Happy National Poetry Month! Join us in celebrating by checking out these poetry collections and books in verse!
Novels and Memoirs in Verse
Glitch Girl! by Rainie Oet
Continue reading Happy National Poetry Month 2025!
Happy National Poetry Month! Join us in celebrating by checking out these poetry collections and books in verse!
Continue reading Happy National Poetry Month 2025!
Today on the site I’m delighted to spotlight Joy//Us, an anthology of poetry edited by Cherry Potts and Jeremy Dixon and published by Arachne Press! Here’s a little more about the collection:
Arachne Press has long been a champion of LGBTQ+ writers, but we’ve never before published an anthology of LGBTQ+ poetry. These are joyful poems that celebrate all that is best about our community/ies and lives. This is not an ‘explain it to the straights’ book, this is for us. LGBTQ+ readers can open this book at random and find a moment of poetic queer joy for themselves, however big or small.
The poems in the book find joy in the simplest (or most complex) things. Love, sex, a quiet night in, dancing with friends, nurturing of and from our community, recognition from allies, a welcome from strangers, celebrating our cultural icons… the identity-affirming haircut, the right jeans, books, walking, food, flint-knapping… and political action.
Continue reading Inside an Anthology: Joy//Us ed. by Cherry Potts and Jeremy Dixon
We’re celebrating National Poetry Month with – what else – queer poetry recommendations! This page contains a select few titles, but we do, of course, have entire poetry pages, so please avail yourselves!
From cities and cross-country bus rides to swamps and fern forests, Michael Mlekoday’s All Earthly Bodies celebrates the ungentrifiable, ungovernable wildness of life. This is anarchist ecology, nonbinary environmentalism, an earthbound theology against empire in all its forms. These poems ask how our lives and language, our prayers and politics, might evolve if we really listened to the world and its more-than-human songs. “Sometimes I wish I could / peel myself from myself / without discarding the shell,” Mlekoday writes. Through a kind of lyric dreamwork, Mlekoday sounds the depths—of ancestry and identity, race and gender, earth and self—to track the unbecoming and re-membering of the body.
In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.
Metamorphoses springs from Ovid’s epic poem to explore the slipperiness of identity. In poems that shift registers from travelogue to elegy, from nature documentary to a simple record of the realities of daily life, Kennedy focuses on transformation, personal and collective, in an empire in decline, in a world transfigured by ecological upheaval.
Like a fever dream over Gibbon’s Decline and Fall, Kennedy has one foot in Ancient Rome and the other in contemporary San Francisco, acknowledging the “transformations of this city [he] loves” into “awful condos of steel and glass” alongside Victorian homes. The poet shores up fragments against this cultural decadence through the cultivation of a wry pagan mysticism, whether he’s offering devotions to Attis and Apollo, banishing Madonna from his pantheon, or placing twink emperor and notorious prankster Elagabalus in the East Bay. The book’s transformations even extend to its central conceit, as Kafka bursts into the proceedings to dispute Ovid’s claim to the laurel.
Buy it: Bookshop | Amazon | City Lights
From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity.
With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America—and the painful, joyous path to adulthood as a young, queer Black woman.
Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.
Buy it: Bookshop | Amazon | IndieBound
In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. At the collection’s center sits “On the Overnight from Agadir,” a poem that chronicles Shanahan’s survival of a devastating bus accident in Morocco, his mother’s birth country, and ruminates on home, belonging, and the mysteries of fate. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives. In a language yoked equally to the physical and metaphysical worlds, the poet articulates the need we all share for real intimacy and connection, and proves, time and again, that the true cost of our separateness is the love that our survival requires.
Buy it: Bookshop | Amazon
Non-binary poet Cyrus Parker returns with an all-new collection of poetry and prose dedicated to those struggling to find their own identity in a world that often forces one into the confines of what’s considered “socially acceptable.”
Divided into three parts and illustrated by Parker, masqueradegrapples with topics such as the never-ending search for acceptance, gender identity, relationships, and the struggle to recognize your own face after hiding behind another for so long.
Buy it: Indiebound | Amazon | B&N
Following up her 2014 novel, He Mele A Hilo, Why Dust Shall Never Settle Upon This Soul is Ryka Aoki’s first book dedicated completely to poetry.
Buy it: Amazon | B&N | IndieBound
Ocean Vuong’s first full-length collection aims straight for the perennial “big”—and very human—subjects of romance, family, memory, grief, war, and melancholia. None of these he allows to overwhelm his spirit or his poems, which demonstrate, through breath and cadence and unrepentant enthrallment, that a gentle palm on a chest can calm the fiercest hungers.
Buy it: Amazon | B&N | IndieBound
Feed is the fourth book in the Teebs tetralogy. It’s an epistolary recipe for the main character, a poem of nourishment, and a jaunty walk through New York’s High Line park, with the lines, stanzas, paragraphs, dialogue, and registers approximating the park’s cultivated gardens of wildness. Among its questions, Feed asks what’s the difference between being alone and being lonely? Can you ever really be friends with an ex? How do you make perfect mac & cheese? Feed is an ode of reconciliation to the wild inconsistencies of a northeast spring, a frustrating season of back-and-forth, of thaw and blizzard, but with a faith that even amidst the mess, it knows where it’s going.
Buy it: IndieBound | B&N | Amazon
Prelude delineates the gay female experience through a poetic reconstruction of the girlhood of Catherine of Siena, a Catholic saint who lived in 1300s Italy and disobeyed her parents by refusing marriage to devote her life to God. Through a historical lens, Brynne Rebele-Henry examines the erasure of gay women’s lives and offers a perspective of medieval queer girlhood while considering themes such as violence, desire, and the lesbian body.
Buy it: Amazon
A vital breath of life arrives in American poetry with Synthetic Jungle, the latest collection from acclaimed poet Michael Chang. With poems in a register both hilarious and scathing, Synthetic Jungle effortlessly bashes convention while simultaneously rebuilding the language we use to communicate our fears and joys.
Synthetic Jungle is a collection written by a brilliant jester who winks at you as you catch their every reference before sharing a laugh at your own self-satisfaction. Themes of identity, sexuality, and literacy play out in a dizzying rhythm of microtheaters. Readers will find themselves giggling, snorting, and guffawing their way through this work: whether at a repudiation of the literary landscape or a critique of a failing justice system, to laugh along with Chang is to recognize your mistakes and, ultimately, grow from them.
Buy it: Amazon
Kate and Tam meet, and both of their worlds tip sideways. At first, Tam figures Kate is your stereotypical cheerleader; Kate sees Tam as another tall jock. And the more they keep running into each other, the more they surprise each other. Beneath Kate’s sleek ponytail and perfect façade, Tam sees a goofy, sensitive, lonely girl. And Tam’s so much more than a volleyball player, Kate realizes: She’s everything Kate wishes she could be. It’s complicated. Except it’s not. When Kate and Tam meet, they fall in like. It’s as simple as that. But not everybody sees it that way. This novel in verse about two girls discovering their feelings for each other is a universal story of finding a way to be comfortable in your own skin.
