life-changing summer.
Moon has been plunged into a swill of uncertainty and confusion. They travel to the spirit realms every night, hoping never to return to the world of the living.
But when the realm is threatened, it’s up to Moon to save the spirit world, which sparks their own healing journey through the powerful, baffling, landscape that depression can cause.
From this novel’s very first utterance, author Kacen Callender puts us behind Moon’s eyes so that we, too, are engulfed by Moon’s troubling exploration through mental illness.
Moon’s mom is trying her best, but is clueless about what to do to reach the ugly roiling of her child’s inner struggles. At the same time, though, there are those who see Moon for who they are – Blue, the Keeper, the Magician, Wolf. These creature-guides help Moon find a way out of darkness. The ethereal aspects of the story are brilliantly blended with real-world glimmers of light. Slowly, Moon grows toward hope and wholeness, showing all children that each and every one of us has a tree growing inside. That our souls emerge when we discover, and fully accept, ourselves.
Fifth grade is just not Riley’s vibe. Everyone else is squaded-up, except her. Her one friend moved away. All Riley wants to do is draw, and her grades show it. One thing that makes her happy is her favorite comedian, Joy Powers. Riley loves to watch her old shows and has memorized her best jokes. So when the class is assigned to write letters to people they admire, of course Riley’s picking Joy Powers!
Things start to look up when a classmate, Cate, offers to help Riley with the letter, and a new kid, Aaron, actually seems to get her weird sense of humor. But when mean girl Whitney spreads a rumor about her, things begin to click into place for Riley. Her curiosity about Aaron’s two dads and her celebrity crush on Joy Powers suddenly make sense. Full of humor and heart, this is a story about friendship, identity, and embracing all the parts of yourself that make you special.
Eleven-year-old Joey is angry. All the time. And she doesn’t understand why. She has two loving moms, a supportive older half brother, and, as a triplet, she’s never without company. Her life is good. But sometimes she loses her temper and lashes out, like that time she threw a soccer ball—hard—at a boy in gym class and bruised his collarbone. Or the time jealousy made her push her (former) best friend (and crush), Layla, a little bit too hard.
After an incident at Joey’s apartment building leads to her family’s eviction, Joey is desperate to figure out why she is so angry. A new unit on genetics in her science class makes Joey wonder if maybe the reason is genetic. Does she lose control because of the donor her mothers chose?
have never felt like I belonged to my body. Never in the way rhythm belongs to a song or waves belong to an ocean.
It seems like most people figure out where they belong by knowing where they came from. When they look in the mirror, they see their family in their eyes, in their sharp jawlines, in the texture of their hair. When they look at family photos, they see faces of people who look like them. They see faces of people who they’ll look like in the future.
For me, I only have my imagination.
But I’m always trying.
Twelve-year-old Gabriela is trying to find their place in the world. In their body, which feels less and less right with each passing day. As an adoptee, in their all-white family. With their mom, whom they love fiercely and do anything they can to help with her depression. And at school, where they search for friends.
A new year will bring a school project, trans and queer friends, and a YouTube channel that helps Gabriela find purpose in their journey.
Jeremy is not excited about the prospect of spending the summer with his dad and his uncle in a seaside cabin in Oregon. It’s the first summer after his parents’ divorce, and he hasn’t exactly been seeking alone time with his dad. He doesn’t have a choice, though, so he goes… and on his first day takes a walk on the beach and finds himself intrigued by a boy his age running by. Eventually, he and Runner Boy (Evan) meet — and what starts out as friendship blooms into something neither boy is expecting… and also something both boys have been secretly hoping for.
Amos Abernathy lives for history. Literally. He’s been a historical reenactor nearly all his life. But when a cute new volunteer arrives at his Living History Park, Amos finds himself wondering if there’s something missing from history: someone like the two of them.
Amos is sure there must have been LGBTQ+ people in nineteenth-century Illinois. His search turns up Albert D. J. Cashier, a Civil War soldier who might have identified as a trans man if he’d lived today. Soon Amos starts confiding in his newfound friend by writing letters in his journal—and hatches a plan to share Albert’s story with his divided twenty-first century town. It may be an uphill battle, but it’s one that Amos is ready to fight.
Jake is just starting to enjoy life as his school’s first openly gay kid. While his family and friends are accepting and supportive, the same can’t be said about everyone in their small town of Barton Springs, Ohio. When Jake’s dad hangs a comically large pride flag in their front yard in an overblown show of love, the mayor begins to receive complaints. A few people are even concerned the flag will lead to something truly outlandish: a pride parade.
