Echo After Echo by Amy Rose Capetta
Far From You by Tess Sharpe
White Rabbit by Caleb Roehrig
People Like Us by Dana Mele
A Good Idea by Cristina Moracho
Bonus: Coming up in May, Keep This to Yourself by Tom Ryan!

Echo After Echo by Amy Rose Capetta
Far From You by Tess Sharpe
White Rabbit by Caleb Roehrig
People Like Us by Dana Mele
A Good Idea by Cristina Moracho
Bonus: Coming up in May, Keep This to Yourself by Tom Ryan!

Fandom is a huge gateway for a lot of authors, and it’s one that holds a special place in queer reader hearts for providing which literature never used to and may still not. Certainly it was a life changer for K. Parr, the author of today’s guest post, and she’s here to tell us why. (And yes, there’s info on her book, The Sun and the Moon Beneath the Stars, at the end!)
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Fandom culture has been a huge part of my life since high school, when a friend first showed me sites for fanfiction and fan art, and I became hooked. We co-wrote a fanfic together—a mash-up of our favorite things held together by a tenuous plot and far too many in-jokes—and engaged in shipping, a.k.a. obsessing over character romances from our favorite books, shows, Anime, and more.
When I look back at my early fandoms, I can’t help but notice a common thread despite the various mediums: heteronormative relationships. From Harry Potter, I loved Ron/Hermione. From Fruits Basket, I loved Kyo/Tohru. From The Office, I loved Jim/Pam. Jokes about the hobbits being gay in Lord of the Rings made me uncomfortable, and I steered clear of slash pairings even though my friend insisted that Remus/Sirius from Harry Potter were a wonderful couple off-page.
I had a sheltered upbringing, with very little exposure to non-heteronormative relationships. There were none in my school, and the few in my family were among distant relations. I distinctly remember watching Brokeback Mountain with my parents, and they told me to cover my eyes during the gay sex scene. I obeyed, and recall hearing my father say, “That’s just wrong.” I was fifteen.
I don’t think I ever considered LGBT relationships to be a bad thing, only that they were different, apart from me, not my concern. Here’s where fandom changed my mind.
Post-college, I was a person with a wider perspective. Even though I moved back into my parent’s house, I didn’t shy away from trying new things. A college friend recommended I watch Supernatural because of the relationship between two men—a monster hunter and an angel. Intrigued, I binged the show but found myself disappointed that the relationship she mentioned was only in subtext and I had to actively look for it, though I didn’t quite know how.
So I got a Tumblr to help me gain some insight. Oh, Tumblr. You charming repository of art and stories and gifs and analysis, pf fandom love and hate and inspiration and extreme weirdness. I followed Supernatural blogs dedicated to my favorite ship—Dean and Castiel, or Destiel—and from there discovered a new site for fanfiction that didn’t censor explicit content. (I love you, Archive of Our Own!)
I read hundreds of novel’s worth of Destiel fanfiction. I liked countless posts of Destiel art. I reblogged Destiel gifs, and marveled at how fans interpreted the Destiel subtext of each episode. I read gay porn. I watched gay porn. And it was like a light bulb switched on in my brain.
Queer stories were awesome! Because, while I read Destiel stories, other characters had their own relationships in the background, and I quickly moved on from basic iterations of boy meets boy. I learned about BDSM, polyamory, ABO, and transgender issues, and I gained knowledge of tropes I later realized were romance tropes. I’d become a queer romance reader—and a queer romance writer, as I composed over 600,000 words of gay fanfiction.
For years after that, I struggled to read real books instead of fanfiction. I couldn’t seem to find the queer content I wanted. Only recently did I discover the world of LGBT publishing and become one of its authors, once I converted the lessons from my queer fanfiction into original work! I can’t even imagine writing heteronormative pairings ever again.
While I still don’t know how to label myself, I acknowledge my origins and feel comforted that fandom will be there for me with exactly what I want, when I want it (hello hurt/comfort!). Whether it’s fanfiction depicting LGBT characters and romances, online communities like Tumblr that highlight new queer media to explore, or even a support network for folks like me also questioning their sexualities, I have a home. There will always be something to obsess over, and wonderful fans—and fandoms—to lift me up.
***

After being orphaned and forced to work as a palace slave, fifteen-year-old Rasha decides to end her life, but when she plunges a knife into her chest, she doesn’t die. Instead, a strange, icy power possesses her. The last time it took over, someone got hurt, and Rasha can’t let that happen again.
But she’s got bigger problems. Her twin brother is alive, yet held captive by Solaris, a powerful sorcerer. When Rasha runs into Adriana, the selfish princess she once served, they discover Solaris is a common enemy since he destroyed the palace and kidnapped Adriana’s parents.
Together, Rasha and Adriana set out on a rescue mission. Personalities clash and tempers flare, but other feelings surface as well, feelings neither girl could have predicted.
And with the help of a ragtag group of companions, they might just be able to succeed on their quest…until an ancient evil emerges to wreak vengeance on their world.
After being orphaned and forced to work as a palace slave, fifteen-year-old Rasha decides to end her life, but when she plunges a knife into her chest, she doesn’t die. Instead, a strange, icy power possesses her. The last time it took over, someone got hurt, and Rasha can’t let that happen again.
But she’s got bigger problems. Her twin brother is alive, yet held captive by Solaris, a powerful sorcerer. When Rasha runs into Adriana, the selfish princess she once served, they discover Solaris is a common enemy since he destroyed the palace and kidnapped Adriana’s parents.
Together, Rasha and Adriana set out on a rescue mission. Personalities clash and tempers flare, but other feelings surface as well, feelings neither girl could have predicted.
And with the help of a ragtag group of companions, they might just be able to succeed on their quest…until an ancient evil emerges to wreak vengeance on their world.
Buy now: Ninestar Press
K is a writer of multiple genres, including young adult, romance, fantasy, paranormal, and humor, all of which star LGBT characters. She received her MFA in Writing Popular Fiction from Seton Hill University in 2017. In her spare time, K reads and writes fanfiction, keeps up with way too many TV shows, and dances wildly in her apartment. She currently works as a teen librarian in Rhode Island.
Today on the site, we’re welcome the cover reveal of R.R. Campbell’s Mourning Dove, the second book in the sci-fi EMPATHY series, releasing on April 29, 2019, from Ninestar Press! Come check it out:

In the aftermath of the calamitous Human/Etech research study, Chandra and Kyra struggle to reclaim the life they shared in a pre-EMPATHY world, while Ty, armed with knowledge of EMPATHY’s programming language, seeks revenge on the Halmans for the harm that’s befallen his friends.
As a North American Union investigation into the happenings on the compound looms, a grief-stricken Peter works to resurrect the memory of his mother from a harvested nanochip, and Heather scrambles to keep her family—and their company—together. Alistair, having abandoned the family business, plots to save his hide and that of his wife while she strives to stay one step ahead of a husband she has no reason to trust.
Far to the north amid civil unrest, a recently retired Rénald Dupont investigates the disappearance of his friend and former colleague, Meredith, despite grave threats from an increasingly skittish North American Union government.
As old and new foes emerge, spouse is further pit against spouse, brother against sister, and governments against their people. In the end, all must choose between attempts to reclaim the past or surrender to the inevitable, an intractable world of their own creation.
Mourning Dove is an evocative, sweeping symphony of love, revenge, and desperation in cacophonous times. It is the second installment in r. r. campbell’s epic EMPATHY sci-fi saga.
And now the cover, designed by Natasha Snow!

Mourning Dove is out April 29, 2019 from Ninestar Press
Pre-order now! (Use code PREORDER for 30% off at checkout)
Haven’t read book one in the series, Imminent Dawn? You can learn more about it below!
Art-school dropout Chandra would do anything to apologize for her role in her wife’s coma—including enroll in the first round of human trials for an internet-access brain implant.
At first, the secretive research compound is paradise, the perfect place to distract Chandra from her grief. But as she soon learns, the facility is more prison than resort, with its doctors, support staff, and her fellow patients all bent on hatching plots of their own, no matter how invested they might seem in helping her communicate with her wife.
Making matters worse, a dark wave of uncertainty crashes down on the compound, forcing Chandra to become an unlikely but pivotal player in conspiracies stretching from the highest levels of the North American Union government to the lowest dredges of its shadowy hacking collectives.
To save herself and her wife, Chandra and her newfound friends from the study will have to overcome the scheming of a ruthless tech magnate, the naïveté of an advancement-hungry administrative assistant, and the relentless pursuits of an investigative journalist, all of whom are determined to outpace the others in their own quests to resurrect lost love, cover their tracks, and uncover the truth.
A twistedly delightful clockwork of intrigue and suspense, EMPATHY: Imminent Dawn is an electrifying sci-fi debut from author r. r. campbell.