Buy it: B&N | Amazon | IndieBound
Halfway through sixth grade, Noah’s best friend and the only other trans boy in his school, Lewis, passed away in a car accident. Lewis was adventurous and curious, always bringing a new paranormal story to share with Noah. Together they daydreamed about cryptids and shared discovering their genders and names. After his death, lonely and yearning for someone who could understand him like Lewis once did, Noah starts writing letters to Mothman, wondering if he would understand how Noah feels and also looking for evidence of Mothman’s existence in the vast woods surrounding his small Poconos town. Noah becomes determined to make his science fair project about Mothman, despite his teachers and parents urging him to make a project about something “real.”
Meanwhile, as Noah tries to find Mothman, Noah also starts to make friends with a group of girls in his grade, Hanna, Molly, and Alice, with whom he’d been friendly, but never close to. Now, they welcome him, and he starts to open up to each of them, especially Hanna, who Noah has a crush on. But as strange things start to happen and Noah becomes sure of Mothman’s existence, his parents and teachers don’t believe him. Noah decides it’s up to him to risk everything, trek into the woods, and find Mothman himself.
Buy it: Bookshop | Amazon | IndieBound
Love at first sight isn’t a myth. For seventh graders Olivia and Eden, it’s fate. Olivia is a capital-P Poet, and Eden thinks she wants to be a musician one day, but for now she’s just the new girl. And then Eden shows up to Poetry Club and everything changes.
Eden isn’t out, and she has rules for dating Olivia: don’t call. Don’t tell her friends. And don’t let anyone know they’re together.
But when jealousy creeps in, it’s Olivia’s words that push Eden away. While Eden sets out to find herself, Olivia begins a journey to bring Eden back—using poetry. Both Olivia and Eden will learn just how powerful their words can be to bring them together . . . or tear them apart forever.
Buy it: Bookshop | Amazon | IndieBound
Two girls.
One wild and reckless day.
Years of a tumultuous history unspooling
like thin, fraying string in the hours after they set a fire.
They were best friends. Until they became more.
Their affections grew. Until the blurry lines became dangerous.
Over the course of a single day, the depth of their past, the confusion of their present, and the unpredictability of their future is revealed.
And the girls will learn that hearts, like flames, aren’t so easily tamed.
It starts with a fire.
How will it end?
Buy it: Bookshop | Amazon | IndieBound
Sixteen-year-old Alicia Rivers has a reputation that precedes her. But there’s more to her story than the whispers that follow her throughout the hallways at school—whispers that splinter into a million different insults that really mean: a girl who has had sex. But what her classmates don’t know is that Alicia was sexually abused by a popular teacher, and that trauma has rewritten every cell in her body into someone she doesn’t recognize. To the world around her, she’s been cast, like the mythical Medusa, as not the victim but the monster of her own story: the slut who asked for it.
Alicia was abandoned by her best friend, quit the track team, and now spends her days in detention feeling isolated and invisible. When mysterious letters left in her locker hint at another victim, Alicia struggles to keep up the walls she’s built around her trauma. At the same time, her growing attraction to a new girl in school makes her question what those walls are really keeping out.
Buy it: Bookshop | Amazon | IndieBound
I’m safe here.
That’s how Sadie feels, on a perfect summer day, wrapped in her girlfriend’s arms. School is out, and even though she’s been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness a violent incident of police brutality unfold before them, Sadie’s whole world is upended in an instant.
I’m not safe anywhere.
That’s how Sadie feels every day after—vulnerable, uprooted. She retreats inside as the weeks slip by and relies on her phone to stay connected to the outside world. When Sadie’s therapist gives her a diagnosis for her debilitating panic—agoraphobia—she starts on a path of acceptance and healing. Meanwhile, Sadie’s best friend, Evan, updates her on the protests taking place in their city. Sadie wants to be a part of it, to use her voice and affect change. But how do you show up for your community when you can’t even leave your house?
I can build a safe place inside myself.
That’s what Sadie learns over the course of one life-changing summer, with some help from her family, her best friend, an online platform for activists, and a magnetic crush she develops for the new boy next door.
Buy it: Bookshop | Amazon | IndieBound
Ask Me How I Got Here by Christine Heppermann
Every Body Looking by Candice Iloh
The Black Flamingo and Only on the Weekends by Dean Atta
Nothing Burns as Bright as You by Ashley Woodfolk
The Most Dazzling Girl in Berlin by Kip Wilson
Bonus: Coming June 28th is Baby Teeth by Meg Grehan, who also has a great queer MG in verse called The Deepest Breath

Homie by Danez Smith
Black Queer Hoe by Britteney Black Rose Kapri
trigger by Venus Selenite
When the Only Light is Fire by Saeed Jones
Reacquainted With Life by KOKUMỌ
The Black Unicorn by Audre Lord
(Yeah, it’s six. Fight me.)

Today on the site I’m excited to welcome poet Lenee Hendricks, author of Radiant Souls, to discuss how she found her identity through poetry! Check out the Sapphic book here and then read on for more Lenee words!
Radiant Souls is a collection of poetry which speaks of healing, identity, self-love, and relationships. It contains pieces inclusive of gender neutral language and tells of sapphic experiences. In this collection, Lenee H. explores finding the strength and beauty within oneself, and celebrating the people in our lives.
Buy on Amazon | Add to Goodreads
*****
Finding My Identity Through Poetry
When I began writing poetry, I never expected it to become so important to me. I knew next to nothing about the publishing world and was coming straight from having dropped my college classes, ready to delve into writing. During my middle and high school years I had planned to become a nurse. My own interest in medicine and science was real, but the direction of my life was often dictated by my desire to please my parents. Conscious or not, I let who I was and who I would become be controlled by everything but what I truly felt and wanted.
I was freshly entered into the exciting new age of twelve when my mom was diagnosed with breast cancer in 2010. This was nearly two months following the sudden and traumatic loss of my older brother in a car accident. I don’t think I ever really had the chance to grow into myself. Just as I was about to enter those teen years of becoming your own person and beginning to rebel a little, hungering for that taste of adulthood, I was faced with an onslaught of stresses and harsh reality. The weight of issues belonging to adulthood were tossed into my lap. I suppose I got that taste most kids yearn for, just not the flavor they usually imagine.
Having family death and sickness enter my sphere at such a young age caused me to want to be mature. I felt the need to be grown up and so, I parroted adults around me. I adopted the beliefs I thought seemed solid and trustworthy, I tried to act older than I was. In many ways, I naturally was more mature than I should have been, but I was still mimicking. And it only worsened as my stresses increased. My mother continued to battle cancer, she had a mastectomy but then it showed up in her sternum and, despite undergoing radiation, it would only continue to spread. My dad had a brain injury which caused severe amnesia and a permanent personality shift. My sister was diagnosed with a brain tumor. One thing stacked on top of another, and all I wanted was to make everyone else happy.
I erased myself and turned into a mirror of expectations, both what was placed upon me by others, and a lot of which I was reflecting onto myself. I spent my life like this until I graduated high school in 2017. This was a time I should have been coming into my own, deciding what I wanted to do with my life and exploring who I was. But, instead, I was soon preparing for my mom’s death. I was homeschooled and somehow, this brave, stubborn woman managed to continue teaching me even through the ups and downs of her health. She was certainly pushing me to plan my future, to think ahead. But I was already steeped so deeply into wrapping up my identity into what I thought would please her.
I didn’t really stop until months after she passed that October. I spent so long caring for her, nursing her, wanting to make her happy. It was strange for it all to be gone so quickly. All at once I had no excuse to not examine myself, to not be who and what I wanted. I think it took about a month longer before I began figuring out who I was. The following Thanksgiving, I let myself say the word “fuck” and appalled my siblings who viewed me as “the good kid.” As funny as that is and sounds, looking back it really was so telling of how much I hid myself away and suppressed my growth.