Except Jake doesn’t think that’s a ridiculous idea. Why can’t they hold a pride festival in Barton Springs? The problem is, Jake knows he’ll have to get approval from the town council, and the mayor won’t be on his side. And as Jake and his friends try to find a way to bring Pride to Barton Springs, it seems suspicious that the mayor’s son, Brett, suddenly wants to spend time with Jake. But someone that cute couldn’t possibly be in league with his mayoral mother, could he?
Today on the site we’re revealing another cover for a Kevin Craig YA, and this time it’s Book of Dreams, a horror/thriller releasing from Interlude Press on May 24, 2022! Here’s the story:
Gaige’s curiosity gets the better of him when he discovers a bookstore on an abandoned street where no bookstore should be. He steps inside and is immediately enthralled by its antiquarian sights and smells. But one book in particular calls to him. It isn’t long before he gets a bad feeling about it, but it’s already too late. The store’s aged bookseller gives him no alternative: once he touches the book, it’s his—whether he wants it or not.
The book leads Gaige on a horrific descent into the unknown. As he falls into the depths of its pages, he loses blocks of time, and his friends become trapped inside ancient cellars with seemingly no means of escape.
Gaige soon learns that the ancient bookseller is a notorious serial killer from previous century, and fears that he has fallen into a predicament from which he may not escape. When all seems lost, he finds the one person he can turn to for help—Mael, a sweet boy also trapped inside the book who didn’t fall for the bookseller’s tricks. Together, they race against time to protect Gaige from joining a long string of boys who vanished without a trace inside the Book of Dreams.
But wait, there’s more! Here’s the excerpt from Chapter 1 of Book of Dreams!
I’m a book addict. There. I said it. It will one day be my downfall. And, the older the better. Give me an old book and I’m in nirvana. Mr. Clancy says I’m a dying breed. I may be seventeen and stupid, but even I know books will be around long after the apocalypse hits. Yep, books and cockroaches. And that old relic guy from the ancient band with the big lips, Keith Richards.
I walk inside and the first thing I see is an all-white cat sprawled on the hardwood floor. He stretches inside a thin shaft of the last bit of sunlight coming in through the front window. Spreading away from—or drifting toward—the dirty old thing is a line of dust motes. It looks like both the cat and the motes are fighting for the dying light.
The cat lifts an eye in my direction long enough to telepathically say, ‘Don’t screw with me, I’m busy here.’
There are eight rows of thick wooden shelves, all filled with books that look older than Great-Gram Imogene. If that’s even possible. She’s like ninety or something.
I go right to the first shelf and start to look at all the books, caress their spines.
I get this spooked-out feeling as I peruse the shelf, though. What bookstore isn’t jam-packed with color? Everywhere I look there are various tones of only two colors: brown and black. And with all the dust motes floating around wherever the dying sunlight hits, it looks like there’s this low-lying fog throughout the store.
On those rare occasions when I’m forced into fishing outings with Dad, low-lying fog is apparently a good thing. Brings the fish out for a feeding frenzy, or something like that. What do I know? I’m so not a sporto. While shopping in a bookstore, low-lying fog? Not so much a good thing.
I have my hand on an old smacked-down mud-dragged copy of a Russian classic—The Brothers Karamazov—when I hear a rumbling throat clearing that sounds like stones in a washing machine or a cat stuck up in a car engine when the ignition turns over. I’ve never heard a death-rattle, but Dad has joked about them and I’m pretty sure something behind me just made one.
“That’d be a good pick right there, son.”
The hairs on my arms reach away and I clench my head into my neck like a turtle, only I can’t make my head disappear down inside my shell. His voice is way worse than his throat-clearing. The cat agrees. It snarls and hisses at the old man like he isn’t its friggin’ owner.
Just as I’m about to tell him I already read everything by Dostoevsky, my eye catches something shiny. In a store as dull as this one it’s almost a eureka moment to discover something that stands out so much.
The old man, who’s not yet in my sightline, scurries toward me. I can see him move up the aisle in my peripheral vision. As my hand reaches out to grab the book’s spine—anything shiny in the dull dark ocean of books, dust and derelicts—he steps between me and it.
“You don’t want that one, son,” he says, already objecting to my choice before I even have a chance to touch it. His voice comes out in a hiss this time.
Who tells a kid that? Of course it automatically becomes the only thing within a twelve block radius that I do want. And I still haven’t even seen the title.
I deke around him and make a grab for the shiny-shiny.