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Last year was a banner year for Middle Grade starring queer girls, and Jen Petro-Roy’s debut was a truly special one and beautiful one, about a girl who becomes unmoored when her pregnant sister is sent away by her Catholic parents, just when Evie needs her most.
In this epistolary middle-grade debut novel, a girl who’s questioning her sexual orientation writes letters to her sister, who was sent away from their strict Catholic home after becoming pregnant.
Eleven-year-old Evie is heartbroken when her strict Catholic parents send her pregnant sister away to stay with a distant great-aunt. All Evie wants is for her older sister to come back. But when her parents forbid her to even speak to Cilla, she starts sending letters. Evie writes letters about her family, torn apart and hurting. She writes about her life, empty without Cilla. And she writes about the new girl in school, June, who becomes her friend, and then maybe more than a friend.
As she becomes better friends with June, Evie begins to question her sexual orientation. She can only imagine what might happen if her parents found out who she really is. She could really use some advice from Cilla. But Cilla isn’t writing back.
Buy it: Amazon | B&N | Book Depository | IndieBound
I’m so excited about this month’s featured new release, the Proud anthology edited by Juno Dawson! Yes, this is UK YA, but thanks to Book Depository, you can buy it in the US as well! Not only are the stories in this collection wonderful and adorable and full of glorious representation all over the LGBTQ spectrum, but it’s also got stunning illustrations created especially for each story.
The authors have been kind enough to share a little more information on their stories, so read on to learn more about the book and it’s awesome contents!
A stirring, bold and moving anthology of stories and poetry by top LGBTQ+ YA authors and new talent, giving their unique responses to the broad theme of pride. Each story has an illustration by an artist identifying as part of the LGBTQ+ community. Compiled by Juno Dawson, author of THIS BOOK IS GAY and CLEAN.
A celebration of LGBTQ+ talent, PROUD is a thought-provoking, funny, emotional read.
Contributors: Steve Antony, Dean Atta, Kate Alizadeh, Fox Benwell, Alex Bertie, Caroline Bird, Fatti Burke, Tanya Byrne, Moïra Fowley-Doyle, Frank Duffy, Simon James Green, Leo Greenfield, Saffa Khan, Karen Lawler, David Levithan, Priyanka Meenakshi, Alice Oseman, Michael Lee Richardson, David Roberts, Cynthia So, Kay Staples, Jessica Vallance, Kristen Van Dam and Kameron White.
Buy it: Amazon UK | Waterstones | Book Depository
“The Courage of Dragons” by Fox Benwell
The Courage of Dragons was born out of necessity, in that sometimes being proud is a process: a constant, political, active thing, and sometimes being brave enough for that is hard. Figuring yourself out, fighting archaic and terrible systems and virulent media, and finding somewhere you belong: all hard. The trials of proper swords-and-honour heroes.
We all know what it’s like to wish we were those heroes, that we could go around righting awful wrongs and saving hapless princes in our own everyday lives, and that got me to thinking: what if you could borrow some of that spirit and – together with a band of faithful friends – fix some of the stuff society has broken?
Dragons is that story. It’s a tribute to the power of legend and imagination and belief, and friendship (because honestly, without my own D&D party and the friends within it I’d be lost and lonely somewhere in the mines).

My story is a chorus of voices from LGBTQ+ teens. When I set out to write it, I knew that it was going to involve a young member of a gay men’s chorus…but many different voices tell their stories – all louder together than apart. Stylistically, the typesetting (especially indentation) is VERY important here. Imagine a crescendo of perspectives all clamouring to be heard.
“Dive Bar” by Caroline Bird
The poem is all about finding the pride to come out. So many old gay clubs had to be underground, down steep flights of stairs into windowless cellars. The gateways club in Euston for example: (The club was described as having a green door with a steep staircase leading down to a windowless cellar bar) And this secrecy has a sexiness to it and an exciting clandestine feeling to it… but it’s also a trap, we were literally driven underground… swallowed under the city.
The poem is a process of being driven deeper and deeper underground both in society and inside yourself – Your Secret’s Safe with me/ your secret’s in a safe/ your secret is yourself – and then suddenly realising you can’t breathe, you can’t be illicit, you can’t be forbidden you have to overcome these ‘dead laws’ and run up the stairs out into the open … into the sunlight…
Pride is difficult. It’s scary. Especially when you’re young. That is why I didn’t want to patronise the reader by pretending like it’s easy to be yourself… often the process of finding yourself is preceded by a long stint of self-denial and burial and suppression until you’re finally so suffocated, so ‘windowless’ that you need to break down those walls in yourself and escape…
Dive Bar is a celebration of self-exploration, of the kinds of dim lit bars that are the places where the Pride movement was dreamt up in.
“Almost Certain” by Tanya Byrne
When Juno approached me to write something for PROUD, I knew that I wanted to set it in Brighton. People travel from all over the country for Brighton Pride because they know that they will be safe – and welcome – here. ALMOST CERTAIN was supposed to be a celebration of that, but as I began to write it, I couldn’t help but reminisce on my own experiences as a teenager. I didn’t come out until I was 40 and I’ve often wondered if I would have come out sooner if I had lived somewhere like Brighton, but what if I didn’t? What if all those reasons I didn’t come out – fear that it was just a phase and I’d change my mind, fear that my friends and family wouldn’t accept me, fear that someone would hurt me – were still there despite living in a town that is so accepting of the LGBTQ community. That’s how Orla’s story came about, because I know there are teenagers like her, not just in Brighton, but around the world, who are scared and confused and need to know that it’s okay to not know who they are yet. ALMOST CERTAIN is the story I needed to read when I was sixteen and if a teenager like Orla finds it, I hope it makes them feel less alone.
“Penguins” by Simon James Green
I felt like everywhere I looked, I was seeing gay penguins. There were some at an aquarium in Sydney; a pair from a Danish zoo who ‘kidnapped’ a chick from a neglectful straight couple, and, of course, Roy and Silo at Central Park Zoo, who famously inspired the picture book, AND TANGO MAKES THREE. In each case, there was a serious amount of media attention – people were fascinated. Two things occurred to me. First, what must it be like if you’re a teen, all set to come out, only to find everyone’s more interested in some gay penguins who have beaten you to it? Second, boys going to Prom in their black and white tuxes look a bit like penguins. Combining the two was irresistible.
“Love Poems to the City” by Moïra Fowley-Doyle
In the patchwork of any story, a couple of scraps are always taken from your own life. Sometimes you put them there on purpose, sometimes they kind of just get stitched in by accident and you only realise it once the quilt is made. Love Poems to the City ended up being a patchwork heavily influenced by a particular time in my life.
When I was asked to write a story on the theme of pride, two very specific things were happening in my life side by side. I was campaigning for the referendum to repeal the 8th amendment, so everything was posters and placards lashed to lampposts, handing out fliers and YES badges. And my marriage was ending, so I was having a lot of feelings about love and marriage. I didn’t set out to write a story about two teen girls with divorced parents campaigning for the 2015 equal marriage referendum, but it’s what my subconscious came up with.
During the marriage referendum my old secondary school (which was the first school in Ireland to set up an LGBT group for students) made the news because, in answer to the scores of NO posters on the road outside, students painted a rainbow across the main gates. I don’t know who painted it or what their stories were, but that rainbow got stitched into my patchwork. I wanted to write about pride in community and pride in activism. I wanted to write about love for a city and a city that speaks back. And I wanted to write about that rainbow.
“I Hate Darcy Pemberley” by Karen Lawler
I’ve always loved retellings – Clueless and 10 Things I Hate About You are two of my absolute favourites – and I’m a HUGE sucker for a lesbian romcom. So when I saw the prompt for Proud, which asked for a response to the theme of pride, the first thing that popped into my head was Pride and Prejudice. It’s always struck me that today the surname Darcy is commonly used as a girls first name, especially in the States, so I was off.
I had a lot of fun with little P&P Easter eggs – Pemberley is my Darcy’s surname because that was the name of Darcy’s estate in Austin’s book – and some elements of the book had to stay. Wickham is still the worst; Jane is still too nice for her own good. But I had a lot of fun reimagining other bits, especially Lydia, who I always felt got a bit of a short shrift in Austin’s novel, and for all her faults deserved better than to be married to Wickham. And of course the most important thing is still there: the hilarious, pride-filled romance between Lizzie and Darcy.
“The Other Team” by Michael Lee Richardson
My story ‘The Other Team’ is about a queer football team rallying around their trans star player.
When I was trying to come up with stories for Proud, I realised pretty quickly that I wanted to write something about friendship. There are lots of LGBTQI+ stories about love and romance and relationships, and those are great, but not as many about queer friendships, and those are really important to me.
I work with LGBTQI+ young people, and – despite knowing next to nothing about sport! – I’ve somehow found myself working for a sports organisation. I’ve taken lots of young people on day trips and weekends away to a play sport, and a lot of those experiences went into the story.
Working for a sports organisation, I realise how many issues there still are for LGBTQI+ people in sport, and I wanted to make sure the story stayed true to them.