It was some time into the first months of 2018 when I began to think about sexuality. I was raised in an extremely conservative, Christian household. Certainly, I had long been feeling differently about the LGBTQ+ community than everyone around me. I felt so uncomfortable with the knee jerk reactions and derogatory language tossed their way. But there was a curiosity in me which I tried to ignore, a need to say, “gay is okay.” It took me several months before I finally realized, if I was telling everyone else they could have faith and be LGBTQ+ then, why couldn’t I say that about myself?
This was the first step in a long journey of self-discovery.
It wasn’t much later until I figured out rather than my fingers cramping from sticking people with needles, I wanted them to ache from typing. I wanted to be an author. So much of my desire to become a nurse was tied to my mom’s health and feeling like I had to stick to this plan I made when I was thirteen. Yet, during all of those years I was constantly pursuing creative writing in my free time. And even through those years of casual writing, I often found myself pushing the limits of my upbringing, bit by bit, through fiction. It took even longer to let go of the voices telling me I had to go to college to please everyone else, but I finally dropped my classes (a week before they began, might I add). Then, I dove straight into figuring out what I wanted to write.
I settled with poetry; I had written a few things here and there. I thought it would be a simple way to dip my toe into the writing world and get my name out there. What I thought was going to be a quick little project, turned into a journey of finding my voice and beliefs. Cosmic Phases was my debut collection and as I wrote it, I found myself able to freely express the parts of me I had kept hidden. I put my political views in words, I wrote about equality, healing from sexual abuse, speaking up about anxiety and depression…I figured out me. While I was still closeted and had to carefully craft my words about love or attraction, I was still able to express myself more than I ever had before.
After months of marketing and selling that book, and accidentally coming out to my dad as bisexual (thanks dental anesthesia!!), I began Radiant Souls. I had over a year of growth, learning I am a feminist, I really do know I have white privilege, and yes, I am a queer mess. As I wrote this collection, I was able to freely speak of my sapphic experiences, and I began using gender neutral language for many pieces. Perhaps, it was fitting not long after wrapping up this project I realized I was gender fluid.
This time, when I listed my book into Amazon categories, I put Radiant Souls in the LGBT Poetry section. In and of itself that was an incredible step. But during the course of my pre-order campaign and following the release, I saw my title go to the top of the LGBT Poetry releases. Some days, I still can’t believe that’s something which actually happened. To think just earlier this year, I would have been mortified to even clearly write about being attracted to women.
Looking back, there was so much I never had the courage to say out loud but was able to put into Cosmic Phases. Since publishing it, I have been able to speak out more boldly on LGBTQ+ issues, feminism, racial equality, and everything else that would make my conservative uncle shake his head in disapproval. Radiant Souls is only another step in my process of growth. Everyone says writing is a form of self-expression, and it is, but I think it is also a tool of discovering the parts of us we never realized we ever needed to express. Writing freed me. Poetry has been a method of healing and liberation I can only hope reflects back to those who read it. I can look at my poetry and finally see a mirror I have crafted to show nothing but myself, what I believe, and who I am.
Lenee H. is the author of Cosmic Phases and Radiant Souls. Drawing upon her experiences and observations of the world, she seeks to inspire others in their journeys of healing and growth. When she isn’t writing, she’s failing to keep her cats out of trouble.
July 14th is International Nonbinary Day, so here’s a post to help you celebrate in traditional bookish fashion!
For Teodora DiSangro, a mafia don’s daughter, family is fate.
All her life, Teodora has hidden the fact that she secretly turns her family’s enemies into music boxes, mirrors, and other decorative objects. After all, everyone in Vinalia knows that stregas—wielders of magic—are figures out of fairytales. Nobody believes they’re real.
Then the Capo, the land’s new ruler, sends poisoned letters to the heads of the Five Families that have long controlled Vinalia. Four lie dead and Teo’s beloved father is gravely ill. To save him, Teo must travel to the capital as a DiSangro son—not merely disguised as a boy, but transformed into one.
Enter Cielo, a strega who can switch back and forth between male and female as effortlessly as turning a page in a book. Teo and Cielo journey together to the capital, and Teo struggles to master her powers and to keep her growing feelings for Cielo locked in her heart. As she falls in love with witty, irascible Cielo, Teo realizes how much of life she’s missed by hiding her true nature. But she can’t forget her mission, and the closer they get to the palace, the more sinister secrets they uncover about what’s really going on in their beloved country—and the more determined Teo becomes to save her family at any cost.
Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as children. While Mokoya developed her strange prophetic gift, Akeha was always the one who could see the strings that moved adults to action. While his sister received visions of what would be, Akeha realized what could be. What’s more, he saw the sickness at the heart of his mother’s Protectorate.
A rebellion is growing. The Machinists discover new levers to move the world every day, while the Tensors fight to put them down and preserve the power of the state. Unwilling to continue to play a pawn in his mother’s twisted schemes, Akeha leaves the Tensorate behind and falls in with the rebels. But every step Akeha takes towards the Machinists is a step away from his sister Mokoya. Can Akeha find peace without shattering the bond he shares with his twin sister?
Destiny sees what others don’t.
A quiet fisher mourning the loss of xer sister to a cruel dragon. A clever hedge-witch gathering knowledge in a hostile land. A son seeking vengeance for his father’s death. A daughter claiming the legacy denied her. A princess laboring under an unbreakable curse. A young resistance fighter questioning everything he’s ever known. A little girl willing to battle a dragon for the sake of a wish. These heroes and heroines emerge from adversity into triumph, recognizing they can be more than they ever imagined: chosen ones of destiny.
From the author of the Earthside series and the Rewoven Tales novels, No Man of Woman Born is a collection of seven fantasy stories in which transgender and nonbinary characters subvert and fulfill gendered prophecies. These prophecies recognize and acknowledge each character’s gender, even when others do not. Note: No trans or nonbinary characters were killed in the making of this book. Trigger warnings and neopronoun pronunciation guides are provided for each story.
Fifteen-year-old Kivali has never fit in. As a girl in boys’ clothes, she is accepted by neither tribe, bullied by both. What are you? they ask. Abandoned as a baby wrapped in a T-shirt with an image of a lizard on the front, Kivali found a home with nonconformist artist Sheila. Is it true what Sheila says, that Kivali was left by a mysterious race of saurians and that she’ll one day save the world? Kivali doesn’t think so. But if it is true, why has Sheila sent her off to CropCamp, with its schedules and regs and what feels like indoctrination into a gov-controlled society Kivali isn’t sure has good intentions?
But life at CropCamp isn’t all bad. Kivali loves being outdoors and working in the fields. And for the first time, she has real friends: sweet, innocent Rasta; loyal Emmett; fierce, quiet Nona. And then there’s Sully. The feelings that explode inside Kivali whenever Sully is near—whenever they touch—are unlike anything she’s experienced, exhilarating and terrifying. But does Sully feel the same way?
Between mysterious disappearances, tough questions from camp director Ms. Mischetti, and weekly doses of kickshaw—the strange, druglike morsel that Kivali fears but has come to crave—things get more and more complicated. But Kivali has an escape: her unique ability to channel and explore the power of her animal self. She has Lizard Radio.
