Beetle and the Hollowbones by Aliza Layne
Artie and the Wolf Moon by Olivia Stephens
Mooncakes by Suzanne Walker and Wendy Xu
Squad by Maggie Tokuda-Hall and Lisa Sterle
DeadEndia: The Watcher’s List by Hamish Steele
Bonus: Coming in 2022, Blackwater by Jeannette Arroyo and Ren Graham
R. Lee Fryar’s FLIPPING, pitched as an enemies-to-lovers mash-up of The Ghost and Mrs. Muir and The Money Pit, in which a gay ghost and a psychic house flipper duke it out over a haunted house with an agenda of its own, to Lisa Green at Mystic Owl, in a nice deal, for publication in November 2022.
Digital artist ‘s BLUEBIRD, in which a lesbian gunslinger fights spies in space, against her home faction, with a mysterious bounty hunter to protect her sister and the entire galaxy, to Gemma Creffield at Angry Robot, in a nice deal, for publication in February 2022, by Lauren Spieller at TriadaUS Literary Agency (world English).
Authors of THE GAY AGENDA and THE QUEER TAROT and owners of the Ash + Chess stationery store Ashley Molesso and Chess Needham’s ABC-DECONSTRUCTING GENDER, an illustrated ABC book, with each page featuring a word and then an illustration that shows that words can be neutral or not tied to one specific gender, disrupting the notion that words are typically gendered or related to either “masculine” or “feminine” associations, drawn in their singular brightly colored, risographed style, to Julie Matysik at Running Press Kids, in an exclusive submission, by Meg Thompson at Thompson Literary Agency (world).
Author of A LESSON IN VENGEANCE Victoria Lee’s THE GIRL THAT TIME FORGOT, pitched as a sapphic The Umbrella Academy with time travel, in which a teenage girl, one of five adepts training in a mysterious new magic, discovers that her fellow adepts have recently murdered someone and are planning to kill again, to Krista Marino at Delacorte, for publication in spring 2023, by Holly Root and Taylor Haggerty at Root Literary (NA).
‘s STUNT GIRL, in which real-life historical figure Nell Nelson—one of the early undercover female journalists called stunt girls—investigates working conditions in the garment factories of New York City in the summer of 1888, while also falling in love with real-life historical figure and queer icon Alice Austen, the first female street photographer, illustrated by , to Andrea Colvin at Little, Brown Children’s, for publication in winter 2025, by Wendi Gu at Sanford J. Greenburger Associates for the author, and by Tanya McKinnon at McKinnon Literary for the illustrator (world).
Lambda, Stonewall, and PEN Center USA Literary award-winning author ‘s DESTINATION UNKNOWN, a story about two teen boys—one bold and headstrong, one hesitant and yearning—who find each other in 1987 New York City and try to figure out love, sex, and identity as AIDS decimates and galvanizes the gay community, to David Levithan at Scholastic, for publication in May 2022, by Linda Epstein at Emerald City Literary Agency (NA).
Composer Edward Underhill’s debut ALWAYS THE ALMOST, about a trans classical pianist who resolves to spend his junior year winning back his ex-boyfriend and defeating his arch-nemesis at the biggest piano competition of the year, only to have his carefully-laid plans in both love and music disrupted when a new boy moves to town and makes a play for his heart, pitched as for fans of Becky Albertalli and Phil Stamper, to Sylvan Creekmore at Wednesday Books, in a very nice deal, in a two-book deal, for publication in spring 2023, by Patricia Nelson at Marsal Lyon Literary Agency (world).
Minister of outreach and media strategy at Middle Church Benjamin Perry’s LEARNING TO CRY: AN INTIMATE HISTORY OF OUR TEARS–AND HOW THEY MIGHT CHANGE THE WORLD, in which a queer minister and activist explores our rich legacy of weeping, why we stopped crying, and how tears can change both our culture and our future, to Valerie Weaver-Zercher at Broadleaf, for publication in spring 2023 (world).
British journalist, editor, and artist ‘s THE TRANSGENDER ISSUE: AN ARGUMENT FOR JUSTICE, an overview of the oppression faced by transgender people, the relationship of trans rights to feminism and gay and lesbian liberation, and a call for a trans rights movement that can bring a more joyful world for us all, with a new introduction for US readers, to Jessie Kindig at Verso, in a nice deal, for publication in September 2022, by Emma Paterson at Aitken Alexander (NA).
In Other Boys, debut author Damian Alexander delivers a moving middle grade graphic memoir about his struggles with bullying, the death of his mother, and coming out.
Damian is the new kid at school, and he has a foolproof plan to avoid the bullying that’s plagued him his whole childhood: he’s going to stop talking. Starting on the first day seventh grade, he won’t utter a word. If he keeps his mouth shut, the bullies will have nothing to tease him about―right?
But Damian’s vow of silence doesn’t work―his classmates can tell there’s something different about him. His family doesn’t look like the kind on TV: his mother is dead, his father is gone, and he’s being raised by his grandparents in a low-income household. And Damian does things that boys aren’t supposed do, like play with Barbies instead of GI Joe. Kids have teased him about this his whole life, especially other boys. But if boys can be so cruel, why does Damian have a crush on one?
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Jack Nevin’s clever trickery and moral flexibility make him the perfect assistant to the Enchantress, one of the most well-known stage magicians in turn-of-the-nineteenth-century Europe. Without Jack’s steady supply of stolen tricks, the Enchantress’s fame would have burned out long ago.
But when Jack’s thievery catches up to them, they’re forced to flee to America to find their fortune. Luckily, the Enchantress is able to arrange a set of sold-out shows at Seattle’s Alaska–Yukon–Pacific World’s Fair Exposition. She’s convinced they’re going to rich and famous until a new magician arrives on the scene. Performing tricks that defy the imagination, Laszlo’s show overshadows the Enchantress, leaving Jack no choice but to hunt for the secrets to his otherworldly illusions. But what Jack uncovers isn’t at all what he expected.
Behind Laszlo’s tricks is Wilhelm—a boy that can seemingly perform real magic. Jack and Wilhelm have an instant connection, and as the rivalry between the Enchantress and Laszlo grows, so too does Jack and Wilhelm’s affection. But can Jack choose between the woman who gave him a life and the boy who is offering him everything?
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Ciel may have settled into high school with their best friend Stephie and new buddy Liam, but life is anything but ordinary for this non-binary trans kid! Between an important science project for school and their ever more popular YouTube channel, Ciel and their friends find themselves involved in a campaign to represent the LGBT Alliance. Life is taking off in all directions!
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This is the third book in the Bright Sessions series
Rose Atkinson’s mother can see the future. Her father can move things he doesn’t touch. Her brother Aaron can read minds. And Rose, well, she makes a mean spaghetti bolognese.
Everyone else in her family is Atypical, which means they manifested an ability that defies the limits of the human experience. At nineteen, well past the average age of manifestation, Rose is stuck defending her decision not to go to college and instead working in the kitchen of a local restaurant, hoping to gain the experience she needs to become a chef.
When a rollerblading accident sends her to the hospital, she meets a girl she can’t forget and she starts to feel like maybe her life isn’t quite so small. But when she starts falling asleep mid-conversation, she thinks, then again maybe I’m doomed to never have good things.