I really wanted to get over the feeling of the pride you can feel, being part of a team – even when things aren’t going well! – and how important it is to feel like part of something.
“The Phoenix’s Fault” by Cynthia So
If you go to a Chinese wedding, you might see a picture of a dragon and a phoenix. It’s a popular symbol of a harmonious, heterosexual marriage—the dragon represents the man, and the phoenix the woman. Growing up in Hong Kong, even if I don’t really remember ever going to a wedding, I still saw this symbol around. Big Chinese restaurants there usually have a wall with a massive dragon and a massive phoenix on it to serve as the backdrop for wedding banquets.
When I was fifteen, I wrote a poem called “defying tradition” that ends “I will stand as a traitor, / not in between the phoenix and the dragon, / but next to a woman who, / like me, / seeks a phoenix to match her own”. I’ve always wanted to expand on the ideas that I touched on in that poem, about the heternormative expectations that these two mythical beasts represent in Chinese culture. So when I saw that the theme for this anthology was pride, the dragon and the phoenix immediately came to mind. They’re proud creatures, after all. I was thinking too of the pride that many parents feel when their children get married, and other ways someone might be able to make their family proud. So I wrote “The Phoenix’s Fault”, set in a world in which phoenixes and dragons are real, to see how a girl who has a pet phoenix might respond to these expectations that are placed upon her shoulders. What does she do when having a pet phoenix seems to destine her for marriage to the Emperor, but her heart wants something—someone—else?
“On The Run” by Kay Staples
‘On the Run’ is about two queer kids who have the chance to run away together and be themselves. It’s especially important for protagonist Nicky, who’s trying to figure out if he, or she, or they, are trans or not.
Uncertainty is what I really wanted to write about, since it’s something that marks adolescence for a lot of LGBTQ+ people. We take some time to work ourselves out, and all the while we’re being told that our orientation, gender, or gender presentation might be something shameful – and pride is the antithesis to that.
So, I came to this theme with the idea that you can be proud of who you are even if you aren’t sure who that is yet. Things will be okay whatever the answer is, just like they will be for Nicky and Dean.
“The Instructor” by Jess Vallance
When I was thinking about the theme of pride, I tried to work out what my own proudest achievement was and I realised it was probably passing my driving test! It took me two years and six tests. The idea of driving lessons as the backdrop of the story really appealed to me – I’ve always liked stories with small casts of characters with the bulk of the story covered as dialogue between them.
I also wanted to write something about the pain of relationships where the same-sex element is largely irrelevant to the confusion. The story is about the difficulties of working out what you mean to another person, when to speak up and what happens after you have – things that no one ever can be sure they’re getting right, whatever the gender of the people involved.
It’s a new month, and that means hanging out with a new author, in this case the positively brilliant K. Ancrum, whom you might know from her incredibly intense and beautiful debut, The Wicker King, or from her tender and alternately heartbreaking and heartwarming sophomore, The Weight of the Stars, which releases on March 19! Whether you’re already a fan or you’re about to become one who just doesn’t know it yet, come along and meet her!
First of all, congrats on the upcoming release! For those who haven’t been lucky enough to read The Weight of the Stars ahead of time, what would you like them to know about it?
Its a tender love story about two girls standing in the wreckage of their parent’s circumstances who find a way to learn how to face the same circumstances “harder better faster stronger”. If you’ve seen the movie Interstellar, its like… if the movie was about Murph growing up, but from the perspective of another girl who thought she was super hot. I wrote this book because I wanted to make a soft and precious love story for the huge HUGE turn out that the WLW community had for The Wicker King. I really hope I did them justice with this one.
Of course, The Weight of the Stars isn’t your first queer YA, as you debuted with your fabulous and wildly intense and thoughtful The Wicker King, which is so much about co-dependency and mental health at its heart. What drove writing that book for you, and who do you really hope finds it?
Like many authors who write about difficult contemporary circumstances, I wrote The Wicker King from a lot of personal experience. I really wanted to explore the nuance between Jack’s colorful display of physical illness and the dramatic and incredibly realistic portrayal of August’s descent into mental illness. That sliver of a line between August’s experience with Jack and how readers processed August as a child who desperately needed help and whether or not they would recognize that he did was very personal to me. That aside though, I really hope that it finds teenagers who have noticed a friend struggling, adults who are in positions of power who need that extra push to intervene when something doesn’t seem quite right with the teens in their lives and, and I haven’t mentioned this at all before but: I also hope that older MLM find the book because a significant amount of my older MLM readers have said that August’s struggle with his orientation really resonated with them in a specific and very gentle way. And I think that’s very precious ,so I hope more older MLM find The Wicker King.
One thing that’s great about your website is that you’re really into sharing information on your publishing journey with your readers, which I love. What do you think are the most important bits from yours for other aspiring authors to know? And what’s been your favorite moment of the journey so far?
There are still posts there from when I almost gave up writing The Wicker King, or was struggling with whether I wanted the book to be explicitly Bi because I was afraid it wouldn’t sell. Mostly because I wound up pushing through both of those insecurities to find myself where I am now. But looking back: reading the plaintive cries of a younger me, the soft worries and requests for help, is such an encouraging thing. It really makes me want to pull myself up and march towards an uncertain future.
I think my favorite moment of the process is reading all of my edits. I have had the incredible luck to have had two a hilarious and great agents and 3 hilarious and great editors. I love flipping through the pages of my book and seeing comments like “Oh my god” at the chaotic things my characters are doing. There is this one scene in particular in The Weight of the Stars, where the MC spontaneously realizes that she’s had a crush on her love interest the whole time and she has a full on hysteria fit about being really gay for her in a car, and one of my editors wrote that she screeched through reading the scene and I remember reading that comment and laughing so hard.
I really really love the team that helped me build both The Weight of the Stars and The Wicker King and hope I can continue working with them as long as possible.
In The Weight of the Stars, we get some really wonderful aspects of queer representation that aren’t often found in YA. What felt really important to you to have in this story, and why?
I ride or die for found families. Found families are such a huge part of western queer culture and modern western queer history that its an honor to continue the tradition of their representation. Mostly-LGBTQ friend groups providing familial love and support, shoulders to cry on, homes to crash in, food to eat and physical affection is so pure, so precious and so important.
I also feel like there is a yawning chasm of butch characters in F/F. The Weight of the Stars gives you Soft Butch with Alexandria and Butch with Ryann, for people who are familiar with those terms and with those identities. F/F is already rare and tends to sell less than M/M (for a multitude of reasons), so this isn’t meant to be divisive. But a majority of F/F is not about butch girls and I wanted to build this love story between two butch girls that is ten times softer and more gentle than anyone would imagine a story about butch love could be. I wanted tenderness that prickles tears at the corner of your eyes and soft yearning that you’d usually associate with Virginia Woolf, but I wanted it for a giant muscle girl.
Your books feel so…rare, I guess is the word? There’s something about the way you write that’s so special and so different but still feels like part of the same unusual universe. What’s a K. Ancrum book to you? What do you think will always show up in your work in some way?
This is such a cool question! First, I think my format is probably a huge part of that. I’m “known” for telling instead of showing, largely because I have something else big to show instead (example: August telling the reader that he’s well, while he shows the reader that he is Not, Ryann telling the readers she has no family, and then showing the readers that she has a close family made of friends. ). I also kind of format my books more like movies, they’re intended to be read straight through and the pacing and format reflects that. There is also an immediacy in the way I write romance. I write like the words “I love you” are pushing at the inside of the teeth of my characters, and I think that really resonates with a decent amount of readers (thank goodness haha).
I think the thing that will always show up in my work is tenderness in the relationships between my characters and physical affection. I like my characters to show care through touch, even if its hard for them to use their words to express it. Teenagers have a very particular and rare relationship with touch, especially because they are in that transitional stage where familial touch and platonic touch start moving to make room for sexual touch. And they often explore the boundaries of that in a way that adults and children do not (example: when I was in HS, I had a friend who would often do the hair of the other girls and it was a very familial touch moment that I can never imagine her repeating as an adult) There is a tenderness to that that I think makes my books feel kind of quaint and strangely realistic in ways that a lot of people are unable to put their finger on.
Important question as relevant to The Weight of the Stars: What’s your very favorite space-related fact?
I am OBSESSED with The Golden Record. Just…. we really did that! We really made a record of all of humanity’s Greats and sent it out to space to be found by anyone or anything to try and make them love us! Make them want to understand us! Make them listen to our music and hear the sounds of our woods, our fields, our seas! and then we gave them a map so they can find us, and by god isn’t that the pinnacle of humanity? The desperate craving to be loved? The desperate curiosity towards the beyond? The desperate humbleness of our offering, but given with earnestness nonetheless? That hopeless sort of Human Hope we fling in every direction, reckless and violent to the end? Our endless chasm of “Maybe… Please?” and “Look at us!” and “Look for us!”