“Ooh! The Book of Dreams! Sounds awesome. Is this like the Tibetan one?”
“Young man,” he says. “I’m going to have to ask you not to touch that particular book.”
My hand lingers by the gold spine. As I move to haul it out of its slot on the shelf, though, the old man’s hand engulfs mine. My first visual, a disembodied hand as white as bone and, well, also extremely bony. And cold. And covered with those age spots that all old people have. The hair already standing up on my arms now electrically stands up. Ice courses through my veins, as though his touch actually lowers my body temperature.
Who the hell is this old coot to tell me what books I can or cannot touch? It’s for sale, dude. If it’s on the shelf in plain view—in a bookstore—it’s for sale. End of story.
I wrench myself away from his skeletal grip and step back from the shelf, finally with the book in hand.
“Don’t say I didn’t warn you, Gaige,” the old man says as he turns and heads back to the front of the store. I think I hear him tsk. “Just know, son, some books opened can’t be unopened.”
“What the hell does that even mean?” I ask. Now I feel brave. I won the standoff. I have the book in my hand. Dude is too weird, though. I watch his back as he moves up the thin aisle toward the counter, He’s impossibly tall and skinny. Like a basketball player who has just returned from a ten-year stay on a deserted island where he lived off insects and water. Like, he-should-be-dead skinny.
His all black suit is three sizes too big for him and covered in dust. His aura itself is dust. It mingles with the motes that fill up all the empty sun-lit spaces in the store. And what is with the long greasy hair? Dude totally creeps me out.
I turn my back on him and make to crack open the gold book cover. My heart races, and I’m desperate to see what’s inside.
“You read the title wrong too, son. Take another look. It’s MY Book of Dreams.”
I stop what I’m doing and return my gaze to the cover. MY Book of Dreams. Huh? Don’t know how I read it wrong. I’m certain it read THEBook of Dreams. I’m positive, even.
What was it Shakespeare said? “Something is rotten in the state of Denmark.” I think he also said, “By the pricking of my thumbs, something wicked this way comes.” Thankfully, my thumbs have not yet been pricked. Between scary giant, his pissed-off cat, the dust motes, the fog, and the book, my Spidey senses are telling me to get the hell out.
But I’m also intrigued. Too intrigued. Like I said, I’m a bibliophile. And this book is so calling my name. There’s something about it. It’s a four-car pileup and I’m a rubbernecker.
I spot a chair at the end of the aisle and take my prize over to it. I sit down to open the book.
He just called me Gaige.
“Hey wait,” I say. “How did you know my name? You just called me Gaige.”
“If you haven’t looked inside that book yet, you can still leave it be and pick another. The Russians are fine reads, if you ask me. You still have prerogative on your side, Gaige. You can even leave empty-handed if you wish. It’s not too late. Choose wisely.”
Talk about creeping the hell out of a kid. What the hell is even wrong with this dude?
“How the hell do you know my name?”
But I don’t wait for an answer. None of the alarm bells that should ring in my head are doing their job. At least not properly. They’re ringing, I’m just not listening, I guess. He has suggested a forbidden-ness about the book and I have never been one to take to that kind of shit very gently. I dive into it.
After I turn the first couple pages, though, I turn away. They’re empty and a rotten smell emanates from them. It’s like the book hasn’t been opened for decades and all the badness that has ever lived in this ancient bookstore has come to rest within this one book’s yellowed pages.
“It stinks,” I say more to myself than to the man, who now seems too far away to carry on an actual conversation with. Like I would want to. He totally gives the creeps a bad name. “Why does it smell so bad?”
Apparently, he’s listening. From the front of the store, he says, “That’s a question you really have to ask yourself, young man. You have things to hide in that little head of yours? You have things to be ashamed of? You sure that smell ain’t coming from the inside of yourself? Skunk smells his own stink first, Gaige.”
I stand and walk toward him, book in hand.
“Stop saying my name. How do you know who I am, anyway?”
“I’m just saying that book knows you better than I do. I’m a silly old man who tried to warn you not to dance with the devil. Now you’re dancing, young fella. Now you’re dancing.”
Kevin Craig is the author of several young adult novels. Their most recent title, The Camino Club, was the 2021 Silver Winner of the Independent Book Publishers Association’s Benjamin Franklin Award. Kevin is a five-time recipient of the Muskoka Novel Marathon’s Best Novel Award. As a playwright, Kevin has had twelve plays produced for the stage. Kevin lives in Toronto, Canada. As an avid explorer, they can also be found traveling the world with their significant other, Michael.