Rose should be happy to learn that she’s Atypical after all—that diving into dreams makes her a part of her family in the way she always wanted. But the more time she spends in the dreamworld, the more complicated her ability becomes. Trying to balance her work, her power, and a girlfriend who doesn’t know about Atypicals, Rose seeks help. But she soon discovers that being Atypical comes with dangers she never could have imagined. Even her carefully constructed dreamworld isn’t safe.
This is the story of Atypical Rose, who discovers that your dreams coming true isn’t always a good thing.
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MENAFTER10 is a geosocial online dating application for gay “urban men looking for urban men.” Among its users is Chauncey Lee, who is always online, always looking. What exactly he’s looking for is a mystery even to him, but he does his best trying to find it by dating in bedrooms across an unnamed city. Brontae Williams is just the opposite. He’s lonely and desperately wants to settle down into a long-term relationship. His biggest problem is that the only thing anyone wants these days is quick and casual sex. LeMilion Meeks, however, is used to the fast life. With his big personality, he might come off as content with snorting coke in club bathrooms, but he’s learning that knowing his HIV status is entirely different than knowing what to do with it.
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Lee Mandelo’s debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by hungry ghost.
Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him.
As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble, letting in the phantom that hungers to possess him.
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Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.
When Katrina Nguyen, a young transgender runaway, catches Shizuka’s ear with her wild talent, Shizuka can almost feel the curse lifting. She’s found her final candidate.
But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn’t have time for crushes or coffee dates, what with her very soul on the line, but Lan’s kind smile and eyes like stars might just redefine a soul’s worth. And maybe something as small as a warm donut is powerful enough to break a curse as vast as the California coastline.
As the lives of these three women become entangled by chance and fate, a story of magic, identity, curses, and hope begins, and a family worth crossing the universe for is found.
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F. Scott Fitzgerald’s The Great Gatsby ends after Jay Gatsby is shot and killed for a hit and run that he did not commit, as well as for his attempts to recapture the past. However, while the bullet’s aim is still true, The Pursued and the Pursuing explores what might have been had it left Gatsby with another chance at happiness. Find it he does, although not in the arms of Daisy Buchanan. As Gatsby travels the world with Nick Carraway, his friend and narrator, he sheds wealth, performance, and glamor in favor of honesty, intimacy, and love.
When Daisy writes to Nick a decade after Gatsby’s brush with death, her frenzied reentrance into their lives threatens to stir up old grudges and longings, but the biggest surprise she brings is her daughter. At thirteen, Pam Buchanan is a queer, bookish girl who feels out of place as her parents try to steer her toward their standards of normalcy. Fortunately, Nick and Gatsby are more than familiar with the perils of being molded by others’ expectations.
A tale of chosen family, queer love, and a glitzy party or two, The Pursued and the Pursuing reimagines Fitzgerald’s beloved characters and celebrates those with courage to live in the present.
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Please note the hardcover of this title will not be available until February 2022
Beyond the stars, two gods vie for rule of the world.
One stands for Nature – the belief that everything is stamped in flesh from the start. The other, Nurture – the belief that all is potential, that the true self is coaxed out through love and living.
And so, they take a bet.
Each immortal selects a set of twins as their champions. The twins that prevail in contest will decide which immortal rules….
In a westerly valley, a girl and boy are born to a noble family, to be raised by a mysterious teacher – ready to love and instruct them in everything, regardless of society’s expectations…
To the east, a woman washes ashore on an island inhabited only by a sorcerer. With her final breaths, she gives birth to twins. These two are raised with careful neglect by the sorcerer – surrounded not with love but with danger, magic and wildness.
Society expects these children to become men and women. But the immortals care nothing for human norms and raise the twins according to their own ends. Which twins will prevail?
What truly matters in determining who a person will become?
Taking the epic Italian legend of Orlando Furioso as his starting point, Alex Myers unravels a tale of fate, of East and West, of twinship and of heroic self-affirmation; once more translating a classic into a multilayered new story sure to delight fans of Uprooted and The Bear and the Nightingale.
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Paula Martinac is back on the site today to reveal a new cover, this one for Dear Miss Cushman, a New Adult historical romance set in mid-19th century NYC, releasing from Bywater Books on December 7th! Here’s the story:
In 1850s Manhattan, 18-year-old Georgiana Cartwright witnesses the downfall of her father, a renowned actor who disgraces himself performing under the influence. When he deserts the family, Georgie is expected to save the day by marrying well. But she aspires to the stage, hoping to earn an independent living like her idol, the great actress Charlotte Cushman.
Hired as a supporting actress for a prominent theater company, Georgie launches her career with the help of a trio of young friends, including Clementine, a budding scribe determined to make her mark on the literary landscape—and to win Georgie’s heart. Early reviews garner Georgie the promise of a bright future, but then unwanted sexual advances from within the company threaten to derail her career.
Following Cushman’s lead, Georgie regains her footing in “breeches roles,” parts written for men but performed by women. A thrilling gender-bending turn in a Shakespearean role boosts her confidence—until her harasser renews his efforts. Will she be able to vanquish him and find success and love on her own terms?
And here’s the striking cover, designed by TreeHouse Studios!
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But wait, there’s more! Here’s an excerpt for your reading pleasure…
New York City, 1852
Chapter 1
When the audience began hissing, I knew Othello wasn’t going to end well. Their response jolted me. We weren’t at the Bowery Theatre, where the audience in the pit tossed apples and vegetables onto the stage if a performance didn’t please them. The Prince Theatre was one of New York City’s finest establishments, catering to the upper ten.
Worse, the actor they hissed at was my father.
I was attending my first theatrical performance ever. Incredible, given that my father was a renowned leading actor, but Mama maintained that theater wasn’t a place for young ladies. For my eighteenth birthday, she gave in to my pleading and permitted Uncle James to accompany me to my father’s performance of the Moor, one of his most acclaimed roles. Mama insisted I have a new dress, and my sister Maude oohed and aahed over the sky blue taffeta until I wanted to take it off and give it to her. I myself put little stock in puffy lady things, especially in pastel hues. Plus, the heavy horsehair crinoline the skirt required for shape made beads of sweat trickle down my stomach.
Still, I could abide these discomforts if it meant I got to sit beside my dapper uncle in his lushly adorned box, draped with red and gold silk, and marvel at the glistening gas-jet chandelier that lit the space. Best of all, I got to watch my father tread the boards as I’d imagined him doing, in full costume and makeup for the Moor and sporting his prize sword.
We were barely one act in when Pa dropped a few lines. Then more—even the ones I ran with him that morning “for good measure,” as he’d urged. He’d appeared in Othello dozens of times, but now the role appeared to baffle him. Although the movement made my stays pinch, I leaned forward, mouthing the words, willing them into his memory.
Taunts rose slowly through the cavernous parquet. Pa squinted toward the footlights in bewilderment, but then the leading gentleman and star in him recovered and soldiered on as if he hadn’t missed a cue. The drop came down on Act One, and Uncle James and I both exhaled relieved breaths.
In the second act, Pa missed more lines. The second gentleman playing Cassio attempted to cover the flubs and cue Pa again, but my father fled downstage as if trying to escape. Turning too quickly, he slid first to one knee, then to both, and ended up crouching on all fours staring down at the boards. A shocked “Oh!” rippled through the audience in the parquet seats. Cassio tried to lift my father, improvising a line the Bard never wrote—“Come, on your feet, general!” But the actor couldn’t manage it alone, and my father remained hunched like an animal frozen in fear of slaughter until the drop came down again.