We sent it in the 1970s it still flies, endless in the black. As singular and lonely as we are.
https://www.youtube.com/watch?v=aR6oV8kJKf4
What other queer YA are you reading lately that you’ve loved? Anything you’re especially looking forward to?
This is a nightmare answer but I’m currently just reading tons and tons of fan fiction. I’m learning a lot about portraying the intricacies of desire in a thousand delicate ways, and learning how people tend to view courtship when they’re at their most self-indulgent, most secret, most private. Fan fiction is written in the dead of night in the dark for your friends or because your heart says that you Must. I want to access that flavor for my work, from a learning perspective.
As for books I’m looking forward to: I’m so freakin’ hype about Wilder Girls and The Last 8. I’m also super pumped for His Hideous Heart, the anthology you have coming out. I love EAP and the prickly way he writes and I’m excited to see what you all made of him. (Blogger’s Note: Thank you!)
What’s the first LGBTQIAP+ representation you remember in media, for better or for worse?
This is going to sound really crazy, but when I was 8, I read a romance novel that included an intersex major character. I remember reading descriptions of her and her body like I was looking into the face of god. I had literally never heard of anything that was so perfect and so beautiful. I don’t remember what the book was called or anything about it, but I remember her lover saying something to her about how “she was made up of many pieces of many pretty things” and melting. Just, filled to the brim with a hunger for that sort of acceptance and for being cherished exactly as I was (which was a bi child).
I’m working on a cool novel about a train heist and another novel about possession!
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K. Ancrum grew up in Chicago Illinois. She attended Dominican University to study Fashion Merchandizing, but was lured into getting an English degree after spending too many nights experimenting with hard literary criticism and hanging out with unsavory types, like poetry students. Currently, she lives in Andersonville and writes books at work when no one is looking.
You may remember Alex Harrow from their awesome recent cover reveal on LGBTQReads, and today they’re back with one of our favorite topics: found families! In this case, they’re specifically talking about found families in queer spec fic, so I’ll step aside and let Alex take it away, but not before noting that info for their new book, Empire of Light, is at the bottom of the post, so check it out!
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Found families top the list of my favorite tropes ever to write. Probably because to me, like many queer authors and readers, found families will always have a special place in my heart. We all create our own found families for a variety of reasons: whether it’s because we’re far away from our biological family, both physically and/or emotionally, or simply because most of us have that tendency to meet others we just click with and decide, “Yes, you’re my people.”
Found families almost always form by accident instead of by blood and that’s what make them so powerful: there’s choice involved here. That conscious (or maybe in some ways unconscious) choice toward connection and community.
Found families are the ones we’ll happily set the world on fire for or just show up with ice cream and rosé at ungodly hours of the morning. They’re the ones that will totally send an extraction team to get you out of a bad date and might not bother getting out of their PJs to hang out with you.
In fiction, especially queer fiction, just as in life, found families are very much the backbone of queer people. They might be cobbled-together, they might be messy, but that just makes us love them even more, because no one exists in a vacuum.
Which is the second reason why I love found families so much: they’re an excellent remedy for tokenism, because when was the last time you’ve ever seen a queer person in isolation? Yeah, I can’t remember either. Even if you are writing a coming out story, I find it very hard to believe that your main character would be the only one. And let’s not forget that creating found families around our characters give so many opportunities to create characters all across different spectrums of identity, sexuality, and so many intersections thereof. There is so much potential in found families, why not use it?
Speaking of, found families aren’t always clear cut, nor should they be: they can be as messy as any other family and friend groups because everyone is different. So, yes, found families can be excellent character motivation, along with backup and community, but they can also be fantastic sources for conflict. How many of us always get along with our friends and family members? Relationships are in constant flux, and this is such a great way to explore change and growth in them. Just because characters stick together and would go through fire for each other doesn’t necessarily mean they always have to like each other, after all.
As both a reader and an author, I’ve always admired writers who manage to weave complex found families together because they allow readers to identify with so many more characters than just their main characters. Found families can and do absolutely become the backbone of stories, just as they become a backbone of our own lives. But in order to do so, they have to be complex, multi-layered, and yes, often messy, because if everything is smooth sailing, where’s the story and conflict in that?
Finally, let’s not underestimate the ways in which found families create homes, both for characters and for readers, because to many of us, that’s exactly what they are. Found families create a microcosm of belonging and an environment for characters to just be themselves and to so many of us, that feeling right there, is everything. It makes all the other stuff absolutely worth it. That’s why I dedicated Empire of Light to found families everywhere: because of all these reasons and more.
Damian Nettoyer is the Empire’s go-to gun. He kills whoever they want him to kill. In exchange, he and his rag-tag gang of crooks get to live, and Damian’s psychokinetic partner and lover, Aris, isn’t issued a one-way ticket to an Empire-sanctioned lobotomy.
Then Damian’s latest mark, a suave revolutionary named Raeyn, kicks his ass and demands his help. The first item on the new agenda: take out Damian’s old boss—or Raeyn will take out Damian’s crew.
To protect his friends and save his own skin, Damian teams up with Raeyn to make his revolution work. As Aris slips away from Damian and his control over his powers crumbles, the Watch catches on. Damian gets way too close to Raeyn, torn between the need to shoot him one minute and kiss him the next.
With the Empire, Damian had two policies: shoot first and don’t ask questions. But to save the guy he loves, he’ll set the world on fire.
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Alex Harrow is a genderqueer, pansexual, and demisexual author of queer science fiction and fantasy. Alex’ pronouns are they/them. When not writing queerness with a chance of explosions, Alex is a high school English teacher, waging epic battles against comma splices, misused apostrophes, and anyone under the delusion that the singular ‘they’ is grammatically incorrect.
A German immigrant, Alex has always been drawn to language and stories. They began to write when they realized that the best guarantee to see more books with queer characters was to create them. Alex cares deeply about social justice and wants to see diverse characters, including LGBTQ+ protagonists, in more than the stereotypical coming out story.
Follow Alex on Twitter @AlexHarrowSFF or visit their website at alexharrow.com.
In the former United States, sixteen-year-old Noam Álvaro wakes up in a hospital bed, the sole survivor of the viral magic that killed his family and made him a technopath. His ability to control technology attracts the attention of the minister of defense and thrusts him into the magical elite of the nation of Carolinia.
The son of undocumented immigrants, Noam has spent his life fighting for the rights of refugees fleeing magical outbreaks—refugees Carolinia routinely deports with vicious efficiency. Sensing a way to make change, Noam accepts the minister’s offer to teach him the science behind his magic, secretly planning to use it against the government. But then he meets the minister’s son—cruel, dangerous, and achingly beautiful—and the way forward becomes less clear.
Caught between his purpose and his heart, Noam must decide who he can trust and how far he’s willing to go in pursuit of the greater good.
A high-stakes survival story about eight teenagers who outlive an alien attack—perfect for fans of The 5th Wave
Clover Martinez has always been a survivor, which is the only reason she isn’t among the dead when aliens invade and destroy Earth as she knows it.
When Clover hears an inexplicable radio message, she’s shocked to learn there are other survivors—and that they’re all at the former Area 51. When she arrives, she’s greeted by a band of misfits who call themselves The Last Teenagers on Earth.
Only they aren’t the ragtag group of heroes Clover was expecting. The group seems more interested in hiding than fighting back, and Clover starts to wonder if she was better off alone. But then she finds a hidden spaceship, and she doesn’t know what to believe…or who to trust.
A stunning psychological thriller about loss, sisterhood, and the evil that men do, for readers of Ruth Ware and S.K. Tremeyne
Two solar eclipses. Two missing girls.
Sixteen years ago a little girl was abducted during the darkness of a solar eclipse while her older sister Cassie was supposed to be watching her. She was never seen again. When a local girl goes missing just before the next big eclipse, Cassie – who has returned to her home town to care for her ailing grandmother – suspects the disappearance is connected to her sister: that whoever took Olive is still out there. But she needs to find a way to prove it, and time is running out.
A transgender reporter’s narrative tour through the surprisingly vibrant queer communities sprouting up in red states, offering a vision of a stronger, more humane America.
Ten years ago, Samantha Allen was a suit-and-tie-wearing Mormon missionary. Now she’s a senior Daily Beast reporter happily married to another woman. A lot in her life has changed, but what hasn’t changed is her deep love of Red State America, and of queer people who stay in so-called “flyover country” rather than moving to the liberal coasts.
In Real Queer America, Allen takes us on a cross-country road-trip stretching all the way from Provo, Utah to the Rio Grande Valley to the Bible Belt to the Deep South. Her motto for the trip: “Something gay every day.” Making pit stops at drag shows, political rallies, and hubs of queer life across the heartland, she introduces us to scores of extraordinary LGBT people working for change, from the first openly transgender mayor in Texas history to the manager of the only queer night club in Bloomington, Indiana, and many more.