Will it be enough to save her?
If you look for yourself in the past and see nothing, how do you know who you are? How do you know that you’re supposed to be here?
When Wyatt brings an unidentified photograph to the local historical society, he hopes staff historian Grayson will tell him more about the people in the picture. The subjects in the mysterious photograph sit side by side, their hands close but not touching. One is dark, the other fair. Both wear men’s suits.
Were they friends? Lovers? Business partners? Curiosity drives Grayson and Wyatt to dig deep for information, and the more they learn, the more they begin to wonder — about the photograph, and about themselves.
Grayson has lost his way. He misses the family and friends who anchored him before his transition and the confidence that drove him as a high-achieving graduate student. Wyatt lives in a similar limbo, caring for an ill mother, worrying about money, unsure how and when he might be able to express his nonbinary gender publicly. The growing attraction between Wyatt and Grayson is terrifying — and incredibly exciting.
As Grayson and Wyatt discover the power of love to provide them with safety and comfort in the present, they find new ways to write the unwritten history of their own lives and the lives of people like them. With sympathy and cutting insight, Ottoman offers a tour de force exploration of contemporary trans identity.
A teen rockstar has to navigate family, love, coming out, and life in the spotlight after being labeled the latest celebrity trainwreck in Jen Wilde’s quirky and utterly relatable novel.
As a rock star drummer in the hit band The Brightsiders, Emmy King’s life should be perfect. But there’s nothing the paparazzi love more than watching a celebrity crash and burn. When a night of partying lands Emmy in hospital and her girlfriend in jail, she’s branded the latest tabloid train wreck.
Luckily, Emmy has her friends and bandmates, including the super-swoonworthy Alfie, to help her pick up the pieces of her life. She knows hooking up with a band member is exactly the kind of trouble she should be avoiding, and yet Emmy and Alfie Just. Keep. Kissing.
Will the inevitable fallout turn her into a clickbait scandal (again)? Or will she find the strength to stand on her own?
Behrouz Gets Lucky is a romantic, literary, kinky, and political novel about two older San Francisco queers – a butch dyke gardener named Lucky and a genderqueer librarian named Behrouz. A coffee date at Café Flore in the Castro, sparks a fiery trans masculine relationship that ends with the couple eating falafel in bed at 3 am half way around the world in a hotel room in Tehran. Forced gentrification in modern San Francisco goads Behrouz and Lucky to find their own uniquely sexual way of reclaiming the city’s lost queer spaces. Behrouz Gets Lucky is also tenderly sensual – an immersive novel, full of fragrances, delicious food, delirious sexual touch, dandy fashion, and beauty.
Non-binary poet Cyrus Parker returns with an all-new collection of poetry and prose dedicated to those struggling to find their own identity in a world that often forces one into the confines of what’s considered “socially acceptable.”
Divided into three parts and illustrated by Parker, masquerade grapples with topics such as the never-ending search for acceptance, gender identity, relationships, and the struggle to recognize your own face after hiding behind another for so long.
A gender-confused farmer desperate to reclaim her farm and escape her stepparents’ abuse. A closeted prince more interested in helping his people than finding a bride. A fairy godfather with a ton of secrets and no powers. In this diverse fairy tale, everyone is searching for a happy ending.
The masquerade ball to find Prince Longhollow’s future bride might be Cynthia Lynah’s best chance at getting her family farm back. If she can marry him, she’ll have all the money and power she needs. Her newly discovered fairy godfather is ready to help her, but his magic can’t do anything to stop her heart from falling for two women she shouldn’t be attracted to–her stepsisters. In the midst of her flirtations, she causes her fairy godfather to lose his magic and stirs trouble for the prince desperate to save his nation from a famine.
Everyone gets a chance to be the hero of their story, but happy endings seem impossible when they need more than magic to make them happen.
Buy it: Amazon
Please welcome author Taylor Ramage to the site today to talk about erasure and her recently released poetry collection, Lest I Know Your Weakness. Before we get into the post, here’s a note from the author on the book’s actual crafting:
I made this poetry collection by taking words, phrases, and letters from the 1872 novella Carmilla and reorganizing them into poems. That’s what erasure or blackout poetry is in a nutshell–transforming the content of an existing text into something new.Although Carmilla does have undeniable lesbian representation, it was still written in 1872 by a white man and has a tragic ending like we’ve seen on some mainstream TV shows that kill off their wlw characters. But creating erasure poetry from this old text allows Laura and Carmilla’s narrative to be reclaimed and redeemed, even though it’s certainly still angsty. It’s another form of adaptation, much like the webseries “Carmilla,” only I’ve created new meanings from the original text provided on the page. I think this ability to apply a very contemporary form of poetry to old texts can result in reclaimed narratives for all kinds of marginalizations.
How cool is that?? So now, let’s get to the book and to the post!
A twisted love story told in alternating poetic snapshots.
Intrigue, tension, darkness, beauty–Carmilla and Laura experience it all as they traverse the ups and downs of their relationship through poetic dialogue. Love is alluring and terrifying.
***
Erasure is often something that happens to us, especially if we embody marginalized identities. History, culture, someone standing in front of us, or even we ourselves will not recognize a part of our humanity, ignore our contributions, or categorize us with labels that wilt the nuances of our beings. Erasure imposes. It takes away in an instant and across a lifetime.
But what if, in one sliver of life, we could harness the power of erasure to reclaim the narratives handed to us?
This is the potential of erasure poetry, a poetic form in which you start with an existing text, then pull out words, phrases, and letters until you’re left with a poem. I used this form to create my new poetry collection Lest I Know Your Weakness. I crafted poems from the text of Carmilla, a novella written in 1872 and one of the first vampire books to exist in English literature. This story is both undeniably gay and undeniably written by a white man in a culture whose sensibilities had to align the sapphic with the grotesque and the horrific. Laura and Carmilla’s relationship is deep, eerie, strange, and haunting throughout the book, yet the frame narrative around it presents it as unnatural and tragic. Poor, innocent Laura got whisked away by this seductive monster!
And of course, the monster dies in the end.
I don’t need to repeat the litany of wlw couples who don’t get happy endings due to death or some other tragedy. That narrative runs deep in history and culture as shown with old books like Carmilla. Yet the beauty about that book being published in 1872 is that now it’s in the public domain.
This means anyone can do whatever they want with the text without any copyright restrictions. It’s why we have the Carmilla web series that adapts the story into a contemporary college setting and reclaims it from the tragic spectacle it originally was.
I’ve done something similar with my poems. Now, the original words of the book are reorganized and reframed into poems that alternate between Laura and Carmilla’s perspectives. I approached this old text with the entire context of my life and sensibilities, and chose what to take and form into a new(ish) story.
I did set some limits for the sake of following a form. For instance, I took screenshots of the text to give myself “pages” that restricted the words I could pull from for any given poem or idea. The sentence or two I got from each page became entire poems or stanzas that I later grouped together.
While I engaged with the old language of this book and pulled out what appealed to me, I also harnessed the power of erasure to reclaim the narrative of this couple. It can be strange, angsty, and a tad spooky. But it doesn’t have to be yet another tragic queer story.
The potential for applying such a contemporary form of poetry like this to old texts creates endless opportunities for people with marginalizations of all kinds to recenter stories written about them. A Native American poet could create erasure poems from Lewis and Clark’s journals, or a black poet could make poetry from texts written about abolition during the Civil War. In fact, Poet Laureate Tracy K. Smith has written erasure poems from texts like the Declaration of Independence, evoking this very concept of reclaiming the past.