“Is that the end?” a lady in the box next to ours said.
“This isn’t the way it goes,” her gentleman escort complained. “The Moor doesn’t die this soon!”
The audience response crescendoed into boos. Uncle James colored crimson. “We’re leaving,” he announced, spittle collecting at the corners of his lips. He tugged me to my feet. “Now, Georgiana.”
I badly wanted to stay and support Pa after this debacle, but my youth and sex meant I didn’t get a say in the matter. We exited my uncle’s box and the theater to his brougham, waiting in a tidy line of carriages on Broadway.
“Bond Street, Louis,” my uncle directed his driver.
Pa used to be able to handle the drink and still speak his lines beautifully. He bragged about having a hollow leg, that he never felt the impact of whiskey no matter how much he imbibed. In the past year or two, though, his memory had pickled. When I ran through his prompt books with him to refresh his recall, he sometimes dropped whole pages, skipping ahead without realizing what he’d missed.
Mama didn’t speak of Pa’s mounting difficulties around me and Maude. For us, she put on a bright face, but it was hard to miss the growing chasm between them, as wide as an orchestra pit, their overheard exchanges sharp and brittle.
Uncle James confronted Pa openly, without caring who heard. As a theater investor, he was a regular at the Prince, and he warned my father, “He’ll let you go, Will. Worth was hired to whip the company into shape after Bumby drove it into the ground. Your contract will be worthless paper if you continue to perform badly.” He pointed out a clause in the Prince’s official rules, instituted by the new manager, stipulating that any actor “unable from the effects of stimulants to perform” would be docked a week’s salary on first offense and thereafter subject to discharge.
My father’s response had sounded characteristically haughty—that the Prince couldn’t afford to lose William Cartwright, who had drawn crowds to match all the luminaries of the day, like Edwin Forrest and Charlotte Cushman. “That theater would collapse without me. Who would play my roles?”
“Worth’s a fine leading actor himself,” my uncle had noted.
Now, as our carriage clattered toward my home on Bond Street, Uncle James shook his head sadly. “I’m sorry you had to witness that, Georgie.”
My stomach twisted this way and that, and not from our jostling over the cobblestones or the stench of horse dung wafting into the carriage. If Mr. Worth sacked my father, how would he earn a living? He’d never done anything but act. Maybe he would get a place at the Bowery or Barnum’s—lower rungs on the theater ladder, but at least he’d have an income. On the short trip up Broadway, my emotions ricocheted from anxiety to rage. If the head of our family tumbled, we were doomed to go right along with him.
“What will happen to him?” I asked. What I really meant was, what will happen to us?
“I can’t say,” Uncle James replied. “But you’re a smart girl, Georgie. You know the situation isn’t good. All we can do is hope Worth gives him another chance.” He saw me to our front door but declined to come in when Aggie, our cook and housekeeper, answered with a surprised “Mr. Clifford! You’re back so early!” I assumed he wanted to dodge telling my mother, his older sister, why he’d brought me home from my special evening two hours too soon.
That unpleasantness fell to me.
***
Paula Martinac is the author of seven novels—Dear Miss Cushman (forthcoming, 2021); Testimony (2021); Clio Rising (2019), Gold Medal Winner, Northeast Region, Independent Publishers Book Awards 2020; The Ada Decades (2017), finalist for the Ferro-Grumley Award for LGBTQ Fiction; the Lambda Literary Award-winning Out of Time (1990; 2012 e-book); the Lammy-nominated Home Movies (1993); and Chicken (1997; 2001 reprint). She teaches creative writing at University of North Carolina at Charlotte and at Charlotte Center for the Literary Arts. Sign up for her mailing list at paulamartinac.com.
The Witch King by H.E. Edgmon
Cemetery Boys by Aiden Thomas
Mooncakes by Suzanne Walker and Wendy Xu
The Brilliant Death by AR Capetta
Tally the Witch by Molly Landgraff
Please note that this post only includes titles etc. not included in earlier Bi Visibility Day posts. For even more bi goodness, make sure to check here, here, and here!
Lara’s had eyes for exactly one person throughout her three years of high school: Chase Harding. He’s tall, strong, sweet, a football star, and frankly, stupid hot. Oh, and he’s talking to her now. On purpose and everything. Maybe…flirting, even? No, wait, he’s definitely flirting, which is pretty much the sum of everything Lara’s wanted out of life.
Except she’s haunted by a memory. A memory of a confusing, romantic, strangely perfect summer spent with a girl named Jasmine. A memory that becomes a confusing, disorienting present when Jasmine herself walks through the front doors of the school to see Lara and Chase chatting it up in front of the lockers.
Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she’s finally got the guy, why can’t she stop thinking about the girl?
Cool for the Summer is a story of self-discovery and new love. It’s about the things we want and the things we need. And it’s about the people who will let us be who we are.
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Eva, Celeste, Gina, and Steph used to think their friendship was unbreakable. After all, they’ve been though a lot together, including the astronomical rise of Moonlight Overthrow, the world-famous queer pop band they formed in middle school, never expecting to headline anything bigger than the county fair.
But after a sudden falling out leads to the dissolution of the teens’ band, their friendship, and Eva and Celeste’s starry-eyed romance, nothing is the same. Gina and Celeste step further into the spotlight, Steph disappears completely, and Eva, heartbroken, takes refuge as a songwriter and secret online fangirl…of her own band. That is, until a storm devastates their hometown, bringing the four ex-best-friends back together. As they prepare for one last show, they’ll discover whether growing up always means growing apart.
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Ever since seventeen-year-old Josie Wright can remember, writing has been her identity, the thing that grounds her when everything else is a garbage fire. So when she wins a contest to write a celebrity profile for Deep Focus magazine, she’s equal parts excited and scared, but also ready. She’s got this.
Soon Josie is jetting off on a multi-city tour, rubbing elbows with sparkly celebrities, frenetic handlers, stone-faced producers, and eccentric stylists. She even finds herself catching feelings for the subject of her profile, dazzling young newcomer Marius Canet. Josie’s world is expanding so rapidly, she doesn’t know whether she’s flying or falling. But when a young actress lets her in on a terrible secret, the answer is clear: she’s in over her head.
One woman’s account leads to another and another. Josie wants to expose the man responsible, but she’s reluctant to speak up, unsure if this is her story to tell. What if she lets down the women who have entrusted her with their stories? What if this ends her writing career before it even begins? There are so many reasons not to go ahead, but if Josie doesn’t step up, who will?
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Morgan, an elite track athlete, is forced to transfer high schools late in her senior year after it turns out being queer is against her private Catholic school’s code of conduct. There, she meets Ruby, who has two hobbies: tinkering with her baby blue 1970 Ford Torino and competing in local beauty pageants, the latter to live out the dreams of her overbearing mother. The two are drawn to each other and can’t deny their growing feelings. But while Morgan–out and proud, and determined to have a fresh start–doesn’t want to have to keep their budding relationship a secret, Ruby isn’t ready to come out yet. With each girl on a different path toward living her truth, can they go the distance together?Buy it: Bookshop | Amazon | IndieBound
Seventeen-year-old bisexual boy Asher remembers nothing from the night in 1968 that the police found him covered in his girlfriend’s blood. He knows he’d never hurt anyone, least of all her. But the only person who believes him is his twin sister. He’s sentenced to five years at the Dozier Reform School. And like Asher’s memory, Dozier hides violent secrets of its own.