Capturing profound cultural shifts underway in unexpected places and revealing a national network of chosen family fighting for a better world, Real Queer America is a treasure trove of uplifting stories and a much-needed source of hope and inspiration in these divided times.
This is the second book in the Alice Payne series
After abducting Arthur of Brittany from his own time in 1203, thereby creating the mystery that partly prompted the visit in the first place, Alice and her team discover that they have inadvertently brought the smallpox virus back to 1780 with them.
Searching for a future vaccine, Prudence finds that the various factions in the future time war intend to use the crisis to their own advantage.
Can the team prevent an international pandemic across time, and put history back on its tracks? At least until the next battle in the time war…
By day, Mary Ballard is lady’s maid to Charlotte Walden, wealthy and accomplished belle of New York City high society. Mary loves Charlotte with an obsessive passion that goes beyond a servant’s devotion, but Charlotte would never trust Mary again if she knew the truth about her devoted servant’s past. Because Mary’s fate is linked to that of her mistress, one of the most sought-after debutantes in New York, Mary’s future seems secure—if she can keep her own secrets…
But on her nights off, Mary sheds her persona as prim and proper lady’s maid to reveal her true self—Irish exile Maire O’Farren—and finds release from her frustration in New York’s gritty underworld—in the arms of a prostitute and as drinking companion to a decidedly motley crew consisting of a barkeeper and members of a dangerous secret society.
Meanwhile, Charlotte has a secret of her own—she’s having an affair with a stable groom, unaware that her lover is actually Mary’s own brother. When the truth of both women’s double lives begins to unravel, Mary is left to face the consequences. Forced to choose between loyalty to her brother and loyalty to Charlotte, between society’s respect and true freedom, Mary finally learns that her fate lies in her hands alone.
Buy it: Amazon | B&N | IndieBound
A stirring, bold and moving anthology of stories and poetry by top LGBTQ+ YA authors and new talent, giving their unique responses to the broad theme of pride. Each story has an illustration by an artist identifying as part of the LGBTQ+ community. Compiled by Juno Dawson, author of THIS BOOK IS GAY and CLEAN.
A celebration of LGBTQ+ talent, PROUD is a thought-provoking, funny, emotional read.
Contributors: Steve Antony, Dean Atta, Kate Alizadeh, Fox Benwell, Alex Bertie, Caroline Bird, Fatti Burke, Tanya Byrne, Moïra Fowley-Doyle, Frank Duffy, Simon James Green, Leo Greenfield, Saffa Khan, Karen Lawler, David Levithan, Priyanka Meenakshi, Alice Oseman, Michael Lee Richardson, David Roberts, Cynthia So, Kay Staples, Jessica Vallance, Kristen Van Dam and Kameron White.
Buy it: Amazon UK | Waterstones | Book Depository
Besotted is the ballad of Sasha and Liz, American expats in Shanghai. Both have moved abroad to escape—Sasha from her father’s disapproval, Liz from the predictability of her hometown. When they move in together, Sasha falls in love, but the sudden attention from a charming architect threatens the relationship. Meanwhile, Liz struggles to be both a good girlfriend to Sasha and a good friend to Sam, her Shanghainese language partner who needs more from her than grammar lessons. For fans of Prague by Arthur Phillips and The Expatriates by Janice Y.K. Lee, Besotted is an expat novel that explores what it means to love someone while running away from yourself.
In a chronicle of mourning and survival, Ali Liebegott wallows in loneliness and overassigns meaning to everyday circumstance, clinging to an aging dog and obsessing over dead birds. But these unpretentious vignettes are laced with compassion, as she learns to balance the sting of death with the tender strangeness of life.
This darkly comic debut novel by an award-winning playwright is like Mean Girls meets Heathers with a splash of Bring it On.
Jenna Watson is a cheerleader. But it’s not some Hollywood crap. Cheerleaders are not every guy’s fantasy; they are not the “popular girls” or the “mean girls” of Marsen High School. They’re too busy for that. They’re literally just some human females trying to live their lives and do a perfect toe touch. But that all changed after Raejean stopped talking to Jenna and started hanging out with Meghan Finnegan. Jenna stopped getting invited out with the rest of the squad and she couldn’t tell if it was on purpose or if it was all in her head.
At times heartbreaking, at others hilarious, Squad follows Jenna through her attempts to get revenge on Raejean and invent a new post-cheer life for herself through LARPING (live action role-playing) and a relationship with a trans guy that feels like love—but isn’t. In the, end Jenna discovers that who she is is not defined by which squad she’s in.
Mads is pretty happy with her life. She goes to church with her family, and minor league baseball games with her dad. She goofs off with her best friend Cat, and has thus far managed to avoid getting kissed by Adam, the boy next door. It’s everything she hoped high school would be… until all of a sudden, it’s not.
Her dad is hiding something big—so big it could tear her family apart. And that’s just the beginning of her problems: Mads is starting to figure out that she doesn’t want to kiss Adam… because the only person she wants to kiss is Cat.
Kiss Number 8, a graphic novel from writer Colleen AF Venable and illustrator Ellen T. Crenshaw, is a layered, funny, sharp-edged story of teen sexuality and family secrets.
Eight hundred years ago, the Zhen Empire discovered a broken human colony ship drifting in the fringes of their space. The Zhen gave the humans a place to live and folded them into their Empire as a client state. But it hasn’t been easy. Not all Zhen were eager to welcome another species into their Empire, and humans have faced persecution. For hundreds of years, human languages and history were outlawed subjects, as the Zhen tried to mold humans into their image. Earth and the cultures it nourished for millennia are forgotten, little more than legends.
One of the first humans to be allowed to serve in the Zhen military, Tajen Hunt became a war hero at the Battle of Elkari, the only human to be named an official Hero of the Empire. He was given command of a task force, and sent to do the Empire’s bidding in their war with the enigmatic Tabrans. But when he failed in a crucial mission, causing the deaths of millions of people, he resigned in disgrace and faded into life on the fringes as a lone independent pilot.
When Tajen discovers his brother, Daav, has been killed by agents of the Empire, he, his niece, and their newly-hired crew set out to finish his brother’s quest: to find Earth, the legendary homeworld of humanity. What they discover will shatter 800 years of peace in the Empire, and start a war that could be the end of the human race.
Buy it: Amazon | B&N | Flame Tree Publishing
Ryann Bird dreams of traveling across the stars. But a career in space isn’t an option for a girl who lives in a trailer park on the wrong side of town. So Ryann becomes her circumstances and settles for acting out and skipping school to hang out with her delinquent friends.
One day she meets Alexandria: a furious loner who spurns Ryann’s offer of friendship. After a horrific accident leaves Alexandria with a broken arm, the two misfits are brought together despite themselves—and Ryann learns her secret: Alexandria’s mother is an astronaut who volunteered for a one-way trip to the edge of the solar system.
Every night without fail, Alexandria waits to catch radio signals from her mother. And its up to Ryann to lift her onto the roof day after day until the silence between them grows into friendship, and eventually something more . . .
In K. Ancrum’s signature poetic style, this slow-burn romance will have you savoring every page.
While popular discussions about queerness in video games often focus on big-name, mainstream games that feature LGBTQ characters, like Mass Effect or Dragon Age, Bonnie Ruberg pushes the concept of queerness in games beyond a matter of representation, exploring how video games can be played, interpreted, and designed queerly, whether or not they include overtly LGBTQ content. Video Games Have Always Been Queer argues that the medium of video games itself can—and should—be read queerly.
In the first book dedicated to bridging game studies and queer theory, Ruberg resists the common, reductive narrative that games are only now becoming more diverse. Revealing what reading D. A. Miller can bring to the popular 2007 video game Portal, or what Eve Sedgwick offers Pong, Ruberg models the ways game worlds offer players the opportunity to explore queer experience, affect, and desire. As players attempt to ‘pass’ in Octodad or explore the pleasure of failure in Burnout: Revenge, Ruberg asserts that, even within a dominant gaming culture that has proved to be openly hostile to those perceived as different, queer people have always belonged in video games—because video games have, in fact, always been queer.
Divine justice is written in blood.
Or so Amastan has been taught. As a new assassin in the Basbowen family, he’s already having second thoughts about taking a life. A scarcity of contracts ends up being just what he needs.
Until, unexpectedly, Amastan finds the body of a very important drum chief. Until, impossibly, Basbowen’s finest start showing up dead, with their murderous jaan running wild in the dusty streets of Ghadid. Until, inevitably, Amastan is ordered to solve these murders, before the family gets blamed.
Every life has its price, but when the tables are turned, Amastan must find this perfect assassin or be their next target.
Buy it: Amazon | B&N | IndieBound
Rule #1 – Never fall for a summer boy.