Erasure poetry allows us to actively engage with ideas of the past while creating new meanings from them. The public domain is filled with thousands of old stories. Source material is bountiful and waiting to be erased.
Taylor Ramage is the author of two poetry collections, Forgive Us Our Trespasses and Lest I Know Your Weakness. She also writes fantasy, enjoys stories in all forms, and leads an active, healthy lifestyle. You can follow her on Twitter @TaylorRamage and Tumblr at taylorrama.tumblr.com. You can also catch her writing updates on her WordPress blog.
In 1890, Rose Cleveland, sister of President Grover Cleveland, began writing to Evangeline Simpson, a wealthy widow who would become the second wife of Henry Whipple, Minnesota’s Episcopal bishop. The women corresponded across states and continents, discussing their advocacy and humanitarian work—and demonstrating their sexual attraction, romance, and partnership. In 1910, after Evangeline Whipple was again widowed, the two women sailed to Italy and began a life together.
The letters, most written in Cleveland’s dramatic, quirky style, guide readers through new love, heartbreak, and the rekindling of a committed relationship. Lillian Faderman’s foreword provides the context for same-sex relationships at the time. An introduction and annotations by editors Lizzie Ehrenhalt and Tilly Laskey discuss the women’s social and political circles, and explain references to friends, family, and historical events.
After Rose Cleveland’s death, Evangeline Whipple described her as “my precious and adored life-long friend.” This collection, rare in its portrayal of nineteenth-century LGBTQ history, brings their poignant story back to life.
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Twisted Wishes bass player Mish Sullivan is a rock goddess—gorgeous, sexy and comfortable in the spotlight. With fame comes unwanted attention, though: a stalker is desperate to get close. Mish can fend for herself, just as she always has. But after an attack lands her in the hospital, the band reacts, sticking her with a bodyguard she doesn’t need or want.
David Altet has an instant connection with Mish. A certified badass, this ex-army martial arts expert can take down a man twice his size. But nothing—not living as a trans man, not his intensive military training—prepared him for the challenge of Mish. Sex with her is a distraction neither of them can afford, yet the hot, kink-filled nights keep coming.
When Mish’s stalker ups his game, David must make a choice—lover or bodyguard. He’d rather have Mish alive than in his bed. But Mish wants David, and no one, especially not a stalker, will force her to give him up.
Much to her father’s dismay Lady Louisa Adele Kathryn Present is quite solidly on the shelf. She shows no interest in finding a husband after three long seasons of, well, not particularly trying.
She begins this season anew, somewhat jaded and uninterested in yet another season and the annoyance she’ll certainly face from her family when she remains with them, yet again.
But a single glance from one of the new set has her reeling— straight back into a potted palm.
Maitland Alice Elliot-Rigsby has trained to be the wife of a duchess.
Or perhaps a Viscount, an Earl at the very least. She has only her training — and a rather healthy dowry — to recommend her.
So when she catches the eye of a viscounts daughter her own mother is thrilled.
Louisa hasn’t ever trusted anyone the way she trusts Maitland and it frightens her, but how will they survive a world in which the both of them must marry?
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Me, Myself, They: Life Beyond the Binary chronicles Joshua M. Ferguson’s extraordinary story of transformation to become the celebrated non-binary filmmaker, writer, and advocate for trans rights they are today. Beginning with their birth and early childhood years of gender creativity, Ferguson recounts the complex and often challenging evolution of their identity, including traumatizing experiences with gender conversion therapy, bullying, depression, sexual assault, and violent physical assault. But Ferguson’s story is above all about survival, empathy, and self-acceptance. By combining their personal reflections on what it feels like to never truly fit into the prescribed roles of girl or boy, woman or man, with an informed analysis of the ongoing shifts in contemporary attitudes towards sex and gender, Ferguson calls for recognition and respect for all trans, non-binary, and gender non-conforming people, and an inclusive understanding of the rich diversity of human identity. Through their honest and impassioned storytelling, we learn what it means to reclaim one’s identity and to live beyond the binary.
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Fig, a sixth grader, wants more than anything to see the world as her father does. The once-renowned pianist, who hasn’t composed a song in years and has unpredictable good and bad days, is something of a mystery to Fig. Though she’s a science and math nerd, she tries taking an art class just to be closer to him, to experience life the way an artist does. But then Fig’s dad shows up at school, disoriented and desperately searching for Fig. Not only has the class not brought Fig closer to understanding him, it has brought social services to their door.
Diving into books about Van Gogh to understand the madness of artists, calling on her best friend for advice, and turning to a new neighbor for support, Fig continues to try everything she can think of to understand her father, to save him from himself, and to find space in her life to discover who she is even as the walls are falling down around her.
Nicole Melleby’s Hurricane Season is a stunning novel about a girl struggling to be a kid as pressing adult concerns weigh on her. It’s also about taking risks and facing danger, about love and art, and about coming of age and coming out. And more than anything else, it is a story of the healing power of love—and the limits of that power.
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Regal romance abounds in this flirty, laugh-out-loud companion novel Royals, by New York Times bestselling author Rachel Hawkins.
Millie Quint is devastated when she discovers that her sort-of-best friend/sort-of-girlfriend has been kissing someone else. And because Millie cannot stand the thought of confronting her ex every day, she decides to apply for scholarships to boarding schools . . . the farther from Houston the better.
Millie can’t believe her luck when she’s accepted into one of the world’s most exclusive schools, located in the rolling highlands of Scotland. Everything about Scotland is different: the country is misty and green; the school is gorgeous, and the students think Americans are cute.
The only problem: Mille’s roommate Flora is a total princess.
She’s also an actual princess. Of Scotland.
At first, the girls can barely stand each other–Flora is both high-class and high-key–but before Millie knows it, she has another sort-of-best-friend/sort-of-girlfriend. Even though Princess Flora could be a new chapter in her love life, Millie knows the chances of happily ever afters are slim . . . after all, real life isn’t a fairy tale . . . or is it?
This second book in Rachel Hawkins’ fun, flirty Royals series brings a proud perspective to a classic romance.
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Laura Dean, the most popular girl in high school, was Frederica Riley’s dream girl: charming, confident, and SO cute. There’s just one problem: Laura Dean is maybe not the greatest girlfriend.
Reeling from her latest break up, Freddy’s best friend, Doodle, introduces her to the Seek-Her, a mysterious medium, who leaves Freddy some cryptic parting words: break up with her. But Laura Dean keeps coming back, and as their relationship spirals further out of her control, Freddy has to wonder if it’s really Laura Dean that’s the problem. Maybe it’s Freddy, who is rapidly losing her friends, including Doodle, who needs her now more than ever. Fortunately for Freddy, there are new friends, and the insight of advice columnists like Anna Vice to help her through being a teenager in love.
Mariko Tamaki and Rosemary Valero-O’Connell bring to life a sweet and spirited tale of young love that asks us to consider what happens when we ditch the toxic relationships we crave to embrace the healthy ones we need.
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For sixteen years, Nate was the perfect son—the product of a no-nonsense upbringing and deep spiritual faith. Then he met Cam, who pushed him to break rules, dream, and accept himself. Conflicted, Nate began to push back. With each push, the boys became more entangled in each others’ worlds…but they also spiraled closer to their breaking points. And now all of it has fallen apart after a fistfight-turned-near-fatal-incident—one that’s left Nate with a stab wound and Cam in jail.