Juvenile boys serving time for everything from truancy to murder are hidden away in the sinister School for Boys. Those who manage to escape its bounds with broken bones and scars are the lucky ones. Asher’s afraid he may end up like many of the other students buried beneath unmarked graves. Worse, his fellow inmates may become his next victims.
In hopes of recovering the events from the night of the murder, Asher visits the school’s psychiatrist. But when the memories return, he finds many aren’t his own. Thoughts, feelings, and visions from another life, and another time, slip into his mind. And each new memory brings consequences. First days disappear, then weeks. As the weeks slip away, students follow. He starts seeing his murdered girlfriend Olivia in the woods around the school. One morning, after following her ghost into the forest the night before, he wakes up outside covered in blood with no memory, and fears he’s killed someone else. On top of that, he learns that his sister—who had feared she was being stalked by a boy from their school—has disappeared. Could Asher himself somehow be responsible?
As Asher’s possible body count grows, he knows the answers he needs are trapped within his own mind, and in ghosts from the past. He needs to find out who he is and prove the murders aren’t connected to him or risk losing his sanity and freedom forever.
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A hilarious and vulnerable coming-of-age story about the thrilling new experiences––and missteps––of a girl’s freshman year of college
Some students enter their freshman year of college knowing exactly what they want to do with their lives. Elliot McHugh is not one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties, to testing her RA Rose’s patience, to making new friends, to having the best sex one can have on a twin-sized dorm room bed. But she may not be ready for the fallout when reality hits. When the sex she’s having isn’t that great. When finals creep up and smack her right in the face. Or when her roommate’s boyfriend turns out to be the biggest a-hole. Elliot may make epic mistakes, but if she’s honest with herself (and with you, dear reader), she may just find the person she wants to be. And maybe even fall in love in the process . . . Well, maybe.
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The winter of 1997 is a tragedy waiting to happen. Small-town life isn’t easy for seventeen-year-old, bisexual and closeted Paulina, especially when her best friend Mia becomes pregnant and doesn’t want to tell the baby’s father, Paulina’s other best friend, Tesla. Meanwhile, Paulina’s secret relationship with volleyball star Ani is about to go public. One fateful night, everything changes forever.
In the winter of 2014, Perdita, bi and proud in Chicago, is weeks away from turning seventeen. She loves her two moms, but why won’t they talk about her adoption? When Perdita meets improv performer Fenton, she discovers both a kindred soul and a willing accomplice in her search for the truth. Will Perdita find what she’s looking for?
Two Winters is a contemporary YA retelling of Shakespeare’s The Winter’s Tale about birth, death, Catholic school, improv comedy and the healing nature of time.
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There’s always been a hole in Gio’s life. Not because he’s into both guys and girls. Not because his father has some drinking issues. Not because his friends are always bringing him their drama. No, the hole in Gio’s life takes the shape of his birth mom, who left Gio, his brother, and his father when Gio was nine years old. For eight years, he never heard a word from her … and now, just as he’s started to get his life together, she’s back.
It’s hard for Gio to know what to do. Can he forgive her like she wants to be forgiven? Or should he tell her she lost her chance to be in his life? Complicating things further, Gio’s started to hang out with David, a new guy on the basketball team. Are they friends? More than friends? At first, Gio’s not sure … especially because he’s not sure what he wants from anyone right now.
There are no easy answers to love – whether it’s family love or friend love or romantic love. In Things We Couldn’t Say, Jay Coles shows us a guy trying to navigate love in all its ambiguity — hoping at the other end he’ll be able to figure out who is and who he should be.
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For as long as she could remember, all Emry wanted was to be a great magician like her father, the magnificent Merlin. As a kid, she fought to be included in his magic lessons for her twin brother, Emmet, and easily outshone him with each spell she cast. But after her father’s disappearance several years ago, Emry has been feeling a little lost. Fate soon appears in the form of a royal messenger, summoning Emmet to court to serve as Prince Arthur’s right-hand wizard. With Emmett indisposed thanks to a bad spell, Emry has to disguise herself as a teen boy and pretend to be her brother at the castle until they’re able to switch.
Training as a wizard is everything Emry hoped it would be, except working so closely with the unbearably hot Arthur is a growing danger. They soon share adventures and a connection that can’t be denied, but Emry’s secret is a crime punishable by death. When royal scandals involving Lancelot, Guinevere, and Gawain threaten to reveal her truth, Emry must decide whether to stay and risk everything for a love borne out of deceit, or leave and never fulfill her potential to be Camelot’s greatest magician.
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William Anson is done with relationships, thanks. He’s starting the second year of his medicine degree single, focused, and ready to mingle with purely platonic intentions.
Meeting Daniel, a barely recovered drug addict ready to start living life on his own terms, might just change that.
There are two problems.
One: William isn’t out.
What’s the point in telling your friends you’re bisexual when you aren’t going to date anyone?
Two: Daniel’s abusive ex-boyfriend still roams the university campus, searching for cracks in Daniel’s recovery.
No matter how quickly William falls for Daniel, their friendship is too important to risk ruining over a crush.
William is fine with being just friends for the rest of forever.
Well, not quite.
Content warning – This book includes references to abortion, PTSD, drug addiction, abusive relationships, and self-harm.
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Owen Turner is a boy of too many words. For years, they all stayed inside his head and he barely spoke—until he met Lily. Lily, the girl who gave him his voice, helped him come out as bi, and settle into his ASD diagnosis. But everything unravels when someone reports Owen’s biggest secret to the school: that he was sexually assaulted at a class event.
As officials begin interviewing students to get to the bottom of things, rumors about an assault flood the school hallways. No one knows it happened to Owen, and he’s afraid of what will happen if his name gets out. He’s afraid that his classmates will call him a word he can’t stand—“victim.” He’s afraid his father, a tough-as-nails military vet, will resort to extreme methods to hunt down the name of who did it. And he’s afraid that when Lily finds out, she’ll take their relationship to a dark, dangerous place to keep Owen quiet. Then, one day, Owen’s fears all come true. And it will take everything he’s got to escape the explosion intact.
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Hi, my name’s Annie Clark, and I’ve managed to flip my quiet, nerdy, single life completely upside down.
First, I recently figured out that I’m bisexual.
Second, Eve Frederick, star softball player and my ultimate crush, asked me out on a date.
Third, she rocked my world, and now I can’t stop thinking I want more… even though Eve is not into relationships.
And to top it all off, someone took a private video of us and is threatening to make it public.
It’s enough to make me want to go back to hiding out in my dorm room—but only if I can take Eve with me.
As darkness closes in on the city of shattered light, an heiress and an outlaw must decide whether to fend for themselves or fight for each other.