Fresh out of high school, Babe Vogel should be thrilled to have the whole summer at her fingertips. She loves living in her lighthouse home in the sleepy Maine beach town of Oar’s Rest and being a barista at the Busy Bean, but she’s totally freaking out about how her life will change when her two best friends go to college in the fall. And when a reckless kiss causes all three of them to break up, she may lose them a lot sooner. On top of that, her ex-girlfriend is back in town, bringing with her a slew of memories, both good and bad.
And then there’s Levi Keller, the cute artist who’s spending all his free time at the coffee shop where she works. Levi’s from out of town, and even though Babe knows better than to fall for a tourist who will leave when summer ends, she can’t stop herself from wanting to know him. Can Babe keep her distance, or will she break the one rule she’s always had – to never fall for a summer boy?
Things are going great for Sutton Kay, or at least they were. Her yoga studio is doing well, she’s living with her best friend, and she just got two kittens named Mocha and Cappuccino. Sure, she doesn’t have a girlfriend, but her life is full and busy.
Then her building is sold and the new landlord turns out to be the woman putting in a gym downstairs who doesn’t seem to understand the concepts “courtesy” and “don’t be rude to your tenants.” Sutton can’t get a read on Tuesday Grímsdóttir, but she can appreciate her muscles. Seriously, Tuesday is ripped. Not that that has anything to do with anything since she’s too surly to have a conversation with, and won’t stop pissing Sutton off.
Sutton’s life gets interesting after she dares Tuesday to make it through one yoga class, and then Tuesday gives Sutton the same dare. Soon enough they’re spending time working out together and when the sweat starts flowing, the sparks start flying. How is it possible to be so attracted to a person you can barely stand?
But when someone from Tuesday’s past shows up and Sutton sees a whole new side of Tuesday, will she change her mind about her grumpy landlord? Can she?
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In the city of Houston – a sprawling, diverse microcosm of America – the son of a black mother and a Latino father is coming of age. He’s working at his family’s restaurant, weathering his brother’s blows, resenting his older sister’s absence. And discovering he likes boys.
Around him, others live and thrive and die in Houston’s myriad neighborhoods: a young woman whose affair detonates across an apartment complex, a ragtag baseball team, a group of young hustlers, hurricane survivors, a local drug dealer who takes a Guatemalan teen under his wing, a reluctant chupacabra.
Bryan Washington’s brilliant, viscerally drawn world vibrates with energy, wit, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot explores trust and love in all its unsparing and unsteady forms.
Acclaimed literary essayist T Kira Madden’s raw and redemptive debut memoir is about coming of age and reckoning with desire as a queer, biracial teenager amidst the fierce contradictions of Boca Raton, Florida, a place where she found cult-like privilege, shocking racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hiding in plain sight.
As a child, Madden lived a life of extravagance, from her exclusive private school to her equestrian trophies and designer shoe-brand name. But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.
With unflinching honesty and lyrical prose, spanning from 1960s Hawai’i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It’s a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.
I’ve been chased my whole life. As an illegal immigrant in the territory controlled by the tyrannical Mercer corporation, I’ve always had to hide who I am. Until I found Excalibur.
Now I’m done hiding.
My name is Ari Helix. I have a magic sword, a cranky wizard, and a revolution to start.
When Ari crash-lands on Old Earth and pulls a magic sword from its ancient resting place, she is revealed to be the newest reincarnation of King Arthur. Then she meets Merlin, who has aged backward over the centuries into a teenager, and together they must break the curse that keeps Arthur coming back. Their quest? Defeat the cruel, oppressive government and bring peace and equality to all humankind.
No pressure.
Buy it: B&N | Amazon | Books of Wonder (signed preorder)
When genderqueer fourteen-year-old Z Chilworth wakes from death after a car crash that killed their parents and sisters, they have to adjust quickly to their new status as a zombie. Always a talented witch, Z can now barely perform magic and is rapidly decaying. Faced with rejection from their remaining family members and old friends, Z moves in with Mrs. Dunnigan, an elderly witch, and befriends Aysel, a loud would-be-goth classmate who is, like Z, a loner. As Z struggles to find a way to repair the broken magical seal holding their body together, Aysel fears that her classmates will discover her status as an unregistered werewolf. When a local psychiatrist is murdered in an apparent werewolf attack, the town of Salem, Oregon, becomes even more hostile to monsters, and Z and Aysel are driven together in an attempt to survive a place where most people wish that neither of them existed.
With Miranda in Milan, debut author Katharine Duckett reimagines the consequences of Shakespeare’s The Tempest, casting Miranda into a Milanese pit of vipers and building a queer love story that lifts off the page in whirlwinds of feeling.
After the tempest, after the reunion, after her father drowned his books, Miranda was meant to enter a brave new world. Naples awaited her, and Ferdinand, and a throne. Instead she finds herself in Milan, in her father’s castle, surrounded by hostile servants who treat her like a ghost. Whispers cling to her like spiderwebs, whispers that carry her dead mother’s name. And though he promised to give away his power, Milan is once again contorting around Prospero’s dark arts.
With only Dorothea, her sole companion and confidant to aid her, Miranda must cut through the mystery and find the truth about her father, her mother, and herself.
Aromantic Awareness Week may be over for 2019, but that doesn’t mean your Aromantic Awareness (or enjoyment of Aromantic fiction) has to be! I’m psyched to welcome to the site today an aromantic roundtable headed by Claudie Arseneault, author of books including City of Strife and Baker Thief and the brains/work behind the incredible Aro Ace Database. Claudie is also one of the editors of Common Bonds, a crowdfunded aromantic spec fic anthology, you definitely don’t wanna miss!
And now, I’ll let Claudie and her roundtable take it away…

Common Bonds is an anthology of speculative fiction with aromantic characters and platonic relationships at its heart. Finding this sort of fiction is a desire I’ve often seen other aromantic people express, and I absolutely share it. There’s an entire genre dedicated to romance, but when it comes to the other forms of bonding like friendships, you often have to rely on your detective skills to find stories centering them. So I teamed up with other awesome editors (C.T. Callahan, B. R. Sanders, and RoAnna Sylver) and we decided to make this a reality.
I obviously have a lot of things to say on the topic, and I’m sure I’ll have plenty of opportunity to say them, but I wanted to pass the mic to other aromantic bookish people not directly involved in the anthology and hear their thoughts on aromanticism, fiction, and platonic relationships. Turns out they had a lot to say, too, and it was awesome! So here we go.
Claudie : Hello and welcome to this aromantic roundtable! Before we get to the meaty discussions, please introduce yourselves a little!
Fadwa: Hi, everyone! My name’s Fadwa (she/her) and I’m a bisexual grayromantic Moroccan Muslim girl. It’s a mouthful haha. I’m a 22 years old perpetually exhausted medical student.
Lynn: Hello! I’m Lynn (she/they) and I’m a demiromantic demisexual author who is very bad at humour. (I was going for something humorous and failed.) Like Fadwa, I’m perpetually exhausted, though not a medical student. I was literature through and through. Also I ramble. You have been warned.
Rosiee: *Waves* I’m Rosiee (she/her), an aromantic grayasexual author, and I’m proposing we all take a nap.
Claudie: Proposition accepted, Rosiee. Let’s start with something fun. What are your favourite platonic relationships in fiction? Do you have any specific examples in mind? Why did those resonate?
Lynn : It’s cheating to say “Anything Cal-from-Isandor-related”, isn’t it? Honestly, these are my fave relationships just because Cal is a cinnamon roll darling. More so, he gets to be a cinnamon roll darling who learns he does not have to sacrifice his happiness for his friends. Like… The first time I saw a platonic relationship in fiction was in M.C.A. Hogarth’s Mindtouch and I love those books very much and I will love Vasiht’h forever, but the further along the setting goes, the more Vasiht’h seems to sacrifice everything he wants to the happiness of his partner and just… Well, with Cal’s narrative we actually have the opposite to some extent because Cal is in a friendship that is abusive, and one of the things he has to learn is that he matters too. I mean, he knows that, but he has some trouble applying it to his friendships. And that resonated a lot with me.
Claudie: Your cheating is accepted, even if it’s a bit awkward that you immediately jumped to my writing. ^^;
Rosiee: I had to think about this question for a whole day, to be honest. I kept trying to narrow my search parameters and think of platonic relationships that weren’t sibling relationships. But the thing is, sibling relationships are some of my favorites. I tend to gravitate toward relationships that I know from the get-go won’t turn romantic, and sibling relationships generally have the smallest chance of turning. Relationships like Anna and Elsa from Frozen, Katara and Sokka from Avatar the Last Airbender, Lada and Radu from And I Darken have always called to me. Maybe it’s because I never had any siblings, myself, but there’s just so much to explore within familial relationships like that, especially when the characters are growing as individuals.
Fadwa: Like Rosiee, I had to give this one a lot of thought looking for platonic relationships other than siblings because sibling dynamics have always been my favorites too see explored in media. In my case, it’s because I have a little sister I’m very close with and love to see my experiences with her mirrored. And even when the dynamic isn’t the same as the one I have with her, I love to see how different those relationships can be from one pair of siblings to another. I actually love Katara and Sokka’s relationship, it’s just so spot on, they get on each others’ nerves but at the end of the day love each other and would do anything for each others happiness and safety.