Now Nate is being ordered to give a statement, under oath, that will send his best friend to prison. The problem is, the real story of what happened between them isn’t as simple as anyone thinks. With all eyes on him, Nate must make his confessions about what led up to that night with Cam…and in doing so, risk tearing both of their lives apart.
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Perpetually awkward Nima Kumara-Clark is bored with her insular community of Bridgeton, in love with her straight girlfriend, and trying to move past her mother’s unexpected departure. After a bewildering encounter at a local festival, Nima finds herself suddenly immersed in the drag scene on the other side of town.
Macho drag kings, magical queens, new love interests, and surprising allies propel Nima both painfully and hilariously closer to a self she never knew she could be—one that can confidently express and accept love. But she’ll have to learn to accept lost love to get there.
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Fifteen-year-old Eleanor Fromme just chopped off all of her hair. How else should she cope after hearing that her bully, James, has taken his own life? When Eleanor’s English teacher suggests students write a letter to a person who would never read it to get their feelings out, Eleanor chooses James.
With each letter she writes, Eleanor discovers more about herself, even while trying to make sense of his death. And, with the help of a unique cast of characters, Eleanor not only learns what it means to be inside a body that does not quite match what she feels on the inside, but also comes to terms with her own mother’s mental illness.
Set against a 1993-era backdrop of grunge rock and riot grrrl bands, EVERYTHING GROWS depicts Eleanor’s extraordinary journey to solve the mystery within her and feel complete. Along the way, she loses and gains friends, rebuilds relationships with her family, and develops a system of support to help figure out the language of her queer identity.
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An adaptation of Shaftesbury’s award-winning, groundbreaking queer vampire web series of the same name, Carmilla mixes the camp of Buffy the Vampire Slayer, the snark of Veronica Mars, and the mysterious atmosphere of Welcome to Nightvale.
Newly escaped from the stifling boredom of a small town, college freshman Laura is ready to make the most of her first year at Silas University. But when her roommate, Betty, vanishes and a sarcastic, nocturnal philosophy student named Carmilla moves into Betty’s side of the room, Laura decides to play detective. Turns out Betty isn’t the first girl to go missing; she’s just the first girl not to come back. All over campus, girls have been vanishing, and they are completely changed when (or if) they return. Even more disturbing are the strange dreams they recount: smothering darkness, and a strange pale figure haunting their rooms. Dreams that Laura is starting to have herself.
As Laura closes in on the answers, tensions rise with Carmilla. Is this just a roommate relationship that isn’t working out, or does Carmilla know more than she’s letting on about the disappearances? What will Laura do if it turns out her roommate isn’t just selfish and insensitive, but completely inhuman? And what will she do with the feelings she’s starting to have for Carmilla?
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Thelia isn’t in line to inherit the crown, but she’s been raised to take power however she can. She’s been friends with Princess Corene her whole life, and she’s scheming to marry Bayled, the heir to the throne. But her plans must change when an army of elves invades the kingdom.
Thelia, her cousin Parsival, and Corene become trapped in the castle. An elf warrior, Sapphire, may be Thelia’s only hope of escape, but Sapphire has plans of their own. Meanwhile, an ancient magic is awakening within the castle, with the power to destroy the whole kingdom. Can Thelia find a way to protect her future–and her life?
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A young woman and her wife’s attempts to have a child unfold in this poetic tale that ebbs and flows like the sea.
After years of difficulty trying to have children, a young couple finally announces their pregnancy, only to have the most joyous day of their lives replaced with one of unexpected heartbreak. Their relationship is put to the test as they forge ahead, working together to rebuild themselves amidst the churning tumult of devastating loss, and ultimately facing the soul-crushing reality that they may never conceive a child of their own.
Based on author Ingrid Chabbert’s own experience, coupled with soft, sometimes dreamlike illustrations by Carole Maurel, Waves is a deeply moving story that poignantly captures a woman’s exploration of her pain in order to rediscover hope.
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In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.
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Non-binary poet Cyrus Parker returns with an all-new collection of poetry and prose dedicated to those struggling to find their own identity in a world that often forces one into the confines of what’s considered “socially acceptable.”
Divided into three parts and illustrated by Parker, masquerade grapples with topics such as the never-ending search for acceptance, gender identity, relationships, and the struggle to recognize your own face after hiding behind another for so long.
Buy it: Indiebound | Amazon | B&N
Seventeen-year-old internet video star Fit is on a mission to become famous at all costs. She shares her life with her fans through countless videos (always sporting some elaborate tinfoil accessory), and they love her for it. If she goes viral, maybe she can get out of her small casino town and the cramped apartment she shares with her brother and grandpa. But there’s one thing Fit’s fans don’t know about her: when Fit was three-years-old, her mother, suffering from postpartum psychosis, tried to kill her.
Now Fit’s mother, River, has been released from prison. Fit is outraged that River is moving in with the family, and it’s not long before Fit’s video followers realize something’s up and uncover her tragic past. But Fit soon realizes that the only thing her audience loves more than tragedy is a heartwarming tale of a family reunion. Is faking a relationship with River the key to all Fit’s dreams coming true?
Buy it : Indiebound |Amazon | B&N
In a nuclear arms race, you’d use anything for an edge. Even magic.
Ilse and Wolf Klein bear many secrets. Genius Ilse is unsure if her parents will ever accept her love of physics. Her brother Wolf strives for a quiet life, though he worries that there’s no place in the world for people like him. But their deepest secret lies within their blood: with it, they can work magic.
Blackmailed into service during World War II, Ilse lends her magic to America’s newest weapon, the atom bomb, while Wolf goes behind enemy lines to sabotage Germany’s nuclear program. It’s a dangerous mission, but if Hitler were to create the bomb first, the results would be catastrophic.
When Wolf’s plane is shot down, his entire mission is thrown into jeopardy. Wolf needs Ilse’s help to develop the magic that will keep him alive, but with a spy afoot in Ilse’s laboratory, the secret letters she sends to Wolf begin to look treasonous. Can Ilse prove her loyalty—and find a way to help her brother—before their time runs out?
Loyalties and identities will be tested in this sweeping fantasy and a fast-paced thriller that bravely explores the tensions at the dawn of the nuclear age.
Felicity Montague is through with pretending she prefers society parties to books about bone setting—or that she’s not smarter than most people she knows, or that she cares about anything more than her dream of becoming a doctor.
A year after an accidentally whirlwind tour of Europe, which she spent evading highwaymen and pirates with her brother Monty, Felicity has returned to England with two goals in mind—avoid the marriage proposal of Callum Doyle, a lovestruck suitor from Edinburgh; and enroll in medical school. However, her intellect and passion will never be enough in the eyes of the administrators, who see men as the sole guardians of science.
But then a small window of hope opens. Doctor Alexander Platt, an eccentric physician that Felicity idolizes, is looking for research assistants, and Felicity is sure that someone as forward thinking as her hero would be willing to take her on. However, Platt is in Germany, preparing to wed Felicity’s estranged childhood friend Johanna. Not only is Felicity reluctant to opening old wounds, she also has no money to make the trip.