As heiress to a powerful tech empire, seventeen-year-old Asa Almeida strives to prove she’s more than her manipulative father’s shadow. But when he uploads her rebellious sister’s mind to an experimental brain, Asa will do anything to save her sister from reprogramming—including fleeing her predetermined future with her sister’s digitized mind in tow. With a bounty on her head and a rogue A.I. hunting her, Asa’s getaway ship crash-lands in the worst possible place: the neon-drenched outlaw paradise, Requiem.
Gun-slinging smuggler Riven Hawthorne is determined to claw her way up Requiem’s underworld hierarchy. A runaway rich girl is exactly the bounty Riven needs—until a nasty computer virus spreads in Asa’s wake, causing a citywide blackout and tech quarantine. To get the payout for Asa and save Requiem from the monster in its circuits, Riven must team up with her captive.
Riven breaks skulls the way Asa breaks circuits, but their opponent is unlike anything they’ve ever seen. The A.I. exploits the girls’ darkest memories and deepest secrets, threatening to shatter the fragile alliance they’re both depending on. As one of Requiem’s 154-hour nights grows darker, the girls must decide whether to fend for themselves or fight for each other before Riven’s city and Asa’s sister are snuffed out forever.
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Eighteen-year-olds Ruben Montez and Zach Knight are two members of the boy-band Saturday, one of the biggest acts in America. Along with their bandmates, Angel Phan and Jon Braxton, the four are teen heartbreakers in front of the cameras and best friends backstage. But privately, cracks are starting to form: their once-easy rapport is straining under the pressures of fame, and Ruben confides in Zach that he’s feeling smothered by management’s pressure to stay in the closet.
On a whirlwind tour through Europe, with both an unrelenting schedule and minimal supervision, Ruben and Zach come to rely on each other more and more, and their already close friendship evolves into a romance. But when they decide they’re ready to tell their fans and live freely, Zach and Ruben start to truly realize that they will never have the support of their management. How can they hold tight to each other when the whole world seems to want to come between them?
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Sam Dickson is a charismatic actress, ambitious and popular with big plans for her future. Ros Shew is one of the smartest people in school–but she’s a loner, and prefers to keep it that way. Then there’s Christian Powell, the darling of the high school soccer team. He’s not the best with communication, which is why he and Sam broke up after dating for six months; but he makes up for it by being genuine, effusive, and kind, which is why they’re still best friends.
When Christian falls for Ros on first sight, their first interaction is a disaster, so he enlists Sam’s help to get through to her. Sam, with motives of her own, agrees to coach Christian from the sidelines on how to soften Ros’s notorious walls. But as Ros starts to suspect Christian is acting differently, and Sam starts to realize the complexity of her own feelings, their fragile relationships threaten to fall apart.
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Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.
Except it’s all fake.
Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the fa�ade.
But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.
But it might already be too late.
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Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with.
Luckily, Quique’s prospects are each intriguing in their own ways. There’s stoner-jock Tyler Montana, who might be just as interested in Fabiola as he is in Quique; straitlaced senior class president, Ziggy Jackson; and Manny Zuniga, who keeps looking at Quique like he’s carne asada fresh off the grill. With all these choices, Quique is sure to forget about Saleem in no time.
But as the summer heats up and his deep-seated fears and anxieties boil over, Quique soon realizes that getting over one guy by getting under a bunch of others may not have been the best laid plan and living his truth can come at a high cost.
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Fallon and Chloe used to be best friends. But last summer, the girls hooked up right before Chloe left for college, and after a series of misunderstandings, they aren’t even speaking to one another. Now, a year later, Chloe’s back home from school, and Fallon is doing everything in her power to avoid her. Which is especially difficult because their moms own a business together—a gourmet ice cream truck where both girls work.
But when their moms have the opportunity to make a presentation to some venture capitalists in Texas—something that could seriously expand their business and solve all their money problems to boot—it’s up to Fallon to work a series of food truck festivals across the country. But she can’t do it alone, and Chloe is the only one available to help. As tensions heat up again between the two girls, will Fallon be able to keep her cool?
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Growing up in Texas’s Rio Grande Valley, Maggie Gonzalez has always been a little messy, but she’s okay with that. After all, she has a great family, a goofy group of friends, a rocky romantic history, and dreams of being a music photographer. Tasked with picking an escort for her little sister’s quinceañera, Maggie has to face the truth: that her feelings about her friends—and her future—aren’t as simple as she’d once believed.
As Maggie’s search for the perfect escort continues, she’s forced to confront new (and old) feelings for three of her friends: Amanda, her best friend and first-ever crush; Matthew, her ex-boyfriend twice-over who refuses to stop flirting with her, and Dani, the new girl who has romantic baggage of her own. On top of this romantic disaster, she can’t stop thinking about the uncertainty of her own plans for the future and what that means for the people she loves.
As the weeks wind down and the boundaries between friendship and love become hazy, Maggie finds herself more and more confused with each photo. When her tried-and-true medium causes more chaos than calm, Maggie needs to figure out how to avoid certain disaster—or be brave enough to dive right into it.
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Naomi Grant has built her life around going against the grain. After the sex-positive start-up she cofounded becomes an international sensation, she wants to extend her educational platform to live lecturing. Unfortunately, despite her long list of qualifications, higher ed won’t hire her.
Ethan Cohen has recently received two honors: LA Mag named him one of the city’s hottest bachelors and he became rabbi of his own synagogue. Taking a gamble in an effort to attract more millennials to the faith, the executive board hired Ethan because of his nontraditional background. Unfortunately, his shul is low on both funds and congregants. The board gives him three months to turn things around or else they’ll close the doors of his synagogue for good.
Naomi and Ethan join forces to host a buzzy seminar series on Modern Intimacy, the perfect solution to their problems–until they discover a new one–their growing attraction to each other. They’ve built the syllabus for love’s latest experiment, but neither of them expected they’d be the ones putting it to the test.
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Following the recipe is the key to a successful bake. Rosaline Palmer has always lived by those rules—well, except for when she dropped out of college to raise her daughter, Amelie. Now, with a paycheck as useful as greaseproof paper and a house crumbling faster than biscuits in tea, she’s teetering on the edge of financial disaster. But where there’s a whisk there’s a way . . . and Rosaline has just landed a spot on the nation’s most beloved baking show.
Winning the prize money would give her daughter the life she deserves—and Rosaline is determined to stick to the instructions. However, more than collapsing trifles stand between Rosaline and sweet, sweet victory. Suave, well-educated, and parent-approved Alain Pope knows all the right moves to sweep her off her feet, but it’s shy electrician Harry Dobson who makes Rosaline question her long-held beliefs—about herself, her family, and her desires.
Rosaline fears falling for Harry is a guaranteed recipe for disaster. Yet as the competition—and the ovens—heat up, Rosaline starts to realize the most delicious bakes come from the heart.
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Cynical twenty-three-year old August doesn’t believe in much. She doesn’t believe in psychics, or easily forged friendships, or finding the kind of love they make movies about. And she certainly doesn’t believe her ragtag band of new roommates, her night shifts at a 24-hour pancake diner, or her daily subway commute full of electrical outages are going to change that.
But then, there’s Jane. Beautiful, impossible Jane.
All hard edges with a soft smile and swoopy hair and saving August’s day when she needed it most. The person August looks forward to seeing on the train every day. The one who makes her forget about the cities she lived in that never seemed to fit, and her fear of what happens when she finally graduates, and even her cold-case obsessed mother who won’t quite let her go. And when August realizes her subway crush is impossible in more ways than one―namely, displaced in time from the 1970s―she thinks maybe it’s time to start believing.