Rosiee: I’ve also always had a soft spot for platonic relationships–and really, all types of relationships–that stem from a place of mutual respect. There’s really nothing that keeps my attention more than two nerds recognizing a pieces of themselves in each other and then working together to achieve great things. For example, Zuko and Aang from Avatar the last Airbender come together after a looooong time fighting, and their understanding of each other’s strengths is touching, and ultimately results in powerful friendship! The relationship between Luna Lovegood and Harry Potter, while not without its problems, also shows two people who have experienced great pain in life recognizing it in each other, and feeling less alone. I always felt that relationship was a lot stronger than anyone gave it credit for.
Fadwa: I also have a soft spot for people who bond over similar experiences (generally traumatic) and help each other through them, whether they live said experiences together or meet after the fact. I loved Rin and Kitay from The Poppy War, who become friends very quickly after realizing that both are the outliers at the academy and are each others’ emotional support through their brutal training at the academy and later on a brutal war.
Lynn: Ooooh, yeeees. Rin and Kitay were wonderful! I like how you both picked up on sibling relationships in fiction. I guess I’m the opposite of Rosiee in that. Not that I don’t love familial relationships – I do – but I don’t feel like I was ever drawn to siblings specifically. For me it’s largely cousins. There’s a real difference in relationships between the characters in the Famous Five by Enid Blyton when it comes to the sibling relationships and the cousin ones. I was drawn to those books so much when I was a child and, yeah, the lack of romance was probably a real factor in it.
Claudie: Something really prevalent in both of your answers (Cal learning that he matters too, mutual respect, bonding through similar trauma) is that sense of people treating each other as equals. Any thoughts on platonic relationships that have an inherent power differential, such as mentor/student and parent/child? Do those tend to work less for you, or do they need something different to capture your heart?
Rosiee: Mentor/student relationships can be so powerful and really touching. Jumping off Avatar again, the relationship between Zuko and his uncle, Iroh, always shines for me. Obviously there’s a familial relationship there as well, but the mentorship itself takes on such an important role in Zuko’s personal growth—it’s as much about learning to use his bending power as it is about learning to be a person. Other examples that come to mind are Harry Potter and Remus Lupin, who share so much in terms of grief and history, and Sallot Leon from Mask of Shadows and the other members of the Left Hand–especially in the second book. Sal’s relationships with the other members of the Left Hand are particularly fascinating from the perspective of age, since Sal is much younger than the rest of them, but they all have a shared responsibility.
Lynn: Hmmm… You know, I don’t think I do? But then I think most mentor/student relationships end up with the mentor dead, so… Yeah. (I like my relationships to survive the end of at least the first book. T_T)
Rosiee: One last example, which I’m actually uncertain about, is the teacher/student relationship between Numair and Daine in Tamora Pierce’s Immortals quartet. I found this relationship really interesting and touching for the first few books, but it does take a romantic turn that I hadn’t expected. I’m still very iffy on how much this impacts my feelings about that relationship. The mentor/student relationship, especially when one of them is a teen, should be a promise of a platonic relationship. When they end up turning romantic or sexual, it feels like a betrayal of that promise.
Claudie: I’m with you on that one, Rosiee. There are some mentor relationships I’d really like to see submitted to an always-platonic reader contract. One of the reasons Common Bonds has a platonic focus was the ubiquity of romance within queer lit circles, through call for submissions, lists by romantic pairings, etc., and how little space it left for aromantic people and for the stories surrounding other types of relationships. Can you share your experiences navigating those spaces, both positive and negative? Are there things you’d love to see more of?
Fadwa: I am huge romance reader and fan, which means that for a long time, even if some romances in books didn’t sit well with me, I didn’t really know why or have any negative experiences with the lack of platonic relationships. Then, a couple years back, I came out to myself as aromantic, and that’s when I started truly realizing why certain romances irked me. Sometimes I just did not feel like reading at all, because I knew I was going to be confronted with a romance I did not care for. And my biggest issue is with *forced* romance, meaning romance with no kind of chemistry whatsoever, and that’s there just to fill some kind of quota. I realized that the reason I consume romance books so much is because at least then I am making the conscious choice to read about romantic relationships and that they weren’t just thrown without having a point in the story, because a lot of the time, reading outside of the romance genre, I like the characters that are pushed together a lot better in strictly platonic relationships.
Claudie: Loving characters better in strictly in platonic relationships is the story of my life, honestly.
Lynn: I admit the prevalence of romance wasn’t something I paid much attention to until I started learning more about aromanticism and realised this could be questioned or challenged. Once you notice it you start to see how prevalent those romantic relationships are even, at times, in shows that are explicitly touted as being about friendship.
I’d want to see more awareness of aromanticism in general. Where do we go to tell our stories? The way queer publishers handle it makes it sound like there’s no room for us. There’s always the pressure to add romance. It may not always be the publisher itself, but the general sense of society. Like editors expect it because the audience expects it, which then means the audience expects it because editors do and tada! A vicious cycle has been created and it ends up shutting aros out.
Rosiee: I agree with everything Lynn said–it’s really disheartening and feels exclusionary to see those calls for submissions. Even when they don’t specify a pairing type, if it’s a call for queer submissions or “LGBT+” submissions, I often wonder if the “A” is included in that plus sign. Even organizations like Lambda Literary, who are supposed to be advocates for the community, don’t put the “A” in their acronym.
It’s the same with calls for submission, or even MSWL tweets from agents. It’s the reason why it took me nearly a dozen revisions of my debut to finally put the words “aromantic” and “asexual” on the page. I didn’t feel comfortable doing it until I was given express permission from my editor, who was absolutely wonderful about it. I think gatekeepers honestly don’t realize how much power they have to shape who submits to them. Self-rejection gets easier and easier the longer the world rejects you, and that’s tough to combat sometimes.
Fadwa: There’s also the micro-agressions that are so prevalent and normalized in books. They range from the classic “Just friends” or “More than friends” that I can mostly just ignore to the “What normal person has never experienced romantic attraction” that make me put the book down and never look back. Sometimes navigating media as an aro person can feel like a battlefield and it forces you to “grow a thick skin”. We shouldn’t have to grow a thick skin, we shouldn’t accommodate to things than can be potentially hurtful to us. Publishing and media as a whole should make a greater effort to create a safe space that we can navigate without that fear at the back of our minds of being dehumanized.
Lynn: Oh goodness yes the microaggressions. I honestly find that they bother me more the more I learn, especially when some of the classic ones you mentioned are so easily avoided with the only meaning lost being “friendship is a lesser type of relationship” which… firstly, no, it isn’t. Secondly, why wouldn’t you want to learn how to be more accurate with your language?
Fadwa: And exactly, those sentences not being there never changes anything to the story itself which makes them easily removable so why not just… listen to us for once and remove them?
Claudie: So, beyond publishers and authors making an effort to watch their language, are there any other steps you’d like to see taken? Resources you’d love to have? I’ve had a few publishers change their call for subs to explicitly include deep, meaningful relationships beyond romance in their calls after I pointed out the problem for aro people, but that’s only one element.
Rosiee: Publishers changing the way they describe their calls for submissions is a great step, but it’s very common to see gatekeepers–editors, agents etc.–use exclusive language in their calls for submission, even when they’re attempting to be inclusive. I’ve seen agents and editors call for subs by singling out m/m or f/f as if those two designations encompass all queer experiences. I’d like to see more gatekeepers make an effort to educate themselves about the identities they want to boost.
Lynn: Those are some really good points, Rosiee. I think there’s still a ton of awareness that needs to be raised in general. It’s easy to try to be inclusive of the most visible groups, but that just leaves the less-visible ones in the dust.
Rosiee: It isn’t allyship unless it uplifts us all. I actually recently saw this happen with an agent during a Q&A session. The agent was asked about writing f/f as a non-queer person and–trigger warning for aphobia and bi/panphobia here–the agent said that unless the author has had sex with a woman, she cannot write f/f. The agent’s statement was acephobic to begin with, but it also erases so many other experiences and identities that do not require actions to be valid, since sexuality is about feelings and attraction, not about actions.
Fadwa: That…was kind of jarring to read so thank you for the TW! at the end of the day, we’re all bound to mess up sometimes, you can’t get it right from the first try but things like this are just… a given. This is basically 101 allyship and at this point we should be past that, we should have the basics nailed down and be working towards how to be better and make publishing (and other industries) a safe space for everyone. So it’s kind of disheartening when we’re still working on the very basics of allyship. Take as an example Valentine’s Day. Being on social media was hard, because everything was so amatonormative and aggressively romance centric. There was so much emphasis on having a romantic partner and the fact that your life is lacking and that “you shouldn’t despair” if you don’t have one. Every other tweet was erasing or invalidating aro people. I wish more people were aware of the fact that there is more to love than romantic love.