Luckily, a mysterious young woman is willing to pay Felicity’s way, so long as she’s allowed to travel with Felicity disguised as her maid. In spite of her suspicions, Felicity agrees, but once the girl’s true motives are revealed, Felicity becomes part of a perilous quest that will lead her from the German countryside to the promenades of Zurich to secrets lurking beneath the Atlantic.
A new world ruler is crowned.
Plunged into a crumbling world of foreign politics that is desperate for a leader, Eros chooses a loyal prince to help him navigate the hostile sands of Safara. But not everyone is happy to see a half-blood become the most powerful person on the planet.
A queen must restore her nation.
In power once more, Kora faces new challenges and a difficult decision that puts someone close to her in mortal danger. The wrong choice could destroy her relationships, her right to rule, and her life.
A rebellion is brewing.
With their world collapsing around them, new threats spreading across the globe, and their loved ones at risk, the people of Safara―Sepharon and human alike―depend on Eros and Kora to fix their bleeding world. But with generations of hate stacked against them, the two young monarchs may be doomed to fail.
An epic graphic novel about a girl who travels to the ends of the universe to find a long lost love, from acclaimed author Tillie Walden.
Throughout the deepest reaches of space, a crew rebuilds beautiful and broken-down structures, painstakingly putting the past together. As Mia, the newest member, gets to know her team, the story flashes back to her pivotal year in boarding school, where she fell in love with a mysterious new student. When Mia grows close to her new friends, she reveals her true purpose for joining their ship—to track down her long-lost love.
An inventive world, a breathtaking love story, and stunning art come together in this new work by award-winning artist Tillie Walden.
Inspired by real historical evidence that Abraham Lincoln was in love—romantic love—with another man, this debut YA novel was too controversial for traditional publishing. Crowdfunded in six days with a successful Kickstarter campaign that ultimately 182 backers supported, QUEER AS A FIVE-DOLLAR BILL asks LGBTQ teens (and everyone else), What if you knew a secret from history that could change the world?
Wyatt is 15, and nobody in his homophobic small town of Lincolnville, Oregon, knows that he’s Gay. Not even his best friend (and accidental girlfriend) Mackenzie. Then he discovers a secret from actual history: Abraham Lincoln was in love with another guy! Since everyone loves Lincoln, Wyatt’s sure that if the world knew about it, they would treat Gay people differently and it would solve everything about his life. So Wyatt outs Lincoln online, triggering a media firestorm that threatens to destroy everything he cares about—and he has to pretend more than ever that he’s straight. . . . Only then he meets Martin, who is openly Gay and who just might be the guy Wyatt’s been hoping to find.
Buy it: I’m Here. I’m Queer. What the Hell Do I Read?
In this heartwarming picture book, a big sister realizes that her little sister, Jackie, doesn’t like dresses or fairies-she likes ties and bugs! Will she be able to accept that Jackie identifies more as “Jack”?
Susan thinks her little sister Jackie has the best giggle! She can’t wait for Jackie to get older so they can do all sorts of things like play forest fairies and be explorers together. But as Jackie grows, she doesn’t want to play those games. She wants to play with mud and be a super bug! Jackie also doesn’t like dresses or her long hair, and she would rather be called Jack.
Readers will love this sweet story about change and acceptance.
Sequel to Alan Cole is Not a Coward
Alan Cole is not a coward. Not since he stood up to his brother. Not since he let his friends Zack and Madison into his world. And definitely not since he came out at his school.
But Alan’s got a new host of problems to face. His biggest one: Ron McCaughlin. Ever since Alan revealed he’s gay, Ron has been bullying Alan with relentless fury. Yet Alan can’t tell his parents why he’s really coming home with bruises — because they still don’t know the truth. And now Alan’s father wants him to take June Harrison to the upcoming Winter Dance. Never mind that he has two left feet, does not like girls, and might be developing feelings for a new boy at school.
Between trying to understand the complex art of text flirting, learning how to subdue his bullies, and finding his identity beyond the labels people put on him, Alan has a lot to sort through — and lay out — on the dance floor.
In this follow-up novel to Alan Cole Is Not A Coward, Eric Bell returns to the Unstable Table with Alan and his friends as they tackle middle school in another poignant and laugh-out-loud tale about friendship, family, and the many meanings of bravery.
Buy it: Amazon | Barnes & Noble | Chapters | Book Depository | IndieBound
Book 2 in Their Bright Ascendancy series

Since she was a child, the divine empress O Shizuka has believed she was an untouchable god. When her uncle, ruler of the Hokkaran Empire, sends her on a suicide mission as a leader of the Imperial Army, the horrors of war cause her to question everything she knows.
Thousands of miles away, the exiled and cursed warrior Barsalyya Shefali undergoes trials the most superstitious would not believe in order to return to Hokkaran court and claim her rightful place next to O Shizuka.
As the distance between disgraced empress and blighted warrior narrows, a familiar demonic force grows closer to the heart of the empire. Will the two fallen warriors be able to protect their home?
The biggest lie of all is the story you think you already know.
The del Cisne girls have never just been sisters; they’re also rivals, Blanca as obedient and graceful as Roja is vicious and manipulative. They know that, because of a generations-old spell, their family is bound to a bevy of swans deep in the woods. They know that, one day, the swans will pull them into a dangerous game that will leave one of them a girl, and trap the other in the body of a swan.
But when two local boys become drawn into the game, the swans’ spell intertwines with the strange and unpredictable magic lacing the woods, and all four of their fates depend on facing truths that could either save or destroy them. Blanca & Roja is the captivating story of sisters, friendship, love, hatred, and the price we pay to protect our hearts.
Arthur is only in New York for the summer, but if Broadway has taught him anything, it’s that the universe can deliver a showstopping romance when you least expect it.
Ben thinks the universe needs to mind its business. If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things.
But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them?
Maybe nothing. After all, they get separated.
Maybe everything. After all, they get reunited.
But what if they can’t quite nail a first date . . . or a second first date . . . or a third?
What if Arthur tries too hard to make it work . . . and Ben doesn’t try hard enough?
What if life really isn’t like a Broadway play?
But what if it is?
Courtney “Coop” Cooper
Dumped. Again. And normally I wouldn’t mind. But right now, my best friend and source of solace, Jupiter Sanchez, is ignoring me to text some girl.
Rae Evelyn Chin
I assumed “new girl” would be synonymous with “pariah,” but Jupiter and Courtney make me feel like I’m right where I belong. I also want to kiss him. And her. Which is . . . perplexing.
Jupiter Charity-Sanchez
The only thing worse than losing the girl you love to a boy is losing her to your boy. That means losing him, too. I have to make a move. . . .
One story.
Three sides.
No easy answers
Buy It: B&N * Amazon * IndieBound * Google Play * Kobo
When James’s boyfriend killed himself, no one questioned what happened. A foster kid with a checkered past and a history of suicide attempts, Ash was just another number in a system that failed him. But to James, Ash was never just a number, and the facts around his death no longer stack up so neatly.
Now James has plenty of questions, and the one person who might have held the answers—Ash’s older brother, Elliot—has left town. And if anyone knows where he is, they aren’t talking. As James searches for Elliot and uncovers the tangle of lies and false alibis he left in his wake, he grows suspicious of what really happened on Ash’s last day.
After all, innocent people don’t run
In the aftermath of her mother’s death, Angela struggles to recover and re-enter the world. When she meets Steve, who works in the café across the street, she feels able to take a step out of her grief-filled home. With Steve, she hopes to do D/s as a way to take a break from the pain consuming her, but discovers that in doing kink, you bring all of who you are with you, including grief.