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Danica Waterhouse is a fully modern witch―daughter, granddaughter, cousin, and co-owner of the Fix-It Witches, a magical tech repair shop. After a messy breakup that included way too much family “feedback,” Danica made a pact with her cousin: they’ll keep their hearts protected and have fun, without involving any of the overly opinionated Waterhouse matriarchs. Danica is more than a little exhausted navigating a long-standing family feud where Gram thinks the only good mundane is a dead one and Danica’s mother weaves floral crowns for anyone who crosses her path.
Three blocks down from the Fix-It Witches, Titus Winnaker, owner of Sugar Daddy’s bakery, has family trouble of his own. After a tragic loss, all he’s got left is his sister, the bakery, and a lifetime of terrible luck in love. Sure, business is sweet, but he can’t seem to shake the romantic curse that’s left him past thirty and still a virgin. He’s decided he’s doomed to be forever alone.
Until he meets Danica Waterhouse. The sparks are instant, their attraction irresistible. For him, she’s the one. To her, he’s a firebomb thrown in the middle of a family war. Can a modern witch find love with an old-fashioned mundane who refuses to settle for anything less than forever?
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Graphic designer Michelle Amato, after burning out in her corporate marketing career, has now built a thriving freelance business. So what if her love life is nonexistent? She’s perfectly fine being the black sheep of her marriage-obsessed Puerto Rican-Italian family. Besides, the only guy who ever made her want happily-ever-after disappeared thirteen years ago.
Gabriel Aguilar left the Bronx at eighteen to escape his parents’ demanding expectations, but it also meant saying goodbye to Michelle, his best friend and longtime crush. Now, he’s the successful co-owner of LA’s hottest celebrity gym, with an investor who insists on opening a New York City location. It’s the last place Gabe wants to go, but when Michelle is unexpectedly brought on board to spearhead the new marketing campaign, everything Gabe’s been running from catches up with him.
Michelle is torn between holding Gabe at arm’s length or picking up right where they left off—in her bed. As they work on the campaign, old feelings resurface, and their reunion takes a sexy turn. Facing mounting pressure from their families—who think they’re dating—and growing uncertainty about their futures, can they resolve their past mistakes, or is it only a matter of time before Gabe says adiós again?
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![Count Your Lucky Stars: A Novel by [Alexandria Bellefleur]](https://i0.wp.com/m.media-amazon.com/images/I/41OgyrorVYL.jpg?w=230&ssl=1)
Margot Cooper doesn’t do relationships. She tried and it blew up in her face, so she’ll stick with casual hookups, thank you very much. But now her entire crew has found “the one” and she’s beginning to feel like a fifth wheel. And then fate (the heartless bitch) intervenes. While touring a wedding venue with her engaged friends, Margot comes face-to-face with Olivia Grant—her childhood friend, her first love, her first… well, everything. It’s been ten years, but the moment they lock eyes, Margot’s cold, dead heart thumps in her chest.
Olivia must be hallucinating. In the decade since she last saw Margot, her life hasn’t gone exactly as planned. At almost thirty, she’s been married… and divorced. However, a wedding planner job in Seattle means a fresh start and a chance to follow her dreams. Never in a million years did she expect her important new client’s Best Woman would be the one that got away.
When a series of unfortunate events leaves Olivia without a place to stay, Margot offers up her spare room because she’s a Very Good Person. Obviously. It has nothing to do with the fact that Olivia is as beautiful as ever and the sparks between them still make Margot tingle. As they spend time in close quarters, Margot starts to question her no-strings stance. Olivia is everything she’s ever wanted, but Margot let her in once and it ended in disaster. Will history repeat itself or should she count her lucky stars that she gets a second chance with her first love?
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Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.
When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all.
Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…
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The first time Daisy Ellery killed a man with a pie, it was an accident. Now, it’s her calling. Daisy bakes sweet vengeance into her pastries, which she and her dog Zoe deliver to the men who’ve done dirty deeds to the town’s women. But if she can’t solve the one crime that’s not of her own baking, she’ll be out of the pie pan and into the oven.
Parking her Pies Before Guys mobile bakery van outside the local diner, Daisy is informed by Frank, the crusty diner owner, that someone’s been prowling around the van—and not just to inhale the delectable aroma. Already on thin icing with Frank, she finds a letter on her door, threatening to reveal her unsavory secret sideline of pie a la murder.
Blackmail? But who whipped up this half-baked plot to cut a slice out of Daisy’s business? Purple-haired campus do-gooder Melly? Noel, the tender—if flaky—farm boy? Or one of the abusive men who prefer their pie without a deadly scoop of payback?
The upcoming statewide pie contest could be Daisy’s big chance to help wronged women everywhere…if she doesn’t meet a sticky end first. Because Daisy knows the blackmailer won’t stop until her business is in crumbles.
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If Jen Winston knows one thing for sure, it’s that she’s bisexual. Or wait—maybe she isn’t? Actually, she definitely is. Unless…she’s not?
Jen’s provocative, laugh-out-loud debut takes us inside her journey of self-discovery, leading us through stories of a childhood “girl crush,” an onerous quest to have a threesome, and an enduring fear of being bad at sex. Greedy follows Jen’s attempts to make sense of herself as she explores the role of the male gaze, what it means to be “queer enough,” and how to overcome bi stereotypes when you’re the posterchild for all of them: greedy, slutty, and constantly confused.
With her clever voice and clear-eyed insight, Jen draws on personal experiences with sexism and biphobia to understand how we all can and must do better. She sheds light on the reasons women, queer people, and other marginalized groups tend to make ourselves smaller, provoking the question: What would happen if we suddenly stopped?
Greedy shows us that being bisexual is about so much more than who you’re sleeping with—it’s about finding stability in a state of flux and defining yourself on your own terms. This book inspires us to rethink the world as we know it, reminding us that Greedy was a superpower all along.
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Dark tourism—visiting sites of war, violence, and other traumas experienced by others—takes different forms in Hasanthika Sirisena’s stunning excavation of the unexpected places (and ways) in which personal identity and the riptides of history meet. The 1961 plane crash that left a nuclear warhead buried near her North Carolina hometown, juxtaposed with reflections on her father’s stroke. A visit to Jaffna in Sri Lanka—the country of her birth, yet where she is unmistakably a foreigner—to view sites from the recent civil war, already layered over with the narratives of the victors. A fraught memory of her time as a young art student in Chicago that is uneasily foundational to her bisexual, queer identity today. The ways that life-changing impairments following a severe eye injury have shaped her thinking about disability and self-worth.
Deftly blending reportage, cultural criticism, and memoir, Sirisena pieces together facets of her own sometimes-fractured self to find wider resonances with the human universals of love, sex, family, and art—and with language’s ability to both fail and save us. Dark Tourist becomes then about finding a home, if not in the world, at least within the limitless expanse of the page.
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Keep This to Yourself by Tom Ryan
Last Seen Leaving and White Rabbit by Caleb Roehrig
Swipe Right for Murder by Derek Milman
The Taking of Jake Livingston by Ryan Douglass
Surrender Your Sons by Adam Sass
San Francisco and Orangevale may be in the same state, but for Héctor Muñoz, they might as well be a million miles apart. Back home, being gay didn’t mean feeling different. At Héctor’s new school, he couldn’t feel more alone.