Rosiee: That’s a really good point, Fadwa! Valentine’s Day is such a tough day because of the romance centric language used basically everywhere. I also saw a fair bit of arophobia disguised as ace-inclusion.
Claudie: Valentine’s Day is always such a mess. I’m glad we have Aromantic Awareness Week right after to wash some of the aftertaste away. Do you think your aromanticism impacts the way you develop platonic relationships? How so? In your priorities, the ways you choose to engage or not?
Lynn: Probably? I think it’s more that society’s view impacts it, though. You know that whole thing about how men and women can’t be ‘just friends’? That’s been really strong with some of the friendships I’ve had and I have moments where I’m just not sure if people will misinterpret the fact that I’m a touch-oriented cuddly person. That does not mean I’m into someone romantically (or sexually). It just means I like hugs and show affection through hugs. I can end up with anxiety because I don’t know how people interpret my actions and I worry about them thinking I’ve somehow tried to lead them on. And it sucks when you can’t tell people you love them platonically because the moment they reach ‘love’, they’re already misinterpreting your meaning and nothing else matters. Or possibly that’s just some people getting hung up on failing to understand aromanticism, but it still hurts.
Rosiee: Oof. That’s rough, Lynn. There’s so much communication that can happen through touch, and that anxiety is something I’ve definitely felt before. It’s so hard to know how someone else is reading your actions. I’ve also had a very opposite experience with regard to showing affection, since I’m not generally a very touchy person. I used to be a competitive swing dancer, and that community enforces an extremely allo culture, but also a very touch-centric culture (often conflating physical touch with physical attraction and gosh I could talk about that for paaages). People used to get offended or weirded out if I didn’t want to hug them after we had a fun dance or if I didn’t want to join the big cuddle pile, or didn’t want to go back to someone’s room alone with them for a “drink”. This has often resulted in some… not great insults used against me, and a general impression that I’m not fun. On the contrary, I’m actually a very friendly and outgoing person.
Fadwa: I saw a lot of myself in what Rosiee said, I am naturally a very outgoing and flirty person and not gonna lie, I enjoy flirting but I have been numbered a tease because with that comes the expectation of something either romantic or sexual, whereas to me, nothing means that I want something non-platonic unless I state that’s what I want. I detest the “mixed signals” culture because why would you interpret my words as more than what they are when they mean nothing more than what I actually say. This all has made for some pretty unpleasant, and sometimes traumatizing experiences that turned me into a person who always keeps people at arms’ length out of fear and anxiety that people would get the wrong impression, which goes against my nature of being an outgoing person. I especially love sarcasm and teasing people but that’s like the number one thing that always gets taken the wrong way. I’m always hyper aware of what I say and what I do and go out of my way to tone down my personality, because I’d rather that than live in constant anxiety.
Rosiee: I also find that a lot of people enter into conversations or try to get to know me with a romantic or sexual agenda, and that’s really difficult for me to navigate. I enjoy flirting sometimes, and since I am outgoing, I worry that can be misread. This means I often don’t engage with people, or I’ll sometimes bring up my identities in conversation as a buffer. I want to get better about asserting my boundaries without those qualifications, though, and I hope I can get more comfortable saying what I want and don’t want without feeling like I have to out myself to strangers.
Lynn: Those are both such rough experiences to deal with. I think it’s incredibly telling that I’m neither very flirty nor very outgoing and I still see a lot of myself in what you’re both saying. I actually spend a lot of time online curbing my tendency to sarcasm and personality for the same reason.
Claudie: It seems that it’s not so much how you form relationships that leads to tension or unfortunate experiences, but other people’s expectations of the relationship. That’s part of what I wanted to discuss, after a fashion? I’ve seen a lot of heterosexual colleagues decide whether to spend time with someone based on whether there was potential for a romantic and/or sexual relationship there. I always find it super jarring and demeaning.
Rosiee : Ohhhh yes, Claudie! That’s happened to me and it’s awful! The whole “friendzone” nonsense of people choosing to spend time only on romantic interests is really disheartening, and I’ve lost a lot of so-called friends after they discover I’m not interested in that kind of relationship with them.
Lynn: I’m so sorry you’ve had that happen to you, Rosiee. I think for me it’s why I seem drawn to friendships with people who generally aren’t attracted to people like me? That takes some of the pressure off because we’re both clear on where the relationship can go.
Claudie: The world is an alloromantic mess™. More seriously, and in an hopefully more uplifting topic, what are some real-life platonic relationships that were/are major for you? How do you think fiction could do a better job reflecting those? Or is it doing well?
Lynn: I’d like more friendship break-up stories. Sometimes those are bad and we have very little, if any, tools on how to deal with that compared with romantic break-ups. Fiction could do a much better job reflecting platonic relationships if it just… let them be as powerful and impactful as romantic ones. Ideally, I’d like it to happen without the relationship being likened to that of siblings too. We could do with more sibling relationships in fiction too, but not all platonic relationships are like that and I’d love to see fiction reflect a range of relationship types.
Fadwa: THANK YOU! Not all platonic relationships have to be likened to siblings. It’s not either romance or siblings, there’s such a wide variety of platonic relationships that just *are* and don’t need to be either.
Rosiee: THIS!!! We often treat anyone who isn’t related as potential romantic partners in fiction, and that’s just… not how it works. Friendships are so valuable, and so so powerful, and… I don’t know about the rest of you, but most of my good friends aren’t related to me.
Fadwa: Also, YES to more friendship break-ups!! I went through some very painful ones in my life, and I always felt like my pain was an overreaction because in all the media I consumed (and I consumed a lot), they were never given importance and romantic break-ups were just “the worst kind” whereas in my experience, friendship break-ups can hurt just as much, and more in some cases.
One relationship that has been major and somewhat pivotal in my life is my relationship with my best friend of nine years now. We were inseparable in high school, now life and school have taken us our separate ways -physically- but we’re still as close. There’s one thing to know about me, I’m touch-averse because of trauma, a lot less now than when i was in High school, but when I say that this friendship has been pivotal for me, it’s because this person is the one person I was okay touching me unsolicited for the longest time and we were very tactile at school, always hugging or holding hands or just having our arms around each other and not once has that relationship crossed into romantic or sexual territory and yet a lot of people sexualized it, asking us if we were secretly together, just because we were very affectionate towards each other and didn’t see a point in hiding it. And this is something I want to see more more: normalized affectionate touch in platonic relationships.
Claudie: The sexualization is awful, Fadwa. I get this with my best friend, too. He’s gay, but since we’re a man and a woman hanging out together and obviously very close, we keep getting called a couple.
Rosiee: I would love to see fiction reflect more relationships that aren’t treated like possible romances. There’s so much “shipping” that happens in fiction, where everyone is a possible love-interest, but I would love to see strong friendship-interests as well. And, similarly to Lynn, I’d love to see more friendship break-up stories… and then I’d love to see stories that also tackle repairing a broken friendship. In fiction, we see so many friendships that are just easy and require no work or effort, and those are often eclipsed by new romantic relationships.
One of the most impactful platonic relationships in my life is with a man, and what made this relationship so powerful was a combination of two things: 1. It was clear from the start, in no uncertain terms, that our relationship would never turn sexual or romantic because we had very different worldviews that would never be compatible in a relationship, and 2. We started our relationship off with what I thought was an irreconcilable disagreement, and then worked very hard to repair the wounds from that argument.
Claudie: Thank you so much everyone. This has been an amazing in-depth discussion, and I’m glad you joined us for it. If you haven’t done so at the start, please give us any social media, blogs, book buying links and etc. so we can link back to you properly!
Lynn: Ah, the age-old linking practice. XD [waves] I have a Patreon where I discuss academic papers about asexuality – send me your papers on aromanticism because I will pounce on them so fast lightning looks slow! – and my own writing, which features predominantly ace and aro characters.
Rosiee: Everyone should check out Lynn’s very good novel in verse, THE ICE PRINCESS’S FAIR ILLUSION! I loved it 😉 You can find me over on twitter @rosieethor or check out my work on rosieethor.com. If you like science fantasy featuring an aro/ace protagonist (and some sapphic lady romance too) you can pre-order my debut TARNISHED ARE THE STARS
Fadwa: I blog over on Word Wonders where I advocate for all things diversity in publishing, and am very active on my twitter and bookish instagram.
Claudie: Thank you everyone. And thanks to everyone who read through the roundtable, too! If you find yourself wishing to have more platonic fiction with aromantic characters, don’t forget to back our awesome kickstarter for Common Bonds!
Baker Thief by Claudie Arseneault
The Last 8 by Laura Pohl
Hullmetal Girls by Emily Skrutskie
The Lifeline Signal by RoAnna Sylver
Seafoam and Silence by Lynn O’Connacht