In the city of Eldra, people are ruled by ancient prophecies. For centuries, the high council has stayed in power by virtue of the prophecies of the elder seers. After the last infallible prophecy came to pass, growing unrest led to murders and an eventual rebellion that raged for more than a decade.
In the present day, Cassa, the orphaned daughter of rebels, is determined to fight back against the high council, which governs Eldra from behind the walls of the citadel. Her only allies are no-nonsense Alys, easygoing Evander, and perpetually underestimated Newt, and Cassa struggles to come to terms with the legacy of rebellion her dead parents have left her — and the fear that she may be inadequate to shoulder the burden. But by the time Cassa and her friends uncover the mystery of the final infallible prophecy, it may be too late to save the city — or themselves.
This is the 3rd book in the Broken Moon series
When Ren wakes from his life-threatening injury on the Star Stream, he learns that Asher has left with the Phoenix Corps and that the Corps believes Ren to be dead. Despite the opportunity to disappear, Ren is determined to fix his mistakes. He convinces the crew to join him for one last mission—find Asher, free Liam, and escape from the Corps’ reach. But a war is brewing between two formidable armies, and, despite his wish to flee, Ren is drawn into the conflict. With his friends by his side, Ren must make a choice, and it will affect the future of his found family and the cluster forever.
Parole is full of danger—and secrets.
The deepest of them make up intricately interconnected stories. Damaged survivors finding each other, stitching their lives together in the harshest of places, forging precious bonds amidst the flames. Gradually growing trust, love, and understanding between found families. But there’s no escaping this place, its deadly realities, or its predators. A brutal capture. A hellish withdrawal and fragile recovery. A harrowing escape. A breakneck sprint across a haunted, poisoned wasteland.
Life and death, trust and betrayal, choking smoke and breaths of fresh air—all of these are just part of life within Parole.
Buy it: Amazon * Gumroad * Books2Read
Literary, lyrical, and cuttingly satiric, Mother India is a brilliantly original novel about Jews who go to India to find transformation and eternal release from the sufferings of life. Narrated in luminous prose by Meena, a Jewish American lesbian who has claimed India as her home, the novel is vividly populated by the darkly comic universe of three generations of women along with other family members, as well as by the Indians whose world they seek to penetrate. There is Meena’s religiously observant mother, Ma, whose desire to remove herself from the wheel of life plays out in a Faulknerian funeral procession and cremation on the banks of the holy river Ganges; Meena’s daughter, Maya, a misunderstood child coming of age in an emotionally treacherous household; her ex-wife, Geeta, a privileged and hedonistic Indian woman who enters their world with devastating consequences; Meena’s twin brother, Shmelke, a charismatic rabbi turned guru and international fugitive; and the Indian servant, Manika, whose loyalty to the family both sustains and shackles them.
ldentifying with the humanity of its characters, the reader is drawn into a vast, tragicomic, and fascinating epic, Homeric in scope, drama, discovery, and surprise. Universal yet intimate, brutal yet tender, satiric yet sympathetic, Mother India evokes reactions–intellectual, emotional, visceral–that are complex, even contradictory, containing the might and bite that our current cultural hubris and self-involvement deserve. In Mother India, Reich offers us her most poignant and astonishing novel to date.
Buy it: Amazon
Princess Galina’s father has set her a difficult task: persuade a peasant named Elena to reveal the secrets behind her magical powers. Difficult, and maybe impossible, given that Elena is stubborn to a fault and has no respect for authority—especially the kind that wears a crown. And the more time passes, the less Galina cares about doing her duty and more about simply Elena herself.
Buy it: Less Than Three Press
The relationship between two goddesses, one the embodiment of a galactic creation and the other of cosmic destruction, is tempestuous at best. They create and they destroy and then they do it all over again. Seya and Mia use their divine magic to make pulsars and nebula, to set planets spinning around stars and bind a galaxy together with a central black hole.
But when one of Seya’s favorite stars goes missing, she blames Mia. What was once a symbiotic cycle of life and death becomes a game of broken hearts and promises betrayed. These tensions and insecurities are explored in sonnets and villanelles; the arc of their love tracked in meter and verse. These poems touch on queer love, betrayal, trust, acceptance, and forgiveness cast against a backdrop of stardust and celestial detritus.
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Benjamin Lewis has created a life for himself as one of the most respected silversmiths and engravers in New York City. For Benjamin, his work is his passion and he has never sought out companionship beyond the close ties of family. Stumbling across dresses sew by his late mother, however, reawakens painful memories from his past. Now he is determined to forge something beautiful from the remains of the life and identity he left behind. In the process, he discovers stunning and fiercely intelligent Miss Quincy who might just have the power to tempt him out of his quiet isolation.
Remembrance Quincy’s talent is as undeniable as her needlework is exquisite. She has made a name for herself crafting quilts and embroidery pieces for all the wealthiest ladies in the city. When soft-spoken, yet charming, Mr. Lewis comes to her with a particular project in mind she is intrigued both by his artistic design and by the man himself. He treats her like an equal, values her work and makes her smile, but Remembrance already gave her heart away once, now can she risk doing it again?
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For Teodora DiSangro, a mafia don’s daughter, family is fate.
All her life, Teodora has hidden the fact that she secretly turns her family’s enemies into music boxes, mirrors, and other decorative objects. After all, everyone in Vinalia knows that stregas—wielders of magic—are figures out of fairytales. Nobody believes they’re real.
Then the Capo, the land’s new ruler, sends poisoned letters to the heads of the Five Families that have long controlled Vinalia. Four lie dead and Teo’s beloved father is gravely ill. To save him, Teo must travel to the capital as a DiSangro son—not merely disguised as a boy, but transformed into one.
Enter Cielo, a strega who can switch back and forth between male and female as effortlessly as turning a page in a book. Teo and Cielo journey together to the capital, and Teo struggles to master her powers and to keep her growing feelings for Cielo locked in her heart. As she falls in love with witty, irascible Cielo, Teo realizes how much of life she’s missed by hiding her true nature. But she can’t forget her mission, and the closer they get to the palace, the more sinister secrets they uncover about what’s really going on in their beloved country—and the more determined Teo becomes to save her family at any cost.
A fresh, charming rom-com perfect for fans of Simon vs. the Homo Sapiens Agenda and Boy Meets Boy about Nathan Bird, who has sworn off happy endings but is sorely tested when his former best friend, Ollie, moves back to town.
Nathan Bird doesn’t believe in happy endings.
Although he’s the ultimate film buff and an aspiring screenwriter, Nate’s seen the demise of too many relationships to believe that happy endings exist in real life.
Playing it safe to avoid a broken heart has been his MO ever since his father died and left his mom to unravel—but this strategy is not without fault. His best-friend-turned-girlfriend-turned-best-friend-again, Florence, is set on making sure Nate finds someone else. And in a twist that is rom-com-worthy, someone does come along: Oliver James Hernández, his childhood best friend.
After a painful mix-up when they were little, Nate finally has the chance to tell Ollie the truth about his feelings. But can Nate find the courage to pursue his own happily ever after?
Pretty Little Liars meets Dan Savage in this modern, fresh, YA debut about an unapologetically queer teen working to uncover a blackmailer threatening him back into the closet.