Most days, Héctor just wishes he could disappear. And he does. Right into the janitor’s closet. (Yes, he sees the irony.) But one day, when the door closes behind him, Héctor discovers he’s stumbled into a room that shouldn’t be possible. A room that connects him with two new friends from different corners of the country—and opens the door to a life-changing year full of magic, friendship, and adventure.
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In a modern mega-city built around dragons, one boy gets caught up in the world of underground dragon battles and a high-stakes gang war that could tear his family apart.
Once, dragons nearly drove themselves to extinction. But in the city of Drakopolis, humans domesticated them centuries ago. Now dragons haul the city’s cargo, taxi its bustling people between skyscrapers, and advertise its wares in bright, neon displays. Most famously of all, the dragons battle. Different breeds take to the skies in nighttime bouts between the infamous kins―criminal gangs who rule through violence and intimidation.
Abel has always loved dragons, but after a disastrous showing in his dragon rider’s exam, he’s destined never to fly one himself. All that changes the night his sister appears at his window, entrusting him with a secret…and a stolen dragon.
Turns out, his big sister is a dragon thief! Too bad his older brother is a rising star in Drakopolis law enforcement…
To protect his friends and his family, Abel must partner with the stolen beast, riding in kin battles and keeping more secrets than a dragon has scales.
When everyone wants him fighting on their side, can Abel figure out what’s worth fighting for?
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There’s always been a hole in Gio’s life. Not because he’s into both guys and girls. Not because his father has some drinking issues. Not because his friends are always bringing him their drama. No, the hole in Gio’s life takes the shape of his birth mom, who left Gio, his brother, and his father when Gio was nine years old. For eight years, he never heard a word from her … and now, just as he’s started to get his life together, she’s back.
It’s hard for Gio to know what to do. Can he forgive her like she wants to be forgiven? Or should he tell her she lost her chance to be in his life? Complicating things further, Gio’s started to hang out with David, a new guy on the basketball team. Are they friends? More than friends? At first, Gio’s not sure … especially because he’s not sure what he wants from anyone right now.
There are no easy answers to love – whether it’s family love or friend love or romantic love. In Things We Couldn’t Say, Jay Coles shows us a guy trying to navigate love in all its ambiguity — hoping at the other end he’ll be able to figure out who is and who he should be.
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For as long as she could remember, all Emry wanted was to be a great magician like her father, the magnificent Merlin. As a kid, she fought to be included in his magic lessons for her twin brother, Emmet, and easily outshone him with each spell she cast. But after her father’s disappearance several years ago, Emry has been feeling a little lost. Fate soon appears in the form of a royal messenger, summoning Emmet to court to serve as Prince Arthur’s right-hand wizard. With Emmett indisposed thanks to a bad spell, Emry has to disguise herself as a teen boy and pretend to be her brother at the castle until they’re able to switch.
Training as a wizard is everything Emry hoped it would be, except working so closely with the unbearably hot Arthur is a growing danger. They soon share adventures and a connection that can’t be denied, but Emry’s secret is a crime punishable by death. When royal scandals involving Lancelot, Guinevere, and Gawain threaten to reveal her truth, Emry must decide whether to stay and risk everything for a love borne out of deceit, or leave and never fulfill her potential to be Camelot’s greatest magician.
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Moon Basin has been haunted for as long as anyone can remember. It started when an explosion in the mine killed sixteen people. The disaster made it impossible to live in town, with underground fires spewing ash into the sky. But life in New Basin is just as fraught. The ex-mining town relies on its haunted reputation to bring in tourists, but there’s more truth to the rumors than most are willing to admit, and the mine still has a hold on everyone who lives there.
Clem and Nina form a perfect loop—best friends forever, and perhaps something more. Their circle opens up for a strange girl named Lisey with a knack for training crows, and Piper, whose father is fascinated with the mine in a way that’s anything but ordinary. The people of New Basin start experiencing strange phenomena—sleepwalking, night terrors, voices that only they can hear. And no matter how many vans of ghost hunters roll through, nobody can get to the bottom of what’s really going on. Which is why the girls decide to enter the mine themselves.
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The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn’t matter that the girls often die from the mental strain.
When 18-year-old Zetian offers herself up as a concubine-pilot, it’s to assassinate the ace male pilot responsible for her sister’s death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.
To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.
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Julian Jackson has a short to-do list for his senior year at Crenshaw County High School in Meridian, Texas: football, football, and more football. He knows he’s only got one chance to earn a college scholarship and make it out of his small town, and keeping his head down, his grades up, and his cleats on the field is that one chance. And then Elijah Vance walks back into his life, throwing all of his carefully-laid plans into a tailspin.
Elijah and Julian used to be best friends, maybe even on their way to something more than just friends. But three years ago, Elijah broke into the school to steal money from the coach’s office, and Julian was the one who turned him in. After that, Elijah and his family disappeared without a trace. And now he’s back, sitting at Julian’s grandmother’s kitchen table.
But time and distance haven’t erased all of their feelings, and Elijah knows that he finally has a chance to prove to Julian that he’s not the same person he was three years ago. But with secrets still growing between them and an uncertain future barreling towards them, it may be harder to lean on each other than they thought.
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By National Book Award and the National Book Critics’ Circle Award finalist for An Unnecessary Woman, Rabih Alameddine, comes a transporting new novel about an Arab American trans woman’s journey among Syrian refugees on Lesbos island.
Mina Simpson, a Lebanese doctor, arrives at the infamous Moria refugee camp on Lesbos, Greece, after being urgently summoned for help by her friend who runs an NGO there. Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp’s children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya’s secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants’ displacement, as well as her own constraints in helping them.
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When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead.
Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop’s owner to locals and the ferryman to souls who need to cross over.
But Wallace isn’t ready to abandon the life he barely lived. With Hugo’s help he finally starts to learn about all the things he missed in life.
When the Manager, a curious and powerful being, arrives at the tea shop and gives Wallace one week to cross over, Wallace sets about living a lifetime in seven days.
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Casey Plett’s 2018 novel Little Fish won a Lambda Literary Award, the Firecracker Award for Fiction, and the Amazon First Novel Award. Her latest work, A Dream of a Woman, is her first book of short stories since her seminal 2014 collection A Safe Girl to Love. Centering transgender women seeking stable, adult lives, A Dream of a Woman finds quiet truths in prairie high-rises and New York warehouses, in freezing Canadian winters and drizzly Oregon days.
In “Hazel and Christopher,” two childhood friends reconnect as adults after one of them has transitioned. In “Perfect Places,” a woman grapples with undesirability as she navigates fetish play with a man. In “Couldn’t Hear You Talk Anymore,” the narrator reflects on her tumultuous life and what might have been as she recalls tender moments with another trans woman.
An ethereal meditation on partnership, sex, addiction, romance, groundedness, and love, the stories in A Dream of a Woman buzz with quiet intensity and the intimate complexities of being human.
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![Love All Year 2021: A Holidays Anthology by [KD Casey, Kosoko Jackson, Hudson Lin, Jasmine Luck, Elsie Marrone, October Rhea, Soumi Roy, Elizabeth Kahn]](https://i0.wp.com/m.media-amazon.com/images/I/41V8u-ACUfL.jpg?w=217&ssl=1)
Love All Year is a romance anthology featuring non-Christian holidays and cultural celebrations from around the world.
“The Koufax Curse” by KD Casey: On Tu Bishvat, former baseball rivals—now teammates—plant the seeds of a new romance.
“Kwanzaa Kiss” by Kosoko Jackson: After a breakup, Anthony Jenkins returns home to Atlanta to lick his wounds and help his parents with their annual Kwanzaa scavenger hunt and is paired with his high school crush. Markus Kennedy. Over the next 12 hours, the two men will try to win the scavenger hunt, where finding the pillars of Kwanzaa might be the goal, but love might find its way into their hearts.
“Their Dragonboat” by Hudson Lin: When OB Julie agrees to join the queer women/enby dragon boat team, she didn’t expect to fall in love. But team captain Rae, with their ever-changing hair color, a silver lip ring, and sleeve of flower tattoos is too fascinating to resist.
“Yes, Chef” by Jasmine Luck: A lawyer finds himself in hot water when his injured mother can’t cook the Lunar New Year feast. He needs lessons, fast. Can new London resident Zoey help him turn up the heat in his kitchen?
“Spiraling Closer” by Elsie Marrone: When recently divorced Jenny accidentally lobs a bread roll at her rabbi’s single, hot nephew, the last thing she expects is to find romance. But in the new year, anything can happen–that is, if she can silence her inner critic long enough to give love a second chance.
“Heart and History” by October Rhea: Liberty Stanley is ready to love herself again after leaving a toxic relationship. Black Love Day is the perfect holiday to put her plan into action. Isaac Golden sees Black Love Day as just another thing to teach his students. He likes to run his classroom in his own way, but he won’t admit to his new co-teacher Liberty that he is both fumbling the lesson plan and falling for her. As they get to know each other, Isaac discovers that Black Love Day may have something for him after all.
“A Tangled Truce” by Soumi Roy: Rohini should be thrilled when the hottie on the plane to Kolkata turns out to be the man her parents want her to marry. Hridan came to sell his grandma’s house, not to fall for a girl whose fear of commitment outweighs their attraction. Hridan has five days of Durga Puja to win her over, while Rohini must decide if he is worth risking her heart for.
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It’s the person she least expected who provides a much-needed tune up of her life…
For Dr. Irene Johnson-Moore perception is everything. After living most of her life behind facades built from other people’s expectations, she’s ready for a change. At least that’s what she tells herself. But old habits die hard. And when her car breaks down, forcing her to deal with the town mechanic—a woman whose bluntness always irked Irene—her resolve is instantly put to the test.
Remi Martin prides herself on being unapologetically honest. Brutally so at times. No good ever came from pretending to be someone or something she’s not.
When she responds to a call from a stranded motorist, she never imagined she’d be towing the self-proclaimed “town princess” into her world. Irene Johnson embodies everything Remi tries to avoid, yet she can’t seem to shake her one-time adversary.
However, the more time they spend together, the more feelings begin to idle under the surface. But before their relationship can rev to life, they must release their preconceived notions or things could come to a screeching halt.
With lush language, the meditative poems in the Isabella Gardner Award-winning Tenderness examine the fraught nature of intimacy in a nation poisoned by anti-Blackness and homophobia. From the bedroom to the dance floor, from the natural world to The Frick, from the Midwest to Florida to Mexico City, the poems range across interior and exterior landscapes. They look to movies, fine art, childhood memory, history, and mental health with melancholy, anger, and playfulness.
Even amidst sorrow and pain, Tenderness uplifts communal spaces as sites of resistance and healing, wonders at the restorative powers of art and erotic love, and celebrates the capaciousness of friendship.
Buy it: Bookshop | Amazon | IndieBound
I’m thrilled to welcome myself to the site today to reveal the cover of my next contemporary f/f YA romance, Home Field Advantage, which releases June 7, 2022 from Wednesday Books! It’s the story of an aspiring cheer captain, her school’s very unwelcome first female quarterback, and all the forces that stand between them, and I’m so excited to share it with you! Here’s the official copy:
Amber McCloud’s dream is to become cheer captain at the end of the year, but it’s an extra-tall order to be joyful and spirited when the quarterback of your team has been killed in a car accident. For both the team and the squad, watching Robbie get replaced by newcomer Jack Walsh is brutal. And when it turns out Jack is actually short for Jaclyn, all hell breaks loose.
The players refuse to be led by a girl, the cheerleaders are mad about the changes to their traditions, and the fact that Robbie’s been not only replaced but outshined by a QB who wears a sports bra has more than a few Atherton Alligators in a rage. Amber tries for some semblance of unity, but it quickly becomes clear that she’s only got a future on the squad and with her friends if she helps them take Jack down.
Just one problem: Amber and Jack are falling for each other, and if Amber can’t stand up for Jack and figure out how to get everyone to fall in line, her dream may come at the cost of her heart.
Dahlia Adler’s Home Field Advantage is a sparkling romance about fighting for what – or who – you truly want.
And here’s the gorgeous cover, with art by Alex Cabal and design by Kerri Resnick!
Preorder: Amazon | B&N | IndieBound | Book Depository
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Dahlia Adler is an Editor of mathematics by day, LGBTQReads overlord and Buzzfeed book blogger by night, and an author of Young Adult and Romance at every spare moment in between. Her novels include the Radleigh University trilogy, Indie Next pick Cool for the Summer, and Home Field Advantage (Wednesday Books, 2022), and she is the editor of the anthologies His Hideous Heart (a Junior Library Guild selection), That Way Madness Lies, At Midnight (Flatiron Books, 2022), and, with Jennifer Iacopelli, Out of Our League (Feiwel & Friends, 2023). Dahlia lives in New York with her family and an obscene number of books, and can be found on Twitter and Instagram as @MissDahlELama.
Today on the site I’m delighted to be revealing the cover of The Circus Infinite by Khan Wong, a found family story with an asexual protagonist releasing from Angry Robot on March 8, 2022! Here’s the story:
A circus takes down a crime-boss on the galaxy’s infamous pleasure moon!
Hunted by those who want to study his gravity powers, Jes makes his way to the best place for a mixed-species fugitive to blend in: the pleasure moon where everyone just wants to be lost in the party. It doesn’t take long for him to catch the attention of the crime boss who owns the resort-casino where he lands a circus job, and when the boss gets wind of the bounty on Jes’ head, he makes an offer: do anything and everything asked of him or face vivisection.
With no other options, Jes fulfills the requests: espionage, torture, demolition. But when the boss sets the circus up to take the fall for his about-to-get-busted narcotics operation, Jes and his friends decide to bring the mobster down. And if Jes can also avoid going back to being the prize subject of a scientist who can’t wait to dissect him? Even better.
And here’s the incandescent cover, designed by Kieryn Tyler!
Preorder: Amazon US | Amazon UK | B&N | Target | Angry Robot
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Khan Wong has published poetry, played cello in an earnest folk-rock duo, and been an internationally known hula hoop teacher and performer. He’s toured with a circus and produced circus arts shows in San Francisco, where he also worked as a grantmaker with a public sector arts funding agency.
